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The Second City, named for its Chicago location, opens an outpost in New York

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The Second City, named for its Chicago location, opens an outpost in New York

An outpost of The Second City has opened in Brooklyn. Above, the Brooklyn Bridge and lower Manhattan skyline are pictured at sunset.

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Charly Triballeau/AFP via Getty Images


An outpost of The Second City has opened in Brooklyn. Above, the Brooklyn Bridge and lower Manhattan skyline are pictured at sunset.

Charly Triballeau/AFP via Getty Images

The sketch comedy and improv group, The Second City, is famously named for its location: Chicago. And while some of its illustrious graduates, like Stephen Colbert and Tina Fey, have become famous New Yorkers, there’s never been an outpost in the First City, until now.

A new facility has been built in the Second Borough – Brooklyn. The trendy neighborhood of Williamsburg to be exact. On the site of an old record shop and club, the company has built a 200-seat mainstage, a 60-seat second stage, several classrooms, where improv and comedy writing are taught, and a restaurant.

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It’s not The Second City’s first foray outside Chicago: There’s been an outpost in Toronto since 1973, which spawned the successful television series SCTV, and other companies have been in Hollywood and Detroit. In addition, there’s a touring company that crisscrosses the United States.

The Second City New York in Brooklyn.

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The Second City New York in Brooklyn.

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“We know that there is a really great comedy scene in New York,” said The Second City’s CEO, Ed Wells, “and a demand for comedy-based entertainment, but there is no one doing what we do.”

With the closing of several clubs in New York during the pandemic, he felt there was an opportunity. “I mean, New York is the home of Saturday Night Live, right?,” Wells explained. “Saturday Night Live and The Second City have had a relationship since Saturday Night Live started. … Its very first cast was filled with Second City alumni from, you know, John Belushi to Dan Aykroyd to Gilda Radner.”

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Other grads include Nia Vardalos, the writer and director of My Big Fat Greek Wedding, who spent four and a half years with the company in Toronto and Chicago. “It absolutely formed who I am,” she said. “You enter an institution that is formidable, and yet filled with irreverence; where you will be rewarded for being a person who doesn’t follow the rules. And yet you’re getting a paycheck, and you are part of a union.”

It’s such a good gig, that when Second City opened up the call for auditions in New York, within three days, 1,000 people responded, and they had to cut it off. The New York revue is a mix of improv, new material and some classic sketches from Chicago.

Drew Riley, a graduate of The Second City Conservatory in Chicago is one of the six people who are opening the new mainstage. And the first number – which the company developed over half a year, features something every New York has an opinion about: the subway. “We would ask, you know, ‘what’s something about New York that you love? What’s something about New York that you hate?,’” he recalled, laughing. “And the answer to both those questions with us was the same. And it was the train … we wanted to honor that.”

Jacklyn Uweh, who trained with The Second City in Hollywood, and is part of the first ensemble in New York, said that one of her favorite sketches is a classic free association piece for two actors playing spies that was created by Second City alum Stephen Colbert. The first part of the sketch is written but at a certain point it becomes improv, with input from the audience. “It is the hardest sketch I’ve ever rehearsed!” Uweh says. (The night I attended, the improv part went on for two and a half minutes, to peals of laughter from the audience.)

One of the most important partners in the show is not onstage. It’s Kayla Freeman, the stage manager, who sits on a perch above the stage. With a background in comedy and improv, as well as technical theater, she looks and listens intently while the actors make up their material on the spot, to determine when to call a blackout to end the sketch. “A lot of the time, what I’m looking out for is a big audience laugh or watching the internal games that they’re playing and figuring out when that game has resolved itself,” Freeman explained. Basically, she said she and the actors “ride the waves together.”

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Cast member Drew Riley said part of the exhilaration of doing improv is the possibility of falling flat on your face. “It’s the reason you go to the circus to watch the acrobats. Right? Because you think maybe they might fall,” he said laughing. “But you’re thrilled when they don’t. You’re thrilled when they land the triple somersault. It is a theatrical experience unlike anything else.”

The doors of The Second City New York have only just opened but the company hopes they stick the landing for years to come.

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Britney Spears Open to Treatment Plan as Team Weighs Options

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Britney Spears Open to Treatment Plan as Team Weighs Options

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Open to Treatment Plan After DUI Arrest, Source Says

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If you loved ‘Sinners,’ here’s what to watch next

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If you loved ‘Sinners,’ here’s what to watch next

Michael B. Jordan plays twin brothers Smoke and Stack in Sinners.

