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CT state police ticket falsification allegations raise broad concerns in forum

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CT state police ticket falsification allegations raise broad concerns in forum


For state Sen. Patricia Billie Miller, chair of the legislature’s Black and Puerto Rican Caucus, that Connecticut State Police may have written 25,000 fake tickets pertaining to racial profiling is a matter of rights.

Miller, spoke at a nearly full house at the downtown University of Connecticut campus as residents and others broached concerns about reports of the fake tickets and the impact it has on racial profiling. Milles assured those who gathered that police accountability is taken very seriously.

“I’ve spoken to the governor and he takes it very seriously. But your voices are important. …it’s very, very important for your voices to be heard,” she said. “This is about our rights. And this is about racial profiling. This is about all the money that we spent as legislators to get the data we need is gone down the tubes, because the numbers are skewed. The numbers mean nothing because of this false information.”

The forum, held by the Greater Hartford NAACP Branch, included a presentation of the Connecticut State Police Traffic Stop Data Audit 2014 to 2021 report findings by Connecticut Racial Profiling Prohibition Project Manager Kenneth Barone.

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Barone said that the audit report was done due to the board’s concern that racial profiling records may have been intentionally falsified by troopers and constables. The audit of hundreds of thousands of tickets, was designed to determine whether there was merit to the concern and if so, the extent of any problems.

Barone said that overreported records with evidence of false or inaccurate data were more likely to be reported as white drivers and less likely to be reported as Black or Hispanic drivers, and records that were underreported by troopers were more likely to be Hispanic or some other race and less likely to be white drivers.

The report

He said that the audit contains general findings, which include the analysis identifying that there were a significant number of unsubstantiated infraction records that were submitted to the racial profiling database by troopers and constables during all years covered by the audit.

Other findings based on the analysis include that Barone and his staff have a high level of confidence that false and inaccurate records were submitted to the racial profiling database, he said.

The report says the most significant impact of false and inaccurate records occurred between 2014 and 2018. It also says that although the number of unsubstantiated records has declined, the problem persisted through 2021.

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The report also said that while some infractions reported to the Centralized Infractions Bureau appear to have met the criteria for submission to the racial profiling system, they were not reported, which the report says is a violation of requirements of the Alvin W. Penn Racial Profiling Prohibition Act.

The report’s analysis found the demographics recorded for records where there is a high level of confidence that the information is false or inaccurate made a substantive and statistically significant impact on previously published analyses.

The report also suggests a historical pattern and practice among some troopers and constables of submitting infraction records that were likely false or inaccurate to the racial profiling system, with the issue appearing to have been more prominent in Troop F in the Central District and throughout all the troops in the Eastern District.

‘It still contributed to racism overall’

Following Barone’s presentation, forum attendees posed questions and voiced their concerns.

National Organization of Black Law Enforcement Executives Connecticut chapter member Gary Wallace asked whether there would be an opportunity to know the motivation behind falsifying tickets.

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Barone said that he can only speak to the four investigations that the state police have completed and made public.

“We didn’t investigate, we didn’t go out and interview people. But in those four cases, they did ask them and the answers vary. One trooper said, it was in the report that Hearst Media made public, that they were having trouble at home and they didn’t want to get transferred to another troop, and they needed to appear more productive,” Barone said.

“And so they were entering record. They were making stops that were false, so their supervisor would be satisfied. But there were different versions of that, which the state police articulated in those investigations. As we say in the report, trying to answer that question…we’re data people, and that’s for another entity,” he said.

University of New Haven faculty member Lorenzo M. Boyd said he wondered if something worse could be happening, as there is only data for infractions, not traffic stops with written or verbal warnings.

Connecticut Racial Profiling Prohibition Project Senior Policy Analyst James Fazzalaro said information on warnings is part of their database, but while they have an independent way to verify accuracy of stops that result in infractions, warnings do not get reported to any specific place, whether they are issued locally or by state police.

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“To do the same kind of an analysis of warnings, we would have to figure out how to basically do the same kind of comparison we did here for infractions,” he said.

Fazzalaro said it is complicated because since the COVID-19 pandemic, state police results shifted from infraction toward warnings, in part because concern about the virus meant troopers didn’t want long contacts with motorists. “But we’re now past that. And that dynamic is still in the data. So we’re starting to try to figure out whether we’re dealing with a permanent shift in stop outcomes that will make it more difficult to audit all of the data that we audited this time,” he said.

Both Senator Miller and Connecticut Racial Profiling Prohibition Project Advisory Board chair, former state Rep. William Dyson, encouraged anyone with concerns to make their voices heard to the state legislature and get involved when it comes to this issue.

ACLU CT Public Policy Advocacy Director Claudine Constant said that what has come to light is concerning.

“Regardless of the intent, regardless of what people meant to do, regardless of what it was if it was laziness or not. It still contributed to racism overall,” she said. “This is a system-wide issue, not just a couple of bad apples. Systemic, and I hope we can keep that in mind as we walk through the data and really start having these difficult conversations,” she said.

