Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the U.K. and Ireland with $19.7 million.

The animated sequel, Illumination CEO Christopher Meledandri’s 16th movie in 16 years, is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.

It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.

“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the U.S. and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It made $15 million from the IMAX screens alone.

“It’s exactly the kind of broad, crowd-pleasing release that brings people into theatres,” AMC Chairman and CEO Adam Aron said in a statement.

It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.

The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.

“These kind of audience reaction scores just point to a ridiculously strong run, not only throughout the spring, but likely into the summer as well,” said Jim Orr, Universal’s president of domestic distribution.

“The Super Mario Galaxy Movie” will open in Japan later this month.

Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.

As expected, “The Super Mario Galaxy Movie” ended the two-week reignof the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $30.7 million, bringing its running domestic total to $217.2 million. Worldwide, it’s made $420.7 million to date.

Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about a engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.

“Hoppers” and “Reminders of Him” rounded out the top five. And the box office outlook looks bright overall, up around 30% from last year.

“There’s no better opening act for a great summer than a huge month of April powered by a mega blockbuster like the ‘The Super Mario Galaxy Movie,’” said Paul Dergarabedian, comscore’s head of marketplace trends.

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1.“The Super Mario Galaxy Movie,” $130.9 million.

2.“Project Hail Mary,” $30.7 million.

3.“The Drama,” $14.4 million.

4.“Hoppers,” $5.8 million.

5.“Reminders of Him,” $2.2 million.

6.“A Great Awakening,” $2.1 million.

7.“They Will Kill You,” $1.9 million.

8.“Dhurandhar The Revenge,” $1.9 million.

9.“Ready or Not 2: Here I Come,” $1.8 million.

10.“Scream 7,” 915,000.

Modern Whore, 2025.

Directed by Nicole Bazuin.
Starring Andrea Werhun.

SYNOPSIS:

Modern Whore follows Andrea Werhun as she portrays her past roles as escort Mary Ann, stripper Sophia, and her OnlyFans presence – all part of her Toronto sex work journey.

Writer/director Nicole Bazuin makes her feature debut with Modern Whore, a hybrid documentary detailing the experiences of Andrea Werhun based on her memoir of the same name. Bazuin and Werhun make an insightful and funny adaptation of Werhun’s life as a former sex worker in Toronto, examining the hows and whys of the industry and her participation in it.

Modern Whore takes an interesting approach to the way it tells Werhun’s story as half of it is a documentary of Werhun relaying her experiences and speaking with family, friends and colleagues while the other half is scripted with Werhun and others acting out the stories. It is unconventional, but its uniqueness makes Werhun’s story entertaining with a tight and witty script by her and Bazuin.

The scripted portions display Werhun’s fun personality with the cast and material – after all, literally telling and acting in her own story makes for a great performance as she opens herself up to some of her most vulnerable moments knowing the stigma against sex workers whether they are/were escorts or OnlyFans creators. There’s plenty of light self-awareness along with quirky fourth-wall breaking humour as she recounts her stories or that of her clients skewed perspectives of their interactions. It is also not afraid to shy away from the more difficult subject matter of being a sex worker like meeting with really sketchy clients or some taking it too far, looking at the impact it has and the little support system in place.

The switches from the scripted scenes to the talking heads or interviews is well paced with the formats complimenting each other. The interviews are interesting and insightful, digging into why someone chooses to enter sex work and the stigma they feel from family or friends. Werhun digs into the different personas she put on, how some were closer to her real self than others, and the necessity for those identities in her work. Much of the conversations revolve around the taboo of sex work and how the discussions are slowly shifting so it is less shameful, but still plenty of work needed to be done towards that front.

Modern Whore showcases great writing from Werhun and Bazuin with plenty of entertaining sequences, not to mention Werhun’s performance. It is insightful, funny and creative with its hybrid format, making it very memorable in several aspects.

Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Ricky Church – Follow me on Bluesky for more movie news and nerd talk.