Rhode Island
New mural in Providence honors lost Chinatown and historic drag queen – The Boston Globe
“This project felt like it was specifically invented for me,” said Lauren YS, the Los Angeles-based artist who painted the mural. “We’re on the street corner that used to house the Chinese Merchants Association, was Chinatown, and is now a queer neighborhood. That cross-section of identity is what I practice within.”
YS said they have worked on plenty of projects in Chinatowns across the United States, as well as painted murals in LGBTQ+ neighborhoods. “But never has it actually intersected,” they said.
The 85-foot-wide mural is located at 40 Snow St., a building owned by Paolino Properties, and faces the Dark Lady, a storied gay nightclub that regularly hosts drag and dance parties. The Avenue Concept, a nonprofit arts organization responsible for many of Providence’s murals, worked with the city and Paolino Properties to hire YS for the commissioned piece.
Unlike many muralists, YS did not project an image of a rough sketch of the mural onto the building at night. They drew the mural out by hand.
In addition to Renault, the mural features other elements that honor Providence’s LGBTQ+, Chinese American, and Southeast Asian communities — which often intertwined in local lore.
Born Antonio Auriemma, Renault performed in 42 countries and across the US, including frequently at Carnegie Hall in New York. His costume collection was valued at $50,000, according to the Providence Public Library’s archives ― worth about $1.1 million today. A writer at the Dallas Morning News noted it included a replica of Marie Antoinette’s wedding gown and a kimono “covered with roses of gold hand embroidery.”
The mural also includes a figure holding a pair of scissors and a piece of thread, which is meant to honor Perry Watkins, who in 1939 became the first Black costume designer from Providence on Broadway. He attended Hope High School, where he and a friend illustrated a newspaper called The Foolscape, and he was awarded a scholarship to study art at the Rhode Island School of Design. This figure in the mural is also holding a fan adorned with the name “Port Arthur,” a Chinese-American restaurant and dancehall known as a haven for the city’s Asian and LGBTQ+ communities.
The Tow family opened Port Arthur on Weybosset Street in 1921. The restaurant’s third floor was an elaborate banquet hall, and musician Bobby Hackett, who later played with Frank Sinatra, honed his craft playing in a six-piece band at the restaurant while he was a teenager. During World War II, Port Arthur became popular with sailors and soldiers, and Shore Patrol considered it such a problematic spot that it was nicknamed “blood alley,” according to the book “Lost Restaurants of Providence.” Port Arthur closed in 1965.
The two middle figures in the mural blend ancient Chinese opera with modern drag, said YS.
“For centuries in China, only cis men were allowed to perform,” said YS. “All the crazy femme types were played by cis men. So my ancestors have been doing drag for forever.”
One of the opera performers is wearing a name tag that says “Luke’s,” referring to Luke’s Chinese American Restaurant, which was located directly behind Providence City Hall from 1951 to 1990. This same figure is also holding two playing cards — the king of hearts and the queen of spades, which YS said represents “Kings & Queens,” a gay bar in Woonsocket open from 1977 to 2002.

A dangling, gold charm bracelet and purple earning with a cursive letter “B” honor the late Beatrice Temkin. Temkin, who was often called “Bea,” was a pioneering local LGBTQ+ ally, and The Beatrice, a nearby hotel owned by her son, former mayor Joseph R. Paolino Jr., is named after her.
The red curtains painted on either side of the mural represent the local theaters downtown, YS said, and the arches reference the now-closed Chinese restaurants and dancehalls that were central to the theater experience from the 1950s to the 1980s.
“Public art is fundamental to Providence, and this mural will not only beautify downtown, but also tell a powerful story of our community’s rich history and vibrant diversity,” said Mayor Brett Smiley.
The city paid $65,000 in American Rescue Plan Act funds to commission the mural, which will be part this year’s PVDFest festivities, according to Joe R. Wilson Jr., Providence’s director of Art, Culture, and Tourism. PVDFest, the city’s signature arts and culture festival, will take place Sept. 6 and 7.
In the mural, Renault holds lavender blossoms — (which have become a symbol of empowerment for the LGBTQ+ community) — and YS pointed to the rainbow Pride flags nearby. There are obvious signs of the queer community around downtown today, they said, but hardly anything references what used to be a thriving Chinatown built by working-class families.
“It makes me really sad that there is no Chinatown here,” said YS. “We feel sort of displaced if there’s no hub.”
