Louisiana
A red state reckons with Trump’s ‘big, beautiful bill’
WALKER, La. — Few states stand to lose as much from the megabill that President Donald Trump signed into law as Louisiana.
With more poverty and disease than most of the country, Louisiana relies heavily on Medicaid benefits going to people who lack the means to cover a doctor’s visit on their own.
That fragile lifeline is now in jeopardy.
The “Big Beautiful Bill” that Trump muscled through Congress chops Medicaid spending by nearly $1 trillion over the next decade.
Out of sheer self-interest, Louisiana might seem a state that would fight to preserve Medicaid. About 35% of Louisianans under the age of 65 were covered by Medicaid in 2023, the most recent year data was available. That figure is the second highest among the 50 states, according to KFF, a nonpartisan health policy organization.
The state voted heavily for Trump in the 2024 election and, polling shows, appreciates the job he’s doing as president.
Louisiana loves Trump but needs Medicaid. How does a deep-red state reconcile the two?
Interviews with a dozen Louisianans, most of whom supported Trump, suggest that many in the state have absorbed the arguments that Trump and his congressional allies used to sell the bill. A few warning signs for Trump emerged. Some of his voters aren’t thrilled with what they describe as his bombast or are skeptical the measure will live up to its grandiose title.
“He’s a jacka– — he’s the best jacka– we’ve got,” said Jason Kahl, 56, wearing a shirt decorated like the American flag during a July 4 celebration in Mandeville, on the north shore of Lake Pontchartrain.
“A lot of times he says things that we’re thinking, but don’t want to say out loud,” Lydia DeRouen, 66, a customer at Cat’s Coffee and Creamery in DeRidder, Louisiana, said on a recent morning.
The state’s embrace of the new law points to a dynamic prevalent in the Trump era: If he says he wants something, that’s good enough for many of his voters.
“I just support President Trump. Most everything he’s doing, I’m in on it,” said Sue Armand, a 65-year-old retiree who attended a recent festival at a park in Walker, a city outside the state capital of Baton Rouge.
Nationwide, the act will reduce the number of people receiving Medicaid by nearly 12 million over the next 10 years, the largest cutback since President Lyndon Johnson created the program 60 years ago as part of his “Great Society” agenda.
Among the bill’s provisions are requirements that those between 19 and 64 years old work a minimum of 20 hours a week unless they are caring for a child or are disabled. The bill also limits states’ ability to raise certain taxes to help pay for their share of Medicaid programs, which could cause cuts across the board.
Real-world consequences could prove dramatic.
“A lot of people who will be impacted the most negatively are Trump voters,” said Silas Lee, a New Orleans-based pollster.
“We see that in different parts of the nation, where many other communities that supported Trump will experience severe cuts in services that are critical to their survival,” Lee added.
Alyssa Custard of New Orleans worries what the wider cuts to Medicaid funding will mean for her family. Her 88-year-old mother suffers from dementia and goes to an adult day care center in New Orleans.
Custard’s mother, who worked as a preschool teacher most of her life, has little retirement savings and not enough to pay for long-term, private in-home care.
Custard and her siblings have been providing care themselves and have been able to keep working because of the adult day care program. But that funding could now be in jeopardy with the cuts to Medicaid.
“My mom worked taking care of other people’s kids in the educational system for 50 years,” Custard said. “She paid into all these things, and now, when it’s time for her to reap the benefits of what she paid into for a long time, you have this bill that is taking this away from her and all the other people.”
A talking point that proponents used to pass the bill was that Medicaid is rife with abuse and that the changes would expel undeserving recipients from the rolls.
House Speaker Mike Johnson, a Trump loyalist who helped steer the bill through Congress, represents a swath of western Louisiana where nearly 25% of adults under 65 rely on Medicaid.
Johnson has suggested that beneficiaries include able-bodied people who won’t work and are thus “defrauding the system.”
“There’s a moral component to what we’re doing. And when you make young men work, it’s good for them, it’s good for their dignity, it’s good for their self-worth, and it’s good for the community that they live in,” he said in May.
That justification rings true to many in his home state, who believe that federal benefits more broadly are going to the wrong people.
Jason Wallace, 37, an accountant working a “Nibbles and Noshes” stand at the Walker festival, said that when it comes to Medicaid, “Some of the stuff I’ve heard about [the new law is that it is] trying to keep illegals from taking advantage of our benefits that they don’t pay into at all.”
