Lifestyle
The average wedding costs $41,000 in California. 16 couples share what they really spent
Planning a wedding is a highly personal experience, reflecting your tastes, values and vision as a couple. But one thing is universal: It’ll likely cost more than you think.
In a survey by the Knot that polled nearly 10,000 U.S. couples who married in 2023, the average cost of a wedding was $35,000 — a $5,000 increase from the previous year. California was ranked as one of the top 10 most expensive states to host a wedding, with an average cost of $41,000. (New Jersey was the priciest at $55,000.) In L.A., the median wedding cost was $48,000.
It’s money that many couples just don’t have. A U.S. News survey that polled 1,205 people who got married in the past year found that 56% of newlyweds took on debt to pay for their weddings. It also revealed that nearly a third of the newlyweds regretted having spent so much on their weddings.
Sarah Blessinger, an L.A.-based wedding planner who specializes in events with 100 guests or less, says people often underestimate the cost of weddings. To help give her clients a clearer picture of the financial breakdown, she shows them how much her previous clients have spent. So far this year, the least expensive wedding she’s planned was $38,000 — their budget was initially $25,000 — and the highest was $120,000.
“Some do get sticker shock immediately and they’re like, ‘Oh, I thought I could get away with spending $20,000,’” says Blessinger, owner of Kindred Weddings and Events. “I’m like, you can, but you’ll have to cut things from your budget or from your vision and find ways around that — and it’s totally doable.”
With all of her couples, Blessinger establishes a “wedding foundation,” making sure they are on the same page about a few factors: What is the actual purpose of your wedding? Why is it important to gather these people together? How do we make sure that your investment/budget reflects that and not just what you think you should be doing?
Rob Bolden, a financial advisor and founder of Bolden Wealth Management, suggests over-communicating with your partner and not allowing outside voices to influence you to deviate from your original plan. “At the end of the day, it’s just going to be you and your spouse, so make sure that you two are happy,” says Bolden, who got married in September.
With the cost of weddings continuing to rise across the country, we wanted to know how much Californians have spent on their weddings in recent years and whether they regret it. Some couples spent well below the state average (like a pastor and an attorney who spent $200 on a front yard wedding); while others spent more than $50,000. They each shared helpful financial advice for couples planning their own big day.
Their responses have been lightly edited for length and clarity.
Marisa Gonzalez and Matt Flanzer
Marisa Gonzalez and Matt Flanzer got married in Beverly Hills.
(Sam Turchin)
Live in: Palo Alto
Occupations: Marisa is a physician assistant; Matt is a computer engineer.
Where and when did you get married? Beverly Hills in July 2023
How much did you spend on your wedding? $3,500
Biggest expense? Photography
Looking back, what would you have done differently? Nothing
Any financial advice for couples who are planning a wedding? “Figure out what is a reasonable amount to spend on your wedding based on your finances, savings and family contributions and stay within that budget. This will help you in the long run.”
Was it worth it? “Totally worth it. We didn’t want to have a big wedding so we had a courthouse wedding. We had a luncheon afterward for our family. The following day we had a casual party at a brewery to invite more friends to celebrate. We got married later in life, so we have a different perspective about not having a costly wedding that doesn’t put us into more debt and allows us to continue saving for retirement.”
Destiny and James Lavigne
Destiny and James Lavigne’s wedding.
(Eric Craig)
Live in: Los Angeles
Occupations: Destiny is a teacher and voice-over actor; James is a professional songwriter.
Where and when did you get married? Azusa in August 2019
How much did you spend on your wedding? $12,000. “I only spent $800 on my dress because it was a white quinceañera dress and didn’t have the ‘wedding’ label on it.”
Biggest expense? “The venue and in-house catering were the most expensive, but it was a package deal so I don’t regret buying it. It made everything so much easier.”
Looking back, what would you have done differently? “I would have asked for more help planning. It was very stressful working as a teacher and planning a wedding simultaneously.”
Any financial advice for couples who are planning a wedding? “Please do not overspend for one day. Make sure you can pay for most of the wedding in cash. You want something beautiful and memorable, but make sure you add personal touches and not try to solely impress a bunch of strangers.”
Was it worth it? “Yes, it was worth it. We were able to pay for it in cash and don’t have debt from our wedding.”
Steven and Jessica Snyder
Steven and Jessica Snyder’s wedding.
(Stefanie Zeltner)
Live in: Redondo Beach
Occupations: Steven is a small business owner; Jessica is a ninth grade English teacher.
Where and when did you get married? Long Beach in February 2020
How much did you spend on your wedding? $45,000
Biggest expense? Band/live music. “Having been to many weddings, the band makes or breaks the party.”
Looking back, what would you have done differently? “The only thing we would do differently is having some film/video of the event. We chose not to have a videographer and had signs asking for phones to be put away during the ceremony. I do wish we had set up a couple of GoPros to capture the ceremony and some of the party.”
Any financial advice for couples who are planning a wedding? “Make sure you write down the most important things you want to have at the wedding and don’t compromise too much.”
Was it worth it? “Absolutely worth it! Our wedding was in February 2020 right before the start of the pandemic. It turned out to be the last great party for our family and friends for the next two years. We had 90% of our guests come from out of town, most of them from Ohio. [The] weather was perfect and everyone had a great time.”