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NAACP Connecticut State Conference President Scot X. Esdaile said the issue is extremely important because it involves racial profiling.

“These are people from our communities that are getting pulled over to speak from our communities that are being mistreated,” he said. “And now we’re finding out that there’s fake reports and fake tickets that are going out … but we also have to talk about accountability.

“These individuals need to be held accountable for their actions. We’ve fought vigorously to get these racial profiling laws to come into fruition. And now they’re skewing the numbers, they’re playing with the numbers. They’re striving to get promotions off of these false numbers, and they need to be held accountable. And we need to demand that they’re held accountable for this,” he said.



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Connecticut

Zero fatal car crashes during Christmas in Connecticut: state police

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Zero fatal car crashes during Christmas in Connecticut: state police


New preliminary statistics from Connecticut State Police were released on Thursday. According to troopers, they responded to zero fatal crashes during their patrols on Christmas Eve and Christmas Day.

The new stats include responses from the start of Dec. 23 through the end of Dec. 25.

State police say they had more than 1,600 calls for service, including 168 traffic stops, 15 DUI stops, and 150 motor vehicle crashes.

State police sat 14 of those crashes had reported injuries, though none were listed as ‘serious’ and none led to death.

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During the Thanksgiving holiday week, 1 fatal crash was reported by CT state police.

In total, this year’s number of traffic-related deaths is on pace for near record-high numbers.



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Tony-award winning director Jack O'Brien talks about career, life in CT

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Tony-award winning director Jack O'Brien talks about career, life in CT


Jack O’Brien, a Tony-winning director is photographed in his New Milford home, Oct. 29, 2024.

Carol Kaliff/For Hearst Connecticut Media

It’s a misty autumn afternoon and along a winding country road in New Milford, a housing development emerges of stately though modestly-scaled homes with manageable lawns and pristine porches.

In one of the dozen or so homes in this quiet mini-village is where theater director Jack O’Brien has lived for the past 10 years.

“I call the style of home ‘Early Ozzie and Harriet,’ ” he said laughing, as he greets his visitors.

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Jack O'Brien, a Tony-winning director has an extensive collection of framed posters from the many productions he was part of.

Jack O’Brien, a Tony-winning director has an extensive collection of framed posters from the many productions he was part of.

Carol Kaliff/For Hearst Connecticut Media

Like the avuncular man himself, the two-story house reflects a sense of the classic, the playful and the practical.

Jack O'Brien, a Tony-winning director is photographed in his New Milford home holding the Tony he received for lifetime achievement, Oct. 29, 2024.

Jack O’Brien, a Tony-winning director is photographed in his New Milford home holding the Tony he received for lifetime achievement, Oct. 29, 2024.

Carol Kaliff/For Hearst Connecticut Media

Over a six-decade career in the theater and nearly 50 Broadway credits, O’Brien has earned three Tony Awards and in June received another for lifetime achievement.

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At 85, he’s still achieving plenty.

This fall on Broadway he directed close chums Patti LuPone and Mia Farrow — who live nearby — in the Jen Silverman comedy “The Roommate.” He also launched the national tour of the 2023 Broadway musical “Shucked,” which earned him his seventh nomination. He is readying to cast the musical for its London premiere and for 2025 he will be working on a Broadway-bound revival of “The Sound of Music.”

Jack O'Brien, a Tony-winning director is photographed in his New Milford home, Oct. 29, 2024.

Jack O’Brien, a Tony-winning director is photographed in his New Milford home, Oct. 29, 2024.

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Carol Kaliff/For Hearst Connecticut Media

“Let’s go upstairs,” O’Brien eagerly said, leading his guests to a large alcove whose walls are covered with production photos, design sketches and posters of some of the hits (and misses) of his career. To comfortably take it all in there’s a butterscotch-colored leather couch, accented with a colorful variety of textured pillows.

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“Isn’t this fun?,” he said taking a seat, clearly pleased in showing off the room to a theater aficionado. “And this isn’t even everything!”

It’s a theater archivist’s dreamscape: memorabilia that goes back to the start of his career with the APA Phoenix Repertory Company in the ‘60s; the launch of his Broadway career — in the ‘70s with an acclaimed production of “Porgy and Bess;” his years as artistic director of San Diego’s Old Globe and its Broadway transfers in the ‘80s and ‘90s; a string of hit musicals and collaborations with Tom Stoppard in the 2000s; more awards and nominations in the 2010s; and his latest nomination in the 2023 for “Shucked.”

Jack O'Brien, a Tony-winning director, has an extensive collection of framed posters from the many productions he was part of in his New Milford home.

Jack O’Brien, a Tony-winning director, has an extensive collection of framed posters from the many productions he was part of in his New Milford home.

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Carol Kaliff/For Hearst Connecticut Media

For each piece of the past, there’s inevitably a backstage tale and O’Brien is known to be one of the best theater storytellers in the business, the person you most want to sit next to at dinner. He has authored two anecdote-filled memoirs, the last being “Jack in the Box or, How to Goddamn Direct.”

