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Witches Are Having a Cultural Moment. Maryland Is Taking Up Their Cause.

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Witches Are Having a Cultural Moment. Maryland Is Taking Up Their Cause.

It was February 1698, and disease was sweeping through Leonardtown, a small village in southern Maryland. Locals knew whom to blame: They set fire to the hut of Moll Dyer, a single woman living alone on the edge of town who had been deemed a witch.

She escaped the enraged citizens, only to die in the frozen wilderness. Her body was found clinging to a rock, on which her knees and hands supposedly left impressions.

Ms. Dyer, arguably, inspired one of the most famous fictional witches in American pop culture: the one at the center of the 1999 horror film “The Blair Witch Project.” Although the film never explicitly mentioned Ms. Dyer’s fate, it is widely believed to have been based on her story. Ingeniously marketed as found footage, the hit film also endowed Maryland with a haunted reputation.

Ms. Dyer is one of seven people who were tried and convicted of witchcraft in Maryland in the 17th and 18th centuries. Only one was executed: Rebecca Fowler, a widow who was hanged in 1685 after a servant accused her of witchcraft. But all had their reputations sullied for centuries.

Now, the Maryland delegate Heather A. Bagnall, who represents a patch of the state north of Annapolis, has introduced a resolution in the general assembly to exonerate them all. The proposed resolution, which had an initial committee hearing on March 10, has been criticized as out of step with Marylanders’ priorities, but Ms. Bagnall bristled at any suggestion that the measure was frivolous. In an interview, she said she was partly motivated by the demise of Roe v. Wade, which was struck down by the Supreme Court in 2022, and by the anti-abortion measures passed in states like Texas.

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“I’ve got a real appetite for it, and the more I talk about it, the more people realize, ‘No, this is serious,’” Ms. Bagnall said. “This is not just like a flight of fancy. It’s relevant today.”

She compared the campaigns against witches to those against transgender rights and racial diversity initiatives, which have recently come under sustained assault.

At the initial hearing last week, Ms. Bagnall was joined by witch exoneration advocates, including an Episcopalian priest. Afterward, her staff was thrilled but unsure of just when the measure might come up for a full vote. It could be months, even years.

Daniel Myrick, who co-directed “The Blair Witch Project,” said he supported her effort. “We are a flawed nation, and were born out of doing some incredibly cruel things,” he said in an interview. Better “symbolic” reckoning, as he put it, than none at all — and better late than never.

“It’s a social justice issue,” said Elizabeth Pugliese-Shaw, a family law attorney in the Washington, D.C., suburbs. “These people should never have been accused.” She became interested in witch exoneration after learning that other states had done so: In 2022, Massachusetts cleared Elizabeth Johnson Jr., whose conviction was the last to remain standing from the notorious Salem Witch Trials. Connecticut followed with its own witch exonerations in 2023.

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Perhaps most notably, Scotland apologized for its witchcraft trials that led to the torture and execution of thousands of women from the 16th to the 18th centuries. “Anyone who didn’t fit the mold of what people expected would be targeted,” said Marlisa Ross, who recently staged a play about the victims of the Scottish witch hunt in Glasgow. Much like Ms. Bagnall, Dr. Ross said she saw a parallel between the witchcraft panic and the rising social animosities today. “It was a way to make everybody have a common enemy,” she said.

In the Puritan colonies of New England, witchcraft was a catchall accusation leveled against women for a variety of reasons: lack of a husband, personality quirks, an interest in herbal medicine or childbirth.

“The accusations are usually against outsiders within the community,” said Daniel T. Howlett, who is completing his doctoral studies in religion and disability in the American colonies at George Mason University in Virginia. Mr. Howlett is related to Mary Bradbury, who was convicted of witchcraft in the Salem trials. “Being a witch meant that you’d signed a covenant with the devil in most European traditions,” he said.

Often, women were simply convenient scapegoats. Beth M. Caruso, who led the exoneration effort in Connecticut, has written three novels about the state’s witch trials. Her interest was piqued after she learned of the plight of Alse Young, believed to be the first woman hanged for witchcraft in the American colonies in 1647. Much like Ms. Dyer, Ms. Young was blamed for a disease outbreak. “Where she lived was right next door to a cluster of child deaths,” Ms. Caruso said. “So then it made total sense as to why she was accused.”

The current cultural moment may be particularly auspicious. Witches have been enjoying something of a revival, and not only because of “Wicked,” the hit musical film starring Ariana Grande and Cynthia Erivo. The “witchtok” hashtag on TikTok has millions of posts, as users flock to witchcraft’s moody aesthetic, as well as to its emphasis on alternative healing and nature-centered spirituality.

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“Part of the draw for us to witchcraft is the acceptance and celebration of our personal identities, bodies, bodily autonomy, a love of our planet and, in many cases, healing from past religious traumas,” Devin Hunter, who runs the website Modern Witch, wrote in an email. “For example, many of us are women, members of the LGBTQIA+ community, and are members of other underserved communities. Like us, those convicted and tried for witchcraft were often vulnerable people living on the fringes of society.”