Royston and Selihah Beserve
Royston and Selihah Beserve’s wedding.
(Sarah Jane Hardt)
Live in: Los Angeles
Occupations: Royston is a branded content specialist; Selihah is a publicist.
Where and when did you get married? Los Angeles in September 2023
How much did you spend on your wedding? $45,000
Biggest expense? “Definitely the venue. When we discovered it, we immediately knew we had to get married there. The location, Smogshoppe, is close to the neighborhood we both grew up in so it feels significant to our love story. But when we discovered the price, we were a bit nervous about the venue cost eating up too much of our wedding budget. But when we envisioned how we wanted our big day to feel, we knew there was really no other option.”
Looking back, what would you have done differently? “Nothing.”
Any financial advice for couples who are planning a wedding? “It’s one day and it’s over in the blink of an eye. If you’re committed to not going into debt, set a budget and start saving early.”
Was it worth it? “Yes, but only because we were able to do it on our terms. I should also note that we had an intimate courthouse ceremony in 2022, so that took a lot of the pressure off. When we decided to have a bigger wedding, we knew we wanted to throw a fun party for our family and friends without going into debt and we successfully accomplished that.”
Nazareth and Lauren Ekmekjian
Lauren and Nazareth Ekmekjan dance at their wedding.
(The Gathering Season)
Live in: Long Beach
Occupations: Nazareth is a robotic design engineer; Lauren is a nonprofit fundraising consultant.
Where and when did you get married? West Adams in May 2021
How much did you spend on your wedding? $35,000
Biggest expense? Catering from Esso Mediterranean Bistro — the owner is a family friend. “Given that the wedding was in the backyard, we had to rent all of the equipment. We found out two days before the wedding that we wouldn’t have access to the venue kitchen. It was extremely stressful.”
Looking back, what would you have done differently? “I’d vet my vendors more closely. I also would have purchased my dress off the rack. The COVID delays alone broke me out into a sweat when waiting for my dress to arrive. The cost, adjustments and airfare to pick up and drop off my dress was simply not worth it.”
Any financial advice for couples who are planning a wedding? “Early on, my partner and I listed out all the things you typically see at a wedding: flowers, DJ, bouquet toss, etc. We individually voted on whether they were a yes or a no for our own wedding, and we even went a step further to note down what we thought each item would cost. At the end, we compared our answers and saw where there was overlap and discrepancies. It really helped us get on the same page about what was essential and what we could do without.”
Was it worth it? “This was the fourth date/attempt at our wedding since we first planned to be married in May 2020. We [got] married outdoors in a private backyard with about 50% less guests than we originally intended. Given where we were in the pandemic, it was that golden hour when everyone was vaccinated. It was, for many, the first party they’d been to in years. I think for that special moment alone it was worth it.”
Juan Diaz-Carreras and Hugo Alvarado
Juan Diaz-Carreras and Hugo Alvarado’s wedding.
(Manuel Reyes)
Live in: Pasadena
Occupations: Juan is a consultant for water infrastructure; Hugo works in university administration.
Where and when did you get married? Pasadena in November 2022
How much did you spend on your wedding? $20,000
Biggest expense? “The venue/reception [at Bacchus Kitchen]. Because the restaurant also has a catering business, they created the menu and we used them for the wine and the welcome cocktail. They created a menu that showcased my Peruvian heritage and my husband’s Honduran heritage.”
Looking back, what would you have done differently? “We did not write vows ahead of time, so maybe some planning there would have helped me ramble a bit less, but it was overall a good time for all!”
Any financial advice for couples who are planning a wedding? “Your event is for you, not your parents or family or anyone else. You do you! You also do not need to do what the latest trend on Instagram is or what you may see on TV — all that is fake anyway. Look into your heart and see the experience you want to have and who it is important for you to have there.”
Was it worth it? “Totally worth it! We had a custom menu and rented out the restaurant where we had our first date. We had the experience we wanted with the people we wanted to have there for us.”
Calvin and Rebecca Noetzel
Rebecca and Calvin Noetzel’s wedding.
(Klaui Varadi Photography)
Live in: Los Angeles
Occupations: Calvin is an engineer; Rebecca is a public health data analyst.
Where and when did you get married? San Juan Capistrano in June 2023 How much did you spend on your wedding? $50,000 (inclusive of all wedding weekend events)
Biggest expense? Catering and drinks. “An open bar was one of the aspects of our wedding we felt was worth it. We also wanted to make sure no one left hungry.”
Looking back, what would you have done differently? “The day before our wedding ended up being more hectic than originally planned, so we had to finish a few small errands the morning of our wedding. I’d either make sure any last-minute tasks are completed the day before your wedding or delegate to let others help you if that isn’t possible — it will be OK, I promise — so you can relax and enjoy the day.”
