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Where Fashion Stylists Shop for Vintage

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A turning level got here in 2014 once they arrange store as a classic pop-up on the V.O.D. boutique in Dallas. “The response was so overwhelming, it took us aback,” Ms. Boufelfel stated. “It was a ready-to-wear buyer who didn’t know how one can combine it — they weren’t ladies who would stroll right into a classic retailer — and they might say issues like, ‘Your styling has impressed me to put on an unique ’30s gown and never really feel prefer it was a fancy dress.’”

An early fan was Emily Bode, who purchased clothes on-line from Desert Classic — she went by a part of shopping for Edwardian whites — earlier than founding her personal line, which is thought for its classic and vintage materials. “There’s not that many individuals who promote classic in such pristine high quality and who carry Celine, Chanel, Yves Saint Laurent and obscure designers and uncommon and fragile items from the 1800s and Twenties,” Ms. Bode stated.

She met the couple in 2016 when she purchased a crimson silk skirt from their sales space at A Present Affair, a touring classic clothes present, they usually quickly turned shut mates. “At that time, there weren’t that many individuals our age within the classic sport,” stated Ms. Bode, who was driving dwelling from a quilt public sale in New Jersey. “After we had been at auctions, we had been just about the one individuals there underneath 40.”

It was when she opened her Bode retailer on Hester Avenue in 2019 that she began lobbying for them to open a store close by. “It was so clear it really works for us, and we’ve an analogous buyer as Desert Classic, one who has a shared love for antiques and histories,” Ms. Bode stated.

After a number of areas round Chinatown and the Decrease East Facet, they signed a lease at 34 Orchard Avenue. Ms. Bode’s husband, Aaron Aujla, and his enterprise companion, Benjamin Bloomstein, who personal the furnishings and inside design studio Inexperienced River Venture, had been enlisted to remodel the area.

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“It’s sort of like doing a portrait of somebody,” Mr. Aujla stated of the design course of. “Over the course of the final 5 to 6 years of touring with them, having them at each Bode present, each retailer opening, I actually know who they’re as a pair and as an entity, as a enterprise. I needed to color this image of them as romantics and historians, and their imaginative and prescient of the previous as holistic and delightful and up to date and related.”

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Lifestyle

'Wait Wait' for May 25, 2024: With Not My Job guest J. Kenji López-Alt

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'Wait Wait' for May 25, 2024: With Not My Job guest J. Kenji López-Alt

J. Kenji Lopez-Alt attends the 2023 James Beard Media Awards at Columbia College Chicago in Chicago.

Jeff Schear/Getty Images for The James Beard/Getty Images North America


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This week’s show was recorded at the Paramount Theater in Seattle with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest J. Kenji López-Alt and panelists Shantira Jackson, Luke Burbank and Jessi Klein. Click the audio link above to hear the whole show.

Who’s Bill This Time
Till Indictment Do We Part, An AI No No, Sleepy Chic

Panel Questions
Not Your Grandma’s Land of 10,000 Lakes

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Bluff The Listener
Our panelists tell us three stories about stain-blocking ceiling paint in the news, only one of which is true.

Not My Job: We quiz Serious Eats’ J. Kenji López-Alt on Serious Feet
J. Kenji López-Alt is a food genius. The two-time James Beard Award winner and creator of “The Food Lab” is one of the world’s smartest people when it comes to cooking, but can he survive our game called “Serious Eats, Meet Serious Feets”?

Panel Questions
Caught Red (or Possibly Blue) Handed, The Dog Ate My….What?!?

Limericks
Bill Kurtis reads three news-related limericks: A Study Abroad Souvenir, A Pie Goodbye, Eau de Teen

Lightning Fill In The Blank
All the news we couldn’t fit anywhere else

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Predictions
Our panelists predict, after Senator Bob Menendez and Justice Samuel Alito did it, who will blame their spouse next?

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Jax Taylor Hanging Out at Bar with Mystery Woman Amid Brittany Cartwright Split

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Jax Taylor Hanging Out at Bar with Mystery Woman Amid Brittany Cartwright Split

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When Baby Sloth tumbles out of a tree, Mama Sloth comes for him — s l o w l y

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When Baby Sloth tumbles out of a tree, Mama Sloth comes for him — s l o w l y

Illustrations © 2024 by Brian Cronin/Rocky Pond Books


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Illustrations © 2024 by Brian Cronin/Rocky Pond Books


Illustrations © 2024 by Brian Cronin/Rocky Pond Books

Doreen and Brian Cronin aren’t related — as far as they know. They first stumbled across each other on Facebook: two Cronins, both working in the world of children’s books — Doreen as an author and Brian as an illustrator — and living in the same city? They should probably get a cup of coffee!

