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EXCLUSIVE: See Inside the ‘Maine Cabin Masters’ Italian Getaway

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EXCLUSIVE: See Inside the ‘Maine Cabin Masters’ Italian Getaway


Chase Morrill and his family’s dream Italian vacation home is complete, and we’re poring over every detail. Whether you missed the finale of Magnolia Network’s six-episode spin-off, Maine Cabin Masters: Building Italy—which documents the entire buying and renovation process—or want a closer look at the final design, House Beautiful can exclusively reveal photos of the incredible transformation.

Courtesy of Magnolia Network

The Balcony House sits on a hill with impeccable views.

For their European getaway, the Morrill family purchased a property with an asking price of $97,000 in the municipality of Fossalto, which is located in Italy’s mountainous region of Molise. It’s roughly three hours from Rome, meaning it’s also well positioned for travel. Nicknamed The Balcony House thanks to its four balconies, the five-bedroom home sits on 7.4 acres with sprawling views and an olive grove.

reveal day, as seen on maine cabin masters building italy
Courtesy of Magnolia Network

Exposed stonework and pale green stucco add character to the home’s exterior.

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While structurally sound, the three-level house needed a serious overhaul to be functional. It’s presumably 100 to 200 years old and was likely renovated once around the 1960s or ’70s. So, Morrill, his wife, Sarah, and their four teenagers—along with MCM stars Ashley Morrill-Eldridge (Chase’s sister) and her husband, Ryan Eldridge—got to work. They also relied on a team of Italian contractors and got extra help from MCM star Jared (Jedi) Baker to refresh the property within a tight three-month time line.

reveal day, as seen on maine cabin masters building italy
Courtesy of Magnolia Network

Off the dining area, a balcony with a staircase leads to the home’s deck and lower-level family room.

Installing fundamentals like all-new electrical and plumbing and repainting everything was crucial, but the Merrill clan didn’t stop there. To open up the home’s hub—the kitchen—they removed a wall dividing it from the dining room and brought in gray cabinetry, yellow tile for the backsplash, and warm stone counters to complement the existing mismatched flooring. Expanding the existing bathroom on the third level, where the kids’ bedrooms are, was also must for the family of six.

kitchen completed
Courtesy of Magnolia Network

By removing the wall between the kitchen and dining room, the team made room for a peninsula.

reveal day, as seen on maine cabin masters building italy
Courtesy of Magnolia Network

Exposed stone arches enhance the home’s rustic feel.

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To turn former animal stables on the ground level into living space, they leveled the floor using recycled concrete that they fashioned from tearing down some of the walls. That allowed them to reconfigure it into a family room with exposed stonework, an additional dining area, and a second bathroom. They even turned the old animal trough into a storage bench by reusing the room’s old wooden doors as hinged lids. “All of us worked so hard on it,” Eldridge says of the new ground floor. “In my opinion, it’s our greatest room transformation ever.”

reveal day, as seen on maine cabin masters building italy
Courtesy of Magnolia Network

The former animal trough in the family room was turned into a storage bench.

When it came time to furnish and decorate the place, the team salvaged many pieces the previous owners had left behind: beds, nightstands, dressers, kitchenware, and decor including green glass bottles. They shopped locally for new materials, like stone for the kitchen counters, and special elements for the kids’ rooms, including lighting, wallpaper, and crown molding. The latter ended up being Morrill-Eldridge’s favorite part of the house. “It was fun seeing each one of their personalities come through in their rooms,” she says.

clean shot of maggis rooms
Courtesy of Magnolia Network

Maggie’s bedroom features an amber and gold light from Luce Più.

a group of people posing for a photo
Courtesy of Magnolia Network

The MCM team designed a custom loft bed with a skateboard ladder and railing for Fletcher’s room.

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Other items were built or DIYed by the team. For son Fletcher’s bedroom, the team built a wooden loft bed with a skateboard ladder. Morrill-Eldridge surprised her brother and sister-in-law with hand-stamped decorative pillows for the primary bedroom that match the blue patches of pattern seen on the walls, which was discovered underneath the paint. And perhaps the most special detail in the home is the mosaic they designed to go over the working fireplace in the kitchen. It features a lemon tree with six lemons, representing each member of the family.

reveal day, as seen on maine cabin masters building italy
Courtesy of Magnolia Network

The primary bedroom walls feature intentional patches of blue-gray pattern discovered underneath the paint.