Any financial advice for couples who are planning a wedding? “Sit down with your partner and decide the top three to five aspects of your wedding you want to prioritize in terms of spending. If you aren’t intentional about what your ‘must haves’ are, it quickly adds up, especially with upgrades provided throughout every step of the process. It may ‘only’ feel like a $500 upgrade, but $500 is $500! We’d also recommend creating a budget with two columns: quoted estimates (average cost provided by our favorite vendors) and actual cost (final invoice). This helped us recognize when we spent more or less on something than we expected so we could adjust as necessary in other areas to stay on track with our budget. We regularly edited our budget tracker together throughout the wedding process, so we both had an idea of what we were spending and how much was left in our budget.”
Was it worth it? Yes. “In our case, we had a pretty intimate wedding and this was the one time where both of our families and closest friends were all together. It was an indescribable feeling to be able to begin and celebrate our marriage with our favorite people who have been our biggest supporters.”
Mark Price and Jeannie Vance
Live in: Lodi, Calif.
Occupations: Mark is a Lutheran pastor (“the liberal, socially progressive kind”); Jeannie is an attorney.
Where and when did you get married? Lodi in March 2020
How much did you spend on your wedding? Less than $200 (not including the rings)
Biggest expense? The food: tri-tip and red wine
Looking back, what would you have done differently? “Not much given where we were with COVID.”
Any financial advice for couples who are planning a wedding? “For young couples, spend as little as possible and use the savings for a down payment on your first house. For older couples, consider that bigger is not better. Bigger means less time celebrating with those who are most important to you.”
Was it worth it? “Yup. We got married in our front yard, March 22, 2020, one week after the COVID lockdown had begun. Our kids, our priest and her husband were in attendance.”
Mayte Cruz and Christian Moreno
Mayte Cruz and Christian Moreno’s wedding.
(Luisana Rodriguez)
Live in: Los Angeles
Occupations: Mayte is a program evaluation/research consultant; Christian is a physician assistant.
Where and when did you get married? Los Angeles in February 2023
How much did you spend on your wedding? Roughly $28,000
Biggest expense? “The venue and open bar. Having an open bar was a non-negotiable for us.”
Looking back, what would you have done differently? “Ask lots of questions when you’re looking for a venue. I thought my venue included a day-of coordinator, only to find out that it didn’t. I had to frantically find someone else two weeks before my wedding. Awful!”
Any financial advice for couples who are planning a wedding? “Do your research and get quotes from various vendors. For our flower arrangements, we got a quote from a vendor we thought would be way out of our budget. They ended up giving us the lowest quote (lower than what we had budgeted for flowers, which I think is unheard of) and did an amazing job.”
Was it worth it? “Yes, it was worth it to me. My husband and I were diligent about sticking to our budget, and were very realistic from the outset about what we could and couldn’t afford. Having a wedding with 80 guests made things easier budget-wise compared to a larger wedding.”
Michael Smallberg and Sylvia Lobuono
Michael Smallberg and Sylvia LoBuono’s wedding.
(Bryan Aulick Photography)
Live in: Menlo Park
Occupations: Michael is an officer in the U.S. Navy; Sylvia is a stay-at-home mom.
Where and when did you get married? Stevenson, Wash., in July 2022
How much did you spend on your wedding? $46,044.88 (with $30,000 from parents)
Biggest expense? Catering, which was $20,000 plus $6,600 for the venue as part of a package deal.
Looking back, what would you have done differently? “Not much. There were more no-shows than expected, so we ended up paying for about 150 people when 120 showed up, but that did not really affect the experience, just how much it cost.”
Any financial advice for couples who are planning a wedding? “You have to pay to get what you want. We wanted the full family, so that drove up cost. We wanted buses from the hotel to the venue, so that drove up cost. We were limited in time for planning and labor ourselves, so we paid commensurately more. We wanted an open bar, so of course that added to cost.”
Was it worth it? “Yes. The fact that our parents contributed $30,000 really helped, but we could have funded ourselves if we had to. It just would have been a bit painful. I think that weddings are mainly for the guests, not the couple (too stressful to fully relax and enjoy in the moment), so we accomplished our goal of throwing a giant party for our combined friends and family.”
Jackson and Olivia Rowe
Olivia and Jackson Rowe’s wedding.
(Holly Castillo)
Live in: Woodland Hills
Occupations: Jackson is a professional basketball player; Olivia is a registered nurse
Where and when did you get married? Moorpark in August 2023
How much did you spend on your wedding? Roughly $45,000. “I believe [that] is reasonable for a Southern California wedding.”
Biggest expense? “Catering! We chose a venue that included catering. It was about $150 per plate but the food was amazing.”
Looking back, what would you have done differently? “Honestly, I wouldn’t do anything different. The day was literally perfect. Everyone had the best time. The day itself went so smooth and the decor/ambiance was so beautiful. I couldn’t have asked for a better day.”
Any financial advice for couples who are planning a wedding? “Don’t budge from your budget. Don’t have a wedding that will put you into debt. DIY as much as you can. Don’t buy a real cake. Go to the bridal shows and put your name down for the raffles! Also, make sure your non-negotiables are met. I wouldn’t necessarily say we regret choosing our venue but I do wish the reception went to a later time.”
Was it worth it? “Very worth it! It was so awesome to celebrate such an important moment in our lives with the people we love most. We actually got married a year prior in Denmark. Unforgettable memories definitely makes it all worth it.”
