Lifestyle
Why do we leap day? We remind you (so you can forget for another 4 years)
A clock showing February 29, also known as leap day. They only happen about once every four years.
Olivier Le Moal/Getty Images
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Olivier Le Moal/Getty Images
A clock showing February 29, also known as leap day. They only happen about once every four years.
Olivier Le Moal/Getty Images
Nearly every four years, the Gregorian calendar — which is used in the majority of countries around the world — gets an extra day: February 29.
For some people, leap day means frog jokes and extravagant birthday parties. For many, it may conjure memories of the 2010 rom-com Leap Year, which harkens back to the Irish tradition by which women can propose to men on that one day. And others likely see it merely as a funny quirk in the calendar, or just another Thursday.
Leap day means several different things to Alexander Boxer, a data scientist and the author of A Scheme of Heaven: The History of Astrology and the Search for Our Destiny in Data.
Literally speaking, he says, it’s an “awkward calendar hack” aimed at making up for the fact that a year isn’t a flat number of days, but more like 365 and a quarter. But there’s more to it than that.
“I think the significance of the leap year is that it’s a great reminder that the universe is really good at defying our attempts to devise nice and pretty and aesthetically pleasing systems to fit it in,” he told NPR’s Morning Edition.
Boxer says it’s also a great reminder that the calendar most people rely on every day is actually the product of multiple civilizations, building off each other as they share in what he calls “this great undertaking of trying to understand time.”
So where did leap year come from, and what are we supposed to do with our extra day? NPR’s Morning Edition spoke with experts in astronomy, history and economics to find out.
Why do we have leap years?
Most people know that a single day is about 24 hours long, and that there are 365 days in a year.
But it actually takes Earth 365.242190 days to orbit the sun, says Jackie Faherty, an astronomer at the American Museum of Natural History in New York.
“And that .242190 days to go around the sun is the entire reason why we have a leap year,” she explained.
Centuries ago, people kept track of the sun’s position — such as for a solstice or the longest day of the year — to know when to do things like plant and harvest. Over time, she says, the need grew for a centralized calendar system.
The Hebrew, Chinese and Buddhist calendars, among others, have long contained entire leap months. The West is no stranger to leap years either.
The Julian Calendar, which Julius Caesar introduced in 45 BC, included an extra day every year. He borrowed the idea from the Egyptians, though his math wasn’t exactly correct. Caesar overestimated the solar year by about 11 minutes, leading to an overcorrection by about eight days each millennium. That explains why Easter, for example, fell further and further away from the spring equinox over time.
Pope Gregory XIII sought to address that problem in the 16th century with the Gregorian Calendar, which adds leap days in years divisible by four, unless the year is also divisible by 100. To make matters even more confusing, a leap day is still added in years divisible by 400.
Why add the extra day in February? Boxer, the data scientist, says the Romans considered it an unlucky month. On top of that, they were deeply suspicious of odd numbers. Because February only had 28 days to begin with, they “just shoved it into February,” though leap day used to be on the 24th.
Ultimately, says Boxer, the calendar is a compromise.
“On the one hand, you don’t want a calendar that makes it so complicated to know how many days it’s going to be from one year to the next,” he added. “But on the other hand, you want to make sure that winter holidays, too, in the winter and summer holidays, stay in the summer, especially if your holidays are related to things like agriculture, harvest holidays and whatnot.”
What does leap day mean for birthdays?
One tangible impact of a leap year is that birthdays will fall on a different day of the week than their usual pattern.
“If your birthday was on a Tuesday last year, you’re going to skip over Wednesday and you’ll have a birthday on a Thursday,” said Faherty. “Not to mention those poor people that are born on February 29, a day that only exists every four years.”
There are about 5 million people worldwide with a Feb. 29 birthday, according to the History Channel. The list of so-called “leaplings” includes celebrities such as motivational speaker Tony Robbins and hip-hop artist Ja Rule. And peoples’ odds of joining their ranks are small — about 1-in-1,461, to be exact.
Several leaplings told NPR that there’s no set rule on which day to celebrate their birthday in a non-leap year. Some prefer Feb. 28, others March 1 and many do both.
