World
Naomi Watts to Star as Ballerina Margot Fonteyn in Romantic Drama ‘Margot & Rudi,’ With WestEnd Films Selling in Cannes
Naomi Watts is set to star in romantic drama “Margot & Rudi,” which tells the true story of ballet legends Margot Fonteyn and Rudolf Nureyev. The film, to be directed by “Mrs. Harris Goes to Paris” filmmaker Anthony Fabian, has been boarded by world sales agency WestEnd Films.
The story unfolds when Fonteyn, the greatest ballerina in the West, is 42 and sensing her career is over. Nureyev is 23, a rebellious Soviet defector — magnetic, explosive, unstoppable. Together, they ignite the stage and become icons of the Swinging Sixties. Fonteyn is reborn by Nureyev’s wild energy, but their bond is complicated by her marriage and his affair with another dancer. To preserve what they have, they will risk everything for one defining ballet—because the only place they can truly be together… is on stage.
Watts, who studied dance before becoming an actress, will star as Fonteyn. She broke through with her performance in “Mulholland Drive” and earned Academy Award nominations for her leading roles in “21 Grams” and “The Impossible.”
She next stars in “The Housewife,” as well as Cody Fern’s untitled debut feature film, with Sarah Paulson, Dianne Wiest and Odessa A’Zion.
On television, she received Emmy, Golden Globe and Critics Choice nominations for her performance in “Feud: Capote vs. The Swans,” and recently starred in “Love Story.”
Alexandr Trush, principal dancer with the Hamburg Ballet, will portray Nureyev. A Russian-speaking Ukrainian ballet star, he has headlined major productions including “Giselle” and “Romeo and Juliet.”
The film also stars Academy Award nominee Richard E. Grant (“Can You Ever Forgive Me?,” “Saltburn,” “Nuremberg”), Academy Award nominee Demián Bichir (“A Better Life,” “Land,” “The Hateful Eight”) and BAFTA nominee Harriet Walter (“Succession,” “The Crown,” “Sense and Sensibility”), with additional cast to be announced.
The screenplay is written by BAFTA nominee Olivia Hetreed (“Girl With a Pearl Earring,” “Mrs. Harris Goes to Paris”).
The creative team includes Academy Award nominee hair and makeup designer Karen Hartley Thomas (“Golda,” The Son,” “The Courier”), choreographer Arthur Pita (“Ex Machina,” “Charlie’s Angels,” “Sunshine on Leith”), and BAFTA-winning costume designer Fotini Dimou (“The Children Act,” “King Lear”), with additional crew to be announced.
The film, which is set to shoot in October, is produced by Mike Goodridge for Good Chaos (“Triangle of Sadness,” “Ballad of a Small Player,” “Quo Vadis, Aida?”), Anthony Fabian for Elysian Films (“Skin,” “Mrs. Harris Goes to Paris”), Olivia Hetreed for Sympathetic Ink and Chris Coen (“Funny Games,” “The Childhood of a Leader,” “Shadow Dancer”). Executive producers are Thom Mount, Jeffrey Berg and Andy Paterson.
Fabian said: “Growing up in Mexico City, watching Margot and Rudi’s performances in the cinema sparked my passion for stories that blend music, theater and dance. The film explores the private joy and pain behind their public personas, capturing their unique chemistry. Ballet sequences from the duo’s most iconic roles and performances together drive the story, using movement and cinematic fantasy to reveal the truth behind a couple as famous in their day as The Beatles. Their love, defying barriers of culture, age, class and sexuality, is romantic, unconventional and thrilling — a love story like no other.”
Fabian’s previous film “Mrs. Harris Goes to Paris” was released worldwide by Focus Features/Universal International Pictures in 2022. It grossed over $30 million at the box office and received BAFTA, Golden Globe and Oscar nominations.
Watts said: “Dance was my first love, and I’ve long dreamed of making a dance film. I feel deeply honored and excited to be playing Margot Fonteyn, one of the greatest dancers of all time. Her relationship with Rudolf Nureyev was extraordinary — both artistically and emotionally — and I’m thrilled to be exploring it with such sensitivity and imagination under the direction of Anthony Fabian.”
Maya Amsellem, managing director of WestEnd Films, said: “’Margot & Rudi’ is a sweeping and beautiful story about two iconic artists who redefine each other at a pivotal moment in their lives. Naomi Watts is set to deliver one of the most transformative performances of her career, combining emotional intensity with the physicality of dance. With Anthony Fabian’s visionary direction and the film’s bold, cinematic use of ballet, this will be a powerful big-screen experience we’re excited to bring to the international market.”
WestEnd will introduce the film to buyers at Cannes Film Festival.
Watts is repped by CAA, Untitled and HJTH. Fabian is repped by Jon Cassir at CAA and Olivia Gray at Independent Talent. He is managed by Ensemble Entertainment.
