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In a first-of-its-kind decision, an AI company wins a copyright infringement lawsuit brought by authors

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In a first-of-its-kind decision, an AI company wins a copyright infringement lawsuit brought by authors

The Anthropic website and mobile phone app are shown in this photo on July 5, 2024. A judge ruled in the AI company’s favor in a copyright infringement case brought last year by a group of authors.

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AI companies could have the legal right to train their large language models on copyrighted works — as long as they obtain copies of those works legally.

That’s the upshot of a first-of-its-kind ruling by a federal judge in San Francisco on Monday in an ongoing copyright infringement case that pits a group of authors against a major AI company.

The ruling is significant because it represents the first substantive decision on how fair use applies to generative AI systems.

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Fair use doctrine enables copyrighted works to be used by third parties without the copyright holder’s consent in some circumstances such as illustrating a point in a news article. Claims of fair use are commonly invoked by AI companies trying to make the case for the use of copyrighted works to train their generative AI models. But authors and other creative industry plaintiffs have been pushing back with a slew of lawsuits.

Authors take on Anthropic

In their 2024 class action lawsuit, authors Andrea Bartz, Charles Graeber and Kirk Wallace Johnson alleged Anthropic AI used the contents of millions of digitized copyrighted books to train the large language models behind their chatbot, Claude, including at least two works by each plaintiff. The company also bought some hard copy books and scanned them before ingesting them into its model.

“Rather than obtaining permission and paying a fair price for the creations it exploits, Anthropic pirated them,” the authors’ complaint states.

In Monday’s order, Senior U.S. District Judge William Alsup supported Anthropic’s argument, stating the company’s use of books by the plaintiffs to train their AI model was acceptable.

“The training use was a fair use,” he wrote. “The use of the books at issue to train Claude and its precursors was exceedingly transformative.”

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The judge said the digitization of the books purchased in print form by Anthropic could also be considered fair use, “because all Anthropic did was replace the print copies it had purchased for its central library with more convenient space-saving and searchable digital copies for its central library — without adding new copies, creating new works, or redistributing existing copies.”

However, Alsup also acknowledged that not all books were paid for. He wrote Anthropic “downloaded for free millions of copyrighted books in digital form from pirate sites on the internet” as part of its effort “to amass a central library of ‘all the books in the world’ to retain ‘forever,.’”

Alsup did not approve of Anthropic’s view “that the pirated library copies must be treated as training copies,” and is allowing the authors’ piracy complaint to proceed to trial.

“We will have a trial on the pirated copies used to create Anthropic’s central library and the resulting damages, actual or statutory (including for willfulness),” Alsup stated.

Bifurcated responses

Alsup’s bifurcated decision led to similarly divided responses from those involved in the case and industry stakeholders.

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In a statement to NPR, Anthropic praised the judge’s recognition that using works to train large language models was “transformative — spectacularly so.” The company added: “Consistent with copyright’s purpose in enabling creativity and fostering scientific progress, Anthropic’s large language models are trained upon works not to race ahead and replicate or supplant them, but to turn a hard corner and create something different.”

However, Anthropic also said it disagrees with the court’s decision to proceed with a trial.

“We believe it’s clear that we acquired books for one purpose only — building large language models — and the court clearly held that use was fair,” the company stated.

A member of the plaintiffs’ legal team declined to speak publicly about the decision.

The Authors’ Guild, a major professional writers’ advocacy group, did share a statement: “We disagree with the decision that using pirated or scanned books for training large language models is fair use,” the statement said.

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In an interview with NPR, the guild’s CEO, Mary Rasenberger, added that authors need not be too concerned with the ruling.

 ”The impact of this decision for book authors is actually quite good,” Rasenberger said. “The judge understood the outrageous piracy. And that comes with statutory damages for intentional copyright infringement, which are quite high per book.”

According to the Copyright Alliance, U.S. copyright law states willful copyright infringement can lead to statutory damages of up to $150,000 per infringed work. The ruling states Anthropic pirated more than 7 million copies of books. So the damages resulting from the upcoming trial could be huge.

The part of the case focused on Anthropic’s liability for using pirated works is scheduled to go to trial in December.

Other cases and a new ruling

Similar lawsuits have been brought by other prominent authors. Ta-Nehisi Coates, Michael Chabon, Junot Díaz and the comedian Sarah Silverman are involved in ongoing cases against AI players.

