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Atlanta west? In Anaheim, ex-Braves fill the roster and staff as Angels seek winning culture

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Atlanta west? In Anaheim, ex-Braves fill the roster and staff as Angels seek winning culture


Just days before the start of the season, the Los Angeles Angels and Atlanta Braves made a trade. It was their seventh deal in the last 11 months.

It was a swap of two once-promising, now-struggling pitchers. Ian Anderson to the Angels. José Suarez to Atlanta. Both joined the big league clubs to get their shot at a fresh start.

Neither one was very good.

Today, the pair are in the bullpen of the Gwinnett Stripers, Atlanta’s Triple-A affiliate. The Braves re-claimed Anderson on waivers after the Angels DFA’d him.

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Their teammates in Gwinnett include nine other players who have been in the Angels organization in the last four years, including seven who made the Angels’ major league roster. Gwinnett is a who’s who of names that didn’t work out in Anaheim.

That isn’t just some weird coincidence. It’s emblematic of a unique dynamic between the two clubs, one that’s grown even more notably over the last calendar year. And a relationship that appears rooted in the Angels’ attempt to emulate Atlanta’s sustained success.

The Angels’ front office, coaching staff and roster are populated with former Braves. The roots of their comfortable dynamic stem from the history of Angels GM Perry Minasian, who took over in 2020 after spending four years as an assistant GM under Braves president of baseball operations Alex Anthopoulos in Atlanta; the pair also worked together for seven years in Toronto.

There is no effort in place to consciously acquire players or staff from the Braves, Minasian said; he and Anthopoulos know each other well, of course, but anything beyond that is circumstantial.

“Me personally, I don’t see any type of connection, outside of familiarity with the person who runs the team,” Minasian said. Anthopoulos declined an interview request.

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Perry Minasian has been GM of the Angels since November 2020. (Elsa / Getty Images)

Some others see it differently. Joe Maddon managed the Angels from 2020 to 2022. The club fired him in June of 2022, after a 12-game losing streak. That October, he released a book, “The Book of Joe: Trying Not to Suck at Baseball and Life,” that offered a firsthand account of his experience with the early years of the Minasian front office:

“A lot of things were related to ‘We did it this way with the Braves,’” Maddon wrote.

If that were the case, it’s easy to see why they’d look to Atlanta. The Angels haven’t had a winning record in a decade. The Braves, on the other hand, have been to the playoffs the last seven seasons and won a championship in 2021. And by now the list of hires, trades, and signings is so extensive that Braves lineage — and by extension Braves ideas, methods and culture — run deeply through the Angels organization.

The Angels’ coaching staff is led by manager Ron Washington, who spent seven years as the Braves’ third base coach, leaving only when he was hired to manage the Angels. Additionally, base running coach Eric Young Sr., infield coach Ryan Goins and assistant pitching coach Sal Fasano all come from the Braves.

Head athletic trainer Mike Frostad has Atlanta roots. So do senior director of research and development Michael Lord, assistant field coordinator Sean Kazmar Jr, pitching coordinator Dom Chiti, and since-fired Angels assistant GM Alex Tamin.

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The Angels have routinely signed players with ties to the Braves. It’s a practice that dates to Kurt Suzuki, Minasian’s second big league signing as Angels GM. He came as a backup catcher, two years removed from two great seasons with the Braves. He remains with the Angels, currently as a front office advisor.

Just this offseason, the Angels traded for Jorge Soler, signed Travis d’Arnaud, traded away Davis Daniel, traded away Michael Peterson, traded for Angel Perdomo and made the aforementioned Suarez-Anderson swap. They recently signed reliever Hector Neris, who started the season in Atlanta.

Some big trades, more small trades, but always a high volume of deal-making. The two teams have even engaged in significant salary dump trades, with the Angels unloading Raisel Iglesias’ contract in 2022, as well as David Fletcher and Max Stassi the year after.

One could argue that the Angels’ most consequential trades of the Minasian era have been with the Phillies. But at just four trades in five years, their volume of transactions pales by comparison.

Since May of last year, the Angels have made 14 trades; seven of them have been with the Braves. Since Minasian’s tenure began in November of 2020, 11 of the 46 total swaps have come with Atlanta.

