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These Jackets Are Fire

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These Jackets Are Fire

Many fashion trends are a matter of inches. This one is a matter of cinches.

The fireman jacket, a variation on the three- or four-pocket chore coat that features weighty metal clasps in place of buttons, has emerged as a curious, clangy spring jacket trend.

Adrien Brody, pre-Oscar win, wore a fireman jacket in British GQ. Supreme, the streetwear agenda-setters, offers one in glossy cowhide for close to $1,000. Instagram-marketed brands like Ronning in Britain target early adopters with waist-length clasp jackets for about third of that price. Vintage dealers, reporting increased interest, offer them for even less.

When worn, fireman jackets are part fidget toy, part ASMR doodad. Those metal clasps lock together with a pleasing click, like a seatbelt on a roller coaster. As the owner of a vintage version from the nearly forgotten Italian label Energie (purchased for around $175 at 194 Local, a New York vintage shop), I can tell you that those closures are pleasing to idly toggle as you, say, contemplate how to write a spring jacket story.

(As is perhaps obvious, it’s those shiny clasps that lend the coat its name. Authentic firefighter’s jackets feature metal clips that are easier to fasten than buttons or zippers while wearing gloves.)

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Still, fireman coats have been around well before the term ASMR was in use. A 1979 article in the St. Joseph Gazette in Missouri includes a photo of a man in a $150 metal-clasped “fireman’s jacket” from the defunct men’s label Hunter Haig. “Firemen take risks,” the accompanying article read. “That’s why they need a coat that can take the roughest treatment in the worst weather.”

(Vintage dealers today will tell you to never buy a genuine used fireman’s jacket, which may have, if not carcinogens soaked into it, then at least a smoky odor.)

Through the 1990s, jackets with gleaming clasps were common at mainstream-leaning labels: Liz Claiborne, Isaac Mizrahi and Structure, all of which are, if not shuttered, then shells of their former selves. It was Ralph Lauren, though, who was most closely associated with the style. Liam Gallagher, the Oasis frontman, was wearing a color-blocked version from the brand back in 1994. Photos of him in the blue-and-white coat still cycle around the internet.

“Ralph definitely made them way more wearable,” said Matt Roberge, a vintage seller in Vancouver, British Columbia, who currently sells a $350 denim fireman’s jacket with a corduroy collar and a $250 washed-out-to-near-pale-blue model, both from Polo, both decades old.

“I found a fireman’s jacket in a vintage store a few years ago, and I wanted to update it,” said Sigurd Bank, the founder of Mfpen, the Scandinavian label that produced the tri-clasp jacket Mr. Brody wore in British GQ. Mfpen’s version (now entirely sold out on its site) came in a washed denim fabric, with corduroy panels on the back. For the clasps, Mr. Bank used an Italian manufacturer who made closures for authentic fireman outfits.

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If the fireman’s jacket is becoming popular, it’s doing so in the wake of a broader trend: the embrace of barn coats. Barbour and J. Crew have collaborated on a barn jacket, now nearly sold out. The GQs and Vogues of the world are hailing them as the coat of the moment. L.L. Bean is importing a heretofore only-in-Japan lightweight version of its 100-year-old field coat design. And designer labels like the Row and Auralee have brought the barn to the boutique with four-figure upsells.

“I had reached barn coat fatigue,” said Jalil Johnson, the writer of the fashion newsletter Consider Yourself Cultured in New York.

Mr. Johnson, instead, went searching not for a barn jacket clone, but a cousin. He took to duffle coats, the very Anglo, rope-closed wool overcoats, but he did acknowledge that fireman jackets were another contender in the barn-jacket-but-just-off-enough contest.

“It is a continuation of all these jackets we’ve seen, but it’s more interesting because of the hardware,” Mr. Johnson said.

And that, in the hairsplitting manner of micro-trends, makes it worthy to shoppers. “It goes no deeper than ‘I like these clasps,’” said Kiyana Salkeld, a product designer in New York who owns a pair of fireman coats from Brut, a French label riffing on vintage workwear.

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They are, she said, similar enough to the J. Crew barn coat she’d worn for 15 years to slot effortlessly into how she already dressed. The clasps were sturdy and reassuring but not so heavy as to distract.

Said Ms. Salkeld, “It’s just nice to have a slightly different version of the same thing that you had previously.”

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Video: Stephen Colbert Closes Out “Late Show”

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Video: Stephen Colbert Closes Out “Late Show”

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Stephen Colbert Closes Out “Late Show”

Stephen Colbert signed off for the last time from “The Late Show” on Thursday. His final guest was Paul McCartney and together they performed the Beatles’ “Hello, Goodbye.”

“Tonight is our final broadcast from the Ed Sullivan Theater.”

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Stephen Colbert signed off for the last time from “The Late Show” on Thursday. His final guest was Paul McCartney and together they performed the Beatles’ “Hello, Goodbye.”

By Julie Yoon

May 22, 2026

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L.A. Affairs: I married at 51 after decades of being single. My dog turned out to be the better companion

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L.A. Affairs: I married at 51 after decades of being single. My dog turned out to be the better companion

In the past two years, I’ve changed my pronouns twice. But I’m not talking about my gender identity. I’ve always been a cis she/her/hers woman. I’ve also, for most of my life, been single, an I in a sea of coupled we’s.

The world prefers a we to an I, especially if you’re a woman. If someone casually asks what you did this weekend, responding “I bought a Christmas tree” is a sad, lonely statement to most listeners. Responding “We bought a Christmas tree” is a happy, cozy statement, reflecting that you will not be spending Christmas alone, or, one can infer, most likely dying alone too.