“This piece nods to the immigrant history that built these neighborhood blocks,” added YS. “Maybe, someday, Providence will rebuild it.”

Alexa Gagosz can be reached at alexa.gagosz@globe.com. Follow her @alexagagosz and on Instagram @AlexaGagosz.
Rhode Island
Providence’s ‘Superman’ building: 13 years of empty promises over a state landmark – The Boston Globe
What Providence is going through is an unusually visible example of a problem facing many cities, especially since the COVID-19 pandemic: What combination of carrots and sticks can officials use to turn unwanted office space into something that suits a changing city’s needs?
Even if the building cannot be revived to its former glory, when office workers once poured out of the stunning marbled lobby during lunchtime to create a downtown buzz, surely developers and political leaders can do better.
“This becomes a symbol of this anxiety about Providence and its economic strength,” said Marisa Angell Brown, executive director of the Providence Preservation Society. “It raises that question: Has Providence turned the corner? Are we going to turn the corner?”
For years, the plan has been to redevelop the empty office tower into about 300 apartments, 20 percent of which would be below market rents, set aside for low- and moderate-income Rhode Islanders, along with commercial space on the ground floor. Ongoing squabbles about the size and scope of tax abatements from the city and state have delayed the project repeatedly. The redevelopment now hinges on a low-interest loan of up to $236 million from the US Department of Transportation, green lit for eligibility under former president Joe Biden then held up by the Trump administration.
Adding to the recent troubles, David Sweetser, the principal of High Rock Development and owner of the building since 2008, died unexpectedly last summer. The developer tapped its legal counsel, Michael Crossen, to continue with the project. A spokesperson for High Rock, Bill Fischer, told the editorial board that the firm is focused on finalizing funding details and remains “optimistic the project will proceed.” Fischer said once financing is in place, construction will be complete within 24 to 30 months.
Providence Mayor Brett Smiley is urging patience. “I think it’s fair to say that the situation is frustrating and probably that many people, myself included, are anxious to see something happen, but big historic complicated buildings sometimes require complicated solutions,” Smiley told the Globe’s editorial board.
It’s a scenario playing out in commercial spaces across the nation, with office towers selling at deep discounts as owners struggle with low occupancy rates. If Providence can find a path forward to address a housing shortage while also reviving such a high-profile building, it could become a model for cities across the nation.
Transforming office space into apartments is notoriously tricky. Office configurations come with little interior natural light and plumbing that’s largely incompatible with residential layouts. Still, studies have shown that single-room occupancy units that ring the edge of the building — with shared kitchens, bathrooms, laundry, and living rooms in the center of the building — can work.
This type of low-cost downtown housing has traditionally carried a stigma, but it could be an option for students, young professionals, new arrivals to a city, or retirees. It could also reduce homelessness. Yes, it would not be a huge money generator for a landlord hoping to charge higher rents, but public subsidies could make it work.
Most agree: Tearing down the Superman building is not a great option. In 2017, former Providence mayor turned developer Joe Paolino floated the idea of replacing it with a modern office tower for an anchor tenant, a concept that sent shudders across the city and still reverberates.
“To tear down that building in the middle of city, it would be an absolute sin,” Michael Sabitoni, the president of the Rhode Island Building and Construction Trades Council, told a Globe columnist in 2021.
Construction on the Art Deco building began in 1927. The building featured plaster, bronze work, and the very latest in modern elevator mechanics.
In 2019, the building was listed on the National Trust for Historic Preservation’s annual list of America’s 11 Most Endangered Historic Places.
The plight of the building has captivated Providence for too many years now.
In 2020, seven graduate students studying adaptive reuse at the Rhode Island School of Design reimagined uses for the Superman building. Ideas included several theaters and performance spaces, senior housing, a vertical farm, laboratories, and even an amusement park.
A recent op-ed in the Globe suggests: Stop trying to solve, and pay for, the whole building renovation at once. Activate the bottom four floors with a civic space, then let the apartments above follow.
Locals commonly ask why nearby Brown University, which has a massive endowment and needs building space, including graduate student housing, can’t make something happen.
Mayor Smiley said he thinks it’s best to stick with the current developer’s vision for apartments. “There’s a lot of external factors that unfortunately, and somewhat coincidentally, have complicated the timeline. But that doesn’t mean that it’s still not the best plan for the building.”