Ariel and Michael Wu
Ariel and Michael Wu’s wedding.
(Christina Chi Craig)
Live in: Newport Beach
Occupations: Ariel is a revenue manager; Michael is the chief financial officer for a real estate firm.
Where and when did you get married? Palm Springs in August 2016
How much did you spend on your wedding? $25,000
Biggest expense? “The venue [Ace Hotel] and catering made up almost the entirety of our budget. We opted to stick with the basics provided by the banquet and have the event catered by them as well to keep things simple and to avoid [having to] rent tables, silverware, etc.”
Looking back, what would you have done differently? “We are now looking down the barrel of buying our first house. Part of me wishes we had that $25,000 to add to our down payment and reduce our mortgage, but the other part really does believe we might not have made it through without the ceremony and feeling of community involvement and commitment to our relationship.”
Any financial advice for couples who are planning a wedding? “Don’t get drawn into the ‘wedding-ness’ of it. The real tradition of a wedding is a party for you, your community and your friends where the community is able to show support and help you get started on your life together. Make that your focal point. Following a newly written script that makes you uncomfortable or feel competitive or boxed in isn’t upholding a tradition, it’s getting conned by industry marketing.”
Was it worth it? “Yes. As as nonchalant [and frugal] as I’ve always been about big life events, I knew a wedding was different. It’s not for you. It’s for your community. It’s a way of communicating your commitment to them and giving them a chance to take part in something significant in your life. It is relationship building. So I knew even if we didn’t do something traditional, we had to do something real.”
Juliet McDaniel and Jon Schaefer
Live in: Los Angeles
Occupations: Juliet is a screenwriter and author; Jon is a retired lawyer.
Where and when did you get married? Rockford, Ill., in November 2018
How much did you spend on your wedding? $1,860
Biggest expense? $1,700 on the rings “we splurged on. In keeping with our personalities, Jon got a simple platinum band and mine is vintage (1901 from England) because I’m extra.”
Looking back, what would you have done differently? “Nothing. It was perfect. Both of us are notoriously camera-shy and there are no pictures. It felt incredibly intimate, romantic and deeply personal. We didn’t tell anyone we were getting married and announced it a few hours after we were hitched. Jon called his family and I put up an Instagram post announcing that our cats are “no longer bastards.” Everyone we love already considered us married!”
Any financial advice for couples who are planning a wedding? “We got married on Nov. 13, 2018. Courthouses are notoriously not busy with weddings on the 13th day of the month due to superstition. If you don’t believe in stuff like that, it can be a super convenient day to get hitched.”
Was it worth it? “It was worth every penny! We did a courthouse wedding on a Thursday afternoon in November 2018 with just the two of us. We’d been together for seven years at that point and mainly got hitched because of health insurance and other silly legalities. We knew after being together for about a year that this was forever but didn’t feel that at our age (late 40s) and with no desire for human children that getting married was all that essential.”
Esteban and Victoria Torres
Esteban and Victoria Torres’ wedding.
(From Esteban Torres)
Live in: Moorpark
Occupations: Esteban is a corrections officer; Victoria is a supply chain manager.
Where and when did you get married? Moorpark in September 2021
How much did you spend on your wedding? Roughly $45,000
Biggest expense? The venue
Looking back, what would you have done differently? “We wish we could go back and invite some more guests or at least swap them with the guests who were no-shows. Maybe I would have bought a tuxedo/suit instead of renting [one].”
Any financial advice for couples who are planning a wedding? “We were fortunate to already own a home, so it wasn’t one of those ‘house or wedding?’ decisions. We tried to stick to a budget but it kind of flew out the window. But I would say if you think you want it, do it or get it. It may hurt in the short term but over a lifetime a few thousand dollars more won’t be the end of the world.”
Was it worth it? “We had a blast the day of. Planning and getting to the day always has its ups and downs, but we loved our wedding and wouldn’t have changed a thing about it. Also, it was in 2021, toward the end of the COVID [pandemic] but not out of the woods, so we think our guests were all pretty excited about celebrating something happy and fun like a wedding.”
Brittany Bennett and Brandon LaPlante
Brittany Bennett and Brandon LaPlante’s wedding.
(From Brittany Bennett)
Live in: Anaheim
Occupations: Brittany is a microbiology researcher; Brandon is an industrial designer.
Where and when did you get married? Hawaii in April 2019
How much did you spend on your wedding? About $20,000
Biggest expense? Dinner and drinks at the reception ($6,900)
Looking back, what would you have done differently? “Maybe we would have ordered a smaller cake? We ended up with more dessert than we needed.”
Any financial advice for couples who are planning a wedding? “Don’t go into large amounts of debt to plan a wedding. It’s not worth it. You can have the time of your life without breaking the bank if you make certain choices.”
Was it worth it? “Yes! We had a smaller wedding and thus were able to hold it at an upscale hotel, somewhere beautiful, and we didn’t do any of the work ourselves. We spent the week before the wedding on Maui relaxing and [hanging out] with the friends and family who flew out to join us. We went snorkeling the morning of the wedding! I’ve never been so relaxed — not something I think the majority of brides can say. Having a smaller destination wedding (fewer than 40 attendees) was the best decision we made. Neither my husband nor I like lots of attention, so we didn’t want a big guest list. And keeping it small meant we could afford to splurge on both a wedding package at the Ritz-Carlton and a chartered sailboat for everyone the evening before the wedding, which was nearly as wonderful as the wedding itself.”
