Lifestyle
Tony Hawk Hopes Enthusiasm for Vert Skating Can Bring it Back to Olympics
Tony Hawk took skateboarding to new heights in 1999 when, high above a halfpipe at the X Games, he began furiously spinning, completing two and a half turns in the air before gliding gracefully back onto the ramp.
The 900 — named for the number of degrees of rotation the move requires — had seemed impossible, but Mr. Hawk, his sport’s biggest star, had landed it, rewriting the rules of what could be done on a skateboard and exposing the sport to a far more mainstream audience.
Then, shortly after his moment of triumph, Mr. Hawk’s form of gravity-defying skating began fading away, nearly to the point of extinction. It was replaced by a street style that was more easily learned at skate parks, with an entire generation of skaters leaving the giant ramps behind.
That, however, is starting to change.
Social media has been flooded in recent months with videos of prepubescent skateboarders launching themselves off ramps and flying into the air, landing the kinds of tricks that experienced skaters have been reluctant to attempt. They are shifting the paradigm with their gravity-defying moves, and inspiring other kids around the world to try the same.
Mr. Hawk’s style of vertical skating — “vert” to those who practice it — is making a comeback, and he is desperate to turn that momentum into a return of the event at the 2028 Olympics in Los Angeles.
Vert is skateboarding in its most spectacular form. Its simplicity, combined with the pure excitement in its perilous maneuvers, makes it easy for those who don’t skate to understand.
Mr. Hawk, thanks to his 900 and the wildly popular video game that followed in its wake, “Tony Hawk’s Pro Skater,” had cemented himself as the face of the sport in the early 2000s. But, unbeknown to his new admirers, his dedication to vert was a case of clinging to the past.
“It’s still kind of considered niche,” Mr. Hawk said in an interview, discussing the current state of vert skateboarding. “That’s what’s hard for me to accept.”
The reality is that Mr. Hawk’s accomplishments on vert ramps had simply made the practice seem more popular than it was. Renton Millar, a former professional skater and the head of the Vert Skating Commission for World Skate, the sport’s governing body, said vert skaters like Mr. Hawk have typically been a minority, “who stand out because it is so rad.”
Enter people like Tom Schaar, a 25-year-old skater who many view as vert’s next big star and a potential bridge between older generations and the next one — the kids who are finding the sport through social media.
Mr. Schaar, who is signed to Mr. Hawk’s Birdhouse skateboard company, was born the year Mr. Hawk landed his first 900. He rode his first real vert ramp at age six, and later managed to land a 900 and a 1080 in the same year. He was 12 years old.
“The 900 took a lot longer,” Mr. Schaar said of learning the two difficult tricks. “Once you get over the fear of kind of doing those extra spins, they kind of all just blur together into one big spinning mess.”
Vert rewards the type of consequence-blind actions that are typical of an adolescent, and adolescents are shaping the style’s future.
“Young skaters have more resources,” Mr. Hawk said. “They have training facilities now, and children are encouraged to start skating. That wasn’t the case when we were young. Children were discouraged from skating. It was a bad influence, with no future.”
Mr. Hawk said it took him 10 years of attempting it before he landed the 900, finally achieving the feat when he was 31 years old. Now, he watches in awe as young skaters build on his accomplishments and those of his peers. Last year, Arisa Trew became the first female skater to land a 900. She was 13 years old at the time.
“Some of the kids, as soon as they start riding, they are fascinated with aerials and they know what is possible,” Mr. Hawk said. “To them, a 540 is just a starting point. A 540 wasn’t even created until I was in my teens, you know?”
Mr. Hawk, ever the evangelist, knows what he wants to happen next. The Summer Olympics are heading to Los Angeles in 2028. Southern California is the global epicenter of skateboarding, and Mr. Hawk has been, as he puts it, “hustling” to get vert added as an event. It would increase the visibility of the form and, Mr. Hawk believes, lead to more vert ramps being built. To help get things started, he’s willing to put his own equipment on the line.
“I would give them my ramp,” Mr. Hawk said feverishly. “I would say ‘Here’s the terrain. Find a place for it, and it’s all yours.’ I have the best vert ramp in the world, and it’s portable. It can be assembled in a couple of hours. It’s all yours.”
The International Olympic Committee will issue its final decision on vert and other events for the 2028 Olympics at its next executive board meeting on April 9.