“My answer to this question has evolved over the years,” said Michael Kozlowski Jr., a leap day baby based in Belgium. “It used to be February for the reasons that I identified more with that month compared to March. But these days I honestly like to celebrate both days or even the entire week. It seems only fair and it works and it feels great.”
They acknowledged both pros and cons of having a leap day birthday. Several said that while they were teased about it in grade school, it helped them develop a thicker skin and gave them a fun fact for life — plus more days to celebrate.
Plus, many online forms — including for the DMV — don’t recognize Feb. 29 as a possible birth date. Raenell Dawn, the co-founder of the Honor Society of Leap Year Day Babies, told NPR in 2020 that those logistics can cause trouble, especially when it comes to things like driver’s license expirations. But she also said there’s no reason for leaplings to change their birth date.
“Humans program the computer, so the humans need to program it correctly,” she said. “‘Cause February 29 is everyone’s extra day. And it’s a day that started in 45 B.C. And it’s the most important date on the calendar because it keeps all the dates on the calendar in line with the seasons.”
What should you do — and not do — on Feb. 29?
There are lots of superstitions and traditions about leap day on the internet, and a few celebrations to look forward to IRL.
A decades-old French satirical newspaper, La Bougie du Sapeur, goes to print only on Feb. 29 — this year included. There are also festivities in the “Leap Year Capital of the World,” as Anthony, Texas, is known.
Leapling Mary Ann Brown petitioned Congress to give Anthony, Texas — and Anthony, New Mexico, on the other side of the state line — that designation in 1988 because of the “numerous number of leap year births that happened within the two towns,” Mayor Anthony Turner told NPR over email.
In years past, he said, the community marked leap day with a parade that stretched between the two towns of Anthony. This year, the Texas side is hosting a two-day leap year festival, complete with live music, local vendors and an exclusive barbecue dinner for leap day babies.
“This is an opportunity for the community to take pride in the fact that they live in the leap year capital of the world, and a great chance for everyone from everywhere to join us and enjoy the true beauty of our lovely town,” Turner added.
Worldwide, most leap day lore revolves around romance and marriage, as the History Channel explains.
According to one legend, complaints from St. Bridget prompted St. Patrick to designate Feb. 29 as the one day when women can propose to men. The custom spread to Scotland and England, where the British said that any man who rejects a woman’s proposal owes her several pairs of fine gloves. In Greece and some other places, it’s considered bad luck to get married on leap day.
Katherine Parkin, a history professor at Monmouth University, said she doesn’t believe any of the myths are true — but doesn’t think they had to be in order to take hold, which they did in America as early as the 1780s.
An example of one of many early 20th century postcards by cartoonist Clare Victor Dwiggins — “Dwig” — showing women pursuing men in a leap year.
Katherine Parkin
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Katherine Parkin
An example of one of many early 20th century postcards by cartoonist Clare Victor Dwiggins — “Dwig” — showing women pursuing men in a leap year.
Katherine Parkin
The real origin, she believes, is that people have historically liked to challenge gender and gender roles.
“And in the case of marriage, to have a reversal of that power, I think is really unusual,” she added. “And it ties perfectly with this unusual date. Where did it come from and where did it go? And so I think it really plays well into people’s imagination and playfulness.”
But Parkin says her research points to darker undertones behind the tradition — namely, that it was actually intended to ridicule women.
She points to the proliferation of postcards in the 20th century — which people would send each other across all kinds of relationships — that portrayed women who proposed to men as desperate, unattractive and aggressive, such as holding butterfly nets and pointing guns at guys.
“It’s proving to … reinforce that it’s a leap year and that this tradition exists and yet at the same time telling women, you really don’t want to do this because it looks bad for you,” Parkin said. “As a historian, I look back to this tradition and see it as part of an American desire to offer women false empowerment.”
Of the more than 100 people who responded to an NPR callout about their leap day celebrations and traditions, several said they had gotten engaged or married on Feb. 29. Only one explicitly mentioned gender roles.
“I think this is the day that (traditionally) a woman was able to propose?” wrote Suzanne Forbes. “If so, I plan on proposing to myself in a beautiful southern setting (likely [Georgia], while solo kayaking)!”