Kathleen Gutierrez and Ryan Pate
Kathleen Gutierrez and Ryan Pate’s wedding.
(Dillon Vado)
Live in: Santa Cruz
Occupations: Kathleen is an assistant professor at UC Santa Cruz; Ryan is a professional jazz guitarist and composer.
Where and when did you get married? Los Angeles in June 2023
How much did you spend on your wedding? $14,083
Biggest expense? “The venue (Golden Road Brewery in Atwater Village) was the most expensive element of the wedding. We had to hit a food and beverage minimum for the number of guests we hosted ($5,000 for a party of 75 or less, in addition to tax and gratuity) for the five-hour venue rental. We spent about $6,600 for appetizers (some passed), a buffet dinner and a by-consumption beer and wine bar.”
Looking back, what would you have done differently? “If anything, we would have wanted a little more time at the venue (an extra hour wouldn’t have hurt) and opportunity to try the Filipino dessert bar catered by L.A. Rose.”
Any financial advice for couples who are planning a wedding? “Work with your loved ones and thank them endlessly. We knew we didn’t want our family and friends to ‘work’ the entire day. At the same time, several volunteered to have more active roles. We publicly thanked them (profusely), gave them the stage several times and made it clear that the day was only successful because of them.”
Was it worth it? “It was worth it. Admittedly, we thought we could pull off a Los Angeles wedding with $6,000. But we quickly discovered our own naivete. With some online sleuthing for an affordable venue, saving on photography and videography by hiring a friend ($500 as opposed to the $4,500 average going rate), increasing our (initially quixotic) budget, and the goodwill of our family and friends (who, all accounted, contributed $5,420+ in in-kind and monetary donations), we pulled off a 70-guest wedding in Atwater Village.
“Our loved ones took care of the table decor, bouquet, boutonniere, PA system, rehearsal dinner, dessert, guest book and aesthetic design. My sister acted as our day-of point person. Our two best friends co-emceed. Because my husband has such a community of fellow musician-artists, his friends comprised our wedding band and played music arranged by him (jazz renditions of our favorite ’90s grunge and alternative tunes). We showcased their talent as a concert and paid them for their labor (even though several initially declined).”
Lifestyle
On the brink of death, a woman is saved by a stranger and his family
In 1982, Jean Muenchrath was injured in a mountaineering accident and on the brink of death when a stranger and his family went out of their way to save her life.
Jean Muenchrath
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Jean Muenchrath
In early May 1982, Jean Muenchrath and her boyfriend set out on a mountaineering trip in the Sierra Nevada, a mountain range in California. They had done many backcountry trips in the area before, so the terrain was somewhat familiar to both of them. But after they reached one of the summits, a violent storm swept in. It began to snow heavily, and soon the pair was engulfed in a blizzard, with thunder and lightning reverberating around them.
“Getting struck and killed by lightning was a real possibility since we were the highest thing around for miles and lightning was striking all around us,” Muenchrath said.
To reach safer ground, they decided to abandon their plan of taking a trail back. Instead, using their ice axes, they climbed down the face of the mountain through steep and icy snow chutes.
They were both skilled at this type of descent, but at one particularly difficult part of the route, Muenchrath slipped and tumbled over 100 feet down the rocky mountain face. She barely survived the fall and suffered life-threatening injuries.

This was before cellular or satellite phones, so calling for help wasn’t an option. The couple was forced to hike through deep snow back to the trailhead. Once they arrived, Muenchrath collapsed in the parking lot. It had been five days since she’d fallen.
”My clothes were bloody. I had multiple fractures in my spine and pelvis, a head injury and gangrene from a deep wound,” Muenchrath said.
Not long after they reached the trailhead parking lot, a car pulled in. A man was driving, with his wife in the passenger seat and their baby in the back. As soon as the man saw Muenchrath’s condition, he ran over to help.
”He gently stroked my head, and he held my face [and] reassured me by saying something like, ‘You’re going to be OK now. I’ll be right back to get you,’” Muenchrath remembered.
For the first time in days, her panic began to lift.
“My unsung hero gave me hope that I’d reach a hospital and I’d survive. He took away my fears.”
Within a few minutes, the man had unpacked his car. His wife agreed to stay back in the parking lot with their baby in order to make room for Muenchrath, her boyfriend and their backpacks.
The man drove them to a nearby town so that the couple could get medical treatment.
“I remember looking into the eyes of my unsung hero as he carried me into the emergency room in Lone Pine, California. I was so weak, I couldn’t find the words to express the gratitude I felt in my heart.”

The gratitude she felt that day only grew. Now, nearly 45 years later, she still thinks about the man and his family.
”He gave me the gift of allowing me to live my life and my dreams,” Muenchrath said.
At some point along the way, the man gave Muenchrath his contact information. But in the chaos of the day, she lost it and has never been able to find him.