Many skaters believe having a vert competition is an obvious choice for the Olympics, but it was left out of the 2020 and 2024 Games, Mr. Hawk said, because of bureaucratic challenges, and an overall lack of vert skaters at the time.
Mr. Schaar, who also excels at park-style skating, took home a silver medal in that event at the 2024 Olympics. But he competes in that style out of necessity; vert remains his primary passion.
“When my grandma’s watching the Olympics, street and park are very technical for someone who doesn’t understand skating,” Mr. Schaar said.
Mr. Hawk said that at the time of the discussions to add skateboarding to the 2020 Games, he knew there were not enough vert skaters left to constitute a competitive field. As the sport’s popularity has grown, however, so has his public advocacy.
“The gap between genders and the quality of skating around the globe was big back then,” said Luca Basilico, who oversees skateboarding for World Skate. “It was another time. But we’re not there anymore.”
To get to this point, the sport has had to let go of its past.
By the time he landed the 900, Mr. Hawk and his cohort — holdovers from the 1980s when vert was the dominant style of skateboarding — were aging out of their professional careers. Very few vert skaters were coming up behind them, leaving Mr. Hawk as one of the few loud voices pushing for it to continue.
“People who skate today, especially those who are 25 and older, they will all tell you that they started skating because of Tony Hawk in some way,” said Jimmy Wilkins, a pre-eminent vert skater. “Even if that’s not the case, they probably grew up skating in a park he built for them.”
The young skaters reviving the art of vert on Instagram, however, are not so closely tied to Mr. Hawk. They were born after his big moments. Their innovation and advancement of the form is its own, new thing.
Elliot Sloan, a 36-year-old vert skater who went pro in 2008, described a “huge gap” between generational cohorts of vert skaters, which had made his own pursuit fairly lonely. He considered himself lucky to have been a part of a sport that was still alive, thanks in large part to Mr. Hawk’s successes in the late 1990s.
Mr. Hawk’s accomplishments are far in the past, however, and Mr. Wilkins and Mr. Sloan are decidedly vert elders. And the skaters coming up behind them are getting incredibly good, incredibly fast.
“I’ve just seen so many of these kids start coming up being like seven years old, and I’m thinking ‘This kid’s pretty good,’” Mr. Sloan said. “And then the next thing you know, I’m competing against him.”
“The greatest thing in the vert resurgence is the bit of groundswell that it has with the kids,” said Mr. Millar. “There’s a number of vert facilities around the world, where, in the past, there was almost none.”
While the rise of young vert skaters has shocked some veterans, it has allowed Mr. Hawk to keep pushing it back into the public eye. But no matter the era, the popularity or the visibility of the sport, it cannot be separated from the man himself, who has stuck to his old habits, despite his official retirement.
“I’ve gotta go skate,” he said at the conclusion of an interview. His friend Bucky Lasek, another legend of the 1990s, was coming over. They were going to spend the day on Mr. Hawk’s personal ramp.
Jane Austen ready to party for her 250th birthday at the Jane Austen Society of North America’s Annual General Meeting in Baltimore.
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In her six completed novels, Jane Austen excelled at love stories: Elinor and Edward, Lizzie and Darcy, Fanny and Edmund, Emma and Knightley, Anne and Wentworth, heck even Catherine and Tilney. As her fans celebrate the 250th anniversary of her birth, they’d like you to know it’s a mistake to simply dismiss her work as light, frothy romances. It’s full of intricate plots, class satire and biting wit, along with all the timeless drama of human foibles, frailties and resolve.
Tessa Harings (left) learns English country dance at the Jane Austen Society of North America’s 2025 Annual General Meeting
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“The basic reason why Austen is still popular today is because all of her characters are people we know in the world,” says Tessa Harings. She’s a high school teacher from Phoenix and one of the more than 900 attendees at the Jane Austen Society of North America’s Annual General Meeting, held in Baltimore this year. “We all know of someone who’s shy and aloof and needs to be brought into the crowd. We all know someone who’s quite witty, naturally. We all know someone who is a bit silly and always looking for attention.”
Colin Firth, properly memed from the 1995 BBC miniseries. His Darcy is a big favorite with the JASNA crowd.