What if we didn’t have leap years?
Not everyone loves leap day.
Steve Hanke, a professor of applied economics at Johns Hopkins University, is one critic. He argues that the current calendar, in which dates occur on different days of the week each year, creates scheduling problems as well as confusion around holiday dates.
That’s why he and Johns Hopkins astrophysics professor Dick Henry have created the Hanke–Henry Permanent Calendar, a proposal for a new calendar that would implement an occasional leap week rather than leap day.
“The great thing about the permanent calendar is that it never changes,” Hanke explained. “The date would be on the same day. Every year, year after year after year … January 1st is always on a Monday. July 4th is always on a Thursday. December 25th, Christmas, is always on a Monday.”
Their calendar divides the year into four three-month quarters, each with the same number of days. The first two months of each quarter — including January and February — would always have 30 days, and the third month would have 31. Every six years, there would be an extra seven days at the end of December, which Hanke says would “eliminate calendar drift.”
Hanke argues that his proposed calendar would save confusion and potentially money, pointing to studies in the United Kingdom that show the economic gains associated with having public holidays on weekends. And he believes it would be easy for a president to implement the new system by executive order, something that he and Henry have even drafted, just in case.
Still, he describes their lobbying efforts as more of a “soft sell” at the moment.
It seems like the current calendar system — with its leap days and years — may be here to stay, despite the many possible alternates. Faherty, the astronomer, says if someone truly wanted to keep track of their path around the sun, one could “build yourself a henge and know when the solstice is and carry on from that.”
“But we don’t do that,” she said. “We gave it an interval and we follow that, so now we’re stuck. And now you have to enter these leap days, to try and do our best to fix the human need to have a document that says where exactly you are in the position that the Earth is falling around.”
And that’s probably enough to think about for the year, maybe even the next three.
Adam Bearne and Julie Depenbrock contributed reporting.
A young environmental activist becomes a beaver and integrates into a forest community in Pixar’s Hoppers.
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Disney/Pixar
We’re long past the days when the Pixar brand was a reliable indicator of quality, when every other year or so would bring a new masterwork on the level of The Incredibles, Ratatouille and WALL-E. In recent years, the Disney-owned animation studio has succumbed to sequelitis; I didn’t much care for Inside Out 2 or the Toy Story spinoff Lightyear, and even ostensible originals like Soul and Elemental have felt like high-concept disappointments.
So it’s a relief as well as a pleasure to recommend Pixar’s wildly entertaining new movie, Hoppers, without reservation. Directed by Daniel Chong from a script by Jesse Andrews, this eco-themed sci-fi farce may not be vintage or all-time-great Pixar. But its unhinged comic delirium is by far the liveliest thing to emerge from the company in years.
The movie stars Piper Curda as the voice of Mabel Tanaka, a plucky 19-year-old college misfit and environmental activist who lives in the woodsy suburban town of Beaverton. Mabel is more of an animal lover than a people person. She inherited a love of nature from her late grandmother, and she wants nothing more than to protect her favorite place, a forest glade.
The town’s popular mayor, Jerry — amusingly voiced by Jon Hamm — is trying to ram a highway through the area. But to Mabel’s alarm, the busy beavers who made the glade a haven for local wildlife have inexplicably vanished, and they seem to have taken all the other forest critters with them.
While investigating this disturbing situation, Mabel stumbles on a high-tech experiment that’s being conducted by her biology professor, Dr. Sam, voiced by Kathy Najimy. Dr. Sam calls the program Hoppers, because it allows a single human mind to enter, or “hop,” into the body of a robot animal, which can then pass itself off as an actual animal and communicate with real creatures in the wild.
Against Dr. Sam’s wishes, Mabel hops into the robot beaver and makes her way deep into the forest, where she hopes to convince a real beaver to return to the glade — and bring all the other animals back with it.
What Mabel discovers in the forest, though, is not at all what she expected. She encounters a community that includes birds, bunnies, racoons, a very grumpy bear and, of course, other beavers, including the friendly, somewhat naïve beaver king, George, endearingly voiced by Bobby Moynihan. (The movie takes the idea of the animal kingdom quite literally; the enormous vocal ensemble includes the late Isiah Whitlock Jr. as a royal goose, and Meryl Streep as the most imperious monarch butterfly imaginable.)
