Israeli strikes killed one journalist and wounded another in southern Lebanon on Wednesday, rattling a tenuous cease-fire between Israel and Lebanon.

The Lebanese Ministry of Public Health said the Israeli military had targeted the journalists in the town of Tayri, where they took shelter in a nearby house after an airstrike struck a vehicle in front of the car they were traveling in. About an hour and a half later, a second strike hit the house they were hiding in, according to a statement by a Lebanese newspaper Al-Akhbar, which employed the journalist who was killed.

The Lebanese Red Cross said its teams came under fire while trying to evacuate the journalists from the house, forcing them to withdraw. The rescue crews were targeted by a warning strike and machine-gun fire, the Lebanese health ministry said.

Zeinab Faraj, a photojournalist, was rescued from the house. The other journalist, Amal Khalil, who was a reporter for Al-Akhbar, remained trapped under rubble for hours before emergency medics recovered her body, according to the Lebanese Civil Defense.

In addition to Ms. Khalil, the two people in the car in front of her were killed in the strikes, Al-Akhbar reported.

Amid the 10-day truce between Israel and Lebanon, Israel has continued strikes against what it says are Hezbollah targets in southern Lebanon, citing its right to self-defense. Hezbollah, the Iranian-backed militia group, said that it had fired rockets and drones into Israel on Tuesday in response to what it said were violations of the cease-fire. Earlier on Wednesday, the Lebanese News Agency reported that an Israeli drone strike killed one person and wounded two others in another part of the country.

The Lebanese health ministry called the strikes in Tayri a “blatant double breach, involving both the obstruction of rescue efforts for a civilian known for her media and humanitarian work, and the direct targeting of an ambulance clearly marked with the Red Cross.”

The Israeli military denied in a statement that it had prevented rescuers from reaching the injured journalists, and said the incident was under investigation.

A spokeswoman for the Israeli military said Israeli forces had spotted two vehicles emerging from a military building used by Hezbollah. The military observed the vehicles cross what the spokeswoman called the forward defense line, determining the move to be a violation of the truce agreement.

The spokeswoman confirmed that the Israeli military had struck one of the vehicles and the building some of the occupants of the second vehicle had taken shelter in.

Ms. Khalil had covered southern Lebanon, where Hezbollah exercises strong control, since at least 2006. In a tribute to Ms. Khalil, a colleague from Al-Akhbar said she embodied the resilience of the southern Lebanese through her relentless reporting, refusing to leave the front lines of war where thousands of Lebanese had been displaced.

“As with every act of aggression, wearing a press vest did not protect those who wore it from the treachery of the Israeli enemy,” Al-Akhbar said in a statement. “Instead, it has become a danger to journalists’ lives, as part of a systematic Israeli policy aimed at silencing anyone who seeks to expose the crimes and practices of the occupation.”

In a forceful statement on social media, Nawaf Salam, the Lebanese prime minister, accused the Israeli military of war crimes for targeting journalists and obstructing access to medical aid. He said that Lebanon would pursue action to ensure Israel is held accountable with international bodies.

The Committee to Protect Journalists said that it was outraged by the attack, and that it raised serious concerns of deliberate targeting.

“The repeated strikes on the same location, the targeting of an area where journalists were sheltering, and the obstruction of medical and humanitarian access constitute a grave breach of international humanitarian law,” said Sara Qudah, CPJ’s regional director for the Middle East and North Africa.

Israeli attacks on Lebanon killed at least five people on Wednesday, including Lebanese journalist Amal Khalil, in what was described as a ‘heinous crime’ by the government.

Naomi Watts is set to star in romantic drama “Margot & Rudi,” which tells the true story of ballet legends Margot Fonteyn and Rudolf Nureyev. The film, to be directed by “Mrs. Harris Goes to Paris” filmmaker Anthony Fabian, has been boarded by world sales agency WestEnd Films.

The story unfolds when Fonteyn, the greatest ballerina in the West, is 42 and sensing her career is over. Nureyev is 23, a rebellious Soviet defector — magnetic, explosive, unstoppable. Together, they ignite the stage and become icons of the Swinging Sixties. Fonteyn is reborn by Nureyev’s wild energy, but their bond is complicated by her marriage and his affair with another dancer. To preserve what they have, they will risk everything for one defining ballet—because the only place they can truly be together… is on stage.

