Texas
Piecing Together the Story of Texas’s First Black-Owned Pottery
I chase ghosts! That is, I investigate the forgotten spirits and legacies of enslaved and free potters in Texas during and after the Civil War in the United States of America. This journey began with a 1991 conversation with my graduate advisor John Brough Miller, professor of ceramics at Texas Woman’s University in Denton, Texas, during which he shared the legend of John McKamie Wilson and enslaved potters in Seguin, Texas. Nearly a quarter century later, in 2014, an internet search led me to the website of the Wilson Pottery Foundation, created by the descendants of Hiram, James, and Wallace Wilson, the founders of H. Wilson and Co. Pottery. Three years later, in 2017, I attended the annual Wilson Pottery Show at the Sebastopol House in Seguin and was surprised by the amount of Wilson antique pottery on display and the number of collectors of it. I left the show with a heightened interest in the Wilson Potters.
In 2018, Tarrant County College District, where I was an assistant professor of Ceramics, awarded me faculty leave to research the H. Wilson & Co. Pottery, which is located in Capote, Texas, approximately 48 miles east of San Antonio and 12 miles east of Seguin. A search on Ancestry.com led me to a database of United States craftspeople ranging from 1600 to 1995, which lists Hiram Wilson as the founder of H. Wilson and Co. Pottery. Hiram was formerly an enslaved potter at the Guadalupe Pottery owned by John McKamie Wilson from Mecklenburg County, North Carolina. Scholars believe H. Wilson and Co. Pottery was the first business owned by an African American in Texas.
A deeper dive led to the other Wilson Potteries (designated as sites by the Texas Historical Commission, which identifies them by number) in the Capote area, including the aforementioned Guadalupe Pottery (41GU6), which was the first Wilson pottery site operated by John McKamie Wilson and his enslaved potters. H. Wilson & Co. (41GU5) was the second site, started by formerly enslaved potters from the Guadalupe site. The third Wilson pottery site (41GU4) was the Durham-Chandler Pottery, owned by Marion “MJ” Durham, a White man, and John Chandler, a formerly enslaved potter trained in the acclaimed Edgefield District of South Carolina. (These sites are often referred to as “First Site,” “Second Site,” and “Third Site” by collectors to help differentiate the pottery produced at each. Second Site pieces, for instance, are more valuable than First Site pieces.) After Hiram died in 1884, H. Wilson & Co. was believed to have merged with Durham-Chandler to become Durham-Chandler-Wilson. According to the United States Craftsperson Files database, Durham-Chandler-Wilson was founded in 1870, which may indicate that Hiram worked at the third site with James, Wallace, and other itinerant potters.

I propose that the relationship between these three sites might stretch back further than folklore holds. What if Marion “MJ” Durham and John McKamie Wilson’s families knew each other in Mecklenburg County, North Carolina? What if Durham was one of the primary investors in the Guadalupe Pottery with John McKamie Wilson? A partnership with Durham would support Wilson’s decision to build a pottery company in Capote. As a member of the Durham potting dynasty in South Carolina, the former certainly possessed the knowledge and pottery production skills to ensure a sound investment.
During my faculty development leave, I visited local historical societies, which were warm and informative. Some locations were rich in artifacts, whereas others had a wealth of documentation supporting the local community. On top of attending the 2018 pottery show at the Wilson Pottery Museum in the Sebastopol House in Seguin, I interviewed Wilson’s descendants, collectors, and others who shared various stories that led them to the show. One gentleman shared his salt-glazed one-gallon H. Wilson & Co. stamped pot he purchased at a thrift store in Austin, Texas. One notable takeaway from this interview session was how often collectors referenced San Antonio-based Texas pottery scholar and pediatrician Dr. Georgeanna Greer. She helped rediscover the Wilson potteries after the sites had been dormant for over 50 years; I discovered the depth of her research when I visited historical societies in East Texas. I was overwhelmed and excited to find letters written by her to local archivists requesting or sharing information on local pottery sites.

