Northeast
Jessica Stone, who knits Broadway and circus in thrilling 'Water for Elephants,' enjoys a Tony nod
You don’t initially see a full elephant at the Broadway musical “Water for Elephants.” It’s more like a tease. First come a pair of enormous ears. Then a trunk. And then the legs.
The execution is by director Jessica Stone, who wanted to make it extra special for the audience when they finally get to see the big reveal at the end of Act 1. She thought it had to be awe-inspiring, tender and the spirit of an elephant.
ARIANA DEBOSE TO HOST TONY AWARDS FOR THIRD CONSECUTIVE YEAR, THIS TIME AT NEW LOCATION
“People were talking about how moved they were when they finally were seeing her in full and I was like, ‘OK, I think it’s going to be OK,’” Stone says.
It’s been more than OK for Stone, whose show earned seven Tony Award nominations, including one for best new musical and one for her heroic efforts to seamlessly create a big Broadway musical with elements of circus.
Jessica Stone attends the Broadway opening night for “Water For Elephants” at The Imperial Theatre on Thursday, March 21, 2024, in New York. (CJ Rivera/Invision/AP)
Stone knits puppets and vaudeville acts, songs and somersaults, as well as melds two groups of people who might not have shared a lunch table in high school — the jocks and the theater geeks.
“It’s a very humble, disciplined, hard-working, loving cast,” she says. “I overuse this metaphor, but it couldn’t be more true: We literally and figuratively hold out our arms and catch each other.”
The show — adapted by Sara Gruen’s popular 2006 historical romance novel and with music by the band PigPen Theater Co. — follows a love triangle in a traveling circus during the Depression.
The New York Times called it “a stunning, emotional production that “leads with movement, eye candy and awe.” Variety raved that Stone brought “it all under one spectacular tent without forgetting its human — and animal — hearts.”
Her skill is on show with the first big song — “The Road Don’t Make You Young” — a nine-minute, upbeat number that involves 23 performers, singing, dancing and flipping. It leans on circus designer Shana Carroll, who co-choreographs with Jesse Robb, both who also earned Tony nods.
The number starts with a circus train coming into town, and the audience learns about each of the characters as they get off and raise a tent. Soon we’re in the middle of a circus act, with acrobats flying through the air, twisting on ropes and poles.
That took two years to develop, and Stone calls it “the gate to the rest of the show.” She credits producers for giving her team the time to create it and to figure out the way to marry Broadway timing to circus.
“You actually have to have a little wiggle room for circus because you don’t fly through the air on the exact same counts every single time,” she says. “So everywhere throughout the show and the number, there’s always a little bit of wiggle room. We’ve had to build it in for safety.”
Rick Elice, the playwright of “Jersey Boys” and “Peter and the Starcatcher” who earned a Tony nod for “Water for Elephants,” said he was intrigued when Stone auditioned as director and spoke her mind even about elements that seemed non-negotiable, like his initial framing device.
“She’s brilliant. She’s funny. She’s totally prepared. She’s fast on her feet. She’s somebody that you just love to have lunch with because you laugh a lot and you bat ideas back and forth, which to me is a great lunch,” he says.
“Water for Elephants,” framed as an elderly former circus worker fondly looking back, joins a raft of recent memory plays on Broadway like “Mother Play,” “The Notebook,””A Beautiful Noise” and “Harmony.”
“It’s not like we all got in a room and said, ’You know what? 2024 is going to be the memory season,” she says with a laugh. She thinks it’s a byproduct of the pandemic.
“Memory plays have to do with looking back on your life and determining whether or not you did it right, and whether or not you’re still doing it right,” she says.
That became the key to how to marry circus elements in “Water for Elephants” — they are hazy memories for the main character, fragmented and not fully formed.
“I really didn’t want people arbitrarily peeling off into back handsprings for no reason. It had to really honor his most, important memories,” Stone says.
“Once you realize you’re looking at it through that prism, you don’t really want to see a literal animal. Go to the zoo if you want to see a literal animal. What you want to see is a fragment.”
So, a lion is presented as just a head and a jaw and a horse in pain is shown by a mask in an actor’s lap while French performer Antoine Boissereau elegantly swings high from a white cloth, the spirit of the animal drifting between life and death.
Stone was an actor on and off-Broadway, in television and in film, for decades before transitioning to directing. She previously earned a Tony nod directing the Tony-winning Broadway musical “Kimberly Akimbo,” which beautifully captured sadness with humor.