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Shy and aloof? That could be Darcy. Naturally witty? Lizzie Bennet. Silly and looking for attention? Take your pick: baby sister Lydia or maybe the haughty Caroline Bingley or the unctuous Mr. Collins, all creations from what might be Austen’s most popular novel, Pride and Prejudice.
Her characters have permeated modern pop culture, even among people who’ve never opened her books. Harings says that’s one reason her students want to read these Regency-era novels. They want to understand the jokes in all those short videos and memes, like Mr. Collins making awkward dinner conversation.
He wants a wife, he compliments the potatoes. In Mr. Collin’s head, it makes sense.
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Her students enjoy the tension between Darcy and Lizzie: he’s very rich, so besotted by her against his will that he can hardly dance, glower and talk at the same time. Lizzie initially cannot stand him and refuses his first proposal, as shown in this soggy scene from the 2005 movie adaptation.
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Harings says Lizzie is her favorite Austen character. “She has such sharp, sarcastic wit and she’s so self-confident, despite the fact that she’s constantly being put down by the people around her for her supposedly lower position in life as the slightly less pretty of the mother’s two oldest daughters.”
Milliner Dannielle Perry (right) and her assistant Mia Berg of Timely Tresses in their Regency-era togs.
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“When I was a teenager, I loved Lizzie and I wanted to be Lizzie,” says milliner Dannielle Perry of Oxford, N.C. She’s read and reread all of Jane Austen’s books and she loves how they change for her as she’s gotten older. She’s now more sympathetic toward Mrs. Bennet, Lizzie’s mom: a woman desperate to get her five daughters married, least they be penniless since they can’t inherit their father’s estate. “I feel sorry for her in a way I never did before,” Perry says. “She is sort of silly, but she’s lived with a man for 20 years who largely dismisses her and thinks she’s frivolous.”
Doctoral student Katie Yu, of Dallas, has this analysis of Mrs. Bennett and her husband, who seems mentally checked-out at best: “He’s not a great father. He’s always putting his wife down in front of his daughters, he’s putting his daughters down in front of his daughters.” Yu says Mr. Bennet married Mrs. Bennet because she was pretty, treats her as an inferior, and often ignores her. This is why Mrs. Bennet goes on about her nerves and “has the vapors” whenever she’s stressed: she’s trying to get his attention.
“But,” says Tessa Harings, “she still has a level of street smarts that she has to get her daughters married. And yes, she’s sincerely concerned about their future … she actually, of the two of them, is the more concerned and involved parent.”
Tom Tumbusch explains 19th century dance moves to JASNA members.
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Dance instructor Tom Tumbusch, of Cincinnati, says men can learn a lot from Austen. “Modern men struggle to find good role models,” he says. “Reading Austen’s works can help them see the places where men can go wrong.” Mr. Bennet, for example. Or the libertine George Wickham who lies and runs off with the flighty Bennet sister, Lydia. Or maybe Willoughby from Sense and Sensibility, who leads Marianne Dashwood on, ghosts her and is later revealed to have abandoned an unmarried woman who gave birth to his child.
Oh, Marianne, he’s so not worth it!
On the other hand, Tumbusch says Jane Austen’s heroes can show men “how to be masculine in a constructive way,” like owning mistakes, taking responsibility and treating women with respect. It’s not just Darcy, who works behind the scenes getting Wickham to marry Lydia, it’s also Captain Wentworth from Persuasion. Tombusch says Wentworth does what men of his station should: he uses his own resources to help someone less fortunate, the poor, partially disabled widow Mrs. Smith. And in Sense and Sensibility, there’s the steadfast Col. Brandon. Hoping to make Willoughby’s rejection of Marianne less devastating to her, he exposes the libertine’s behavior. He rides hours to retrieve her mother when Marianne is near death. He patiently, oh-so-patiently, waits for her young, broken heart to mend.
All this while wearing a flannel waistcoat because he’s on the “wrong side of five and thirty” and needs to keep those ancient bones warm.
Before he rocked worlds as Snape, Alan Rickman made the earth move for viewers of the 1995 movie adaptation of Sense and Sensibility.
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JASNA president Mary Mintz, of McLean, Va., says though Jane Austen is largely known for her marriage plots, it’s really the human need for connection that grounds her stories. “She writes about the relationships between parents and children, between siblings or among siblings, she writes about relationships with friends. And she is really insightful. When you combine that with her knowledge of human psychology, it’s a great formula for success.”