In 2020, I curated a solo exhibition in the Carillon Gallery at Tarrant County College South Campus in Fort Worth, Texas, which suggested a narrative and timeline to these potters by tracing the development of certain techniques. The centerpiece of the show, however, was not the ceramic pieces inspired by the Wilson potters and created for the exhibition, but rather the research identifying those who worked at one or more pottery sites seen via posters, including James and Wallace (and possibly Hiram) Wilson. Pots attributed to the first site, Guadalupe Pottery, suggests that Isaac and George Suttles, potters from Ohio, may have introduced the salt glazing technique found on pieces attributed to the first site’s pottery, as the practice originates from those trained in the North. The Suttles brothers later opened a pottery near Lavernia, Texas.
The discovery of this extensive pottery community in Capote redirected my focus toward East Texas, known as the entry point of Texas westward expansion. A visit to the William J. Hill Texas Artisans and Artists Archive was crucial to helping me collect information on East Texas potters. A visit to the Museum of Fine Arts, Houston’s Bayou Bend Collections and Garden was also helpful in allowing me to examine Wilson Pottery from all three sites. Through the former, I located a “Checklist of Texas Potters ca 1840-1940,” compiled by Bob Helberg. This list provided names of formerly enslaved potters in the East Texas region, such as Milligan Frazier, A. Prothro, Elix Brown, and Joseph Cogburn. This in turn opened up another world of research possibilities. What if the pottery of the shops praised for their magnificent work such as Guadalupe Pottery were actually produced by trained enslaved laborers instead of the shop’s namesake? In other words, did the early Texas potters continue the industrial enslavement system that made the Edgefield District community in South Carolina famous?
This research is just a start. As I journey from central Texas back to Edgefield, South Carolina, searching for pottery families who migrated west before 1860 with their enslaved labor, bits and pieces of sherds are coming together to recreate the life stories of these potters. A beautiful mosaic is beginning to emerge.








Texas
How the Top 25 Fared in Week 11 of Texas High School Football
The regular season ended for Texas high school football on Saturday with Richmond Randle being the final Top 25 team to play.
There was only one showdown of Top 25 teams in Week 11. Humble Summer Creek picked up a 27-0 win over Galena Park North Shore in what was a showdown of top teams in Houston.
This will be the final Top 25 fared of the season.
1. Southlake Carroll, idle
2. Allen beat Plano East, 45-6
3. Richmond Dr. Thomas E. Randle beat Rosenberg Lamar Consolidated, 56-7
4. Austin Lake Travis beat Austin, 40-14
5. Celina beat Lake Dallas, 48-7
6. Aledo beat Denton, 77-0
7. Fort Worth North Crowley beat Crowley, 27-6
8. Duncanville beat Cedar Hill, 29-0
9. Dallas South Oak Cliff beat vs. Dallas Thomas Jefferson, 48-0
10. Prosper beat Plano West, 62-28
11. Galena Park North Shore lost to No. 12 Humble Summer Creek, 27-0
FINAL: Humble Summer Creek Humbles Galena Park North Shore in District 23-6A Title Showdown; Scoring, Highlights
12. Humble Summer Creek beat No. 11 Galena Park North Shore, 27-0
13. Dripping Springs beat at Austin Westlake, 45-35
14. Carthage beat Brownsboro, 56-8
15. Spring Branch Smithson Valley beat Victoria East, 59-0
16. Dickinson beat Deer Park, 66-27
17. Fort Bend Ridge Point beat Fort Bend Austin, 70-22
18. Pearland beat South Houston, 69-0
19. Iowa Colony beat Texas City, 40-7
20. Denton Billy Ryan beat North Richland Hills Birdville, 52-7
21. Port Arthur Memorial, Idle
22. Prosper Walnut Grove beat Frisco Independence, 63-13
23. Brenham beat Belton, 49-28
24. Angleton beat Crosby, 31-7
25. Houston C.E. King beat Channelview, 76-7
Texas
‘Ain’t nobody here.’ Texas A&M takes pride in emptying another SEC stadium
Video takeaways from Missouri football’s 38-17 loss to Texas A&M
Here are our takeaways from Missouri football’s 21-point loss to Texas A&M on Saturday in Columbia, which eliminated Mizzou from CFP contention.