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Despite the extreme volume, it’s not as though the Angels are attempting to be an exact replica of the Braves. They do employ people all across the organization who came from different franchises. Some with Atlanta ties were known to Minasian in previous stops.

And quite clearly, the results have been different.

The Angels have yet to win more than 77 games under the current front office. That continues a streak of losing seasons that started under Minasian’s predecessor, Billy Eppler, who ran the team over the 2016 to 2020 seasons without posting a winning record. Last year, the Angels finished with a franchise-record 99 losses. They’re on pace to finish 72-90 in 2025, following a weekend sweep of the Dodgers.

“Invest,” Angels DH Jorge Soler said flatly when asked how the Angels reach the Braves’ level. Soler was the World Series MVP in 2021 for Atlanta. “You see the Braves, they have a lot of money for contracts.”

“You need players,” Washington said, when posed the same question as Soler. “… It takes time. It’ll take about three years before you start seeing big-time improvement.

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“These past couple years, I think we’ve been trying to get it right.”

The question surrounding the Angels is if they are actually building anything similar, as Washington suggests. Atlanta’s history offers at least a sliver of hope: Before the Braves’ run of playoff appearances, they weren’t good, either. Four straight years of sub-.500 records. But they were rebuilding successfully, and their young core all came up around the same time.

“How were the Braves before the sustained success?” said Angels catcher d’Arnaud, who spent the previous five years in Atlanta. “There’s a little period where they were struggling for a handful of years. Trying to develop and build a culture.

“That’s what I think is happening. Trying to build a culture here that creates winning. The people you surround yourself with is ultimately who you become,” d’Arnaud continued.

There are other voices with other organizational roots in the room, who are trying to make it happen. AGM and player development director Joey Prebynski, for example, came from the St. Louis Cardinals. Scouting director Tim McIlvaine was with the Milwaukee Brewers.

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But still, the most consistent through line has been the Braves, felt throughout every facet of their operation. From the GM, to the manager, to even bench veterans over the years like Kevin Pillar or Phil Gosselin.

“They want to help everybody actually become a better player, and aren’t scared to pass along information, which I think is very important,” d’Arnaud said of Angels people with Braves ties. “To have that familiarity for me is huge.”

When Washington started as manager, he wanted to build a culture like Atlanta’s. He wanted guys that could post, a core of players who would play every day. In his final year as a Braves coach, in 2023, Atlanta’s starting lineup averaged 144.3 games played. The Angels averaged just 101.4.

That’s what the Angels are in search of: stability. A reliable core. A pipeline of talent. And a system of player development that can be consistently good. The Angels’ brass has sold their current plight as a growth period. What’s less clear is if this rebuild is actually working.

To Soler’s point, the Braves have spent more money on payroll, though not dramatically so. They’re at $211 million, according to FanGraphs. The Angels’ payroll is $203 million. However, Atlanta’s is balanced throughout their roster. They’ve locked up their young players, while the Angels haven’t.

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What they’ve done is create something that looks similar to the Braves, with many of the same architects around it.

Only time will tell if they can ever come close to matching Atlanta’s success.

— With contributions from The Athletic‘s David O’Brien.

(Top photo of Travis d’Arnaud with Atlanta and Nolan Schanuel during a 2024 Braves-Angels game: Orlando Ramirez / Getty Images)



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Atlanta, GA

Babygirl brings Whoopsie’s chef Hudson Rouse back to East Lake

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Babygirl brings Whoopsie’s chef Hudson Rouse back to East Lake


From top: Chicken and waffles, yogurt and granola bowl, and smoked salmon and egg on hash browns

Photo by Claudia Ross

Hudson Rouse, founder of Whoopsie’s and Pure Quill Superette, opened his all-day cafe, Babygirl, on April 11, bringing with it a sense of familiarity. The restaurant moves into Hosea and 2nd—near Gene’s and Poor Hendrix—in a neighborhood Rouse has known for years.

“The first farmer’s market I ever sold at was in the lot across the street,” he says. “That was really where I got my start in the food scene in Atlanta.”

Now he returns to the area, serving breakfast, lunch, and weekend brunch including favorites from his recently shuttered Avondale Estates breakfast spot Rising Son.

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“Rising Son can live on,” he says. “The ethos and mentality are the same—we want to support local and get to know our community.”

Babygirl’s windows offer a prism of light.