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What to watch if you loved…

Ryan Coogler’s supernatural horror stars Michael B. Jordan playing twin brothers who open a 1930s juke joint in Mississippi. Opening night does not go as planned when vampires appear outside. “In a straightforward metaphor for all the ways Black culture has been co-opted by whiteness, the raucous pleasures and sonic beauty of the juke joint attract the interest of a trio of demons … they wish to literally leech off of the talents and energy of Black folks,” writes critic Aisha Harris. The film made history with a record 16 Academy Award nominations.

We asked our NPR audience: What movie would you recommend to someone who loved Sinners? Here’s what you told us:

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Near Dark (1987)
Directed by Kathryn Bigelow; starring Adrian Pasdar, Jenny Wright, Lance Henriksen
If you want another cool vampire movie with Western kind of vibes, check out Kathryn Bigelow’s Near Dark — super underseen and kind of hard to find, but really gritty and sexy and another very different take on what you might think is a genre that had been wrung dry. – Maggie Grossman, Chicago, Ill.

30 Days of Night (2007)
Directed by David Slade; starring Josh Hartnett, Melissa George, Danny Huston
It follows a group of people in a small Alaskan town as they struggle to survive an invasion of vampires who have taken advantage of the month-long absence of the sun. Both this and Sinners revolve around a vampire takeover and the people’s fight to outlast the “night.” – Nathan Strzelewicz, DeWitt, Mich.

The Wailing (2016)
Directed by Na Hong-jin; starring Kwak Do-won, Hwang Jung-min, Chun Woo-hee, Jun Kunimura
In this South Korean supernatural horror film, a mysterious illness causes people in a quiet rural village to become violent and murderous. A local police officer investigates while trying to save his daughter, who begins showing the same disturbing symptoms. The film blends folk horror, religion, and psychological dread, exploring themes of faith, evil, and moral weakness. Like Sinners, it centers on a supernatural force corrupting a close-knit community, builds slow-burning tension, and examines spiritual conflict and human frailty. – Amy Merke, Bronx, N.Y.

Fréwaka (2024)
Directed by Aislinn Clarke; starring Bríd Ní Neachtain, Clare Monnelly, Aleksandra Bystrzhitskaya
In this Irish folk horror film, a home care worker, Shoo, is assigned to stay with an elderly woman who’s convinced she’s under siege by malevolent fairies. Like Sinners, Fréwaka blends folk traditions and social commentary with horror. The social failures Shoo copes with (untreated mental health issues, religious abuse) are just as frightening as the supernatural forces. – Kerrin Smith, Baltimore, Md.

And a bonus pick from our critic:

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Ma Rainey’s Black Bottom (2020)
Directed by George C. Wolfe; starring Viola Davis, Chadwick Boseman, Glynn Turman
This is an adaptation of August Wilson’s play about a legendary blues singer (Viola Davis) muscling through a recording session with white producers who want to control her music. Chadwick Boseman’s blistering in his final role. – Bob Mondello, NPR movie critic

Carly Rubin and Ivy Buck contributed to this project. It was edited by Clare Lombardo.

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Solar energy for renters has taken off in 10 states. Not in California

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Solar energy for renters has taken off in 10 states. Not in California

The tiny town of West Goshen, Calif., was exactly the kind of place that community solar was designed for.

Near Visalia, most of its 500 residents live in mobile homes, where companies won’t install rooftop panels without a solid foundation. And until recently, they used propane for heating and cooking, with price fluctuations in the winter posing hardships for low-income families.

Community solar, in which residents get a discount on their bills for subscribing as a group to small solar arrays nearby, was designed to help low-income residents, apartment dwellers, renters and others who can’t put panels on their own roofs.

Over the last 11 years, New York, Maine, Minnesota, Massachusetts and other states have built thriving community solar programs. But California has built, at most, only 34 projects since 2015, and experts say that’s a generous accounting.

“We’ve had community solar for a dozen years, and it simply has not produced anything of scale and anything of note,” said Derek Chernow, director of Californians for Local, Affordable Solar and Storage, a developer trade group that’s pushing to get a more robust program off the ground. “Projects don’t pencil out.”

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The West Goshen residents were among the lucky few, becoming part of a community solar project in 2024.

“It has kind of allowed us to kind of breathe a little bit,” said resident and community organizer Melinda Metheney. Her bill has dropped by about $300 in the summer months, thanks to the 20% community solar discount, stacked with other low-income discounts and clean energy incentives, she said.