The mayor says he’s in regular touch with the developer. But few others seem to know what’s going on as they walk past scaffolding in the heart of downtown, and tolerance after more than a decade of delays is running thin. If the the building’s owner can’t get things moving, it should move on and let somebody else take a try at building something.
“It’s a shame that it just sits there and nobody is taking care of it,” said Behrouz Sarlak, owner of Loominous Rug Gallery, which sits a few blocks away from the Superman. “A lot can be done. You just have to be creative.”
Editorials represent the views of the Boston Globe Editorial Board. Follow us @GlobeOpinion.
Rhode Island
Moses Brown showed up late, but it was still ready to win a title.
Video: Moses Brown celebrates D1 girls lacrosse championship
Moses Brown celebrates Division I girls lacrosse championship by beating East Greenwich on Sunday, June 7 at Brown University.
PROVIDENCE – They made the short walk from campus, crossing the threshold at Brown University with 17 minutes to go until the RIIL Girls State Championship game was set to begin.
Moses Brown wasn’t running late. The Quakers were ready – and then they went out and proved it.
The Quakers didn’t just win Sunday’s state title matchup with East Greenwich. They put on a display of utter dominance, winning every facet of the game in extraordinary fashion. MB put up eight goals in the first quarter, triggered a running clock before halftime and rolled to a 20-4 win over the Avengers, winning the program’s fourth straight state crown.
“It feels amazing. We’ve worked for this all season,” Moses Brown’s Avery Butler said. “We’ve had our ups and our downs and it’s great to know all our hard work paid off.”
“It definitely feels great and feels like all our hard work, all year all 365 days of this year really paid off,” Moses Brown’s Goose Brousseau said. “We really did it all together.”
East Greenwich’s afternoon didn’t get off to a good start – Brown University failed to unlock the entrance gate, forcing the Avengers to take a lap around the stadium to get in – and quickly found out what happens when Moses Brown does.
The Quakers owned the draw circle with Jane Belsito, Samantha Mocco and Sophia Mocco winning all but one in the first quarter. When MB had the ball, it did something with it. Butler did most of the damage in the opening 12 minutes, scoring four goals, but it wasn’t by design.
“If I’m taking it or [the Moccos) are taking it, we’re all together,” Belsito said. “If I have them on the circle and I mess up, they have my back. They just calm me down.”
“It’s just what happens. Everyone in our offense is so good, we all take turns having our own moment. It can be anyone at any time and my teammates did a great job finding me and we just worked so well together.”
With the ball on Moses Brown sticks for the large majority of the game, any chance at an East Greenwich comeback was null and void. The Avengers had the best offensive player on the field in Tessa Charello-Ingegneri, but she couldn’t put her skills to use because MB never let it happen.
In the second quarter, the Mocco sisters – Sophia Mocco and Sam Mocco – popped goals 33 seconds apart and Butler’s fifth of the day made it 11-2. With 3:46 left before halftime,Lola Baill scored to bring the running clock into play and Butler added her sixth to make it 13-2 at halftime.
Moses Brown coach Brian Williams didn’t need to make many adjustments for the second half and his players knew exactly what to do over the final two quarters.
“We like to play our best every game, but today was really special,” Butler said. “We spent a lot of time preparing. Every practice we were really focused and we had a lot of time to do film and think about what we can do best.
“Today really meant a lot for us that it all worked out well.”
It was a tough end to an incredible season for East Greenwich. The lacrosse community is strong within the town and an annual trip to Brown should be a part of the Avengers’ expectations. They’ll return a strong core of young players – including All-Stater Charello-Ingegneri – and Sunday’s loss should serve as an education experience in what work will need to be done if they want to win a title.
“I’m just happy we got to be here and play our game,” Charello-Ingegneri said. “We knew it was going to be a challenge but I’m happy with our team and all of our success this season. We’re going to come back even stronger next year and this is a learning opportunity for us and we’ll do everything we can do take it next year.
For Moses Brown, it’s the end of an era for a core group of seniors who started as freshmen following a season where the team didn’t win a crown – a 10-8 loss to Barrington in 2022 – and did nothing but win throughout their careers.
The Quakers didn’t do it on just talent. They did it with the things people don’t see.
Like going through a full warmup on your home field prior to the biggest game of the season.
“We have our rituals that we do before we come and that walk from MB to Brown, we are just so centered with ourselves,” Butler said. “When come we do our normal warmup and we feel all right.