”If I knew where my unsung hero was today, I would fly across the country to meet him again. I’d hug him, buy him a meal and tell him how much he continues to mean to me by saving my life. Wherever you are, I say thank you from the depths of my being.”
My Unsung Hero is also a podcast — new episodes are released every Tuesday. To share the story of your unsung hero with the Hidden Brain team, record a voice memo on your phone and send it to myunsunghero@hiddenbrain.org.
Lifestyle
DTLA has a new theater — inside a fake electrical box
By day, you’d be forgiven for walking past the newest theater in downtown L.A.
It isn’t hidden in an alley or obscured via a nameless door. No, this performance space is essentially a theater in disguise, as it’s designed to look like an electrical box — a fabrication so real that when artist S.C. Mero was installing it in the Arts District, police stopped her, concerned she was ripping out its copper wire. (There is no copper wire inside this wooden nook.)
Open the door to the theater, and discover a place of urban enchantment, where a red velvet door and crimson wallpaper beckon guests to come closer and sit inside. That is, if they can fit.
With a mirror on its side and a clock in its back, Mero’s creation, about 6 feet tall and 3 feet deep yet smaller on its interior, looks something akin to an intimate, private boudoir — the sort of dressing room that wouldn’t be out of place in one of Broadway’s historic downtown theaters. That’s by design, says Mero, who cites the ornately romanticized vibe and color palette of the Los Angeles Theatre as prime inspiration. Mero, a longtime street artist whose guerrilla art regularly dots the downtown landscape, likes to inject whimsy into her work: a drainage pipe that gives birth, a ball pit for rats or the transformation of a dilapidated building into a “castle.” But there’s just as often some hidden social commentary.
With her Electrical Box Theatre, situated across from the historic American Hotel and sausage restaurant and bar Wurstküche, Mero set out to create an impromptu performance space for the sort of experimental artists who no longer have an outlet in downtown’s galleries or more refined stages. The American Hotel, for instance, subject of 2018 documentary “Tales of the American” and once home to the anything-goes punk rock ethos of Al’s Bar, still stands, but it isn’t lost on Mero that most of the neighborhood’s artist platforms today are softer around the edges.
Ethan Marks inside S.C. Mero’s theater inside a fake electrical box. The guerrilla art piece is near the American Hotel.
(Kayla Bartkowski / Los Angeles Times)
“A lot of galleries are for what can sell,” Mero says. “Usually that’s paintings and wall art.”
She dreamed, however, of an anti-establishment place that could feel inviting and erase boundaries between audience and perfomer. “People may be intimidated to get up on a stage or at a coffee shop, but here it’s right on street level.”
It’s already working as intended, says Mero. I visited the box early last week when Mero invited a pair of experimental musicians to perform. Shortly after trumpeter Ethan Marks took to the sidewalk, one of the American Hotel’s current residents leaned out his window and began vocally and jovially mimicking the fragmented and angular notes coming from the instrument. In this moment, “the box,” as Mero casually refers to it, became a true communal stage, a participatory call-and-response pulpit for the neighborhood.
Clown Lars Adams, 38, peers out of S.C. Mero’s theater inside a fake electrical box. Mero modeled the space off of Broadway’s historic theaters.
(Kayla Bartkowski / Los Angeles Times)
A few days prior, a rideshare driver noticed a crowd and pulled over to read his poetry. He told Mero it was his first time. The unscripted occurrence, she says, was “one of the best moments I’ve ever experienced in making art.”
“That’s literally what this space is,” Mero says. “It’s for people to try something new or to experiment.”
Marks jumped at the chance to perform for free inside the theater, his brassy freewheeling equally complementing and contrasting the sounds of the intersection. “I was delighted,” he says, when Mero told him about the stage. “There’s so much unexpectedness to it that as an improviser, it really keeps you in the moment.”
A downtown resident for more than a decade, Mero has become something of an advocate for the neighborhood. The area arguably hasn’t returned to its pre-pandemic heights, as many office floors sit empty and a string of high-profile restaurant closures struck the community. Mero’s own gallery at the corner of Spring and Seventh streets shuttered in 2024. Downtown also saw its perception take a hit last year when ICE descended on the city center and national media incorrectly portrayed the hood as a hub of chaos.
Artist S.C. Mero looks into her latest project, a fake electrical box in the Arts District. Mero has long been associated with street art in the neighborhood.
(Kayla Bartkowski / Los Angeles Times)
“A lot has changed in the 13 years when I first got down here,” Mero says. “Everybody felt like it was magic, like we were going to be part of this renaissance and L.A. was going to have this epicenter again. Then it descended. A lot of my friends left. But I still see the same beauty in it. The architecture. The history. Downtown is the most populous neighborhood in all of L.A. because it belongs to everybody. It’s everybody’s downtown, whether they love it or not. And I feel we are part of history.”
Art today in downtown ranges from high-end galleries such as Hauser & Wirth to the graffiti-covered towers of Oceanwide Plaza. Gritty spaces, such as Superchief Gallery, have been vocal about struggles to stay afloat. Mero’s art, meanwhile, remains a source of optimism throughout downtown’s streets.
