Lifestyle
Tony Hawk Hopes Enthusiasm for Vert Skating Can Bring it Back to Olympics

Tony Hawk took skateboarding to new heights in 1999 when, high above a halfpipe at the X Games, he began furiously spinning, completing two and a half turns in the air before gliding gracefully back onto the ramp.
The 900 — named for the number of degrees of rotation the move requires — had seemed impossible, but Mr. Hawk, his sport’s biggest star, had landed it, rewriting the rules of what could be done on a skateboard and exposing the sport to a far more mainstream audience.
Then, shortly after his moment of triumph, Mr. Hawk’s form of gravity-defying skating began fading away, nearly to the point of extinction. It was replaced by a street style that was more easily learned at skate parks, with an entire generation of skaters leaving the giant ramps behind.
That, however, is starting to change.
Social media has been flooded in recent months with videos of prepubescent skateboarders launching themselves off ramps and flying into the air, landing the kinds of tricks that experienced skaters have been reluctant to attempt. They are shifting the paradigm with their gravity-defying moves, and inspiring other kids around the world to try the same.
Mr. Hawk’s style of vertical skating — “vert” to those who practice it — is making a comeback, and he is desperate to turn that momentum into a return of the event at the 2028 Olympics in Los Angeles.
Vert is skateboarding in its most spectacular form. Its simplicity, combined with the pure excitement in its perilous maneuvers, makes it easy for those who don’t skate to understand.
Mr. Hawk, thanks to his 900 and the wildly popular video game that followed in its wake, “Tony Hawk’s Pro Skater,” had cemented himself as the face of the sport in the early 2000s. But, unbeknown to his new admirers, his dedication to vert was a case of clinging to the past.
“It’s still kind of considered niche,” Mr. Hawk said in an interview, discussing the current state of vert skateboarding. “That’s what’s hard for me to accept.”
The reality is that Mr. Hawk’s accomplishments on vert ramps had simply made the practice seem more popular than it was. Renton Millar, a former professional skater and the head of the Vert Skating Commission for World Skate, the sport’s governing body, said vert skaters like Mr. Hawk have typically been a minority, “who stand out because it is so rad.”
Enter people like Tom Schaar, a 25-year-old skater who many view as vert’s next big star and a potential bridge between older generations and the next one — the kids who are finding the sport through social media.
Mr. Schaar, who is signed to Mr. Hawk’s Birdhouse skateboard company, was born the year Mr. Hawk landed his first 900. He rode his first real vert ramp at age six, and later managed to land a 900 and a 1080 in the same year. He was 12 years old.
“The 900 took a lot longer,” Mr. Schaar said of learning the two difficult tricks. “Once you get over the fear of kind of doing those extra spins, they kind of all just blur together into one big spinning mess.”
Vert rewards the type of consequence-blind actions that are typical of an adolescent, and adolescents are shaping the style’s future.
“Young skaters have more resources,” Mr. Hawk said. “They have training facilities now, and children are encouraged to start skating. That wasn’t the case when we were young. Children were discouraged from skating. It was a bad influence, with no future.”
Mr. Hawk said it took him 10 years of attempting it before he landed the 900, finally achieving the feat when he was 31 years old. Now, he watches in awe as young skaters build on his accomplishments and those of his peers. Last year, Arisa Trew became the first female skater to land a 900. She was 13 years old at the time.
“Some of the kids, as soon as they start riding, they are fascinated with aerials and they know what is possible,” Mr. Hawk said. “To them, a 540 is just a starting point. A 540 wasn’t even created until I was in my teens, you know?”
Mr. Hawk, ever the evangelist, knows what he wants to happen next. The Summer Olympics are heading to Los Angeles in 2028. Southern California is the global epicenter of skateboarding, and Mr. Hawk has been, as he puts it, “hustling” to get vert added as an event. It would increase the visibility of the form and, Mr. Hawk believes, lead to more vert ramps being built. To help get things started, he’s willing to put his own equipment on the line.
“I would give them my ramp,” Mr. Hawk said feverishly. “I would say ‘Here’s the terrain. Find a place for it, and it’s all yours.’ I have the best vert ramp in the world, and it’s portable. It can be assembled in a couple of hours. It’s all yours.”
The International Olympic Committee will issue its final decision on vert and other events for the 2028 Olympics at its next executive board meeting on April 9.
Many skaters believe having a vert competition is an obvious choice for the Olympics, but it was left out of the 2020 and 2024 Games, Mr. Hawk said, because of bureaucratic challenges, and an overall lack of vert skaters at the time.
Mr. Schaar, who also excels at park-style skating, took home a silver medal in that event at the 2024 Olympics. But he competes in that style out of necessity; vert remains his primary passion.
“When my grandma’s watching the Olympics, street and park are very technical for someone who doesn’t understand skating,” Mr. Schaar said.
Mr. Hawk said that at the time of the discussions to add skateboarding to the 2020 Games, he knew there were not enough vert skaters left to constitute a competitive field. As the sport’s popularity has grown, however, so has his public advocacy.
“The gap between genders and the quality of skating around the globe was big back then,” said Luca Basilico, who oversees skateboarding for World Skate. “It was another time. But we’re not there anymore.”
To get to this point, the sport has had to let go of its past.
By the time he landed the 900, Mr. Hawk and his cohort — holdovers from the 1980s when vert was the dominant style of skateboarding — were aging out of their professional careers. Very few vert skaters were coming up behind them, leaving Mr. Hawk as one of the few loud voices pushing for it to continue.
“People who skate today, especially those who are 25 and older, they will all tell you that they started skating because of Tony Hawk in some way,” said Jimmy Wilkins, a pre-eminent vert skater. “Even if that’s not the case, they probably grew up skating in a park he built for them.”
The young skaters reviving the art of vert on Instagram, however, are not so closely tied to Mr. Hawk. They were born after his big moments. Their innovation and advancement of the form is its own, new thing.
Elliot Sloan, a 36-year-old vert skater who went pro in 2008, described a “huge gap” between generational cohorts of vert skaters, which had made his own pursuit fairly lonely. He considered himself lucky to have been a part of a sport that was still alive, thanks in large part to Mr. Hawk’s successes in the late 1990s.
Mr. Hawk’s accomplishments are far in the past, however, and Mr. Wilkins and Mr. Sloan are decidedly vert elders. And the skaters coming up behind them are getting incredibly good, incredibly fast.
“I’ve just seen so many of these kids start coming up being like seven years old, and I’m thinking ‘This kid’s pretty good,’” Mr. Sloan said. “And then the next thing you know, I’m competing against him.”
“The greatest thing in the vert resurgence is the bit of groundswell that it has with the kids,” said Mr. Millar. “There’s a number of vert facilities around the world, where, in the past, there was almost none.”
While the rise of young vert skaters has shocked some veterans, it has allowed Mr. Hawk to keep pushing it back into the public eye. But no matter the era, the popularity or the visibility of the sport, it cannot be separated from the man himself, who has stuck to his old habits, despite his official retirement.
“I’ve gotta go skate,” he said at the conclusion of an interview. His friend Bucky Lasek, another legend of the 1990s, was coming over. They were going to spend the day on Mr. Hawk’s personal ramp.