COLUMBIA, Mo. – Rueben Owens II scored his second touchdown late in the fourth quarter, and he looked into the stands expecting to see fans. He saw rows of empty seats.
“I was like, ‘Dang, there ain’t nobody here,” Owens, the Texas A&M running back, said.
That’s the sign of a rout in motion.
Then Owens shifted his gaze toward the southeast corner of Missouri’s Memorial Stadium. He saw packed stands in that nook. That’s where Aggies fans congregated and celebrated as No. 3 Texas A&M pulled away in a 38-17 romp over No. 17 Missouri.
“That just shows a lot of love from the 12th Man,” Owens said.
The wind whipped, and the temperature plummeted after the sun set. That tends to happen on fall nights in the Midwest. Combine the elements with the increasingly lopsided score, and most Missouri fans headed for warmth or to pursue something more pleasurable to the eye.
Those wearing maroon and white in the southeast corner still wouldn’t leave, even after the clock showed 0:00. They cheered and they chanted, and wide receiver KC Concepcion decided he’d join the party. He ascended the steps from the field and gave the fans what they wanted: another reason to chant and cheer.
“KC! KC! KC!” they chanted.
Aggies fans waited too long for a season like this.
It’s not finished yet, but pinch yourself, because it’s the second weekend of November, and Texas A&M hasn’t folded. To the contrary, these Aggies grow stronger. They’re undefeated. They’re on a march toward Atlanta.
Mike Elko reminded of why he took Texas A&M job
This is what’s long been expected of a program steeped in financial resources, blessed with gleaming facilities, backed by loyal fans and rooted in fertile recruiting terrain.
And it became a rite of summer we’d vault the Aggies into some lofty position in preseason polls. And it became a rite of November we’d say another Texas A&M team showed itself to be overhyped.
As one coach after another failed, we kept considering this a top-shelf job. Because, never mind the history, why shouldn’t this program succeed?
That’s what Mike Elko thought when he succeeded Jimbo Fisher.
“From a CEO perspective, obviously I believe this is what this program is capable of,” Elko said. “That’s why we’re here. We’re here because we believe in the ceiling of this program.”
“This is kind of what everyone had been talking about with this program for a long time,” Elko added. “For nine games we’ve lived up to it. Now, we’ve got to go finish.”
Mike Elko is done talking about the past
They’re already finishing better than how they did last season, when a three-loss November spoiled an otherwise solid debut to Elko’s tenure.
Throughout the offseason and into the preseason, one word became a mantra around the program.
Finish.
By now, Elko’s tired of hearing about last season’s collapse. When a reporter referenced the events of last November, Elko waved it aside.
“Is this our weekly last year question?” he said, a tad miffed at the query.
He’s also a tad miffed at his run defense. Missouri’s 207 rushing yards stood out as a blemish on this result. Asked how the Aggies handled the running back tandem of Ahmad Hardy and Jamal Roberts, Elko offered a succinct assessment.
“Awful,” he said.
An unfinished product, these Aggies, but an undefeated one.
“The culture of this group is really strong,” Elko said. “The work that they put into this thing is really strong. They believe in each other, and they believe in what we’re doing.”
Texas A&M’s vulnerabilities on defense help explain why the College Football Playoff committee ranked it behind Ohio State and Indiana, even though the Aggies own better strength of schedule and strength of record metrics.
That feedback from the committee “motivated us a lot,” linebacker Daymion Sanford said. The Aggies allowed fewer points against Missouri than they did in their past two wins, but an asterisk accompanies that achievement. Missouri started its third-string quarterback, Matt Zollers, and its pass game became a conquest of incompletions.
Why let asterisks and caveats interfere with a celebration in the stands, though? Just as Texas A&M did at LSU, the Aggies kept scoring until the stands cleared, ‘til all who remained supported the road team.
“I love to see that,” Sanford said. “With our fans, it almost feels like it’s a home game for us, every time we clear out the fans.”
That leaves one road game on Texas A&M’s schedule. It will play at rival Texas on Black Friday.
That leaves one to wonder, when Owens looks into the stands in Austin late in the fourth quarter, what will he see?