“We decided to meet up. We both live in Brooklyn and we met on a bench in Prospect Park just to chat,” explains Doreen Cronin, “and that was three years ago.”

They didn’t let the perfect meet-cute go to waste — they hit it off, both personally and professionally. Soon, they were dating and working together.

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“We’re in it now!” Doreen laughs.

The Cronins admit they were at first a touch apprehensive about working together as a new couple. Brian had never collaborated with an author before. But they couldn’t really help it, says Doreen.

“It’s what we were both doing all day long,” she explains. “We’re always talking about books. We’re always talking about ideas.” Luckily, it’s worked out.

“I really love it,” says Brian. “I think it’s made us stronger.”

Their first picture book together was last year’s Lawrence and Sophia. They quickly followed up with Mama in the Moon, about a baby sloth who falls out of a tree at night and has to wait for his mom to s l o w l y come get him.

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Illustrations © 2024 by Brian Cronin/Rocky Pond Books


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Illustrations © 2024 by Brian Cronin/Rocky Pond Books

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Illustrations © 2024 by Brian Cronin/Rocky Pond Books

They got the idea for Mama in the Moon over breakfast — Doreen says they create a lot over coffee and food — and that morning Brian had just read a news story.

“It was a news story about a sloth who had fallen out of a tree,” he says. “It felt real. It is real.” That’s because sloths do, in fact, fall out of trees about once a week for their whole lives. “It kind of wrote itself, really,” Brian says. By the time they left the diner, Doreen already had jotted down some notes and Brian already had some sketches for their second children’s book.

“Baby loved sleeping between his mama and the moon,” Doreen Cronin writes.

“One night, Baby tumbled from the tree. He landed in a soft patch of vines and leaves.

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‘Mama, where are you?’ he called.”

Mama in the Moon

Mama in the Moon

Illustrations © 2024 by Brian Cronin/Rocky Pond Books


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Illustrations © 2024 by Brian Cronin/Rocky Pond Books

Mama in the Moon

Mama in the Moon

Illustrations © 2024 by Brian Cronin/Rocky Pond Books

“We were, like, in tears when we finished it and kind of read it for the first time,” says Doreen.

“I was, actually,” adds Brian.

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“We’re both parents, right, so we kind of know that — well, all parents know this — feeling of separation from your child,” explains Doreen. “When they’re waiting for you to come back or they need your comfort, and you can’t always get there.”

In the story, Mama Sloth comforts and reassures Baby Sloth. ‘I’m coming,’ she says. She distracts him, asking him to use all his senses to explore the dark world around him.

“‘Are you close now, Mama,’” the baby sloth calls up from the ground.

“‘I’m closer, Baby. I’m close enough to smell the flowers opening for the night. Can you smell them, too?’”

“Baby watched the bright petals of the flowers bend and fold. He could smell their sweet perfume,” Doreen Cronin writes.

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Illustrations © 2024 by Brian Cronin/Rocky Pond Books


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Illustrations © 2024 by Brian Cronin/Rocky Pond Books

The tenderness of the mama sloth to her baby sloth really comes through in Brian’s art, says Doreen. “I’ve seen the art so many times. I can still feel her love and her comfort and her calm.”

Brian Cronin says his process for creating art is very simple — he doesn’t have one. “Every time I start something, it’s like a kind of a beginning.” For Mama in the Moon, he started with pencil sketches. Then he used poster paints and a marker for the trees to create a broken-line effect.

“I wanted it to feel like there was a human behind the thing,” he says.

One of the challenges in illustrating this story is that it takes place at night —how do you add light so it doesn’t feel too scary and dark? “The moon,” Brian says. The bright, fuzzy orb (fuzzy to mimic the fur on the sloths) is on most of the pages, or else lighting up the night sky. The baby sloth is a bright salmon pink amidst the dark foliage. And when Mama Sloth points out all the things Baby Sloth can smell (like the flowers opening for the night), and hear (like the worms wriggling in the fallen leaves), and feel (like the flutter of moths dancing in the air), they come to life against the charcoal pages in bright, almost neon, yellows, pinks, blues and greens.

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Brian Cronin says he hopes the book helps kids fall asleep.

“The reason I wanted to do the dark pages was so that they’re in bed and the mommy and daddy, or whoever it is reading the book, they’re not disturbed by the text or the brightness of anything, and they can just kind of soak it up,” he explains. “It’s fairly relaxing, I think.”

Doreen Cronin agrees.

“I think it’s comfort, safety, and I think it puts us in kind of a quiet space,” she says, “and I hope it does, out in the world. Give us some quiet space. Give kids a quiet space.”

Illustrations © 2024 by Brian Cronin/Rocky Pond Books

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