Mabel Tanaka (voiced by Piper Curda) is a plucky 19-year-old college misfit and environmental activist.
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Disney/Pixar
George has no idea that Mabel isn’t a real beaver, and he quickly takes a liking to her, even though her efforts to learn why the animals left the glade have a way of getting her and everyone into hot water.
None of this may sound too odd, especially coming just a few months after Zootopia 2. But Hoppers is just getting started; the movie gets funnier, stranger, and more surreal as it goes along. The mind-bending, body-swapping premise has obvious shades of Avatar, which Andrews’ script knowingly shouts out early on.
There are also references to classic horror films like The Birds and Jaws, and for good reason. Hoppers asks the question: What would happen if animals were fully aware of what humans have done to the planet — and suddenly in a position to do something about it? In the final stretch, the film almost becomes a body-snatcher movie, with a level of creepiness that may scare the youngest in the audience, though my 9-year-old laughed far more than she screamed.
I laughed a lot, too; Hoppers is full of funny throwaway lines and oddball non-sequiturs that I expect I’ll hear a hundred more times when it finally makes its way into our streaming rotation. The movie occasionally flirts with darkness, but even Pixar’s daring can only go so far, and its environmental advocacy ultimately lands on an unobjectionable message about how humans and animals can coexist.
That may sound conventional, but it’s borne out beautifully by Mabel and George’s unlikely friendship, which happily continues even after Mabel is no longer a beaver. There’s something fitting about that: for Pixar, Hoppers is nothing short of a return to form.
Jordan Chiles is always in motion.
The decorated gymnast and two-time Olympian recently competed in the latest season of “Dancing With the Stars,” finishing in third place alongside her partner Ezra Sosa. She’s an ambassador for brands including Nike and Hero Cosmetics. In August, she launched a mentorship program called SHERO Athlete Collective for young athletes.
And in the midst of all of that, she’s finishing up her senior year at UCLA.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
“I’m happy, but I’m also sad,” the 24-year-old says about her final year as a Bruin, adding, “It’s pretty cool to know that my dream school has become my legacy.”
Chiles is also in the thick of a legal battle to reclaim the bronze medal she won, then was stripped of, at the 2024 Paris Olympics. In January, the Swiss Federal Supreme Court granted her an appeal to reexamine the matter. “I’m going to stand for what is right,” she says. “I am doing the things to make sure no other athlete has to go through what I had to go through.”
With the Olympics arriving in Los Angeles in 2028, the question of whether Chiles will participate is top of mind for many fans. Her response?
“Right now, it’s just me and my college career,” she says, flashing a bright smile. “I think right now just being able to be a part of UCLA for my last season and then seeing from there on, from April until the next year, we’ll see what happens.”
Chiles trains every day except Wednesdays and Saturdays, but on her perfect Sunday, she’d skip the gym to hang out with her dogs, take a trip to the mall and binge-watch her favorite shows.
9 a.m.: Gospel music to start the day
I feel like waking up at 9 a.m. is the perfect time because it gives you enough time in the day to do whatever, but also you didn’t wake up too early. The first thing I’d probably do aside from washing my face and brushing my teeth, is put on gospel music or listen to anything that can put my mind at ease. If I don’t have practice, then that’s typically what I’m doing, cleaning my house and starting to rejuvenate my body differently. I’d take my dogs out. I have an Aussie doodle, a teacup poodle and a maltipoo. Their names are Versace, Chanel and Dolce Gabbana. Very bougie dogs.
9:30 a.m.: Breakfast with a side of “Chicago Fire”
I’d cook for myself. I like typical scrambled eggs, bacon, avocado toast and sometimes a bagel. To get in some fruit, I’d drink some apple juice to make it feel like, “OK, this was a great, healthy breakfast.” Then I’d most likely sit on my couch and start binge-watching something. This is where lazy Jordan comes in. Like I got up, I did this, I ate, so now it’s time to relax. I’ve recently been watching all of the Chicago [shows] like “Chicago Fire,” “Chicago PD” and “Chicago Med.” I also recently started rewatching “Pretty Little Liars.”