Blake Toppmeyer is the USA TODAY Network’s senior national college football columnist. Email him at BToppmeyer@gannett.com and follow him on X @btoppmeyer.
Texas
Appeals court says Texas can enforce drag show ban, suggests not all drag shows violate state law
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A federal appeals court has ruled that Texas can enforce a 2023 law that prohibits drag shows in public or when children are present, although the ruling indicates that the judges do not believe all drag shows would be restricted under the measure.
Senate Bill 12 bans drag performers from dancing suggestively or wearing certain prosthetics on public property or in front of children. Business owners could face a $10,000 fine for hosting these performances, and performers who violate the law could be slapped with a Class A misdemeanor.
A three-judge panel in the Fifth U.S. Circuit Court of Appeals on Thursday reversed an earlier decision by a district court, returning the case to the district court, according to The Texas Tribune.
In Thursday’s decision, the judges ruled that most of the plaintiffs, which included a drag performer, a drag production company and pride groups, were not found to have planned a “sexually oriented performance,” meaning they could not be harmed by the law that seeks to restrict sexually explicit dances, the outlet reported.
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Senate Bill 12 bans drag performers from dancing suggestively or wearing certain prosthetics on public property or in front of children. (Patrick Lantrip/Daily Memphian via AP, File)
The ruling also suggests that the court does not believe all drag shows are sexually explicit and, therefore, are not impacted by the ban.
In September 2023, U.S. District Judge David Hittner ruled that the law was unconstitutional, writing that it “impermissibly infringes on the First Amendment” and that it is “not unreasonable” to believe it could affect activities such as live theatre or dancing.
Critics of the ban have previously argued that GOP lawmakers were attempting to label all drag shows as sexually explicit, as Republicans continue to target the performances in Texas and several other states.
The court found that performances described by a drag production company are arguably sexually explicit, although the ruling does not specifically state which actions were included.
APPEALS COURT ALLOWS ARKANSAS’ FIRST-IN-THE-NATION BAN ON GENDER TRANSITION CARE FOR MINORS TO BE ENFORCED
The ruling suggests that the court does not believe all drag shows are sexually explicit and, therefore, are not impacted by the ban. (Brandon Bell/Getty Images)
“When asked whether the performers ‘simulate contact with the buttocks of another person,’ the owner testified that the performers sit on customers’ laps while wearing thongs and one performer invited a ‘handsome’ male customer ‘to spank her on the butt,’” the ruling said. “When asked whether the performers ‘ever perform gesticulations while wearing prosthetics,’ the owner testified that in 360 Queen’s most recent show, a drag queen ‘wore a breastplate that was very revealing, pulsed her chest in front of people, (and) put her chest in front of people’s faces.’”
Judge Kurt Engelhardt also wrote in a footnote that there is “genuine doubt” that these actions are “actually constitutionally protected —especially in the presence of minors.” He was joined by Judge Leslie Southwick, while Judge James Dennis disagreed.
“That gratuitous dictum runs headlong into settled First Amendment jurisprudence and threatens to mislead on remand,” Dennis wrote in his partial dissent.
The court also removed most of the defendants from the case before sending it back to the district court to reconsider a part of the measure that centers on the Texas attorney general’s job in enforcing the law.
Texas Attorney General Ken Paxton praised the ruling, saying in a news release that he “will always work to shield our children from exposure to erotic and inappropriate sexually oriented performances.”
Texas Attorney General Ken Paxton praised the ruling, saying he “will always work to shield our children from exposure to erotic and inappropriate sexually oriented performances.” (Hannah Beier/Bloomberg via Getty Images)
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“It is an honor to have defended this law, ensuring that our state remains safe for families and children, and I look forward to continuing to vigorously defend it on remand before the district court,” he said.
The plaintiffs and the ACLU of Texas, which represents the plaintiffs, described the ruling as “heartbreaking,” adding that they plan to continue fighting the law.
“We are devastated by this setback, but we are not defeated,” they said in a joint statement. “Together, we will keep advocating for a Texas where everyone — including drag artists and LGBTQIA+ people — can live freely, authentically, and without fear. The First Amendment protects all artistic expression, including drag. We will not stop until this unconstitutional law is struck down for good.”
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