Photo by Claudia Ross

Rouse’s famous three-ingredient Rising Son biscuits will be available a la carte or as sandwiches, including one with fried chicken thigh, Swiss cheese fondue, and a chive omelet. Other callbacks include a grits bowl with fried trout, waffles with fruit and cream or fried chicken and collards. Rouse swapped the loose hash browns in his Hashed Out bowl to a crisp McDonald’s-style patty topped with Riverview Farms sausage, Pine Street Market bacon, peppers, and onions. A smoked salmon version pairs egg and crème fraîche atop the hash brown patty in a way that recalls latkes and lox.

A seasonal smoothie will be available daily, beginning with strawberry banana. “We’ll change it as we get tired of it,” Rouse says. “As a cook, you can’t eat biscuits and gravy every day, so we usually make smoothies.”

Coffee comes from Natural Born Roasters—another thread connecting Babygirl to Rouse’s earlier projects—with rotating single-varietal selections and an espresso program centered on straightforward classics rather than compete with Perc Coffee across the street.

Waffle with strawberries

Photo by Claudia Ross

As the day progresses, the kitchen expands beyond breakfast as well. Lunch brings salads like Cobb, Niçoise, and spring vegetable salad with fried goat cheese. There’s a a fried fish sandwich and a smashburger made with Riverview Farms beef, shaved Vidalia onion, and white American cheese.

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Babygirl was designed primarily for dine-in with 58 seats indoors and 16 outside; however, both counter service and table service will be offered. Designed by Claudia Ross, the space features light wood tables, a colorful wall-sized window, and a Danish-meets-Japanese aesthetic. Rouse is perhaps most excited about the open kitchen, where he plans to spend his mornings. “I’m looking forward to cooking breakfast every day,” he says.

The restaurant is named for Rouse’s family—he has two daughters and a son—and follows the same thinking behind his restaurant group, Rising Sons and Daughters. That team, notably, includes much of Rising Son’s staff.

Smoked salmon and eggs atop hash browns

Photo by Claudia Ross

The bar program is led by longtime Porter Beer Bar fixture Justin Wickline. It will focus on classic breakfast and brunch cocktails, from Irish coffee modeled after that at San Francisco’s Buena Vista Café to an espresso martini, Harvey Wallbanger, and Death in the Afternoon. Wine will be natural and seasonal, while the beer list stays small and local. Rising Son’s pineapple mimosas may be gone, but fresh-squeezed orange juice will be poured daily, with the peels turned into marmalade for biscuits.

Dessert leans simple and nostalgic. House will move the soft-serve machine from Pure Quill to Babygirl, offering sundaes to “give kids in the neighborhood something they’ll recognize,” he says.  “I’ve watched the neighborhood grow [and] my friends open restaurants here. Now, I’m being welcomed back with open arms.”

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South Carolina women’s basketball: Madina Okot selected by Atlanta

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South Carolina women’s basketball: Madina Okot selected by Atlanta


Madina Okot was selected by the Atlanta Dream with the 13th pick in the 2026 WNBA Draft on Monday night.

In Atlanta, Okot will team up with former Gamecocks Allisha Gray and Te-Hina Paopao. Atlanta lost Brittney Griner in free agency, so the Dream need a big to replace her in the lineup. In coach Karl Smesko’s offensive system, everyone has the green light to shoot, so Okot’s three-point shooting ability should be an asset.

Okot said she met with Atlanta and another team before the draft.

“They talked about my skills, my versatility, and just being able to contribute to the team by rebounding, playing defense, finishing, doing some little things to help the team win,” she said.

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Okot should have strong fan support. Atlanta is the closest WNBA team to Columbia, and the Dream draws a lot of Gamecock fans, including Dawn Staley, who is a season ticket holder.

Okot was the second Gamecock selected on Monday night and became the 24th Gamecock selected in the WNBA Draft.

She was invited to attend the WNBA Draft in New York along with teammates Ta’Niya Latson and Raven Johnson. All were projected to be first-round draft picks. 

Okot averaged 12.8 points, 10.6 rebounds, 1.4 blocks, and 1.0 assists last season. She led the SEC in rebounding and was third in the nation with 22 double-doubles. 

