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What to wear this summer and the best L.A. vintage finds, according to stylist Bin X. Nguyen

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What to wear this summer and the best L.A. vintage finds, according to stylist Bin X. Nguyen

Bin X. Nguyen came of age in the mid-2000s at the height of celebrity paparazzi culture, watching MTV, poring over Teen Vogue, and following icons like Paris Hilton and Nicole Richie from his bedroom in the suburbs of San Jose.

“Escaping the mundane life of suburbia was really what influenced my childhood,” Nguyen says. “When I was 8 or 9, watching ‘America’s Next Top Model’ with the icon that is Tyra Banks and watching ‘Project Runway,’ I was really inspired by fashion. You saw how glamorous and unglamorous fashion is, and somehow this world was so enticing to me.”

“The Devil Wears Prada” came out when Nguyen was a teen, which he describes as the “catalyst” for his time as a fashion and culture writer at his college newspaper, and later, Santa Barbara Magazine. While he was there, he met stylists on the cover shoots. Between witnessing their creativity in real time and consuming media like “The Rachel Zoe Project,” Nguyen decided to move to Los Angeles and begin his career as a professional wardrobe stylist.

Bin wears RTA faux fur coat, BoohooMan jacket, Bottega Veneta pants, Dora Teymur boots.
Bin wears RTA faux fur coat, BoohooMan jacket, Bottega Veneta pants, Dora Teymur boots.

Bin wears RTA faux fur coat, BoohooMan jacket, Bottega Veneta pants, Dora Teymur boots.

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These days, Nguyen is known for styling everyone’s favorite musicians, from Katseye to Role Model to Phoebe Bridgers, with plenty of actors in between — think Lana Condor, Jonathan Davis, Laysla De Oliveira and Alexandra Shipp.

He stresses the importance of cultivating a sense of identity through style: “I just want to create beautiful work that inspires people. At the end of the day, I want to make lasting images that people will reference.” He often pulls from his Vietnamese heritage, drawing from the layering of an áo dài while working.

“Referencing old Vietnamese photos of the ’70s and ’60s is really important to bring my culture to the forefront of fashion,” Nguyen says. “Having little touches that speak to you, whether it be your jewelry or your hat or your scarves, all these things are important to you as a special, dynamic being.”

Nguyen jokes that his personal style doesn’t always give L.A.

“It’s L.A., we live in athleisure. Don’t get me wrong, when I do returns, I’m in athleisure. But when I go out, it’s important to serve a look,” Nguyen says. “You want to serve, as the girls say, c—. That’s a part of L.A. that’s very niche. L.A. people will go out in like jeans and a T-shirt, whereas I’m in vintage designer clothes and a 4-inch heel, you know?”

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My most memorable shoot was with an NBA player named Shai Gilgeous-Alexander.  We shot in a hotel room super quick. I love a pop girl and an athlete — I think my dream clients are both. I just want to show off body and skin, and I want them to look ultra-cool.

One shoot I’m most proud of is with Katseye for the cover of Teen Vogue.  It’s so special to work with a group of diverse girls, and they’re so unique and talented. The aesthetic was the early 2000s, beachy, young, fresh, like Abercrombie. That’s something that I grew up seeing all the time, like the models on the Abercrombie bags and going to Hollister and seeing their design.

So they wanted to build that into this 2025 version of it, but diverse and cool. I think we definitely accomplished that. It was also a full circle moment for me because when I was 15 and 16, Teen Vogue was the magazine that I subscribed to. I would collect the copies every month and there’s still a stack of them in my closet, so it’s very exciting to have that moment now.

A moment where I felt like I made it was getting to go to Pharrell’s first runway show for Louis Vuitton. There was a choir that came out and sang this amazing song and Rihanna and ASAP Rocky were sitting across from me. Tears just started falling from my eyes, and I was like, this is part of the dream that I had of being a part of this life. Just to be welcomed into this space feels so crazy to me.

Bin wears Tom Ford suit jacket and pants, vintage Gucci by Tom Ford shirt and belt, Dora Teymur boots.

Bin wears Tom Ford suit jacket and pants, vintage Gucci by Tom Ford shirt and belt, Dora Teymur boots.