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On Wednesday, U.S. District Judge Vince Chhabria ruled in favor of Meta in one of those cases. A copyright infringement lawsuit was brought by 13 authors including Richard Kadrey and Silverman. They sued Meta for allegedly using pirated copies of their novels to train LLaMA. Meta claimed fair use and won because the authors failed to present evidence that Meta’s use of their books impacted the market for their original work. However, the judge said the ruling applies only to the specific works included in the lawsuit and that in future cases, authors making similar claims could win if they make a stronger case.

“ These rulings are going to help tech companies and copyright holders to see where judges and courts are likely to go in the future,” said Ray Seilie, a lawyer based in Los Angeles with the firm Kinsella Holley Iser Kump Steinsapir, who focuses on AI and creativity. He is not involved with this particular case.

“ I think they can be seen as a victory for the AI community writ large because they create a precedent suggesting that AI companies can use legally-obtained material to train their models,” Seilie said.

But he said this doesn’t mean AI companies can immediately go out and scan whatever books they buy with impunity, since the rulings are likely to be appealed and the cases could potentially wind up before the Supreme Court.

“ Everything could change,” Seilie said.

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The 11 most challenged books of 2025, according to the American Library Association

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The 11 most challenged books of 2025, according to the American Library Association

The American Library Association’s list of the most frequently challenged books of 2025 includes Sold by Patricia McCormick, The Perks of Being a Wallflower by Stephen Chbosky and Maia Kobabe’s Gender Queer: A Memoir.

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American Library Association

The American Library Association has released its annual list of the most commonly challenged books at libraries across the United States.

According to the ALA, the 11 most frequently targeted books include several tied titles. They are:

1. Sold by Patricia McCormick
2. The Perks of Being a Wallflower by Stephen Chbosky
3. Gender Queer: A Memoir by Maia Kobabe
4. Empire of Storms by Sarah J. Maas
5. (tie) Last Night at the Telegraph Club by Malinda Lo
5. (tie) Tricks by Ellen Hopkins
7. A Court of Thorns and Roses by Sarah J. Maas
8. (tie) A Clockwork Orange by Anthony Burgess
8. (tie) Identical by Ellen Hopkins
8. (tie) Looking for Alaska by John Green
8. (tie) Storm and Fury by Jennifer L. Armentrout

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Many of these individual titles also appear on a 2024-25 report issued last October by PEN America, a separate group dedicated to free expression, which looked at book challenges and bans specifically within public schools.

The ALA says that it documented 4,235 unique titles being challenged in 2025 – the second-highest year on record for library challenges. (The highest ever was in 2023, with 4,240 challenges documented – only five more than in this most recent year.)

According to the ALA, 40% of the materials challenged in 2025 were representations of LGBTQ+ people and those of people of color.

In all, the ALA documented 713 attempts across the United States in 2025 to censor library materials and services; 487 of those challenges targeted books.

According to the ALA, 92% of all book challenges to libraries came from “pressure groups,” government officials and local decision makers. While 20.8% came from pressure groups such as Moms for Liberty (as the ALA cited in an email to NPR), 70.9% of challenges originated with government officials and other “decision makers,” such as local board officials or administrators.

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In a more detailed breakdown, the ALA notes that 31% of challenges came from elected government officials and and 40% from board members or administrators. In its full report, the ALA states that only 2.7% of such challenges originated with parents, and 1.4% with individual library users.

Fifty-one percent of challenges were attempted at public libraries, and 37% involved school libraries. The remaining challenges of 2025 targeted school curriculums and higher education.

The ALA defines a book “ban” as the removal of materials, including books, from a library. A “challenge,” in this organization’s definition, is an attempt to have a library resource removed, or access to it restricted.

The ALA is a non-partisan, nonprofit organization dedicated to American libraries and librarians.

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BoF and Marriott Luxury Group Host the Luxury Leaders Salon

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BoF and Marriott Luxury Group Host the Luxury Leaders Salon
On the eve of Milan Design Week, 15 of the industry’s most influential founders, executives and creative directors gathered at Lake Como’s newly opened Edition hotel for an intimate, off-the-record conversation about where luxury goes next.
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We beef with the Pope and admire the Stanley Cup : Wait Wait… Don’t Tell Me!

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We beef with the Pope and admire the Stanley Cup : Wait Wait… Don’t Tell Me!

Promo image with Phil Pritchard, Alzo Slade, and Peter Sagal

Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR


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Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR

This week, Phil Pritchard, NHL’s Keeper of the Stanley Cup, joins us to about taking the cup jet-skiing and panelists Alonzo Bodden, Adam Burke, and Dulcé Sloan beef with the Pope and get misdiagnosed. 

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