On the exterior, the team added a staircase to connect the kitchen balcony to the ground level, where they also built a deck for dining and relaxing alfresco. The balcony railings were updated, and the exterior was refreshed with new stucco in a pale green shade that complements the surrounding landscape. Throughout the house, existing stonework was exposed to amplify the home’s charm. Plus, they even installed solar panels as an eco-friendly feature that also cuts costs.

reveal day, as seen on maine cabin masters building italy
Courtesy of Magnolia Network

The deck furniture is a mix of pieces by Bizzotto, the Maury’s brand Happy Garden, and L.L.Bean.

As far as rewarding projects go, this one tops the list. “The blood, sweat, and tears from all of us during the renovations is only the beginning of hopefully wonderful time spent in an amazing setting,” Morrill says.

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During the spin-off finale, Eldridge declared, “We bring a lot of places back to life, but this could be our Mona Lisa—our masterpiece.”


Love looking at designer spaces for inspo? Us, too. Let’s obsess over them together.


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Maine

207 area code preserved for years

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207 area code preserved for years


Maine regulators said they’ve found a way to prevent Maine from losing its sole 207 area code in the foreseeable future.

The Public Utilities Commission has approved a plan by Consolidated Communications to move 150 centers that designate local numbers into a statewide pool.

Those centers distribute telephone numbers by local area, but have a limited number of permutations.

Creating a bigger area will make those numbers available statewide, said Sarah Davis, Consolidated Vice President of Market Development.

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Effectively, it unlocks a stockpile of unused 207 numbers from small rural areas that can be used in more populous parts of the state, Davis added.

“When the Commission needs new numbers to assign to the next customer, it can pull from anywhere. It can pull from Wytopitlock. It could pull from places in Aroostook County, which probably are not at full utilization,” she said.

Losing 207 as Maine’s only area code and totem of state identity has been a source of stress and concern for years. Back in 2020, it was feared Maine might exhaust its available numbers within four years.

The state forestalled that and extended the area code’s lifetime through 2033.

Consolidated’s plans is likely to add more time, said PUC Chair Phil Bartlett.

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“We say, sort of indefinitely, it’s my guess is this will kick us out 20 plus years to get us into the 2050s,” he added.





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Here's how the Macy's Thanksgiving Day Parade is brought to life

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Here's how the Macy's Thanksgiving Day Parade is brought to life


Thanksgiving comes only once a year. But for the artists and engineers who create the Macy’s Thanksgiving Day Parade, Thanksgiving is a year-round occupation and obsession.

The parade takes a small army of sculptors, painters, seamstresses, carpenters and welders to put together the giant balloons, floats and elaborate costumes.

The first Macy’s Thanksgiving Day Parade took place a century ago in 1924. But this year’s parade is actually the 98th edition, since the parade was canceled during World War II.

About 3.5 million spectators will line the streets of New York City to view the parade in person. Another 30 million will watch the parade live on TV. Macy’s won’t comment on how much it costs to produce the parade, saying only that it’s “a gift to the nation.” Still, some estimates put the price tag at around $13 million.

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Barry Gordemer / NPR

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NPR

The Macy’s Studio paint room provides an explosion of color for the Thanksgiving parade floats and balloons.

Long before the parade marches its way through Manhattan, prep work takes place in a massive warehouse in New Jersey known as the Macy’s Studio. NPR’s Morning Edition visited for a behind-the-scenes look at how the holiday tradition comes together. The warehouse is a bland brick building on the outside that explodes in color on the inside.

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“It does sometimes feel like when I come to work that I’m going to an amusement park,” said Kathleen Wright, the director of production operations for Macy’s Studio.

Wednesday Addams and her brother, Pugsley, are three stories tall. They have to be collapsed down so this float can fit through the Lincoln Tunnel and be transported to the parade starting line in New York City.

Barry Gordemer / NPR

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Wednesday Addams and her brother, Pugsley, are three stories tall. They have to be collapsed down so this float can fit through the Lincoln Tunnel and be transported to the parade starting line in New York City.