Lifestyle
In Season 3, 'Squid Game' hasn't changed much — and that's the problem

Lee Jung-jae as Seong Gi-hun in Squid Game Season 3.
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After watching the third and supposedly final season of Netflix’s surprise hit South Korean drama Squid Game, it’s tough to remember why this show became such a genre-redefining hit when it first debuted in 2021.
That’s not because the show has changed. To be sure, all the elements that powered its success back then are still in place now. Most importantly, it has retained a striking visual aesthetic — one that transforms a space where people in poverty are forced to play deadly children’s games into a twisted vision of a playground-turned-nightmare.
And there’s the bonkers concept — wealthy VIPs secretly bankrolling what amounts to the most deadly reality TV competition in the world for their own amusement.
But ultimately, even as Squid Game amps up the brutality and forces characters to make even more terrible choices, we have seen versions of this story before. And that familiarity robs the narrative of its impact – particularly when the show so often telegraphs what is coming for viewers well before it finally happens.

Jo Yu-ri as Jun-hee.
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The show’s second season expanded Squid Game‘s universe by introducing us to the world of the staffers who implement these horrific games, dressed in pink jumpsuits and masks adorned with a triangle, square or circle. In this new season, we learn why one of them seems so different from the others, pursuing a personal mission that requires infiltrating the games.