A common belief is that taxpaying citizens are getting shortchanged, giving rise to feelings of umbrage that Trump has managed to harness.
The new law also makes cuts to a food assistance program known as SNAP. Along with Medicaid, Congress pared back SNAP benefits to create savings that would help offset the cost of extending the tax cuts Trump signed in his first term.
“You go stand in line and the lady in front of me has her nails done, her hair done and she’s got food stamps. I work too hard for what I get,” said Charles Gennaro, 78, who was among those on the Lake Pontchartrain shoreline in Mandeville on July 4 as a bluegrass band played on an outdoor stage.
“People come into this country for no reason and get things that they shouldn’t get,” he added.
Nancy Adams, 50, who also turned out for the celebration in Mandeville, said: “I’m a single mom. I raised my daughter, struggling every day. And yet these illegals come in and they can get everything. I’m paying for them. But I’m struggling to raise my daughter and I don’t qualify for food stamps or anything.”
Independent analyses of the Medicaid program show that most recipients are already employed. KFF released a report in May showing that in 2023, nearly two-thirds of those under 65 receiving Medicaid and not other forms of federal aid were working full or part time. Those who lacked jobs cited reasons that included school attendance, care-giving duties, illness, disability or other causes.
A separate KFF report that month showed that 95% of Medicaid payments last year were made properly, while the vast majority of improper payments sprang from paperwork errors or administrative actions.
Robin Rudowitz, director of KFF’s program on Medicaid and the uninsured, cited government estimates that 10 million people could lose health insurance coverage under the new law.
“These are not people who were fraudulently on the program,” she said.
Heading toward DeRidder in the western part of the state, a driver sees billboards advertising legal services for those who’ve endured car wrecks or injury or are in bankruptcy. A city of about 10,000, DeRidder is part of Johnson’s congressional district.
A Walmart in the city was doing brisk business last Sunday, with people stocking up on groceries and supplies. Some customers of varying ages weren’t ambulatory and used motorized carts. Outside the store, Don Heston, 41, who works in the oil and gas industry, described Medicaid as a “great idea,” but one that “needs serious rework.”
“Lots of people who are on it shouldn’t be. You have people that have paid into it their entire life. They’re physically messed up. They can’t work any more and they can’t get it. But you have people who have never worked a job with any meaning and they’re getting it that quick” he said, snapping his fingers, “because they know the ins and outs of the system.”
Weeding out those who are abusing the program might be a worthy goal, but Medicaid advocates worry that cuts won’t be made with such precision. Those who truly need the help may get caught up in the purge, according to Keith Liederman, CEO of Clover, the organization that serves Alyssa Custard’s mother.
“In the state of Louisiana, it’s many of the same staunch supporters of our president who are going to suffer as a result of this bill, and especially in rural areas of our state, of which there are many, many struggling individuals and families, many of whom are supporters of the president,” Liederman said.
Clover is bracing for severe cuts that could cause it to shutter its adult day care service entirely, Liederman added.
“It’s confounding to me how so many people throughout our country, when they think about people who are economically poor and struggling, think that there’s something wrong with them, that they’re not trying hard enough, that they’re not working hard enough, that they’re shirkers trying to abuse the system,” he said.
“That couldn’t be further from the truth based on my direct experience in working with thousands of people who are in these positions. I’ve never seen people who work harder and who are trying harder to get out of poverty than the people that we serve and so many others in our community.”
If health centers that rely on Medicaid patients are forced to close, it will affect patients with other forms of health insurance as well, who also rely on those providers in their community.
At the David Raines Community Health Centers in northwest Louisiana, which includes several clinics in Johnson’s district, officials are preparing to make cuts to their services as they anticipate a significant drop-off in the number of their patients with health insurance as a result of changes in the bill, David Raines CEO Willie White said.
“It really is going to be devastating, to say the least, for the patients that we serve and for other community health centers as a whole, as to how we’re going to be able to continue to provide the level of access that we currently provide,” White said. “I’m just not sure how it’s going to work.”
Clocking in at nearly 900 pages, the act brims with policy changes that will take time for voters across the country to digest. Trump directed Republican lawmakers to pass it by July 4, and they complied. So far, the bulk of this pro-Trump state seems pleased that they did. But some who voted for Trump are waiting and watching. They know the new law is big; they’re just not sure yet whether it’s beautiful.
Jennifer Bonano, 52, is a retail clerk who came to the festival in Walker. Sitting in her folding chair, she said she voted for Trump but isn’t persuaded yet that the new law is all that was advertised.
