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Minneapolis man recreates local landmarks with Legos

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Minneapolis man recreates local landmarks with Legos


About a block from Lake Nokomis, there’s a coffee shop where customers come to escape the daily grind. But inside the corner cafe sits a tiny tribute to the neighborhood hangout.

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How he got his start

The backstory:

Jeff Esler has been coming to Nokomis Beach Coffee for caffeine and conversation every morning for more than two decades.

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Since he’s always had a love of Legos, about a year and a half ago, Esler made a small scale replica of his favorite coffee shop, complete with miniature versions of himself and his daily coffee klatch.

“I call it the last supper. It’s a bunch of us sitting around this table and each one of them, you can kind of recognize who the minifigures are. Most of my friends are like that’s great. Some of them are like I don’t look like that,” said Esler.

Mini Monte Carlo

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Local perspective:

Another Lego model of the Monte Carlo restaurant in the North Loop is also on display at the coffee shop.

With accurate reproductions of everything from the outdoor signs and patio to the signature bar that goes all the way up to the ceiling, Esler’s attention to detail is jaw dropping.

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“It’s one of my favorite restaurants. It’s been in Minneapolis since 1906 so it’s got a lot of history. It’s usually just my perspective. It’s not super accurate but it will end up looking a lot like the real places,” said Esler.

Building a hobby brick-by-brick

Dig deeper:

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FOX 9 first met Esler nearly eight years ago, when he immortalized Nye’s Polonaise Room with Legos about a year after the beloved piano bar and restaurant in northeast Minneapolis closed its doors.

“It was a combination of I want something to do and I want one of these little projects so why not do Nye’s or something everyone recognizes. So that’s what I did,” Esler said at the time.

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It is now one of a handful of Lego models in his mancave that includes Gluek’s bar in downtown Minneapolis, the home of the Jucy Lucy Matt’s Bar, the Split Rock Lighthouse along Lake Superior and a gas station designed by Frank Lloyd Wright in Cloquet.

Esler says each project takes thousands of bricks and 40 to 50 hours to build.

“I’ll sit down here at noon and all of a sudden it will be midnight and it will feel like an hour so its kind of fun to get really into doing things like that,” said Esler.

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What’s next:

Esler’s latest Lego creation is the Riverview Theater in South Minneapolis, which is filled with mini figurines, including a row of Jokers from the Lego Batman set.

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As much as he wants to keep them, Esler says part of him wants to sell or give his Lego landmarks away.

But he has no plans to stop recreating some of Minnesota’s most recognizable places one brick at a time.

“They are cool enough to be maintained. They have a little Americana. A little bit of history,” said Esler.

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:


A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken. 

Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.

The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone. 

Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.

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Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”

Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.

Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented. 

“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.

Family members say the system and Duncan’s family let them down.

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Freeman says Duncan’s family saw the warning signs and still bailed him out

“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said. 

The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request. 

“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.

For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers. 

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Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.

“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face. 

Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.

Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly


MODE by Flickr

The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.  

Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.  

Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.  

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“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”  

Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations. 

Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.  

Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com. 





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LETTER: Minnesota and Minneapolis created the ICE mess

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LETTER: Minnesota and Minneapolis created the ICE mess


In response to Tom McDonough’s recent letter regarding ICE in Minneapolis and the impending doom that could be coming our way from operation “Metro Surge,” I offer a different perspective.

I was born, raised and lived in the great state of Minnesota for many years. Fortunately, I was raised outside of the metropolitan area in a very conservative, rural setting. It was far away from the Twin Cities cesspool that exists amongst the Land of 10,000 Lakes.

I travel home to see family and friends often. Prior to 2020, flying into Minneapolis and taking light rail was comfortable, easy, safe and convenient. However, after COVID, the George Floyd riots and now the Metro Surge fiasco, I will no longer feel safe in Minneapolis. I pretty much despise travelling to my home state any longer.

The state of Minnesota and the city of Minneapolis created this mess, and they now are trying to blame the U.S. government for it all. Venture outside of the Twin Cities area and you will find that most of the rural folks see it for what it is and are waiting for accountability and change. They don’t believe the hype, finger-pointing and misinformation from afar. Nor do I.

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