At Pershing Square, for instance, sits her “Spike Cafe,” a mini tropical hideaway atop a parking garage sign where umbrellas and finger food props have become a prettier nesting spot for pigeons. Seen potentially as a vision for beautification, a contrast, for instance, from the nature intrusive barbs that aim to deter wildlife, “Spike Cafe” has become a statement of harmony.
Elsewhere, on the corner of Broadway and Fourth streets, Mero has commandeered a once historic building that’s been burned and left to rot. Mero, in collaboration with fellow street artist Wild Life, has turned the blighted space into a fantastical haven with a knight, a dragon and more — a decaying castle from a bygone era.
“A lot of times people are like, ‘I can’t believe you get away with that!’ But most people haven’t tried to do it, you know?” Mero says. “It can be moved easily. It’s not impeding on anyone. I don’t feel I do anything bad. Not having a permit is just a technicality. I believe what I’m doing is right.”
Musician Jeonghyeon Joo, 31, plays the haegeum outside of S.C. Mero’s latest art project, a theater in a faux electrical box.
(Kayla Bartkowski / Los Angeles Times)
After initially posting her electrical box on her social media, Mero says she almost instantly received more than 20 requests to perform at the venue. Two combination locks keep it closed, and Mero will give out the code to those she trusts. “Some people want to come and play their accordion. Another is a tour guide,” Mero says.
Ultimately, it’s an idea, she says, that she’s had for about a decade. “Everything has to come together, right? You have to have enough funds to buy the supplies, and then the skills to to have it come together.”
And while it isn’t designed to be forever, it is bolted to the sidewalk. As for why now was the right time to unleash it, Mero is direct: “I needed the space,” she says.
There are concerns. Perhaps, Mero speculates, someone will change the lock combination, knocking her out of her own creation. And the more attention brought to the box via media interviews means more scrutiny may be placed on it, risking its confiscation by city authorities.
As a street artist, however, Mero has had to embrace impermanence, although she acknowledges it can be a bummer when a piece disappears in a day or two. And unlike a gallerist, she feels an obligation to tweak her work once it’s out in the world. Though her “Spike Cafe” is about a year old, she says she has to “continue to babysit it,” as pigeons aren’t exactly known for their tidiness.
But Mero hopes the box has a life of its own, and considers it a conversation between her, local artists and downtown itself. “I still think we’re part of something special,” Mero says of living and working downtown.
And, at least for now, it’s the neighborhood with arguably the city’s most unique performance venue.
Lifestyle
A glimpse of Iran, through the eyes of its artists and journalists
Understanding one of the world’s oldest civilizations can’t be achieved through a single film or book. But recent works of literature, journalism, music and film by Iranians are a powerful starting point. Clockwise from top left: The Seed of the Sacred Fig, For The Sun After Long Nights, Cutting Through Rocks, It Was Just an Accident, Martyr!, and Kayhan Kalhor.
NEON; Pantheon; Gandom Films Production; NEON; Vintage; Julia Gunther for NPR
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NEON; Pantheon; Gandom Films Production; NEON; Vintage; Julia Gunther for NPR
Few Americans have had the opportunity to visit or explore Iran, an ethnically diverse nation of over 90 million people which has been effectively shut off from the United States since the Iranian revolution of 1979. Now, with a U.S. and Israeli-led war on Iran underway, the ideas, feelings and opinions of Iranians may feel less accessible. However, some recent books, films and music made by artists and journalists in Iran and from the Iranian diaspora can help illuminate this ancient culture and its contemporary politics.
These suggestions are just a starting point, of course — with an emphasis on recent works made by Iranians themselves, rather than by outsiders looking in.
Books
For the Sun After Long Nights: The Story of Iran’s Women-Led Uprising, by Fatemeh Jamalpour and Nilo Tabrizy
There are quite a few excellent titles that deconstruct the history of Iran from ancient times through the rule of the Pahlavi Dynasty to the Iranian Revolution. But there are far fewer books that help us understand the Iran of 2026 and the people who live there now. One standout is the National Book Award-nominated For the Sun After Long Nights: The Story of Iran’s Women-Led Uprising by journalists Fatemeh Jamalpour and Nilo Tabrizy, which chronicles — almost in real time — the Woman, Life, Freedom movement that began in 2022, during which Jamalpour was working secretly as a journalist in Tehran. In 2024-25, Jamalpour (who is now living in exile in the U.S.) and I spent a year together at the University of Michigan’s Knight-Wallace fellowship for journalists; her insights into contemporary Iran are among the best.
Gold, by Rumi, translated by Haleh Liza Gafori
If Americans are familiar with Persian poetry at all, it may well be through popular “translations” of the 13th-century Sufi poet Jalaluddin Rumi done by the late American poet Coleman Barks, who neither read nor spoke the Persian language and detached the works of Molana (“our master”), as Iranians call him, of references to Islam. (Instead, Barks “interpreted” preexisting English translations.)
In 2022, Iranian-American poet, performance artist and singer Haleh Liza Gafori offered the first volume of a corrective, in the form of fresh Rumi translations that are at once accessible, deeply contemplative and immediate. A second volume, Water, followed last year.