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LOS ANGELES, CA - MAY 20: Stylist Bin X. Nguyen at his residence on Tuesday, May 20, 2025. (Mariah Tauger)
Bin X. Nguyen wears Tom Ford pants and Dora Teymur boots.
A stack of books and a framed family picture at stylist Bin X. Nguyen's home.

Some of my dream people to work with are photographers like Steven Meisel and Inez & Vinoodh. I would love to make beautiful images with Nick Knight. In terms of celebrities, Zoë Kravitz, Bella Hadid, Nicole Kidman — but at the same time, I want to work with new talent like Tyla and Chappell Roan.   They all have a sense of identity. I think it’s so important to have your own style and your own personal creative ideas of what you want to look like.

Those girls have really honed in and cultivated their identity. And when you look at something, especially if you look at a dress or a piece of art, and you associate that art or that garment with that girl. I want to create that with my own client one day.

Three words to describe my own day-to-day style are sensuality, preppy and edgy.  I love American sportswear. Ralph Lauren’s a huge influence of mine, but there’s always an edge to it.  There’s like a little secret that’s elevated, and you are only going to know when they want to tell you. There’s a mystery.

Bin wears archival Roberto Cavalli for H&M vest, Levi’s pants, Stetson cowboy hat, Acne Studios boots.
Bin wears archival Roberto Cavalli for H&M vest, Levi’s pants, Stetson cowboy hat, Acne Studios boots.

Bin wears archival Roberto Cavalli for H&M vest, Levi’s pants, Stetson cowboy hat, Acne Studios boots. Bin wears archival Roberto Cavalli for H&M vest, Levi’s pants, Stetson cowboy hat, Acne Studios boots.

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An array of clothing and accessories hang inside stylist Bin X. Nguyen’s residence.

An ideal day in L.A. is taking an hour to do a yoga class or go walk in the park.  I hike once a week for two hours. I love my job, but it’s also very important to take care of your mental health and be in nature and find gratitude. There’s one called the Vermont Canyon Tennis Courts hike and you go all the way to Dante’s Peak.

As an Aries, my personal style is ever-changing because my personality is so spontaneous. You just want to do things all the time. You never stop. If you meet an Aries, they’re like, “Let’s go here, let’s do this, let’s go there.” I think that plays into a lot of my work and my clothes. I’m always thinking, what can be different in terms of this image?

My emotional support clothing item is a 4-inch boot. I’m not the tallest person — and when I wear my boots I’m still not the tallest person — but it brings in a feeling of confidence where I can stomp somewhere. Sometimes that’s all you need, and it changes your posture, and you just feel like you can take anything down.

If I was a cocktail, I would be a St. Germain Spritz. It’s called a Hugo Spritz, but the core of it is St. Germain, Prosecco and club soda, and on a summer day with mint and lemon … It’s so yummy. I wish I had some in my fridge. It is the most refreshing drink. And I’m anti-Aperol. It’s all about Hugo, like you have to experience the Hugo Spritz. Your life will change.

Bin wears Burberry coat, Bottega Veneta pants.

Bin wears Burberry coat, Bottega Veneta pants.

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Bin wears Burberry coat, Bottega Veneta pants.

This summer, everyone will be wearing longer-length shorts. More people are wearing board shorts now, it’s not above the knee anymore. And baby tees and Havaianas flip-flops.

If last summer was brat summer, this summer is where I’m going to be really stupid for the last time. It’s from personal experience. This is the last summer of my 20s. I just feel like I can get away with certain things in my 20s before I turn 30, so this summer is going to be crazy and stupid for me. When I turn 30 in April, it’s going to be smart spring, like business savvy, strategically everything. But this summer is going to give, let’s puke. Let’s drink a s— ton of alcohol and puke, because I have one summer left to do that.

The best vintage finds are at the Long Beach Antique Market. On the third Sunday of the month, there’s this lady named Veronica. You will find the most incredible vintage. The look that I wore to the Vuitton show was from her vintage stall. And I love the Goodwill on San Fernando in Atwater Village where you buy by the pound. You literally have to come in with gloves and your headphones because it’s such an intense experience, but it’s so cheap and I have found gems from that Goodwill.

Bin wears Loewe coat and boots, Haikure jeans.

Bin wears Loewe coat and boots, Haikure jeans.

Bin wears Loewe coat and boots, Haikure jeans.

