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Guster’s Ryan Miller talks new album, Vermont show, ‘Safety Not Guaranteed’ musical

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Guster’s Ryan Miller talks new album, Vermont show, ‘Safety Not Guaranteed’ musical


Ryan Miller is proud of “Ooh La La,” the new album from his long-running rock band, Guster. He’s excited at the prospect of Guster’s concert this weekend at the Shelburne Museum, not far from Miller’s home in Williston.

Recording albums and playing concerts are, of course, what Guster does. “Ooh La La” is the band’s ninth studio album. The Shelburne concert will be the latest of a couple thousand shows Guster has played since forming more than three decades ago.

Miller is, however, taking on one big project unlike any he’s done before. He’s writing the music and lyrics for an off-Broadway musical based on the 2012 film “Safety Not Guaranteed” that will open in previews in September at the Brooklyn Academy of Music (BAM). Miller wrote the soundtrack for that movie and has followed with more than a dozen film scores. But a musical? That’s uncharted territory.

Miller called himself a “51-year-old dude/neophyte” in the world of New York musicals who doesn’t fully know what he’s doing as he works with seasoned Broadway and off-Broadway veterans. He said he’s had nightmares about the musical failing. He likes to stretch himself for projects that keep him occupied for weeks or months at a time, but a musical that might take years to fully develop sounds daunting.

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And exciting.

“It’s a fascinating process,” Miller said. “I am just learning so much in real time.”

The flow of ‘Ooh La La’

Miller spoke June 21 with the Burlington Free Press on his houseboat on Lake Champlain. If a houseboat sounds like another case of rock-star excess, know that it’s a 57-year-old houseboat Miller bought with three friends for $3,000. It’s also more house than boat; like most abodes, it is incapable of locomotion.

The scruffy floating retreat fits Miller’s persona to a T. For his chat with the Free Press, he wore a cartoonish T-shirt touting the Hudson Valley, flannel pants festooned with floral prints and vibrant socks bearing the logo for the soft drink Topo Chico. His hair maintained its perpetually tousled status.

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Nothing about Guster is so haphazard. “Ooh La La,” which came out May 17, is a meticulous-sounding record, brimming with brightly toned tunes with soft edges of melancholy. Miller said the lyrics reflect his own experiences but ideally bypass the “hyper-personal” to let the listener in on his perspective.

Miller, who’s married with two teenagers, has heard from fans who say it’s amazing that Guster can still relate to where they are in life after three decades.

“When that happens, that has something to do with why we’ve been able to maintain our place” of popularity with fans, Miller said, noting that the band sold out the famed Ryman Auditorium in Nashville in one day and the Red Rocks Park & Amphitheatre outside Denver in three days. “I do think we are in conversation with people.”

“Ooh La La” is a very Vermont-y record, and not just because Miller and bandmate Luke Reynolds, an Addison County native, live in Vermont. Grammy-winner Rich Costey, a Waterbury native, mixed, co-engineered and co-produced the songs “When We Were Stars” and “All Day.” University of Vermont graduate Peter Katis mixed most of the album’s songs and played keyboards. Part of the album was recorded in southern Vermont at Guilford Sound.

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The Shelburne Museum performance will be very Vermont-y as well. “Let’s go full Vermont as much as possible,” Miller said of his approach to the concert.

Guster will be joined onstage by James Kochalka Superstar, the Burlington band led by the big personality of the vocalist/cartoonist, and the Zeno Mountain Band from Zeno Mountain Farm in Lincoln that supports people with disabilities. Miller is counting on nice weather as opposed to last summer, when Guster’s plans to perform on the Shelburne Museum lawn were continually washed out.

“We need to go back to the scene of the crime,” he joked.

Music for “Safety Not Guaranteed’

Miller will spend much of the summer cramming to get “Safety Not Guaranteed” ready for its BAM run from Sept. 17-Oct. 20. He became involved with the film a dozen years ago after striking up a friendship with Colin Trevorrow, the director of that time-travel-themed movie who at the time lived in Burlington. (Trevorrow, a Guster fan who would go on to direct films including “Jurassic World,” now lives in London.) That well-received film and score launched Miller’s career in writing music for movies, most recently for the Ilana Glazer comedy “Babes,” which came out the same day as “Ooh La La.”