“That dichotomy is the thing that’s most interesting to me — that you can feel great pain and still something can really make you laugh in that moment. That’s something that I seek when I’m telling stories.”
Elice says Stone’s background as an actor gives her an ability to know how to talk to actors, comparing her favorably to the late, great Mike Nichols, which is saying a lot.
“I’ve never seen anybody better than Nichols talking to actors. She just has the knack of being able to cut through a lot of b.s. and say exactly the right thing to get a great performance.”
Stone is part of a sisterhood of directors who crashed through a Broadway barrier this year: Seven women took the 10 musical and play directing nomination slots. Only 10 women have gone on to win a directing crown.
Stone, who is married to Broadway veteran actor Christopher Fitzgerald, celebrated her nomination in a very New York way: She got an everything toasted bagel with cream cheese and a manicure.
That’s in keeping with a director who likes to leaven something profound with something ordinary. “You can be nominated for an award and just want a bagel,” she says, laughing.
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New Hampshire
NH Senate Votes To Hike Turnpike Tolls for Out-of-State Vehicles
By PAULA TRACY, InDepthNH.org
CONCORD – While Republican Gov. Kelly Ayotte has said she opposes increasing highway toll rates across the state, the Senate voted Thursday to increase rates for out-of-state license plate holders.
It now goes to the House for consideration.
This would be a $1 increase for those who have out of state plates going through the tolls at Hooksett, Hampton and Bedford for out-of-state plates, a 75 cent hike for those taking Hampton’s Exit 2 and on the Spaulding turnpike at Rochester, and a 50 cent hike for those taking the exit off I-93 to Hooksett.
An analysis in the bill shows that this would increase toll revenue by $53.3 million in fiscal year 2027 and go up each year to generate $81.4 million a year in 2036.
Senate Bill 627 passed on a voice vote with two Republicans, Senators Regina Birdsell of Hampstead and William Gannon of Sandown opposing.
Senator Mark E. McConkey, R-Freedom, moved to take the bill off the table and offered an amendment.
He said the last time there was a systemwide increase to the turnpike toll was 19 years ago.
“I am sure we could all agree the cost of operations…has continued to escalate when revenue is not rising with it,” and he noted that with an enterprise fund, the state can only spend what it takes in.
The state has just completed a 10-year highway plan and there was a $400 million shortfall in projects that could not be paid for under the current income.
McConkey said the measure would not increase tolls for New Hampshire drivers with a state license plate.
“Why don’t we ask our neighbors,” to pay a toll increase. “We are getting the best of all worlds,” by passing the bill, he said, including “protecting our residents” and having resources for improvements to the turnpike system.
Sen. Gannon, R-Sandown, asked McConkey if there are any studies on impacts near the border on businesses.
If implemented, McConkey said the state will be the 27th lowest in per mile cost still. McConkey said the bill would also increase from seven to 14 days the amount of time for those with NH license plates to pay for a toll adding there are other states that also have different rates for out-of-state users.
The Hampton toll cost would go from $2 to $3, while Hooksett and Bedford would rise from $1 to $2 for out-of-state plates.
New Hampshire currently has the lowest rate per mile among states with tolls roads.
The governor said she does not support a toll increase.
“We are not going to put a burden on drivers for a toll increase,” Ayotte said. “Families are struggling.”
New Jersey
How much are World Cup tickets? FIFA sells $2,000 tailgate tickets
Tickets for the 2026 FIFA World Cup are highly coveted. Admission to a game can cost thousands and most matches are already sold out.
Here’s what to know, and how much tickets are selling for.
How to get New Jersey New York FIFA World Cup 2026 tickets
Fans can buy the New Jersey New York Venue Series pass starting at $25,800 per person, for admission to all eight games in New Jersey New York Stadium Stadium.
Alternatively, fans can buy premium admission that are available for upward of $1,000.
For instance, the admission to the France vs Senegal game on June 16 ranges from $2,300 to $3,400.
The closer to the final, the more expensive tickets are. Admission for the Round of 16 match on July 5, costs between $2,800 and $6,000.
Anyone interested in a luxury suite should be ready to pay roughly $200,000 for game at the New Jersey New York Stadium. The silver lining is that the price includes admission for to 24 people.
Premium tickets for the final match are sold out.
How can I buy cheaper FIFA World Cup Tickets?
A Last-Minute Sales Phase for individual tickets opens on April 2 at 11 a.m. ET. Tickets might sell out within minutes, given the high global demand for them. Most of the tickets left are category 1 and 2, the most expensive seats.