“It’s just about channeling nerves and if we warm up calm and relaxed, we don’t have things to worry about in the games. We know who we are.”
“Every single person is doing something for the person next to them,” Brousseau said. “Getting to warm up on our home field and do everything together and really feel at home with everyone was just really important to us.
We came over late because we were just together for longer and that was important to us.”
Rhode Island
How did La Salle win another state title? Having an ace up its sleeve.
Video: Lincoln celebrates its softball championship win over Ponaganset
WATCH: Lincoln celebrates its softball championship win over Ponaganset
PROVIDENCE – The result was so obvious, everyone should have seen it coming.
That’s because Hailey Vigneau doesn’t lose big games.
The La Salle softball team might have been hammered by Chariho during their regular season matchups, but none of that mattered in the postseason. The state’s seen plenty of big-time pitchers, but none that have won like Vigneau. Saturday’s championship game against Chariho only added to her legacy, as she took care of things in the circle, Nikki Pallotta led the offense and the 5-2 win gave the Rams their fourth straight state title.
“We just know how hard we work,” Vigneau said. “We know we have each other. We know how supportive of each other we are. We just know that our team, in the end, will come out on top.”
Softball pitchers are supposed to strike fear with fastballs and sit batters down faster than they can get up to plate. You won’t find many teams that say they’re afraid of Vigneau, but you also won’t find any teams that have beaten her in a game that matters most.
The La Salle senior – who will pitch at Marist next spring – didn’t look bothered by the magnitude of the game she was pitching. If Chariho beat the Rams – which it had done twice this season – that meant an if-game where momentum would be on the Chargers side.
It seemed like a possibility, provided you ignored the fact that Vigneau has never lost a playoff game and wasn’t about to start in her senior season.
Vigneau made one mistake pitch that Adriana Jeannenot hit to outer space, a two-run blast that tied the game in the top of the fourth inning. She took the ball from the umpire, then retired the next batter to end the inning and get her offense on the field.
“I just have to focus on the next one. I can’t dwell on it,” said Vigneau, who gave up four hits and walked two while striking out eight. “Now I can reflect on it, fix what I know I messed up on.
“I didn’t even look. I didn’t turn my head.”
The bats went out and supported their ace. Pallotta had the go-ahead hit, a two-run double that scored Izzy Dong and Samantha Sell. While Pallotta and the Rams struggled to hit Jeannenot in clutch moments in the regular season, it was clear they figured something out.
“Their pitcher is really good and she shut us down in the first game,” said Pallotta, who went 3-for-4 with two RBI and three runs Saturday. “In the second game we started to pick up some hits, we started to learn a lot.
“We were lucky enough to play them twice, we got a lot of data off of that and so when we came into RIC … we had a lot of information and we used it.”
Armed with a 5-2 lead, Vigneau took care of things. The home run was a distant memory and when Alaina Valuk led off the fifth with a single, Vigneau barely noticed. She was in control and remained calm, right up until the final out was recorded, ending her career with a fourth straight title celebration.
“I just pitch one pitch at a time, no matter what the situation is in the game,” Vigneau said. “I can’t focus too much on the big win ahead, just one pitch at a time.”
Chariho was emotional after the loss and why wouldn’t it be? The Chargers entered the season with so much promise, finally got over the hump of beating La Salle and then did it twice in this spring.
But the two playoff losses – Saturday as well as the winners’ bracket final – showed that Chariho still has some work to do to in order to get that title the program wants. The loss will only help inspire the Chargers to keep chasing it next season.
“We had a phenomenal season. I’ve never been more proud of this team,” Jeannenot said. “… It definitely pushes us to go for even bigger things. This year our main thing was to beat La Salle, now I feel like we can have even bigger goals and we can have more success.”
This was supposed to be the year La Salle lost. The Rams graduated all that offensive talent, there’s no way they can overpower teams anymore.
Turns out La Salle didn’t need to. It had a secret weapon who shouldn’t have been so secret and closes her career as the most clutch pitcher Rhode Island has ever seen.
“Without her we probably wouldn’t be here at all,” Pallotta said. “She’s been the ace for the last four years and she always comes up when we need her and she shuts them down.”
“I just enjoyed my time with the girls. Whatever happens, happens, but we just work hard and have fun,” Vigneau said. “I couldn’t have imagined this whatsoever.”
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