12:30 p.m. Shop for athleisure and other goodies
This is typically when Jordan feels like she needs to go shopping. I’d put my dogs up and go to the mall. I deserve to go shop. I deserve to go splurge. I like going to the Topanga mall. I really, really like Jamba Juice and there’s one in the Topanga mall. I used to know the secret menu by heart before they started putting it on the actual menu. My go-to is the White Gummi smoothie.
I love streetwear, so if there’s sneaker stores around, I’d check that out. I sometimes end up in an Apple Store, don’t ask me how or why. It just always ends up like that. If I need to get athleisure wear, I always go to Nike. You can never have too many Nike Pros. If I need to get my eyebrows threaded or my nails done, I can do everything at the mall while I’m shopping.
4 p.m.: Time for homework
I’m heading back home so I can beat traffic and let my dogs out. I’d probably sit on my couch, scrolling on Pinterest, trying to figure out what I’m going to eat. Then I’d start doing my homework. Since I am still in college, I’d start whatever I need to do for that week. I try to stay as organized as best as I can because it is hard being a businesswoman and still being a college student. I’d probably do homework for about 2 ½ hours.
7 p.m.: Domino’s pizza and more binge-watching
I’d turn whatever show I’m watching back on, then I’d either cook or sometimes I’ll order in. It honestly depends on what Sunday it is. If it’s football Sunday, you know I have the wings and the typical Sunday vibes. But if it’s not, I might make tacos or Alfredo, or order off Uber Eats. I know this is probably crazy but I really, really, really, really love Domino’s. I am a pizza person. My Domino’s order is a small pepperoni, pineapple, olives and sausage slice … hand tossed, cheesed up, and then I will get a side of garlic knots and a side of buffalo wings with ranch.
If it’s not Domino’s, then I either will do Shake Shack or Wendy’s. I know it’s probably crazy and you’re like “Jordan, you’re an athlete,” but sometimes a girl just has to go in that direction. I like teriyaki food and hibachi places, so I’d either order from a place called Blazed N Glazed or Teriyaki Madness, or this place on campus called Hibachi Papi.
9 p.m. Video games before bed
I have an Xbox and a PlayStation, so sometimes I will go into my game room and just literally sit in my chair and play “Call of Duty” or “Halo.” Other than that, I have no night rituals. I will just make sure my dogs are fed. I always pray before I go to bed and my skincare is legit all Medicube, but I always make sure to do a face mask every other day before I go to bed.
10:30 p.m.: Prepare for an early practice
Since I probably have to wake up the next morning for an early practice, I feel like 10:30 p.m. is a good time to go to sleep. Unless I’m doing something with my friends and we don’t get back until like 11:30 p.m., but other than that, I’m in my bed or at least on my couch just relaxing.
Delroy Lindo is nominated for an Oscar for best supporting actor for his role in Sinners.
Rebecca Cabage/Invision/AP
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Rebecca Cabage/Invision/AP
Over the course of his decades-long career on stage and in Hollywood, Sinners actor Delroy Lindo has experienced firsthand what he calls the “disappointments, the vicissitudes of the industry.”
On Feb. 22, at the BAFTA awards in London, Lindo and Sinners co-star Michael B. Jordan were the first presenters of the evening when a man with Tourette syndrome shouted a racial slur.
Initially, Lindo says, he questioned if he had heard correctly. Then, he says, he adjusted his glasses and read the teleprompter: “I processed in the way that I process, in a nanosecond. Mike did similarly, and we went on and did our jobs.”
Lindo describes the BAFTA incident as “something that started out negatively becoming a positive.” A week after the BAFTAs, he appeared with Sinners director Ryan Coogler at the NAACP awards.
“The fact that I could stand there in a room predominantly of our people … and feel safe, feel loved, feel supported,” he says. “I just wanted to officially, formally say thank you to our people and to all of the people who have supported us as a result of that event, that incident.”
Sinners is a haunting vampire thriller about twins (both played by Jordan) who open a juke joint in 1930s Mississippi. The film has been nominated for a record 16 Academy Awards, including best actor for Jordan and best supporting actor for Lindo, who plays a blues musician named Delta Slim.