Martyr!: A Novel, by Kaveh Akbar
This 2024 debut novel by Kaveh Akbar, the poetry editor at The Nation, is an unflinching tour-de-force bursting with wit and insight into the complications of diaspora, the nature of identity in a post-War on Terror world and the inter-generational impact of the 1979 Revolution on Iranians. The protagonist, the Iran-born but American-raised Cyrus Shams, has struggled with addiction, depression and insomnia his whole life, and is trying his best to make sense of a world at the “intersection of Iranian-ness and Midwestern-ness.” As with so many other of the titles here, fiction and fact are woven together: the story centers around the true story of the U.S. downing an Iranian passenger plane in 1988 during the Iran-Iraq war.
The Stationery Shop: A Novel, by Marjan Kamali
Marjan Kamali’s 2019 love story is the wistful tale of a young woman named Roya and an idealistic activist named Bahman, who meet cute in a Tehran store in the 1950s, but whose planned marriage falls apart due to turmoil both familial and political, as Iran’s democratically elected government falls in a U.S.-British lead coup that ends with the installation of the Shah. Roya flees to the U.S. for a fresh start, but the two reunite in 2013, wondering: what if life had spun out in a different direction?
Movies
Coup 53
This 2019 documentary directed by Iranian film maker Taghi Amirani and co-written by Walter Murch recounts Operation Ajax, in which the CIA and Britain’s MI6 engineered the removal of Mohammad Mossadegh, Iran’s democratically elected prime minister, and installed a friendly ruler, Shah Mohammad Reza Pahlavi, in his place. (The Shah was ousted in the 1979 revolution.) As Fresh Air critic John Powers noted in his review, “What emerges first is the backstory of the coup, which like so much in the modern Middle East is predicated on oil. Shortly after the black gold was discovered in early 20th century Iran, a British oil company now known as BP locked up a sweetheart deal for its exploitation. Iran not only got a mere 16% of the oil money before British taxes, but the books were kept by the British — and the Iranians weren’t allowed to see them.”
YouTube
Cutting Through Rocks
Sara Khaki and Mohammadreza Eyni’s film Cutting Through Rocks is up for an Oscar this season after premiering at the 2025 Sundance Film Festival. This inspiring documentary follows Sara Shahverdi — a divorced, childless motorcyclist — as she campaigns to become the first woman elected to the city council of her remote village, and who dreams of teaching girls to ride and to end child marriage.
YouTube
It Was Just an Accident
The latest film from acclaimed director Jafar Panahi — who has officially been banned from making films in Iran — is 2025’s It Was Just an Accident. Panahi, who has been jailed multiple times for his work and was recently sentenced again in absentia, has said in interviews that his inspiration for this brutal – and shockingly funny – thriller was people he met while in prison: an auto mechanic named Vahid finds himself face-to-face with the man who he is fairly certain was his torturer in jail, and eventually assembles other victims to try to confirm his suspicions. Fresh Air critic Justin Chang called It Was Just an Accident “a blast of pure anti-authoritarian rage.”
YouTube
The Seed of the Sacred Fig
This 2024 thriller — shot in secret by director Mohammad Rasoulof — centers on a family whose father, Iman, is appointed as an investigating judge in Tehran. But it soon becomes clear that his job has nothing to do with actually investigating. Iman, his wife, and two daughters come to suspect each other in our age of mass surveillance, as the city streets below erupt into the real-life Woman, Life, Freedom protests.
YouTube
Music
Kayhan Kalhor
One of the primary ambassadors of Persian classical music has been the composer and kamancheh (an Iranian bowed-instrument) virtuoso Kayhan Kalhor. Although music, like poetry, has been central to Iranian culture for centuries, all kinds of music were initially banned after the 1979 revolution. Since then, however, Iranian classical musicians have ridden many looping cycles of official condemnation, grudging tolerance, censorship and attempts at co-option by the regime.
Despite those difficulties, Kalhor has built a thriving career both inside Iran and abroad, including winning a Grammy Award as part of the Silkroad Ensemble and earning three nominations as a solo artist. Back in 2012, I invited him to our Tiny Desk to perform solo. “Didn’t know I could have goosebumps for 12 minutes straight,” a YouTube commenter recently wrote; I couldn’t put it any better.
YouTube
Saeid Shanbehzadeh
Among Iran’s 92 million people, about 40% of come from various ethnic minorities, including Azeris, Kurds and Armenians among many others. One of the most fascinating communities is the Afro-Iranians in the Iranian south, many of whose ancestors were brought to Iran as enslaved people from east Africa. Multi-instrumentalist and dancer Saeid Shanbehzadeh, who traces his ancestry to Zanzibar, celebrates that heritage with his band, and specializes in the Iranian bagpipe and percussion.
YouTube
The underground metal scene
Despite ongoing restrictions on music — including the continued ban on female singers performing in mixed-gender public settings — Iran is home to a thriving underground scene for metal and punk. Though it’s fictional, Farbod Ardebelli’s 2020 short drama Forbidden to See Us Scream in Tehran — which was secretly filmed in Tehran, with the director giving instructions remotely from the U.S. via WhatsApp — gives a flavor of that real-life scene and the dangers those artists face.
YouTube
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