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Atlanta, GA

The Atlanta Center for Photography takes flight

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The Atlanta Center for Photography takes flight


Compositional Thoughts: Tracing Beinecke by Davion Alston, exhibiting through April 27 at the ACP Project Lab

Courtesy of Davion Alston and the Atlanta Center for Photography

What do outré Pink Flamingos director John Waters and poetic R.E.M. frontman Michael Stipe have in common?

Both have a side hustle as photographers. And both have visited Atlanta to talk about their artistic vision and share this under-the-radar side of their creative output. For 26 years, creatives like Waters and Stipe (along with such photo luminaries as Annie Leibovitz, Gregory Crewdson, and Larry Sultan) have come to Atlanta at the behest of one of the city’s formative arts organizations: Atlanta Celebrates Photography.

Founded in 1998, the organization’s goal is to promote Atlanta’s importance as a photo-centric town. “It has become an integral part of a pretty strong photography community,” says Joe Massey, an arts patron and early supporter of Atlanta Celebrates Photography through his family’s H.B. and Doris Massey Charitable Trust.

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Atlanta Celebrates Photography is best known for its annual monthlong photography festival in October. “The festival allowed people from all walks of life, no matter what they do, who have a love for photography to discover Jackson Fine Art, the High Museum of Art, Spelman College Museum of Fine Art, all these places that they may not normally go,” says Amy Miller, who helmed the organization for 14 years. “That was one of the most important aspects of the festival.”

But, like so many arts organizations dealing with a changing funding landscape (as in, less money to go around from grant sources), Atlanta Celebrates Photography has recently reinvented itself, moving away from its focus on the signature festival. (The festival will remain, but with a shorter run.)

Rebranding as the Atlanta Center for Photography, the reimagined organization will feature a more year-round approach. That mission is anchored in its first brick-and-mortar gallery space, on buzzy Edgewood Avenue across the street from Staplehouse. Large windows on a busy street make the tiny, 300-square-foot ACP Project Lab the perfect venue for a driving city, a beacon for rotating exhibitions of photo-based work, including that of recent Yale MFA grad Davion Alston, whose solo show exhibits through April 27.

And there’s more to come, says the organization’s new executive director, Lindsey O’Connor. She has held positions at the High Museum of Art and New York City’s Whitney and Guggenheim Museums. O’Connor says audiences should look for further expansion by the ACP in 2024; the organization supports an emerging artist fellowship and recently earned W.A.G.E. certification to ensure fair wages for their artists. She hopes to soon offer artists’ studios, community education classrooms, and perhaps even a photo printing lab for community members.

The shift in focus comes after some organizational flux following Miller’s 2021 departure. She is now the director of institutional advancement for another beleaguered Atlanta arts institution, Art Papers, which has announced plans to sunset in 2026. “Post-pandemic realities for arts organizations, particularly in the Southeast, are dire,” says Miller.

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Massey agrees. “Growing any arts organization, any nonprofit arts organization outside of the Woodruff Arts Center, it’s hard,” he says.

O’Connor understands the financial challenges that small and midsized arts organizations face. “But it’s not like there’s not money here,” she says. “I try not to dwell on the scarcity and to really focus on the potential for abundance.”

This article appears in our March 2024 issue.

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Atlanta, GA

Same DNA, new address: Muchacho expands to West Midtown

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Same DNA, new address: Muchacho expands to West Midtown


Photo by Luke Beard

When Muchacho first opened along the Atlanta Beltline and Memorial Drive, it became known as a place shaped as much by its surroundings as by its menu. That site, housed in a 100‑year‑old train depot, set the tone for how the brand approaches expansion: start with the bones of a building, then let the space tell the story. The newly opened Muchacho West Midtown follows that same philosophy.

“We like to celebrate unique attributes of each property and work with the palette we’re given,” says founder and owner Michael Lennox. While the original Muchacho is defined by its long, narrow footprint and Spanish tile roof—features reminiscent of its former life as a train depot—the West Midtown location leans into an industrial past rooted in automotive culture: a former Meineke car care shop. Big windows reference former garage doors, while retro racing details appear inside.

Inside Muchacho on the Westside

Photo by Luke Beard

Still, the connective tissue between the two locations is clear. Both spaces draw heavily from Muchacho’s Southern California skate‑and‑surf roots. At Muchacho West Midtown, familiar playfulness appears via a blue‑orange‑yellow racing stripe pattern, a three‑dimensional pegboard gallery wall used to hang art and plants, and vintage Meineke signage. A life‑size cardboard cutout of George Foreman, once the pitchman for Meineke, underscores Lennox’s willingness to lean into humor and nostalgia. “It’s a playful brand,” he says.