The main story of this final season concludes the quest of our hero, Lee Jung-jae’s Seong Gi-hun – aka Player 456 – a father and degenerate gambler who returned to the deadly games last season after surviving in the show’s first run of episodes, hoping to find a way to dismantle them from within.
Unfortunately, the new episodes mostly confirm a sad truth he learned last season – there are just enough people here warped by greed, addiction, selfishness and desperation, that stopping this lethally exploitative game is awfully tough to do.
As the third season begins, Gi-hun is broken by his failed attempt to stop the game by leading a team of competitors with weapons to overpower the guards. It’s a constant theme in Squid Game – the heroic goals of some characters, often completely subverted or undercut by the failure of other, less heroic figures. This season reinforces that theme constantly, making it even bleaker and unpromising than earlier editions.
There are at least three stories playing out here: The efforts of the subversive staffer inside the organization, Gi-hun’s quest for renewed meaning inside the competition and, outside the game, attempts by a former police officer to find the island where it’s all going down. Turns out, the ex-cop’s brother is the organizer Front Man — played with chilling intensity by Lee Byung-hun — who always seems one step ahead of everyone trying to subvert the game.

Lee Byung-hun as the Front Man.
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There is stuff in this third season that fans may love but pulled me up short. Too many plot twists were so obvious, I was distracted waiting for characters to catch up.
The show still draws its characters with a heavy hand — making sure we know who is virtuous and who is not — foreshadowing which players are destined for an honorable death and which are likely to go down mired in their own weaknesses. There are also way too many performances — particularly the English-speaking, mostly-white VIPs who chortle over the deadly fates of the contestants — that feel overwrought or too stiff or both.

The larger ideas behind Squid Game are also spelled out in neon letters. We see a character who claims to be a shaman with special powers of perception draw in a desperate following. Surprise: it doesn’t end well – an obvious take on the dangers of blindly following deceptive blowhards. We endure moments when greed leads contestants to unspeakable acts – including a father turning his back on his child.
And we take in how the wealthy toss crumbs to desperate people, just to watch what extremes they might go through to snatch those crumbs up.
According to Netflix, Squid Game’s first season in 2021 is the streamer’s most popular original season of TV ever. There is no doubting the power and global influence of the franchise, which spawned Halloween costumes, a live experience and comedy sketches around the world – which makes me wonder if this really will be the show’s final season, particularly if the last installment proves equally popular.
Fans may disagree with my criticisms, and enjoy the heightened violence, extended world building and sobering, poignant conclusion of Squid Games‘ third season a lot more than I did. But I do salute creator/showrunner Hwang Dong-hyuk for producing a TV series that helped wake up American audiences to the power of South Korean entertainment, ending its story with as pointed a critique of capitalism as I have ever seen on television.
Lifestyle
How to have the best Sunday in L.A., according to Victoria Monét

Like most busy working mothers who struggle with work-life balance, three-time Grammy Award winner Victoria Monét cherishes spending time with her 4-year-old daughter, Hazel, who she shares with ex-boyfriend fitness trainer John Gaines.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Known for writing hits like Ariana Grande’s “Thank U, Next,” Blackpink and Selena Gomez’s “Ice Cream” and Chloe x Halle’s “Do It,” in addition to “On My Mama” from her debut album “Jaguar II,” the L.A.-based R&B singer-songwriter recently penned something for younger audiences: the heartwarming children’s picture book “Everywhere You Are,” due out June 24.
In a recent interview, Monét revealed the inspiration behind her book. (She will discuss her new book at Malik Books on Saturday and the Reparations Club along with moderator Gabrielle Union on Sunday. Tickets are required.)
“As a parent, it’s hard to miss those pivotal moments,” she said of the separation anxiety that many children feel when their parents are working and unavailable. “It’s important for children to know that there is a purpose behind them. I wanted to offer assurance and relay an important message: Everything will be OK.”
Despite her demanding schedule, Monét always finds a way to make quality time for Hazel. In 2023, Hazel, then 2, became the youngest Grammy nominee in history when she was nominated for her vocals in “Hollywood” alongside her mother. And when Beyoncé kicked off her “Cowboy Carter” tour at Sofi Stadium in Inglewood last month, Monét took Hazel to her first concert. Their ideal Sunday in L.A., which Monét fondly calls “me time,” would involve playing outdoors, enjoying a visit to a family fun center, indulging in vegan sweet treats and reading “Everywhere You Are” to one another before bed. Here, Monét shares a joy-filled Sunday spent with her daughter.
This interview has been lightly edited for length and clarity.