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Another Guster fan, Nick Blaemire, approached Miller with the idea of contributing music for a stage version of “Safety Not Guaranteed.” “My answer was, ‘Sure,’” Miller said, though he had no real idea what writing the songs for a musical might entail.

He traveled to New York and found that Blaemire, who’s writing the book for “Safety Not Guaranteed,” assembled several Broadway and off-Broadway actors and a guitar player to present a version of the production with Guster songs as placeholders. Miller said he was impressed by the narrative of the story but didn’t want “Safety Not Guaranteed” to be a jukebox musical framed by Guster songs, so he chose to write more than an hour’s worth of original songs for the production.

Miller said he’ll work on a film soundtrack for four to 12 weeks, but a multi-year musical is a different animal for someone who likes to take on a variety of projects. “I respect the medium,” he said, “but it’s not my workflow.”

He’s getting into the flow now as “Safety Not Guaranteed” makes its way to BAM’s 875-capacity Harvey Theater. Miller would like to see the show move to Broadway one day. “We’re not trying to be done with it at BAM,” he said.

“Safety Not Guaranteed” has already influenced Miller’s work with Guster. He said the band’s recent “We Also Have Eras” tour, which told the story of Guster in a theatrical-styled musical performance, was shaped in part by the work he’s doing on “Safety Not Guaranteed.”

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“I almost felt like maybe we’re more of an art project than a band,” Miller said. “This sort of theater experience I’m having will remain conversant with the band.”

His work on film scoring, off-Broadway shows and presenting “super-special” shows with Guster “gets kind of gooey,” blending in one creative pot, according to Miller.

“It helps me to recontextualize what the band can be,” he said.

If you go

WHAT: Guster with James Kochalka Superstar and the Zeno Mountain Band

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WHEN: 6 p.m. Saturday, June 29

WHERE: Shelburne Museum

INFORMATION: $55 in advance, $59 day of show; free for children 12 and under. www.highergroundmusic.com

Contact Brent Hallenbeck at bhallenbeck@freepressmedia.com.



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Vermont marks fourth straight year of July flooding as recovery drags on

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Vermont marks fourth straight year of July flooding as recovery drags on


BARRE, Vt. (WCAX) – For the fourth consecutive year, Vermont communities have faced heavy and damaging rains in July, and across the state, communities are still rebuilding and redesigning to protect against future floods.

Central Vermont saw pelting rain Thursday. The heavy rains came as a surprise to Bob Nelson, a Nelson Hardware owner in Barre, and others in the city who had flashbacks on the eve of the devastating flooding three years ago.

“I could hear pounding on the roof of our house, and my wife and I go out onto the deck and the water is sheeting off over our gutter,” Nelson said. “It’s crazy; it’s the same day the last three years.”

Barre’s infrastructure and homes were largely spared, but the downtown took on about a foot of water.

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“It’s a bit of a helpless feeling. All you can do is say a prayer and watch the water come up and hope it stops raining,” Barre Mayor Thom Lauzon said.

Barre has been working to upgrade culverts, remove debris, improve stormwater systems and more. But Lauzon said with limited dollars, it will take time to adjust to a future filled with flooding.

“We spent 75 years encroaching on the Stevens Branch and making it smaller. Now we’re going to take the next 75 years reversing that process,” Lauzon said.

Vermont has conducted some 250 home buyouts, paid out $40 million to families and shelled out some $200 million in infrastructure repairs.

“You always wish you were farther along than you are, but you’re also grateful for all of the hard work that’s gotten you here,” said Doug Farnham, Vermont’s chief recovery officer.

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Farnham said most of Vermont’s small and medium flood recovery projects are complete or near complete, but the process with FEMA has been slow because of red tape.

“In many cases, we’re over three years into this. We’re not happy with how long it’s gone, but it’s consistent with the historical performance,” Farnham said.

He added that for Vermont’s downtowns, many of which are built in the floodplain, it will take many decades to build for the future.

Vermont may receive up to another $400 million for new wastewater plants in Hardwick, Johnson and Ludlow, and for upgrades in Montpelier’s Capitol Complex.