Just inside the main entrance of the warehouse is a float decked out in brilliant shades of green, orange and purple. It features characters from Wednesday, the Addams Family spinoff series on Netflix. The float boasts giant sculptures of Wednesday Addams and her brother, Pugsley. They’re approximately three stories tall. The floats not only have to look good, they also have to be engineered to come apart so they can be transported to the parade site.

“These need to collapse down and make their way through the Lincoln Tunnel, up through the streets of Manhattan, and up to the starting line of the parade, where they are reassembled,” Wright said.

There are 26 floats this year, including one with a fire-breathing dragon. However, the floats aren’t the star of the Macy’s Thanksgiving show. The Macy’s parade is best known for its giant cartoon-character balloons. Seventeen of these balloons will float above the streets of Manhattan this year, including balloons depicting Spider-Man, Dora the Explorer and Minnie Mouse. Minnie, despite her name, is the tallest of the balloons, topping out at about six stories.

Just how big is this Elf on the Shelf balloon? Look for Macy's Production Operations Director Kathleen Wright at the bottom of the photo.

Barry Gordemer / NPR

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Just how big is this Elf on the Shelf balloon? Look for Macy’s Production Operations Director Kathleen Wright at the bottom of the photo.

The first Macy’s balloon was Felix the Cat in 1927. In the parade’s early years, the balloons were released into the sky at the end of the parade. Anybody finding one could return it and receive a $50 gift certificate. The practice of releasing balloons ended in 1932.

It takes more than a half-million dollars’ worth of helium to keep all the balloons airborne.

Wright’s favorite parts of the parade preparations are the small details that very few people would notice.

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“In the dark of night before Thanksgiving morning, we turn 2 1/2 miles of traffic lights flush to the sidewalk so that the balloons have a safe and clear path down to 34th Street from the starting line,” she said. “We cannot wait to show everyone on Thanksgiving morning what we’ve been working on.”

Copyright 2024 NPR





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Maine attorney general sues big oil companies over climate change

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Maine attorney general sues big oil companies over climate change


Maine’s attorney general filed a lawsuit Tuesday against multiple large oil companies alleging negligence, nuisance, unfair trade practices, failure to warn and trespass as parens patriae. Included among the parties being sued are Exxon, Shell, Chevron, British Petroleum (BP), Sunoco and the American Petroleum Institute (API).

In the complaint submitted by the state, the attorney general emphasizes how large oil conglomerates, knowing the risks climate change posed to the public, fabricated a public-relations campaign to mislead consumers about the role of greenhouse gases and human action in climate change. The complaint cited internal memoranda and communications within companies like BP demonstrate awareness of the consequences of climate change. The complaint also included a video, in which an Exxon executive admitted limiting climate change policy for profit maximization.

Whilst these oil companies claimed concerns about climate change were “unnecessarily catastrophizing,” the complaint highlights that evidence demonstrates a linkage between the release of greenhouse gases to climate change and the host of environmental harms it has inflicted on Maine, such as acid rain, extreme weather events and rising sea levels.

The complaint maintains that the defendant companies breached their duty of care to Maine’s citizens. Maine argues their knowledge of climate change entailed the defendants could reasonably have foreseen climate change-related harms, including environmental and economic damages. Yet, the defendant parties continued their informational campaign, constituting common law negligence. The role the API played in spreading misrepresentations about the safety of climate change in tandem with the defendant oil companies is also the basis for the state’s claim against API for unfair trade practices and civil aiding and abetting under Maine’s fair trade practice statute, which subjects companies engaging in unfair trade practice to civil punishment.

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The complaint also says that through releasing greenhouse gases, the defendants’ conduct also amounts to private and public nuisance. The companies arguably infringed on individual Maine residents’ reasonable enjoyment and safety in their private lives from the impact of climate change. The consequences of climate change would also require extensive public funds and potentially damage or limit the use of state-owned land.

Through their policy of climate change denialism and misinformation, the defendant was also accused of statutory failure to warn. Insofar as the defendant oil companies were aware of the danger posed to the public by their products, and still failed to warn the public in general, the state argues they ought to be liable to the extent of the costs suffered by the state in adjusting to climate change under Maine’s civil procedure law.

The state seeks injunctions against further damages to property and nuisance, punitive and retributive damages, disgorgement of defendant profits and for the court to find in favor of the state in their claims of trespass and deceptive trade practices.



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