Watts, who studied dance before becoming an actress, will star as Fonteyn. She broke through with her performance in “Mulholland Drive” and earned Academy Award nominations for her leading roles in “21 Grams” and “The Impossible.”

She next stars in “The Housewife,” as well as Cody Fern’s untitled debut feature film, with Sarah Paulson, Dianne Wiest and Odessa A’Zion.

On television, she received Emmy, Golden Globe and Critics Choice nominations for her performance in “Feud: Capote vs. The Swans,” and recently starred in “Love Story.”

Alexandr Trush, principal dancer with the Hamburg Ballet, will portray Nureyev. A Russian-speaking Ukrainian ballet star, he has headlined major productions including “Giselle” and “Romeo and Juliet.”

The film also stars Academy Award nominee Richard E. Grant (“Can You Ever Forgive Me?,” “Saltburn,” “Nuremberg”), Academy Award nominee Demián Bichir (“A Better Life,” “Land,” “The Hateful Eight”) and BAFTA nominee Harriet Walter (“Succession,” “The Crown,” “Sense and Sensibility”), with additional cast to be announced.

The screenplay is written by BAFTA nominee Olivia Hetreed (“Girl With a Pearl Earring,” “Mrs. Harris Goes to Paris”).

The creative team includes Academy Award nominee hair and makeup designer Karen Hartley Thomas (“Golda,” The Son,” “The Courier”), choreographer Arthur Pita (“Ex Machina,” “Charlie’s Angels,” “Sunshine on Leith”), and BAFTA-winning costume designer Fotini Dimou (“The Children Act,” “King Lear”), with additional crew to be announced.

The film, which is set to shoot in October, is produced by Mike Goodridge for Good Chaos (“Triangle of Sadness,” “Ballad of a Small Player,” “Quo Vadis, Aida?”), Anthony Fabian for Elysian Films (“Skin,” “Mrs. Harris Goes to Paris”), Olivia Hetreed for Sympathetic Ink and Chris Coen (“Funny Games,” “The Childhood of a Leader,” “Shadow Dancer”). Executive producers are Thom Mount, Jeffrey Berg and Andy Paterson.

Fabian said: “Growing up in Mexico City, watching Margot and Rudi’s performances in the cinema sparked my passion for stories that blend music, theater and dance. The film explores the private joy and pain behind their public personas, capturing their unique chemistry. Ballet sequences from the duo’s most iconic roles and performances together drive the story, using movement and cinematic fantasy to reveal the truth behind a couple as famous in their day as The Beatles. Their love, defying barriers of culture, age, class and sexuality, is romantic, unconventional and thrilling — a love story like no other.”

Fabian’s previous film “Mrs. Harris Goes to Paris” was released worldwide by Focus Features/Universal International Pictures in 2022. It grossed over $30 million at the box office and received BAFTA, Golden Globe and Oscar nominations.

Watts said: “Dance was my first love, and I’ve long dreamed of making a dance film. I feel deeply honored and excited to be playing Margot Fonteyn, one of the greatest dancers of all time. Her relationship with Rudolf Nureyev was extraordinary — both artistically and emotionally — and I’m thrilled to be exploring it with such sensitivity and imagination under the direction of Anthony Fabian.”

Maya Amsellem, managing director of WestEnd Films, said: “’Margot & Rudi’ is a sweeping and beautiful story about two iconic artists who redefine each other at a pivotal moment in their lives. Naomi Watts is set to deliver one of the most transformative performances of her career, combining emotional intensity with the physicality of dance. With Anthony Fabian’s visionary direction and the film’s bold, cinematic use of ballet, this will be a powerful big-screen experience we’re excited to bring to the international market.”

WestEnd will introduce the film to buyers at Cannes Film Festival.

Watts is repped by CAA, Untitled and HJTH. Fabian is repped by Jon Cassir at CAA and Olivia Gray at Independent Talent. He is managed by Ensemble Entertainment.