This is Lindo’s first Oscar nomination; five years ago, many felt his performance in the Spike Lee film Da 5 Bloods deserved recognition from the Academy. When that didn’t happen, Lindo admits he was disappointed, but he had no choice but to move on.
“I have never taken my marbles and gone home,” he says. “And I want to claim that I will not do that now. I will continue working.”
Interview highlights
On his preparation to play Delta Slim
Various people have mentioned … [that] my presence reminds them of an uncle or their grandfather, somebody that they knew from their families, and that is a huge compliment, but more importantly than being a compliment, it’s an affirmation for the work. My preparation for this started with Ryan sending me two books, Blues People, by Amiri Baraka — who was [known as] LeRoi Jones when he wrote the book — and Deep Blues, by Robert Palmer.
Lindo, shown above in his role as Delta Slim, says director Ryan Coogler “created a sacred space for all of us” on the Sinners set.
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Warner Bros. Pictures
In reading those books and then referencing those books, continuing to reference those throughout production, I was given an entrée into the worlds, the lifestyles of these musicians. There’s a certain kind of itinerant quality that they moved around a lot. The constant for them is their music, so that there is this deep-seated connection to the music.
On being Oscar-nominated for the first time — and thinking about other Black actors, including Halle Berry and Lou Gossett Jr., who had trouble getting work after their wins
I will not view it as a curse, because I am claiming the victory in this process, no matter what happens. … In terms of this moment, I absolutely am claiming, as much as I can, the joy of this moment. I’m not saying I don’t have trepidation, I do. It’s the reason I was not listening to the broadcast this year when the nominations were announced. I did not want to set myself up. But I’m … attempting as much as I can to fortify myself and know in my heart that I will continue working as an actor. I absolutely will.
On being “othered” as a child because of his race
Because my mom was studying to be a nurse they would not allow her to have an infant child with her on campus, so as a result of that, I was sent to live with a white family in a white working class area of London. … I was loved, I was cared for, but as a result of living with this family in this all-white neighborhood, I went to an all-white elementary or primary school. And I was literally the only Black child in an all-white school.
So one afternoon, after school had ended, I was playing with one of my playmates … And at a certain point in our game, a car pulls up, and this kid that I was playing with goes over to the car and has a very short conversation with whomever was in the car, which I now know was his parent, his father. He comes back and he … says, “I can’t play with you.” And that was the end of the game.
On the experience of writing his forthcoming memoir
It’s been healing, actually. I’m not denying that it has opened me up. I’ve been compelled to scrutinize myself. I’m using that word very advisedly, “scrutinized.” It’s a scrutiny, it’s an examination of oneself. But in my case, because a very, very, very significant part of what I’m writing has to do with re-examining my relationship with my mom. And so my mom is a protagonist in my memoir. I’m told by my editor and by my publisher that one of the attractions to what I’m writing is that it is not a classic “celebrity memoir.” I am examining history. I’m examining culture. I’m looking at certain passages of history through the lens of the “Windrush” experience [of Caribbean immigrants who came to the UK after World War II].
On getting a masters degree to help him write his mother’s story
My mom deserved it. My mom is deserving. And not only is my mom deserving, by extension, all the people of the Windrush generation are deserving. Stories about Windrush are not part of the global cultural lexicon commensurate with its impact. The people of Windrush changed the definition of what it means to be British. There are all these Black and brown people, theretofore members of what used to be called the British Commonwealth. And they were invited by the British government to come to England, the United Kingdom, to help rebuild the United Kingdom in the aftermath of the destruction of World War II. My mom was part of that movement. They helped rebuild construction, construction industry, transportation industry, critically, the health industry, the NHS, the National Health Service. My mom is a nurse.
The reason that I went into NYU was because my original intention was to write a screenplay about my mom. I wanted to write a screenplay about my mom because I looked around and I thought: Where are the feature films that have as protagonist a Caribbean female, a Black female, where are they? … I wanted to address that, I wanted to correct that, what I see as being an imbalance.
Ann Marie Baldonado and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
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