8:30 a.m.: Awake with gratitude
On Sundays, me and Hazel wake up later than usual because we probably stayed up late the night before if I didn’t have to work. We normally start our day by doing our gratitude journaling, where she doodles and I write. Then we do our self-care, where we brush our hair and teeth. I will then go downstairs and make her character pancakes with chocolate chips or Fruity Pebbles cereal.
After that, we may make some art. She loves to draw, and we have a nice art section in the house featuring everything from crayons to markers, scratch-off art, watercolors and rainbow paints.

10 a.m.: Dance, dance, dance!
Hazel is active and enjoys doing things, but on the weekends, we have instructors come to the house for dance lessons. So far, she has taken ballroom dance, ballet and tap. She was in gymnastics for a while. We’re looking forward to taking ballet and tumbling at To The Pointe Dance and Pilates Centre.
She loves being outside and enjoys riding her bike or visiting the park. During the week, she plays soccer twice a week. She loves it because it isn’t serious yet. It’s more about giving them a chance to have fun. They do drills on how to kick and run at the same time. It’s hard when you think about it.
12 p.m.: Indulge in fresh pasta at Uovo
Hazel loves pasta, so we often go to Uovo Pasta, which has several locations in Los Angeles. Their handmade al dente noodles are perfect — they overnight them from Italy. We would get the pomodoro and make sure that it’s not too spicy. Their cacio e pepe is great, but that’s a once-in-a-blue-moon thing for me because I’m [mostly] plant-based. Hazel usually gets what I get. When I was pregnant with her, I ate Flamin’ Hot Cheetos all the time, and now she likes them too. After lunch, I’d have to bring her home because she naps around 1 p.m.

2:30 p.m.: Jump for joy at Off the Wall
After her nap, we’ll hit Off the Wall in Woodland Hills. It’s trampoline heaven, where you can catapult higher than you intended to. There are rock climbing walls, an arcade and food. They have an air-filled basketball court that’s on a soft floor and there are birthday party rooms in the back. Hazel loves that place, especially the trampoline. She likes me to chase her, so I get a workout while we are there. I’ll literally be sweating when we leave.

4 p.m.: Sample sweet treats at Happy Ice or Magpies
For a sweet treat, Happy Ice is a favorite. It’s the best-tasting slushy snow cone, especially during the summer when it’s hot. They have locations in Northridge and Hollywood, but they also have a truck [at Smorgasburg on Sundays in downtown L.A.]. For Hazel’s birthday party, we had the truck come to our house. I usually get the Rainbow Rocket, which is a mix of all their Italian ice flavors, and Hazel gets the same thing I do. She is happy to get anything, frankly. Magpies Softserve is another one of our favorites. Their vegan honeycomb soft serve is so good. Hazel likes their soft-serve pies.
6 p.m.: Tapas-style dining at Joey
Hazel is newly picky, but if she were to go out to dinner with me, she would love Joey in Woodland Hills, which offers a wide-ranging menu. They check off a box for everybody. I’m a tapas-style girl, so I like to order a variety of different dishes: guacamole, tuna and avocado crunch roll and Korean fried cauliflower. I’ll order the sake-glazed Chilean sea bass and pasta for Hazel.
We’re homebodies, so another dinner option would be spending time together at home, cooking and playing in the pool. We enjoy making veggie and tofu tacos together. Things you can eat with your hands are always fun with kids. That’s one reason they like s’mores so much. Occasionally, we’ll make something pescatarian like grilled salmon or other fish.

8 p.m.: Watch “Moana 2” … again
At night, we would watch a movie and wind down with some Skinny Pop popcorn. Hazel would probably watch “Moana 2” again right now. We saw it in the theaters, and she goes through phases where she wants to watch different things, but she recently said that she wants a “Moana 2” party for her fifth birthday. I thought she’d like something else by then. But then, she thinks there will be 20 Moanas.