Mintz is fascinated by Emma’s pivotal character, Miss Bates. She’s a spinster and member of the gentry class who lives with her elderly mother on an extremely limited income. She’s also a nervous chatterbox, “someone who can’t stop talking,” says Mintz. “I’ve known a lot of Misses Bates in my lifetime… people who seem insecure and feel as though they have to fill up silence, but are really good-hearted people.”
When Emma is rude to Miss Bates, she’s firmly chastised by her neighbor, Mr. Knightley. It becomes a turn-around moment in the story. Humbled, Emma apologizes. She also sees how she’s been wrong to meddle in the love life of Harriet Smith, a pretty teenager whose parents are unknown.
Mintz says there’s an interesting link between Bates and Harriet, if you put two and two together.
“In Jane Austen’s actual life, mothers and daughters often share the same name,” she explains. That pattern can be seen in many of her novels. “We don’t know who Harriet Smith’s natural mother is, but at one point Miss Bates is referred to as ‘Hetty,’ which could be a diminutive for ‘Harriet.’ “
That’s the first clue. The second clue occurs during that scene where Knightley sets Emma right. He says of Miss Bates, “she has sunk from the comforts she was born to.” He then draws a contrast between the spinster’s current station and her former one: “You, whom she had known from an infant, whom she had seen grow up from a period when her notice was an honour…”
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Emma’s father is quite wealthy, so why would Miss Bates’ notice have once been so esteemed? Mary Mintz asks, “Is because she had a child out of wedlock?”
And could that child be… Harriet Smith?
The mind: it boggles! A Jane Austen Easter egg! It’s just one example of how multi-dimensional her novels are and why so many people will continue loving, analyzing and discussing her work well into the next 250 years.
Jacob Fenston and Danny Hensel edited and produced this report.
Rob Reiner And Wife Michele
Throats Slit By Family Member
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Updated
Rob Reiner and his wife Michele had their throats slit by a family member, possibly after an argument inside their Los Angeles home, leading to their tragic deaths … TMZ has learned
It’s unclear what exactly triggered the violence, which went down Sunday afternoon in Brentwood … but we’re told one of Rob’s daughters found her parents dead and told police a family member had killed them. PEOPLE reports the couple’s son, Nick, is being questioned in connection with the murders.
Our sources also say the daughter told police the family member “should be a suspect” because they’re “dangerous.”
TMZ broke the story … Rob and Michele suffered lacerations consistent with knife wounds and LAPD’s Robbery Homicide Division is investigating the case.
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Dispatch audio captures a firefighter calling for backup to the Brentwood mansion around 3:30 PM … though it doesn’t provide any further information about the circumstances in the abode.
Rob was 78. Michele was 68.
Sunday Puzzle
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On-air challenge
I’m going to read you some sentences. Each sentence conceals the name of a major U.S. city in consecutive letters. As a hint, the answer’s state also appears in the sentence. Every answer has at least six letters. (Ex. The Kentucky bodybuilders will be flexing tonight. –> LEXINGTON)
1. Space enthusiasts in Oregon support landing on Mars.
2. Contact your insurance branch or agent in Alaska.
3. The Ohio company has a sale from today to next Sunday.
4. The Colorado trial ended in a sudden verdict.
5. Fans voted the Virginia tennis matches a peak experience.
6. I bought a shamrock for decorating my house in Illinois.
7. All the Connecticut things they knew have now changed.
8. Can you help a software developer in Texas?
Last week’s challenge
Last week’s challenge came from Mike Reiss, who’s a showrunner, writer, and producer for “The Simpsons.” Think of a famous living singer. The last two letters of his first name and the first two letters of his last name spell a bird. Change the first letter of the singer’s first name. Then the first three letters of that first name and the last five letters of his last name together spell another bird. What singer is this?
Challenge answer
Placido Domingo
Winner
Brock Hammill of Corvallis, Montana.
This week’s challenge
This week’s challenge comes from Robert Flood, of Allen, Texas. Name a famous female singer of the past (five letters in the first name, seven letters in the last name). Remove the last letter of her first name and you can rearrange all the remaining letters to name the capital of a country (six letters) and a food product that its nation is famous for (five letters).
If you know the answer to the challenge, submit it below by Thursday, December 18 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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