I, like many women, was raised on the myth of marriage. Growing up in the San Fernando Valley in the ’70s and ’80s, it was a foregone conclusion I’d get married one day and have a family. My mom often would say, “Just wait until you have kids of your own,” when she thought I was being difficult. She continued to say this into my 40s, at which point I’d respond, with sadness and self-pity, that, at my age, I was probably never going to have kids or get married.

Finally, well into middle age, I stopped caring about getting married and focused on how good my life as a single woman was. I lived in an ocean-view apartment in Santa Monica. I’d built a successful small business. I had great friends. I’d adopted a dog, Fofo, the best decision of my life.

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Then I met the love of my life. Vagner was tall, unbearably handsome and disarmingly charming.

We found each other on an app and met up for the first time at my community garden plot on Main Street, then got ramen at Jinya. From that moment on, we were together. Vagner loved the Santa Monica Pier, which he’d seen in a video game he’d played with his teenage son in Rio. The pier was a short stroll from my apartment, and when we walked Fofo at sunset, Vagner always wanted to climb the wooden stairs and take in the glorious view from the pier. He was like a kid experiencing something from a movie in real life, and seeing the city through his eyes gave it a new sense of wonder.

When I broke my shoulder six weeks into our romance and needed surgery, he stayed with me in the hospital and moved in to care for me. Only an amazing guy would do that. One evening Vagner got down on one knee and proposed. We were in love. He was in the U.S. on a six-month tourist visa, and to stay together, we had to get married before his visa expired. Vagner was the most loving, caring man I’d ever known, so I said yes.

We got married three months after meeting, and Vagner turned into a different person 24 hours after we said, “I do.”

The toothpaste he bought at Costco lasted longer than our marriage.

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But for the 11 months we were married, I experienced the glory of being a we instead of an I. Suddenly I was part of a giant club, the Partnered People. While it wasn’t an exclusive club, it still felt wonderful to finally get in.

I relished speaking in the plural. I loved talking to my married friends about us, our marriage, our life. I was no longer left out.

If I could find love and get married for the first time at 51 — in L.A., a city notoriously difficult for dating, especially for women over 40 — anyone could.

When I began to confide in married girlfriends about our problems, they unfailingly shared their own marital struggles, things they’d never mentioned when I was single. Over sushi and spicy margaritas at Wabi on Rose, a longtime friend advised me about how to give your husband wins, build up his self-esteem and keep from overwhelming him with perceived demands. I was grateful for her advice, and though I tried the strategies she’d suggested, nothing I did made any difference. Vagner was shut down, emotionally absent and prone to walking out every time we had a disagreement.

Still, I clung to my newfound identity as a we, even though there was very little us in the marriage. Even being unhappily married, I was still part of the club.

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“It doesn’t matter if you date for 10 weeks or 10 years, people change after they get married,” I heard from more than one sympathetic soul. I took some comfort in this since I was beginning to blame myself for getting married too quickly.

The truth of the matter was, we had a far bigger problem than adjusting to being married. Believing we were simply two good people who’d rushed to the altar under the influence of euphoric new love and the pressure of an expiring visa was far less painful than the truth.

In our first conversation, he told me he was a lawyer. In reality, he was an ex-military police officer who’d been dismissed for misconduct. But his biggest omission was neglecting to tell me about his second child, a 13-year-old son who bore his full name, whose existence I discovered three months into our marriage when he disclosed it on an immigration form. He claimed the child wasn’t his but the product of his ex-wife’s infidelity.

Also, Vagner rarely wanted to spend time together. The moment he got his employment authorization, he announced a plan to take a job in Florida as a long-haul truck driver. On Christmas Eve. That was the beginning of the end.

The reality, which I only began to absorb bit by bit after I ended it, is that my husband was not only a prolific storyteller but also a master manipulator. I was lucky to get out with only a broken heart, not a broken life.

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As good as it had felt — at least briefly — to finally be a we, there was no denying that I had been far happier as an I. As I walked Fofo by the beach, cuddled with him on the couch and threw his ball at Hotchkiss Park, I realized he was a superior companion to my ex-husband.

Fortunately, I hadn’t changed my name, so the only thing I had to change back were my pronouns. There was not even one tiny part of me that missed being able to refer to myself as we, so immense was the relief of freeing myself of Vagner.

Although I forfeited my membership in the Partnered People club, I became a member of another, equally nonexclusive-but-far-less-touted club, the Happily Divorced Women.

The author is the founder of Inner Genius Prep, a boutique educational and career consulting company. She lives in Santa Monica, holds an MFA in creative writing from Brooklyn College and is working on a memoir about having a mystery illness. She’s on Instagram: @smgardengirl.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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‘Star Wars: The Mandalorian and Grogu’ may not be the way : Pop Culture Happy Hour

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‘Star Wars: The Mandalorian and Grogu’ may not be the way : Pop Culture Happy Hour

Pedro Pascal in The Mandalorian And Grogu.

Lucasfilm Ltd.


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Lucasfilm Ltd.

The Mandalorian has made the jetpack-assisted leap to the big screen with the new movie Star Wars: The Mandalorian and Grogu. The laconic bounty hunter (Pedro Pascal) and his cute sidekick Grogu are hired by the good guys to do a job for some bad guys. You know what you’re gonna get – creatures, droids, easter eggs, and lots of fights. But, after three seasons on Disney+, will folks go out to the theaters to watch something they’ve gotten to know on their couches? 

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture 

Subscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhour

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