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A functional halfpipe for skateboarding anchors the outdoor experience and will double as a performance space for bands and DJs. In about a month, a 4,000‑square‑foot “tropical secret garden” with tall bamboo lining the perimeter will open on the south side of the property. Another 1,500 square feet of patio space wraps the west and north sides, currently welcoming about 80 guests. Altogether, the West Midtown location will accommodate about 215 guests, making it comparable in size to the original, with a little more outdoor space.

Crispy chicken sandwich

Photo by Luke Beard

Muchacho West Midtown opened with the same core menu that made the Beltline location a staple: tacos, breakfast burritos, coffee, cocktails, and beer. Standouts like migas, chilaquiles, carne asada, and al pastor continue to be available. Over time, however, Lennox says each location is expected to develop its own personality, driven by the chefs who have “a pretty wide creative latitude.” Chef Betty Aparicio, formerly of Chido & Padre’s, steers the kitchen on the Westside.

“We want to nurture some immediate familiarity while providing space for some special moments you can only have at each location,” Lennox says.

Margarita

Photo by Luke Beard

One of these special moments will take place April 4 at a grand opening party dubbed MuchachoFest. Expect bands, a fortune teller, a mini skate park in parking lot, food and drink specials, and giveaways. “It’s going to be a fun day in West Midtown,” Lennox says.

A third Muchacho location will debut in the old Revival space in Decatur this summer. In addition, the Electric Hospitality team is bringing Ladybird Grove & Mess Hall to the Westside. Slated to launch in May on 11th Street, the convivial restaurant and bar will feature a 5,000-square-foot courtyard with an airstream bar, stage, and Crepe Myrtles, and a 45-seat island bar inside. Formerly a single-story warehouse from 1950s or ’60s, Ladybird West Midtown will offer the same food and beverages as its Eastside sibling with room for the chef and mixologist to add their unique touches.

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Atlanta, GA

Buckhead apartment building evacuated due to dangerous carbon monoxide levels

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Buckhead apartment building evacuated due to dangerous carbon monoxide levels


A Buckhead apartment building was evacuated for a time late Tuesday night due to a carbon monoxide alarm. 

What we know:

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The incident occurred at an apartment complex in the 2900 block of Pharr Court South. 

According to Atlanta Fire Rescue, firefighters are investigating elevated carbon monoxide levels.

The entire building was evacuated as a precaution. 

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One person was evaluated at the scene for possible carbon monoxide exposure. 

Crews ventilated the building while they looked for the source.

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Firefighters say they were able to finally locate the source and contain it.

Once readings were back to a safe level, residents were allowed back inside the apartments.

What we don’t know:

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It remains unclear how many residents were displaced by the evacuation. 

The Source: The details in this article come from the Atlanta Fire Rescue.

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2 arrested in deadly drive-by shooting of 7-year-old Atlanta girl, police say

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2 arrested in deadly drive-by shooting of 7-year-old Atlanta girl, police say


Two suspects in a shooting that left a 7-year-old Atlanta girl dead and her mother injured are now in custody nearly a week after the violence, police say.

The shooting happened around 9:45 p.m. on Feb. 24 at a home on the 2200 block of Tiger Flowers Drive NW.

Investigators believe the shooting stemmed from a dispute between one of the victim’s family members and the gunman over the phone. Thirty minutes after the argument, the suspect came back and fired shots into the home, police said.

Officers responding to the scene found a 44-year-old woman and her daughter, identified as 7-year-old Zoe Price, shot. Medics rushed the pair to a local hospital, but Price died from her injuries.

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Atlanta Police Chief Darin Schierbaum said the department’s homicide unit secured an arrest warrant for 19-year-old Preston Smith two days after the shooting. Smith turned himself in to the Fulton County Jail on March 2.

Schierbaum said officers executed a search warrant on Feb. 27 at a home on McDaniel Street. On that day, 17-year-old Steven Richardson, who police described as an “accomplice,” turned himself in to authorities.

Both men are charged with murder, criminal attempt to commit murder, three counts of aggravated assault, second-degree criminal damage to property, possession of a firearm during the commission of a felony, and four counts of third-degree cruelty to children. Richardson is also charged with possession of a Firearm by a Person Under 18.

At a press conference to announce the arrests, Atlanta Mayor Andre Dickens described Price as a bright and compassionate little girl who was “full of energy and full of joy.”

“Her life was cut short in an act of senseless violence, and that loss is not abstract. It is a chair that is going to be missing at the dinner table each night. It is an empty classroom seat next to her friends,” Dickens said.

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The mayor called the arrests “a step forward towards justice” for Price’s family and families across the city.

Dickens said that violence, like the act that took Price’s life, would not be tolerated in Atlanta.



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