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The airy second floor is for overnight guests and those who might enjoy looking at his theater collection, he said. For himself, well, O’Brien is just too busy to overindulge in nostalgia, residing on the ground floor.

“I have no rear-view mirror,” said the upbeat director. “I only look forward.”

Connecticut escape

Connecticut — and specifically Litchfield Country — has been O’Brien’s refuge from the demands and chaos of Manhattan for nearly 25 years, initially wooed by theater pals who lived here.

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Jack O'Brien, a Tony-winning director is photographed in his New Milford home, Oct. 29, 2024.

Jack O’Brien, a Tony-winning director is photographed in his New Milford home, Oct. 29, 2024.

Carol Kaliff/For Hearst Connecticut Media

“Lindsay Law, who produced all my television shows (for PBS’ “American Playhouse” in the ‘70s) lived in Roxbury and I would come up to visit every weekend,” he said.

Following the death of his partner, composer James J. Legg Jr., in 2000, O’Brien decided to create new memories in the serene corner of Connecticut. He bought a sprawling homestead which he named “Imaginary Farms,” after the 2002 Broadway play he was directing at the time, “Imaginary Friends.”

”It was the house that ‘Hairspray’ built,” he said, referring to his 2002 hit musical.

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Tony Awards, won by director Jack O'Brien , are photographed in his New Milford home, Oct. 29, 2024.

Tony Awards, won by director Jack O’Brien , are photographed in his New Milford home, Oct. 29, 2024.

Carol Kaliff/For Hearst Connecticut Media

“It was gorgeous,” he said of that first home, noting its swimming pool, guest house and 20 acres. “We always had loads of friends there. I traditionally cooked Thanksgiving or Christmas for (composer Stephen) Sondheim and all our friends.”

“But several years ago my financial advisor said to me, ‘You can’t keep this house because it takes three staffs of people to run it.’ So I said OK, and I made a video of the place and sent it to all my theater people, most of whom had been guests there at one time or another.’

Ethan Hawke, whom O’Brien directed in Stoppard’s “The Coast of Utopia” trilogy and Shakespeare’s “Henry IV” and “Macbeth,” bought the house “And everything in. He said, ‘We want to live like you live.’ I feel so wonderful about how it all turned out.”

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Jack O'Brien, a Tony-winning director is photographed in his New Milford home, Oct. 29, 2024.

Jack O’Brien, a Tony-winning director is photographed in his New Milford home, Oct. 29, 2024.

Carol Kaliff/For Hearst Connecticut Media

After selling his apartment on Central Park West 10 years ago, he sought a return to Connecticut. He learned that a new development was being built in New Milford, and that he could customize a home to his tastes, which one might call a slightly different kind of directing.

“The entire development looks like the back lot of MGM in 1945,” he said. “And by that I mean quite charming. It’s perfect for me now.”

Long runs for directors

O’Brien leads his guests to his ground-floor bedroom where on display are shelves of his multiple awards — including his Tonys, an armful of Drama Desk trophies, and the Theatre Hall of Fame honor. On the floor there’s a throw rug created by stage designer David Rockwell completely made up of colorful satin bow ties.

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In the living room, he eases into an oversized, wing-chair next to a marble fireplace, as Coda, as if on cue, jumps into his lap.

“I’ve had four Yorkies in my lifetime and Coda (is) the last of a distinguished line,” he said, seemingly a nod to his own age more than his dog’s.

Jack O'Brien, a Tony-winning director is photographed in his New Milford home with Coda, a female Norwich Terrier, Oct. 29, 2024.

Jack O’Brien, a Tony-winning director is photographed in his New Milford home with Coda, a female Norwich Terrier, Oct. 29, 2024.

Carol Kaliff/For Hearst Connecticut Media

It is pointed out to him that legendary theater director George Abbott lived to be 107 and continued working until his death in 1995.

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“I met him when he was 105,” he said, referring to the time O’Brien directed a revival of “Damn Yankees” starring Jerry Lewis. Abbott was protective of his original script which O’Brien sought to rewrite. “Those extra two angry years kept him alive,” he said.

“I guess there’s something about theater directors. Twenty years ago, I didn’t know anyone in their 90s. Now I know a lot and many of them are still working. I’m working all the time now, too. It’s ridiculous. I thought it was going to stop — but it didn’t.”



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Officials: CT troopers respond to 108 crashes from midnight Monday to about noon Tuesday

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Officials: CT troopers respond to 108 crashes from midnight Monday to about noon Tuesday


As of noon Tuesday, Connecticut State Police stopped 98 vehicles since the start of the Christmas holiday.

State police responded to 108 vehicle crashes, including 12 in which a person was injured. No fatalities were reported.

Eleven people were arrested for driving under the influence since midnight Monday.

State police responded to 982 calls from motorists seeking assistance on the highway.

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