“You don’t want the people that need the Medicaid and that need the food assistance to be suffering,” she said.
As for the vote she cast back in November, she said: “I’m still wondering.”
“You don’t know just yet what the outcome is going to be, because with Trump he doesn’t know when to hush,” Bonano said. “You don’t know if it’s going to be good outcome or a bad outcome, anything he does.”
Louisiana
Louisiana’s Dr. Ralph Abraham named CDC Principal Deputy Director
BATON ROUGE, La. (KALB) – Louisiana’s top health official is stepping down from his post to take on a new role at the Centers for Disease Control and Prevention.
Dr. Ralph Abraham, Louisiana’s Surgeon General, will serve as the agency’s principal deputy director.
A spokesperson for the Department of Health and Human Services confirmed the appointment to NBC News, though it hadn’t been made public as of Tuesday, Nov. 25.
Earlier this year, Abraham directed Louisiana’s Health Department to cease promoting mass vaccination, advising patients to consult their doctors about vaccinations instead.
This internal memo, dated February 13, coincided with Robert F. Kennedy, Jr.’s swearing-in as HHS Secretary.
Meanwhile, the CDC has been without a permanent director since August, when Kennedy removed Dr. Susan Monarez.
Governor Jeff Landry has not yet announced a successor to Dr. Abraham.
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Copyright 2025 KALB. All rights reserved.
Louisiana
Louisiana State Police urge safe driving during Thanksgiving travel
MONROE, La. (KNOE) – Louisiana State Police is reminding families traveling for Thanksgiving to make driving safety a priority.
LSP said holidays are for fellowship and gratitude, not tragedies on the roadways.
State Police ask drivers whose holiday festivities involve alcohol or any substance that can alter their driving ability to make transportation plans beforehand. They recommend planning a different ride, or using a designated driver and public transportation options to prevent impaired driving.
LSP urges all drivers to wear seatbelts, saying it can make the difference between life and death. They also encouraged everyone to buckle up before the vehicle moves.
Anyone who sees reckless driving or hazardous road conditions should call LSP (*577) and report to any State Police headquarters.
Copyright 2025 KNOE. All rights reserved.
Louisiana
Louisiana actor Monti Sharp looks back at 1990s ‘Guiding Light’ role
More than 30 years after his Emmy-winning turn on “Guiding Light,” Monroe native Monti Sharp still remembers the moment that changed his life − when a small-town actor heard his name called on national television.
“And the winner is − Monti Sharp from Guiding Light.” The words, spoken by “The Young and the Restless” actress Kimberlin Brown at the 1993 Daytime Emmys at New York City’s Marriott Marquis Hotel, are still embedded in Sharp’s memory.
“Something shot through me and my body jerked,” he said. It took his “Guiding Light” co-star Amelia Marshall − his onscreen sister − to give him a little push toward the stage.
“It was a very surreal moment,” Sharp said. “It was just all kind of a real enchanting time. Huge surprise to me.”
From Ouachita Parish to daytime TV
Sharp, the youngest of five children born to an attorney and educator, described himself as a “ferocious reader” who spent weekends at the Ouachita Parish Library devouring books. It was there, he said, that he discovered Richard Corson’s “Stage Makeup” − the book that first opened the door to the world of theater and set him on his artistic path.
“I was just fascinated by that book and I checked it out and I kept it for quite a while until they came out a subsequent edition − third, fourth and fifth edition,” Sharp said. “I used to send away for catalogs where I could order things like nose putty and all these different things. I just wanted to try them out. I think that opened my mind up to the reality of theater.”
He spent several years on the road performing in regional theater before landing the role of David Grant on “Guiding Light.” He said he a casting director saw him in a production at The Public Theater in New York City and left a note in his mailbox alerting him about an audition she thought he should pursue.
“I think my manager or my agent at the time reached out and they scheduled the audition ,” he said. “That was a whole new audition process to me. Totally different from auditioning for theater. So I went into it with a kind of − looking back − naive view of it. I thought ‘I’m used to audition for plays. Ok’ but that process lasted a long time and eventually got to the point where we did a screen test. I showed up to the studio to do a screen with Nia Long and that was kind of interesting because I didn’t have the role but I knew I was this close. I think there was maybe two other guys there. I think Flex Alexander [and] I forget the other gentleman’s name. So I did it. I just had fun and we just really got along very well and then I went home and I just kind of forgot it because I was doing plays and other stuff.”