It’s so unserious for people to be like, “Fashion is everything, fashion is my life.” Fashion is a major cause of global warming, and it can create a lot of damage in the world. It’s not brain surgery, but you’ll meet people that make it feel like brain surgery and that’s when it’s not fun anymore. I just want to have fun and create beautiful images.

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Something I wish people knew about the fashion and styling industry is that 75% is hard work and schlepping, you’re carrying things all day, every day. It’s a lot of logistics. But 25% is glamorous. There are moments where you’re like, “Wow, these spaces that I’m in are actually insane, and I’m so grateful to be here.” But the 75% is not fun or pretty. A lot of people don’t know that when they get in, and they run from it really quickly. I do it because I love it and I’m inspired by it. It’s something I’ve wanted to do my entire life, and I can attest to it with the amount of Teen Vogues in my closet in my childhood bedroom.

Stylist Bin X. Nguyen at his residence.

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

Lucy Dacus performs at Spotlight: Lucy Dacus at GRAMMY Museum L.A. Live on October 08, 2025 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)

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This week’s show was recorded in Chicago with host Peter Sagal, guest judge and scorekeeper Alzo Slade, Not My Job guest Lucy Dacus and panelists Adam Burke, Helen Hong, and Tom Bodett. Click the audio link above to hear the whole show.

Who’s Alzo This Time

Mega Media Merger; Cars, They’re Just Like Us; The Swag Gap

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Panel Questions

An Hourly Marriage

Bluff The Listener

Our panelists tell three stories about a new TV show making headlines, only one of which is true.

Not My Job: Lucy Dacus answers our questions about boy geniuses

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Singer-songwriter Lucy Dacus, one third of the supergroup boygenius, plays our game called, “boygenius, meet Boy Geniuses” Three questions about child prodigies.

Panel Questions

Bedroom Rules; Japan Solves its Bear Problem

Limericks

Alzo Slade reads three news-related limericks: NHL Superlatives; Terrible Mouthwash; The Most Holy and Most Stylish

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict what will be the next big merger in the news.

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

In Fairfax, nestled on Beverly Boulevard near Pan Pacific Park, I ran a modest yet beloved pan-Asian restaurant called Buddha’s Belly. More than a place to eat, it was a gathering spot where our team and loyal regulars created an atmosphere of warmth and community. Every day, we exchanged stories about our guests, the generous, the quirky and the kind souls whose smiles lit up our little corner of L.A.

For five years, one regular stood out. The Buddha’s Belly team referred to her as “Aloha.” She had a familiar and beautiful face and she adored our shao bing finger sandwiches and pad Thai. During those five years, all I ever said to her was: “How’s your pad Thai?,” “Nice to see you” and “Thanks for coming in!” Her friendly smile and presence were the highlights of our routine interactions.

Then one hectic afternoon changed everything. Rushing to a meeting and about to leap into my car, I caught a glimpse of Lynda sitting at Table 64, smiling at me through our bamboo-lined patio (a.k.a. “bamboo forest”). I went over to say a quick hi.

“How’s your pad Thai?” I asked, and then I was off.

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A couple blocks from the restaurant, I was struck by the feeling that our brief encounter was different this time. There was a spark — a look in her eye. So I did something out of character: I called the manager on duty and asked him to go to Table 64, Seat 3, and ask for her number.

The next day, I found a business card on my desk with Lynda’s cell number. It was on! That small gesture signaled the start of something extraordinary.

Eager to seize the moment, I called and invited her out for a date that same weekend. However, it was her birthday month, and that meant her calendar was booked solid for the next three to four weekends. Not wanting to let time slip away, I proposed an unconventional plan: to join me and an octogenarian friend at our annual opening night at the Hollywood Bowl. Little did I know this would turn out to be equal parts amazing and mortifying. My friend was so excited — she had no filter.

Shortly after picking up our dinner at Joan’s on Third, my friend started asking Lynda questions, first light questions like “Where are you from?” and “What do you do?” Then once seated at the Bowl, her questions continued. But now they were more pointed questions: “Have you ever been married?” and “Do you have kids?”

Amazingly, Lynda didn’t flinch, and her honesty, unfiltered yet graceful, was refreshing and alluring. She had been through life’s fires and knew that when it’s a fit, it should not be based on any false pretense. Although I did manage to get a few questions in that evening, I still chuckle at the memory of myself, sitting back, legs extended with a note pad in hand taking notes!