Copyright 2026 WCAX. All rights reserved.

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Beau Welling’s Stowe Country Club Revamp Signals New Vermont Golf Era

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Beau Welling’s Stowe Country Club Revamp Signals New Vermont Golf Era


Vermont might be best known for its breathtaking ski resorts when it comes to outdoor pursuits, but the golf offerings in the historic community of Stowe are now better than ever with the recently completed redesign of the Stowe Country Club by architect Beau Welling and his team.

The transformation at the course, set on a former dairy farm with views of the Green Mountains, firmly establishes Stowe as one of New England’s top 36-hole golf destinations.

The wide open and walkable nature of Stowe CC complements the ruggedness and dramatic elevation changes at The Mountain Course at Spruce Peak just minutes up the road, with both courses accessible by guests staying at The Lodge at Spruce Peak as well as members of The Club at Spruce Peak.

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“This project honors the history of the course while reimagining it for the next generation, creating a place where members, guests, and local residents can gather to enjoy the landscape, the sport, and the shared experiences that define this region,” said Sam Gaines, who is the president of Mt. Mansfield Company, the ownership group behind Stowe Country Club, and lives in the town with his wife and three children.

Stowe CC has transitioned from a public facility to a private club (with the limited guess access) as part of the redevelopment, which reflects a broader vision for the area as a four-season mountain destination. Also in the plans are a new clubhouse, expanded dining, racquet sports, fitness and wellness activities, and additional recreational offerings.

But improving the golf course was the first step in that evolution and the results are the culmination of a process that started more than a decade ago when Gaines first invited Welling to see the property. The two had met at gatherings of the Urban Land Institute, which puts a focus on the environment in transforming communities, and Gaines was eager to have Welling offer advice on what needed to be done most urgently on “175 acres in the middle of the most affluent and amazing historic town” in Vermont.

Welling, who for years has worked with Tiger Woods and his design team, traces his New England ties back to his days playing for the Brown University golf team in Rhode Island.

“I could see the potential, almost immediately, of how special an environment this place is,” said Welling. “But when we first started talking about this project, I think it was more of a dream.”

Full Redesign

Early efforts included Welling redesigning two greens encumbered by wetlands and other issues. But the scope of the project expanded dramatically after the pandemic, as golf surged in popularity.

Around 2022, Welling started to put together a full 18-hole redesign plan for Stowe Country Club, which had long been a welcoming and community-focused public course. It was popular in a hybrid community of sorts that brought together a diverse mix of year-round residents, seasonal residents, and tourists – whether for ski season or during the spring, summer and fall (peak leaf-change season) months.

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When the work started on the first nine holes in 2024, the breadth of the project continued to grow, becoming much more than new green complexes.

Today’s finished product includes complete reconstruction of all greens and tees, a reshaping and regrading of all fairways, modernization of the bunkers, upgraded irrigation and drainage systems, and a full re-grassing of premium bentgrass across greens, tees and fairways.

Several holes were changed significantly, notably the 13th and 15th holes, and a new comfort station – the Sugar Shack – has been added between the 5th and 14th tees. Hundreds of non-native pine trees were removed from the course itself, with about 150 new ones planted on its perimeter. The removal of the interior trees opened views of the surrounding mountains, including Mt. Mansfield, and the addition of waving fescue grasses to replace them helps better frame the holes.

For Welling, the overall focus was on improving playability, variety, strategy, and aesthetics.

“It feels like the sort of classic Northeast golf course, with rolling topography, distinctive bunkering, challenging greens contours, fescue grasses,” said Welling. “The environment feels classic and special to me.”

A secondary club logo, a flying cow, is a nod to the property’s history.

An Artistic Process

For Gaines, who’s worked in private equity and real estate for well over a decade and was accustomed to executing strategic plans with little deviation, the artistic process of an evolving golf course redesign was something he said he had to “hold onto my seat” for. Especially if it involved the relocation of an entire green complex. He joked that part felt “a little bit building the airplane while you’re flying it, but it’s also pragmatic problem solving. And that’s what you’re after.”

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The initial response to the course changes and broader project have been overwhelmingly positive.