(In some countries and regions, women continue to be prosecuted for witchcraft.)

Today, the legend of Moll Dyer still permeates Leonardtown, a tidy waterside enclave where a horse-drawn carriage might pass a hip cocktail lounge. The rock, the one where Ms. Dyer supposedly met her end, is covered by glass — touching it is said to enrage Ms. Dyer’s spirit and bring bad luck. A cat cafe on the town’s main strip is called “Meow Dyer,” an apparent reference to the accused witch’s name. Since 2021, a weekend in late February has been devoted to celebrating Ms. Dyer’s memory. This year, the events included “paranormal investigations,” axe throwing and a cocktail contest.

Historical markers on the road to Leonardtown proclaim Maryland’s legacy as a haven of religious tolerance. Nevertheless, when England passed an anti-witchcraft act in 1604, the state adopted it. But Ms. Bagnall is not bothered by the fact that centuries have passed since the injustices were committed under that law. “It’s never the wrong time to do the right thing,” she said.

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No matter what happens at the Oscars, Delroy Lindo embraces ‘the joy of this moment’

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No matter what happens at the Oscars, Delroy Lindo embraces ‘the joy of this moment’

Delroy Lindo is nominated for an Oscar for best supporting actor for his role in Sinners.

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Over the course of his decades-long career on stage and in Hollywood, Sinners actor Delroy Lindo has experienced firsthand what he calls the “disappointments, the vicissitudes of the industry.”

On Feb. 22, at the BAFTA awards in London, Lindo and Sinners co-star Michael B. Jordan were the first presenters of the evening when a man with Tourette syndrome shouted a racial slur.

Initially, Lindo says, he questioned if he had heard correctly. Then, he says, he adjusted his glasses and read the teleprompter: “I processed in the way that I process, in a nanosecond. Mike did similarly, and we went on and did our jobs.”

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Lindo describes the BAFTA incident as “something that started out negatively becoming a positive.” A week after the BAFTAs, he appeared with Sinners director Ryan Coogler at the NAACP awards.

“The fact that I could stand there in a room predominantly of our people …  and feel safe, feel loved, feel supported,” he says. “I just wanted to officially, formally say thank you to our people and to all of the people who have supported us as a result of that event, that incident.”

Sinners is a haunting vampire thriller about twins (both played by Jordan) who open a juke joint in 1930s Mississippi. The film has been nominated for a record 16 Academy Awards, including best actor for Jordan and best supporting actor for Lindo, who plays a blues musician named Delta Slim.

This is Lindo’s first Oscar nomination; five years ago, many felt his performance in the Spike Lee film Da 5 Bloods deserved recognition from the Academy. When that didn’t happen, Lindo admits he was disappointed, but he had no choice but to move on.

“I have never taken my marbles and gone home,” he says. “And I want to claim that I will not do that now. I will continue working.”

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Interview highlights

On his preparation to play Delta Slim

Various people have mentioned … [that] my presence reminds them of an uncle or their grandfather, somebody that they knew from their families, and that is a huge compliment, but more importantly than being a compliment, it’s an affirmation for the work. My preparation for this started with Ryan sending me two books, Blues People, by Amiri Baraka — who was [known as] LeRoi Jones when he wrote the book — and Deep Blues, by Robert Palmer.

DELROY LINDO as Delta Slim in Warner Bros. Pictures’ “SINNERS,” a Warner Bros. Pictures release. Source:

Lindo, shown above in his role as Delta Slim, says director Ryan Coogler “created a sacred space for all of us” on the Sinners set.

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In reading those books and then referencing those books, continuing to reference those throughout production, I was given an entrée into the worlds, the lifestyles of these musicians. There’s a certain kind of itinerant quality that they moved around a lot. The constant for them is their music, so that there is this deep-seated connection to the music.

On being Oscar-nominated for the first time — and thinking about other Black actors, including Halle Berry and Lou Gossett Jr., who had trouble getting work after their wins

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I will not view it as a curse, because I am claiming the victory in this process, no matter what happens. … In terms of this moment, I absolutely am claiming, as much as I can, the joy of this moment. I’m not saying I don’t have trepidation, I do. It’s the reason I was not listening to the broadcast this year when the nominations were announced. I did not want to set myself up. But I’m … attempting as much as I can to fortify myself and know in my heart that I will continue working as an actor. I absolutely will.

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On being “othered” as a child because of his race

Because my mom was studying to be a nurse they would not allow her to have an infant child with her on campus, so as a result of that, I was sent to live with a white family in a white working class area of London. … I was loved, I was cared for, but as a result of living with this family in this all-white neighborhood, I went to an all-white elementary or primary school. And I was literally the only Black child in an all-white school.

So one afternoon, after school had ended, I was playing with one of my playmates … And at a certain point in our game, a car pulls up, and this kid that I was playing with goes over to the car and has a very short conversation with whomever was in the car, which I now know was his parent, his father. He comes back and he … says, “I can’t play with you.” And that was the end of the game.