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Okot only played one season at South Carolina, with one season at Mississippi State before that. She grew up in Kenya playing volleyball and didn’t start playing basketball until 2020. Okot played two seasons in Kenya while waiting on her visa, and appealed to the NCAA that those seasons shouldn’t have counted toward her eligibility. Her appeal was denied, and she entered the WNBA Draft.

Okot’s inexperience was seen as a bonus by WNBA teams, who believe she is only scratching the surface of her potential.

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“Just being here today, it means so much to me,” Okot said. “Six years ago, I didn’t see myself being here today, or I never dreamed of myself being here today. My dream was to play in the W, but I didn’t know it was going to be after six years. If I (could) go back, I would tell my younger self, (I’m) just so proud of her. She never gave up, had to go through a lot, and kept moving forward.”

The 2026 WNBA Draft is the first draft under the new CBA. Previously, first-round draft picks made about $78,000. Second and third-round picks made less than $70,000.

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This year, first-round picks will all make at least $289,133 as rookies, more than last season’s supermax contracts were worth. As the 13th overall pick, Okot is slated to sign a four-year contract worth $1,294,367. It will pay her $289,133 this year and increase each year. 



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Atlanta, GA

Taste of Atlanta celebrates 25 years with a party at the Works

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Taste of Atlanta celebrates 25 years with a party at the Works


Canoe’s tuna poke at the 2026 Taste of Atlanta

Photo by Daniel Chance

Twenty-five years ago, publishing and event maven Dale DeSena gathered 20 local restaurateurs under an air-conditioned tent in Phipps Plaza’s parking lot. Each brought samples of their best dishes for attendees to taste with pre-purchased tickets. More than 4,000 people participated, and Taste of Atlanta was born.

The festival has evolved throughout the past two decades, as consumer behaviors shifted and other food festivals were developed, but the core principle remains: to showcase Atlanta restaurants and turn tasters into diners.

“The idea of chef-driven, local restaurants was just starting to come into focus,” DeSena says. “Chefs like Bob Amick and Gerry Klaskala were opening new restaurants. They needed help telling people these spots existed.”

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Throughout the years, Taste of Atlanta has traveled across the city, from Lenox Mall to Atlantic Station to Spring Street near Georgia Tech and to Historic Fourth Ward Park. It grew, began featuring live music, and added a stage for cooking demonstrations. “The Food Network revolutionized the popularity of chefs being great entertainment,” DeSena says.

Banana tarts at the 2012 Taste of Atlanta

Courtesy of Taste of Atlanta

In 2022, following the Covid-19 pandemic, Taste of Atlanta pivoted to focus on hyper-local events that were all-inclusive, rather than ticket-based. Instead of a single, three-day, family-friendly weekend each year, DeSena and her team began planning four Thursday evening events for the 21-and-up crowd.

“Restaurants didn’t have the staff to attend Friday through Sunday, and they wanted to get more return on their investment by concentrating on their neighborhoods,” she explains. “Now we travel to different neighborhoods rather than having attendees travel across the city to us.”

Now, Taste of Atlanta offers events spaced throughout the year in Midtown, Sandy Springs, Alpharetta, and Buckhead. To celebrate its 25th anniversary, it’ll host a party at the Works on the Westside on April 16 from 6 p.m. to 10 p.m. Tickets cost $95 plus fees for general admission and $135 plus fees for VIP.

Look for Hector Santiago from El Super Pan, Pano Karatassos Jr. from Kyma, Giovanni DiPalma from Antico Pizza Napoletana, and Jonathan and Justin Fox from Fox Bros. Bar-B-Q, among others. Mixologist from brands like Don Julio, Grand Marnier, and Aperol will be crafting cocktails. There will be local beer, wine, and live music by Seed & Feed Marching Abominable Band and Bogey and the Viceroy. Plus, attendees will receive complimentary admission to Your Third Spot, as well as a game card.

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Tandoori wings

Courtesy of Taste of Atlanta

“We intentionally partnered with restaurants who have participated over the past 25 years from all over Atlanta. We tried to think about the diversity of the restaurants, which ones are meaningful to the city, or new from the past few years,” DeSena says. “The chefs will all be there to meet and greet. They’re our rock stars. We want to showcase them.”

She waxes poetic about all the city has accomplished food-wise during the last quarter-century. “Atlanta used to be mostly chains. I’m proud so many chefs have opened great restaurants and how many are still in business. We’re all working together to highlight our great culinary city.”

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