More than 200 new members have been added at Stowe Country Club and The Club at Spruce Peak, many of them coming from the Boston and New York areas.

And for those looking to travel to Vermont for golf (and any number of other outdoor activities) rather than skiing, Stowe and The Mountain Course are both accessible through stay-and-play packages in guestrooms, suites and private residences at the luxurious Lodge at Spruce Peak.

While the Mountain Course remains a wild ride, climbing and diving across elevations of about 1,800 feet, Stowe Country Club in the valley is drastically different – and now better than ever.

“For the most part, we left the topography the way it is, because it’s naturally undulating,” said Gaines. “There are golf course developers who will pay $40 million to end up with this result. The only difference is they start with a flat site.”



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VT Lottery Gimme 5, Pick 3 results for July 9, 2026

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Powerball, Mega Millions jackpots: What to know in case you win

Here’s what to know in case you win the Powerball or Mega Millions jackpot.

Just the FAQs, USA TODAY

The Vermont Lottery offers several draw games for those willing to make a bet to win big.

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Those who want to play can enter the MegaBucks and Lucky for Life games as well as the national Powerball and Mega Millions games. Vermont also partners with New Hampshire and Maine for the Tri-State Lottery, which includes the Mega Bucks, Gimme 5 as well as the Pick 3 and Pick 4.

Drawings are held at regular days and times, check the end of this story to see the schedule.

Here’s a look at July 9, 2026, results for each game:

Winning Gimme 5 numbers from July 9 drawing

08-15-26-27-30

Check Gimme 5 payouts and previous drawings here.

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Winning Pick 3 numbers from July 9 drawing

Day: 1-5-4

Evening: 6-2-8

Check Pick 3 payouts and previous drawings here.

Winning Pick 4 numbers from July 9 drawing

Day: 5-0-2-1

Evening: 2-6-7-6

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Check Pick 4 payouts and previous drawings here.

Winning Millionaire for Life numbers from July 9 drawing

02-15-22-54-58, Bonus: 04

Check Millionaire for Life payouts and previous drawings here.

Feeling lucky? Explore the latest lottery news & results

Are you a winner? Here’s how to claim your lottery prize

For Vermont Lottery prizes up to $499, winners can claim their prize at any authorized Vermont Lottery retailer or at the Vermont Lottery Headquarters by presenting the signed winning ticket for validation. Prizes between $500 and $5,000 can be claimed at any M&T Bank location in Vermont during the Vermont Lottery Office’s business hours, which are 8a.m.-4p.m. Monday through Friday, except state holidays.

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For prizes over $5,000, claims must be made in person at the Vermont Lottery headquarters. In addition to signing your ticket, you will need to bring a government-issued photo ID, and a completed claim form.

All prize claims must be submitted within one year of the drawing date. For more information on prize claims or to download a Vermont Lottery Claim Form, visit the Vermont Lottery’s FAQ page or contact their customer service line at (802) 479-5686.

Vermont Lottery Headquarters

1311 US Route 302, Suite 100

Barre, VT

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05641

When are the Vermont Lottery drawings held?

  • Powerball: 10:59 p.m. Monday, Wednesday, and Saturday.
  • Mega Millions: 11 p.m. Tuesday and Friday.
  • Gimme 5: 6:55 p.m. Monday through Friday.
  • Lucky for Life: 10:38 p.m. daily.
  • Pick 3 Day: 1:10 p.m. daily.
  • Pick 4 Day: 1:10 p.m. daily.
  • Pick 3 Evening: 6:55 p.m. daily.
  • Pick 4 Evening: 6:55 p.m. daily.
  • Megabucks: 7:59 p.m. Monday, Wednesday and Saturday.
  • Millionaire for Life: 11:15 p.m. daily

What is Vermont Lottery Second Chance?

Vermont’s 2nd Chance lottery lets players enter eligible non-winning instant scratch tickets into a drawing to win cash and/or other prizes. Players must register through the state’s official Lottery website or app. The drawings are held quarterly or are part of an additional promotion, and are done at Pollard Banknote Limited in Winnipeg, MB, Canada.

This results page was generated automatically using information from TinBu and a template written and reviewed by a Vermont editor. You can send feedback using this form.



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