On the experience of writing his forthcoming memoir

It’s been healing, actually. I’m not denying that it has opened me up. I’ve been compelled to scrutinize myself. I’m using that word very advisedly, “scrutinized.” It’s a scrutiny, it’s an examination of oneself. But in my case, because a very, very, very significant part of what I’m writing has to do with re-examining my relationship with my mom. And so my mom is a protagonist in my memoir. I’m told by my editor and by my publisher that one of the attractions to what I’m writing is that it is not a classic “celebrity memoir.” I am examining history. I’m examining culture. I’m looking at certain passages of history through the lens of the “Windrush” experience [of Caribbean immigrants who came to the UK after World War II].

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On getting a masters degree to help him write his mother’s story

My mom deserved it. My mom is deserving. And not only is my mom deserving, by extension, all the people of the Windrush generation are deserving. Stories about Windrush are not part of the global cultural lexicon commensurate with its impact. The people of Windrush changed the definition of what it means to be British. There are all these Black and brown people, theretofore members of what used to be called the British Commonwealth. And they were invited by the British government to come to England, the United Kingdom, to help rebuild the United Kingdom in the aftermath of the destruction of World War II. My mom was part of that movement. They helped rebuild construction, construction industry, transportation industry, critically, the health industry, the NHS, the National Health Service. My mom is a nurse.

The reason that I went into NYU was because my original intention was to write a screenplay about my mom. I wanted to write a screenplay about my mom because I looked around and I thought: Where are the feature films that have as protagonist a Caribbean female, a Black female, where are they? … I wanted to address that, I wanted to correct that, what I see as being an imbalance.

Ann Marie Baldonado and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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Britney Spears Open to Treatment Plan as Team Weighs Options

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Open to Treatment Plan After DUI Arrest, Source Says

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If you loved ‘Sinners,’ here’s what to watch next

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If you loved ‘Sinners,’ here’s what to watch next

Michael B. Jordan plays twin brothers Smoke and Stack in Sinners.

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What to watch if you loved…

Ryan Coogler’s supernatural horror stars Michael B. Jordan playing twin brothers who open a 1930s juke joint in Mississippi. Opening night does not go as planned when vampires appear outside. “In a straightforward metaphor for all the ways Black culture has been co-opted by whiteness, the raucous pleasures and sonic beauty of the juke joint attract the interest of a trio of demons … they wish to literally leech off of the talents and energy of Black folks,” writes critic Aisha Harris. The film made history with a record 16 Academy Award nominations.

We asked our NPR audience: What movie would you recommend to someone who loved Sinners? Here’s what you told us:

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Near Dark (1987)
Directed by Kathryn Bigelow; starring Adrian Pasdar, Jenny Wright, Lance Henriksen
If you want another cool vampire movie with Western kind of vibes, check out Kathryn Bigelow’s Near Dark — super underseen and kind of hard to find, but really gritty and sexy and another very different take on what you might think is a genre that had been wrung dry. – Maggie Grossman, Chicago, Ill.

30 Days of Night (2007)
Directed by David Slade; starring Josh Hartnett, Melissa George, Danny Huston
It follows a group of people in a small Alaskan town as they struggle to survive an invasion of vampires who have taken advantage of the month-long absence of the sun. Both this and Sinners revolve around a vampire takeover and the people’s fight to outlast the “night.” – Nathan Strzelewicz, DeWitt, Mich.

The Wailing (2016)
Directed by Na Hong-jin; starring Kwak Do-won, Hwang Jung-min, Chun Woo-hee, Jun Kunimura
In this South Korean supernatural horror film, a mysterious illness causes people in a quiet rural village to become violent and murderous. A local police officer investigates while trying to save his daughter, who begins showing the same disturbing symptoms. The film blends folk horror, religion, and psychological dread, exploring themes of faith, evil, and moral weakness. Like Sinners, it centers on a supernatural force corrupting a close-knit community, builds slow-burning tension, and examines spiritual conflict and human frailty. – Amy Merke, Bronx, N.Y.

Fréwaka (2024)
Directed by Aislinn Clarke; starring Bríd Ní Neachtain, Clare Monnelly, Aleksandra Bystrzhitskaya
In this Irish folk horror film, a home care worker, Shoo, is assigned to stay with an elderly woman who’s convinced she’s under siege by malevolent fairies. Like Sinners, Fréwaka blends folk traditions and social commentary with horror. The social failures Shoo copes with (untreated mental health issues, religious abuse) are just as frightening as the supernatural forces. – Kerrin Smith, Baltimore, Md.

And a bonus pick from our critic:

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Ma Rainey’s Black Bottom (2020)
Directed by George C. Wolfe; starring Viola Davis, Chadwick Boseman, Glynn Turman
This is an adaptation of August Wilson’s play about a legendary blues singer (Viola Davis) muscling through a recording session with white producers who want to control her music. Chadwick Boseman’s blistering in his final role. – Bob Mondello, NPR movie critic

Carly Rubin and Ivy Buck contributed to this project. It was edited by Clare Lombardo.

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