Price varies depending on the match. As an example the USA vs Paraguay match has seats available for $1,940 and $2,735, according to The Athletic.
Forty out of the 104 matches are already sold out.
What are the tailgate tickets? What is the FIFA Pavilion?
FIFA is selling Pavilion tickets for roughly $2,000. The sporting organization describes the pavilions as “an exclusive retreat located in our secure perimeter immediately outside the stadium. Featuring beverage service and elevated street food-inspired dining available pre- and post-match.
For the price, you get to tailgate a game three hours before the match and two hours after it finishes. It also includes a ticket to see the game inside the stadium.
Juan Carlos Castillo is a New Jersey-based trending reporter for the USA Today Network. Find him on Twitter at _JCCastillo.
Pennsylvania
Pa. man found guilty of raping teen girl who he took to Mexico
A Pennsylvania man was found guilty of repeatedly raping his daughter’s best friend over a three-year span before fleeing with the teen to Mexico.
On Thursday, March 5, 2026, Kevin Esterly, 53, of Whitehall Township, Pennsylvania, was convicted on all counts of rape, statutory sexual assault, involuntary sexual intercourse and endangering the welfare of children.
Esterly shook his head as the verdict was read but said nothing in the courtroom.
Resources for victims of sexual assault are available through the National Sexual Violence Resources Center and the National Sexual Assault Telephone Hotline at 800-656-4673.
Esterly’s trial began on Tuesday, March 3, after a judge denied his pretrial motion for the charges against him to be dismissed and for the Lehigh County District Attorney to be removed as a prosecutor in the case.
Both Esterly and his victim testified on Wednesday, March 4.
The victim — who is now 24-years-old — told the courtroom that she met Esterly and his family while attending church as a child and became best friends with one of his daughters. Esterly was a youth leader and elder at the church at the time. The victim said Esterly also coached her soccer team.
The victim said she became so close to Esterly’s family that she called his wife “mom” and eventually spent almost every weekend at their home in Lowhill Township, Pennsylvania. She also said she vacationed with them in New York state and Ocean City, Maryland.
The victim said Esterly first sexually assaulted her in August 2015 when she was 13-years-old after he gave her alcohol during a family birthday party.
“I was scared. Frozen in fear,” the woman told the courtroom on Wednesday. “I pretended I was sleeping.”
The woman accused Esterly of sexually assaulting her almost every time she slept over at his home. She told the courtroom she eventually became addicted to alcohol and drugs, which Esterly gave her in exchange for sex. According to the woman, Esterly gave her cocaine and methamphetamine to keep her awake during school because she “would be up with him all night.”
The woman said Esterly continued to sexually assault her until he was confronted by his wife in 2017. Esterly’s wife then threw him out of the house, according to the victim. She said Esterly continued to sexually assault her over the next year.
Esterly was later arrested and then sentenced to prison after federal agents found him with the victim in Playa del Carmen, Mexico, in 2018. She was 16-years-old at the time.
The woman said she moved on and went to college after Esterly’s sentencing though she still struggled with drug addiction. She said she sought counseling in February 2025. She told the courtroom she received a message from Esterly on LinkedIn that same month in which he apologized for “failing you as a person I was supposed to be for you.” At that point Esterly had been released from prison.
The woman said she had not told anyone about her relationship with Esterly up to that point and replied to him, “I live with our secret every day as I promised. I would appreciate an apology.”
The woman told the courtroom that Esterly responded by writing, “I hope one day you can forgive me. Nobody knows I reached out to you. That is the best for both of us.”
On Feb. 21, 2025, Allentown Police received a report of Esterly’s sexual assaults which led to the new charges being filed against him. He was arrested in West Virginia in June 2025 after two police pursuits. He was then extradited to Pennsylvania.
The victim told the courtroom on Wednesday that she kept quiet about Esterly’s abuse for years because she “was afraid to speak,” and felt “dirty and ashamed.”
“I wasn’t ready to tell anyone,” she said. “He was a father figure in my life. I loved him.”
The woman also said she didn’t want to hurt Esterly’s daughter who was her best friend.
When the District Attorney asked her why she was “here today,” she replied by saying, “I want to tell the truth. I want to be set free.”
The woman ended her testimony by saying, “I don’t want to live with this secret anymore.”
After her testimony, Esterly took the stand for 45 minutes, denied all of the accusations against him and accused the woman of lying.
Closing arguments then took place Thursday morning. It then took an hour for the jury of seven women and five men to reach their verdict.
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