World
U.S. and China Will Start Discussing A.I. Safety, Bessent Says
The United States and China will discuss guardrails on artificial intelligence, including establishing a protocol for keeping powerful A.I. models out of the hands of nonstate actors, Treasury Secretary Scott Bessent said on Thursday.
Mr. Bessent, who was speaking from Beijing in an interview with CNBC, did not give more details, including when these discussions would take place. But Xi Jinping, China’s leader, and President Trump had been expected to discuss A.I. during their summit in the Chinese capital.
If these talks happen, it would be the first time the two countries formally take up the issue during Mr. Trump’s second term. The capabilities and usage of A.I. have grown rapidly, and so have concerns that this technology could be weaponized by hackers and terrorists, or spiral out of human control.
“The two A.I. superpowers are going to start talking,” Mr. Bessent said. “We’re going to set up a protocol in terms of, how do we go forward with best practices for A.I. to make sure nonstate actors don’t get ahold of these models.”
Still, Mr. Bessent made clear that the fierce competition between the United States and China for supremacy in A.I. — which has been a major hurdle to cooperation on safety — remained front of mind for U.S. policymakers. Officials and experts in both countries have argued that they cannot slow technological development and risk losing out to their rivals.
Mr. Bessent said that the United States was willing to cooperate with China on A.I. safety because “the Chinese are substantially behind us” in terms of the technology’s development.
“I do not think we would be having the same discussions if they were this far ahead of us. So we’re going to put in U.S. best practices, U.S. values, on this, and then roll those out to the world,” Mr. Bessent said.
Experts have suggested that China’s A.I. models may be a few months behind the leading U.S. models.
Another hurdle to the United States and China working together on A.I. safety is that they have generally focused on different potential threats.
American experts have generally highlighted existential risks, such as the possibility of artificial general intelligence, or super-intelligence that exceeds that of humans. Chinese researchers and officials have more often highlighted risks related to social stability and information control, such as the possibility of chatbots producing content that challenges China’s leadership and policies.
Still, researchers in both countries have highlighted some shared risks, such as the possibility of A.I. being used to develop new biological weapons.
World
Ship seized off coast of UAE near Strait of Hormuz may have been ‘floating armory’: report
Ship SEIZED near UAE coast, UK military says
Iranian forces seized a vessel 38 nautical miles off the UAE coast early Thursday, a brazen provocation occurring just as President Donald Trump and Xi Jinping met in Beijing discussing key issues like the Strait of Hormuz.
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A ship was seized off the coast of the United Arab Emirates (UAE) near the Strait of Hormuz on Thursday morning, the British military reported.
The ship was boarded and “taken by unauthorized personnel” while it was roughly 38 nautical miles northeast of the United Arab Emirates’ oil export terminal Fujairah, the United Kingdom Maritime Trade Operations (UKMTO) reported Thursday.
UKMTO spotted the ship heading toward Iranian territorial waters after the seizure, it reported Thursday.
British authorities did not release information on who the ship belonged to or who seized it. Despite the lack of official corroboration, the BBC reported that the Honduras-flagged Hui Chuan was seized in the Strait on Thursday.
CARGO SHIP ATTACKED BY SMALL CRAFT NEAR STRAIT OF HORMUZ, UK MARITIME AGENCY SAYS
Ships are anchored in the Strait of Hormuz off Bandar Abbas in southern Iran on May 4. A report on May 15 said a ship was seized off the coast of the United Arab Emirates and is being brought toward Iranian waters. (Amirhossein Khorgooei/ISNA/AFP)
Citing the risk-management company Vanguard, the BBC reported that the ship’s operators told Vanguard that the Hui Chuan was operating as a “floating armory” for ships in the Strait to defend themselves from pirates.
A container ship sits at anchor in the Strait of Hormuz off Bandar Abbas, Iran, as a motorboat passes in the foreground on May 2, 2026. (Amirhosein Khorgooi/ISNA via AP)
At least two other ships have already been seized in the Strait of Hormuz since February.
IRAN SAYS ITS SMALL SUBS DEPLOYED TO STRAIT OF HORMUZ AS EXPERT EXPLAINS THREAT: ‘VULNERABLE TO DETECTION’
A cargo ship sails in the Persian Gulf toward the Strait of Hormuz on April 22, 2026. (AP Photo)
In April, Iran’s Islamic Revolutionary Guard Corps (IRGC) seized the Panamanian-flagged MSC Francesca and the Epaminondes ships in the Strait.
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Fox News Digital contacted UKMTO and Vanguard for further information but did not immediately receive a response.
World
Israel-Lebanon talks held in Washington as expiration of ceasefire nears
Al Jazeera’s Manuel Rapalo reports from Washington, where the first of two days of US-mediated ambassador-level talks between Israel and Lebanon concluded on Thursday. A ceasefire between them expires on Sunday, though Israel has killed 512 Lebanese since its implementation on April 17.
Published On 15 May 2026
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