Sharp said his agent called and asked him to come by the office, delivering the news in person that he had won the role. Hearing he’d gotten the part was “exhilarating,” Sharp said.
Sharing the screen with Nia Long and more about Sharp’s turn in Guiding Light
Sharp’s first major storyline on “Guiding Light” centered on a forbidden romance between his character and Kat Speakes, portrayed by Long. The relationship put his character at odds with Kat’s father, Hampton Speakes, who was dating David’s sister, Gilly Grant. The storyline ultimately cemented his Emmy win.
“My character was introduced on the show as sort of this mysterious guy who no one really knew if he was a good guy or a bad guy,” he said. “Kat and I ran away together and we spent the summer on the run, trying to be in love and escape her father [and] the community who thought I was bad. That was a pretty exciting entrance. They really milked that entrance of my character and played into the mystery and all that and I think that’s what really captured people put me in the position to be nominated certainly.”
Sharp believes audiences connected with his earnest portrayal of David Grant because he approached the role with the discipline shaped by his theater background. Sharp said he was determined to do more than simply show up, tape his scenes and collect a paycheck. He wanted the work to matter, he said, and approached the role with a genuine effort to find artistic and theatrical meaning in it.
His portrayal helped cement his character’s fanbase and earned him the 1993 Soap Opera Digest Award for Outstanding Male Newcomer in addition to his Emmy. He was also named one of TV Guide’s ‘Soaps’ Sexiest Stars’ and went on to receive additional Emmy and Soap Opera Digest Award nominations.
Coming from the theater, Sharp said he and like-minded co-stars “were like magnets,” pushing one another to elevate the material beyond soap-opera conventions.
“It’s a very, very fast and very demanding workflow,” Sharp said. “Very different from any other type of work, certainly episodic television where you might be doing one script that whole week as opposed to one script per day.”
What Monti Sharp noticed about the treatment of Black daytime actors in the 90s
Sharp said the soap world of the early 1990s didn’t feature many Black actors as central characters, and issues surrounding race sometimes surfaced behind the scenes.
“There were some wild things that happened that needed to be dealt with,” he said. He approached those situations “not combative, but pretty cocksure,” a stance he believes challenged the show’s writers and producers to respond in kind.
Sharp said he began noticing that Black daytime actors weren’t getting the same visibility as white actors. Walking past newsstands, he said, he would see Black magazines featuring Black talent, but white publications almost never featured them on the cover unless they were part of a group, which he said was rare.
“There was a lot of segregation in the coverage and in the presentation of the product to the public,” Sharp said. “I recall we were doing these − because I was popular at the time − we were doing these public appearances. Go Maine for a couple of hours and sign some autographs with other people from the show and I went on one of these things at some point with a popular character from another show and we just started talking about what a gig this was and he said something like ‘Can you believe for like two hours we’re getting x amount of dollars’. I was like ‘You’re getting ‘X’ amount’. He was like ‘How much you’re getting?’ I said ‘I’m getting ‘Y’ amount’.”
Sharp said that when he questioned the pay gap, he was bluntly told that Black talent did not earn the same as white actors − even with his rising popularity and recent award wins. He recalled being told he should feel “fortunate” to be invited to fan events and was asked whether he wanted to continue, a response he described as a “gut punch.” Sharp said it was one of the first moments that ‘soured’ his relationship with the industry.
Despite his award wins, Sharp’s character’s storylines and screen began to shrink. When he said he raised questions, he was told a major story was coming − one that never materialized. He recalled speaking with one of the show’s writers who later confided that they had been fired after pushing for more material for Sharp and the actress who played his onscreen sister.
Beyond Guiding Light
Sharp’s post-“Guiding Light” career spanned daytime, film, and primetime television. He took on roles in “As the World Turns” and “General Hospital,” appeared in the film “Dead Presidents,” and made guest spots on shows ranging from “ER” and “Modern Family” to “NCIS: Los Angeles,” “How to Get Away with Murder,” and most recently “9-1-1.”
Sharp said these days, between television and film auditions, he has shifted more of his creative energy towards visual art − a passion that long sat in the background of his acting career but moved to the forefront during the pandemic.
He returned to Monroe in February 2024 to exhibit his work at the Northeast Louisiana African American Heritage Museum.
For updates on his artwork, he encourages visitors to join his mailing list at sharpartstudio.com.
Follow Ian Robinson on Twitter @_irobinson and on Facebook at https://bit.ly/3vln0w1.
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