West Goshen’s panels sit about 10 miles out of town, in a field surrounded by farms. Energy and climate experts agree California must add much more clean energy to its grid, some 6 gigawatts by 2032, the California Public Utilities Commission said in a new plan last week.

Assemblymember Christopher M. Ward (D-San Diego), who in 2022 authored a bill to create a more effective community solar program, said the state needs to double its annual solar installation rate to reach that goal and is not on track to do that using only large utility-scale solar farms and individual rooftop arrays.

“We need mid-scale community solar,” he said.

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Aerial view of solar panels installed on top of Extra Space Storage in Pico Rivera

Energy and climate experts agree California must add much more clean energy to its grid, some 6 gigawatts by 2032, the California Public Utilities Commission said in a new plan last week. Above, solar panels at Extra Space Storage in Pico Rivera.

(Kayla Bartkowski / Los Angeles Times)

He and a coalition of environmental groups, solar developers and the Utility Reform Network, a ratepayer advocacy group, worked to put his 2022 law into effect. They coalesced around requiring utilities to pay community solar developers and customers for the electricity they feed to the grid using the same formula they use for people who install rooftop solar.

But in May 2024, the California Public Utilities Commission decided to go with a late-in-the-game proposal backed by the state’s investor-owned utilities to pay community solar at a lower rate.

The agency, along with its public advocate’s office, argued that crediting solar developers at the higher rate would raise bills for customers who don’t have solar, who would still have to shoulder the cost of grid maintenance. It’s similar to the argument they’ve made to cut incentives for rooftop solar.

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The new program relied on federal money, including the Biden administration’s Solar for All, to sweeten the deal for developers. But the utilities commission spent very little of the $250 million available under that grant before the Trump administration tried to claw it back last summer, and now it is held up in litigation.

At a legislative oversight hearing last week, Kerry Fleisher, the commission’s director of distributed energy resources, blamed the loss for the new program’s failure to launch.

“There’s been a tremendous amount of uncertainty in terms of the Solar for All funding that was intended to supplement this program,” Fleisher said. “That’s part of the reason why this has taken longer than normal.” She said the commission still plans to release a program in the next several months.

Ward, the San Diego lawmaker who wrote the community solar bill, called the program “fatally flawed” in an interview.

He’s now considering a bill to bring the community solar program more in line with what he initially envisioned — higher incentives, requirements for battery storage, and compliance with state law that mandates new houses be built with solar.

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A study last year funded by a solar trade group found that could save California’s electric system $6.5 billion over 20 years. But Ward’s effort to revive his program last year failed to pass the Assembly appropriations committee.

“All the other states in our country that have adopted similar community solar program models, they are working,” said Ward, adding that 22 states have programs comparable to the one solar advocates want in California. “The writing on the wall suggests that, exactly as we feared years ago, this was not the way to go.”

California Public Utilities Commission spokesperson Terrie Prosper called California “a leader in cost-effective, least-cost solar deployment overall compared to any other state,” in an emailed statement.

Under the commission’s definition, the state has brought on 34 projects, representing 235 megawatts of community solar. But studies from groups such as the Institute for Local Self-Reliance and Wood Mackenzie use different definitions for community solar, and they show California far behind at least 10 other states.

Meanwhile, advocates and developers involved in successful community solar projects in California say they were difficult to get off the ground.

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A view of homes in the Avocado Heights area of Los Angeles County

Homes in the Avocado Heights area of Los Angeles County are part of a community solar project.

(Kayla Bartkowski / Los Angeles Times)

One that came online in May in the unincorporated communities of Bassett and Avocado Heights in the San Gabriel Valley provides solar electricity to about 400 low-income residents. They get 20% discounts on their electric bills for subscribing to panels installed on two Extra Space Storage building rooftops in Pico Rivera.

Organizers said it took nearly five years to find the right location and comply with utility requirements. They also got a grant in addition to funding provided by the state utilities commission’s solar program.

It “would not have happened if it hadn’t been for the grant,” said Genaro Bugarin, a director at the Energy Coalition nonprofit that proposed and coordinated the project.

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Brandon Smithwood, vice president of policy at Dimension Energy, the developer for the project in West Goshen, said he still hopes to see a community solar program in California that compensates projects for the way they help out the grid.

“We’ve seen it can work, and we know what we have won’t work,” Smithwood said at the hearing.

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