10 p.m.: Read “Everywhere You Are” before bed
Before bed, Hazel often asks me to read “Everywhere You Are” to her. She loves to read and enjoys being read to. I’ve read it to her so many times that she can read it back to me. She recorded a segment of the audiobook with me and was excited to hear herself when she recorded it in the studio. Reading the book to her, I realized that missing a parent is a lot like losing a loved one. You can still feel their presence even though they’re not around. Love binds people together despite physical distance. Even when they don’t see you, children need to know that you’re still there and that you’ll always be with them.
Lifestyle
Asked to flag 'negative' National Park content, visitors gave their own 2 cents instead

Signs like this one in the Presidio of San Francisco, part of the Golden Gate National Recreation Area, have been going up around the country in response to President Trump’s executive order titled “Restoring Truth and Sanity to American History.”
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Signs installed earlier this month in national parks across the country asking visitors to share feedback on “any signs or other information that are negative about past or living Americans” are eliciting all sorts of reactions. But comments viewed by NPR don’t provide the requested feedback.
Visitors to the Presidio of San Francisco, a National Historic Landmark and former military garrison with a complex history seemed unimpressed by the small black-and-white sign placed on a coffee table at roughly shin-level near the Presidio’s welcome center on a recent morning.

“The point of going to a park is to enjoy nature, not to whistleblow something that casts the American people in a bad light,” said Evan Sutterfield, a San Francisco school teacher enjoying a day out on his summer break.
“I think you need to tell the whole story,” said Russ Harwell, visiting from Charlotte, N.C. “If you’re gonna write it out of history, then you’re doomed to repeat it.”
Linda Mosinian from Milwaukee, Wis. added: “I think this is a waste of time.”
‘Restoring Truth and Sanity to American History’
The signs, which invite people to send comments anonymously using a QR code, phone number, email or web address, have appeared in response to an executive order President Trump issued in March titled “Restoring Truth and Sanity to American History.” It specifically calls for the removal of content from monuments and properties within the Department of the Interior that “inappropriately disparages Americans past or living.”
In a statement to NPR, the Department of the Interior said: “The effort ensures public lands reflect an accurate portrayal of American history and heritage.”

NPR reviewed dozens of comments submitted from June 4 to 12 regarding signs placed in parks across the country. According to The Coalition to Protect America’s Parks, a multi-page PDF containing these comments was leaked by a national park employee who took screenshots of the comments pages on their computer and then shared the PDF with parks advocacy groups.
None of the submitted comments suggest the parks need to change their depictions of people or history.
Some are supportive. “The park rangers and volunteers go above and beyond to tell the full American story,” stated a comment about Catoctin Mountain Park in Maryland.
Others say national parks should reflect even more of the country’s difficult history. “Need more history on how black and indigenous people have been exploited,” one comment stated.
Differing opinions
That’s not to say all visitors are happy about the historical information shared at parks.
Department of the Interior spokesperson J. Elizabeth Peace said after Trump issued the executive order — but before the signs went up — her department had already started receiving feedback from national park visitors via the department’s email address.
Peace said one example relates to Capitol Reef National Park in Utah, where a visitor reported that a souvenir postcard mislabeled a nearby landmark and appeared to copy text from Wikipedia without attribution.
Another came from a visitor concerned about a video on the website of the Washington Monument in Washington, D.C., which inaccurately stated George Washington ended his inaugural oath with a phrase historians widely agree lacks definitive sourcing.
The phrase in question was “So help me God.”
Neither of these comments related to Trump’s executive order about content that, “inappropriately disparages Americans past or living.” But Peace said they were nevertheless useful.
“Both examples provided were reviewed by the National Park Service and appropriate corrective or clarifying action was taken,” Peace said. “These examples underscore the value of public feedback in helping us maintain historical accuracy across our sites and materials.”
Accuracy challenges
Accuracy isn’t a given, because feedback can be submitted through a general website or email address accessible from anywhere in the world.
“What would stop somebody with an agenda from posting fake comments?” said Clara Wooden, a member of the board of The Coalition to Protect America’s National Parks. “People at both ends of the ideological spectrum can game the system without even setting foot in a national park.”
In response to these concerns, the Department of the Interior’s Peace told NPR comments are individually reviewed before being routed to appropriate subject matter experts for further evaluation and validation. “This manual review process helps ensure that the feedback we work with is both relevant and credible,” she said.
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