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After dropping her off, she didn’t know if she would hear from me, as she didn’t know anything about me. But I didn’t wait three days to contact Lynda. I called her the next day to make plans to see her again. With it still being her birthday month, I asked her to join me that night for a surf film at the Ford with my best buddy. She said yes, and there we were on another chaperoned date.

By our third date, we were finally alone. We ventured to an underground gem affectionately dubbed the “Blade Runner” restaurant. Hidden on Pico Boulevard behind no obvious sign and characterized by hood-free mesquite grills and stacked wine crates, the place exuded a secret charm. Sharing a bottle of wine with the owner, our conversation deepened, and the electricity between Lynda and me became undeniable.

Our story took another turn when I was opening a new bar named Copa d’Oro (or Cup of Gold) in Santa Monica that was similar to a bar down the street called Bar Copa. The owner of Bar Copa invited me to discuss whether the concept was going to be too like his own. While we waited in the packed room, I instinctively put my hand around the small of Lynda’s back to steady us from the ebb and flow of the crowd of people around us. The intensity of our closeness and the energy between us was palpable, and we soon found ourselves at a quieter bar called Schatzi on Main where we had our first kiss.

Our courtship continued, and it would be defined by ease and grace. There were no mind games or calculations. One of us would ask whether the other was free, and it was an easy yes. Our desire was to be together.

I fondly remember being at a Fatburger not far from where Lynda lived, and I phoned her to ask if she wanted to sit with me as I scarfed down a Double Kingburger with chili and egg (yum!), and she said yes. By the time she arrived, I was halfway through eating the sandwich. But I was practicing a new way of eating a sloppy burger that my brother taught me. Why bother to continuously wipe your mouth when you’re only going to mess it up with the next bite? To save time and energy, wipe your mouth once at the end.

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I was practicing this new technique with a smear of sauce on my face, and it didn’t faze her one bit. I could only imagine what her internal monologue was!

After six months of effortless companionship, I asked Lynda to move in, and a year later, while at Zephyr’s Bench, a serene and cherished hiking spot in the Santa Monica Mountains behind Bel-Air, I asked her to marry me.

Now, more than 17 years later, with two beautiful boys and our pandemic dog in tow, I can say I found my own aloha right here in the vibrant chaos of Los Angeles.

The author lives in Santa Monica with his wife and two children. They go to the Hollywood Bowl every chance they can. He’s also aspiring to make it into the Guinness World Records book.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

Actor Peter Greene at a press conference in New York City in 2010.

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Actor Peter Greene, known for playing villains in movies including Pulp Fiction and The Mask, has died. Greene was found dead in his apartment in New York City on Friday, his manager and friend, Gregg Edwards, told NPR. The cause of death was not immediately provided. He was 60 years old.

The tall, angular character actor’s most famous bad guy roles were in slapstick and gritty comedies. He brought a hammy quality to his turn as Dorian Tyrell, Jim Carrey’s nemesis in the 1994 superhero movie The Mask, and, that same year, played a ruthless security guard with evil elan in the gangster movie Pulp Fiction.

“Peter was one of the most brilliant character actors on the planet,” Edwards said.

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He went on to work steadily, earning dozens of credits in movies and on TV, such as the features Judgment Night, Blue Streak and Training Day, a 2001 episode of Law & Order, and, in 2023, an episode of The Continental, the John Wick prequel series.

At the time of his death, the actor was planning to co-narrate the in-progress documentary From the American People: The Withdrawal of USAID, alongside Jason Alexander and Kathleen Turner. “He was passionate about this project,” Edwards said.

Greene was also scheduled to begin shooting Mickey Rourke’s upcoming thriller Mascots next year.

Rourke posted a close-up portrait of Greene on his Instagram account Friday night accompanied by a prayer emoji, but no words. NPR has reached out to the actor’s representatives for further comment.

Peter Greene was born in New Jersey in 1965. He started pursuing acting in his 20s, and landed his first film role in Laws of Gravity alongside Edie Falco in 1992.

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The actor battled drug addiction through much of his adult life. But according to Edwards, Greene had been sober for at least a couple of years.

Edwards added that Greene had a tendency to fall for conspiracy theories. “He had interesting opinions and we differed a lot on many things,” said Edwards. “But he was loyal to a fault and was like a brother to me.”

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