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Plants saved her life. Now she's helping others heal at her L.A. plant shop

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Plants saved her life. Now she's helping others heal at her L.A. plant shop

On a Sunday afternoon, inside a whimsical Redondo Beach plant shop, eight women and I sat at a workshop table, smiling and laughing as we played with dirt.

With bird chirping sounds and mediation music humming in the background, we closed our eyes and dug our hands into containers filled with soil, noticing the coolness of it and its texture. There were tissue boxes within reach in case we needed to wipe away any tears.

In our Plant PPL series, we interview people of color in the plant world. If you have suggestions for PPL to include, tag us on Instagram @latimesplants.

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“Remember when we were little, we weren’t scared of this,” said Barbara Lawson, who was leading the group at Meet Me in the Dirt, which she opened at the South Bay Galleria in 2022. In the 2,400-square foot space, which is brimming with houseplants and self-care products, Lawson holds gatherings such as group journaling events, wellness retreats, grief counseling sessions and today’s workshop, a soil meditation experience.

“The efficacy of gardening and mental health is a real thing,” said Lawson, who is also a certified grief counselor. “Not only did it heal me, [I’ve been] able to use it to help heal other people.”

At the workshop table, Lawson offered us gloves but discouraged us from wearing them, so we could experience the benefits of putting our hands in the soil. Some research suggests that a bacterium found in soil, Mycobacterium vaccae, may help fend off stress.

“My mama used to tell me, ‘A little dirt don’t hurt,’” Lawson, 51, quipped.

“The efficacy of gardening and mental health is a real thing,” said Barbara Lawson, who is also a certified grief counselor.

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Workshop participants massage their hands in soil to experience the healing benefits of it.

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Lawson knows firsthand the impact that playing in soil and being exposed to greenery can have on one’s wellness. Although she grew up watching her grandmother tend to the fruit trees in her garden when she was a child, Lawson didn’t pick up gardening until she was in her 30s. As a wife and mother of six children — she has a blended family — Lawson used gardening to carve out alone time and express herself creatively. The self-taught painter, who only paints flowers and has a functional art business called Barbara’s Delight, planted trees and colorful flowers in her backyard. The garden was “my escape,” she said.

Then over time, Lawson stopped spending as much time in her garden. And before she knew it, more than a decade had passed since she’d tended to it.

“I’m a very optimistic person — that’s my normal personality — [but] I started noticing a very dull sadness [in myself],” she recalled. “It didn’t come on all of a sudden, it was something that crept in a little bit at a time.”

Lawson realized that she was going through a period of depression because she’d never fully grieved her mother’s death. Her mom died from congestive heart failure when Lawson was 24 years old.

Lawson regularly holds soil meditation experiences at Meet Me in the Dirt.

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“If you do not deal with [grief], it can come back to create problems later,” Lawson said. Instead of confronting the pain of her mother’s death, she focused on her career and raising her family, she added.

“Nobody sits around and talks about how to deal with the loss of a person, a relationship or a career,” Lawson said, adding that other cultures such as the Latino community have holidays like Día de los Muertos to grieve their loved ones. But many Black people “are not in contact with whatever our traditional practices were, so beyond the funeral, there is no other support there.”

The thought of her mother “not being here hurt too much, so I pushed the memories away,” said Lawson, “even if I knew instinctively that I wanted to think about her.”

In 2016, Lawson started going to therapy for the first time, and her therapist suggested that she get back into gardening since it used to bring her so much joy. One day after she returned home from therapy, Lawson gutted her garden so she could start anew. At first, she planted vegetables and fruits, including eggplant, corn, watermelon and cucumber, as well as an herb garden.

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When she was sad, she wanted to be around greenery “because that meant something was growing,” Lawson said. “Green is serene. It is calming and it just means growth. That’s what I felt like I needed.”

As she started to feel more like herself, she slowly added more color to her garden. She planted an array of flowers including black-eyed Susans (Rudbeckia hirta), daisy-like cosmos, sunflowers and pansies. She also decorated the garden with keepsakes from her life, including some of her mother’s antiques and her husband’s old work boots, which she used to hold plants.

“It was literally saving my life,” Lawson said. “Doing sustainable gardening helped me kind of put myself back together.” She documented her healing journey on Facebook and talked about the correlation that gardening had with her life.

After discovering several caterpillars in her backyard, Lawson decided to raise monarch butterflies in her garden as well. And to her surprise, they transitioned into fully formed butterflies on her mother’s birthday.

“It was like [God] being like, ‘It’s done,’” she said, adding that she felt like she’d gone through a transition just like the butterfly. “For Him to give me [that] gift on her birthday was a miracle.”

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After this experience, Lawson started teaching people how to use plants for healing in their own lives via Facebook Live. She also demonstrated how to grow food and start herb gardens. And because her garden was overflowing with plants, she began selling some of them.

Then in early 2020, Lawson was laid off from her corporate job with an anesthesia company. The timing worked out perfectly, though, because she was already planning to leave so she could focus on building Meet Me in the Dirt.

Much like her own garden, Lawson has decorated her store with captivating and bright art pieces and other items.

Lawson designed Meet Me in the Dirt to feel like a healing oasis for patrons.

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The plant shop, which is located at the South Bay Galleria, specializes in indoor houseplants.

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In April 2021, she converted a small bus that she found on Facebook Marketplace into a mobile plant nursery, which she named “Oasis.” (She refers to Oasis as a woman.) Each weekend, she’d take Oasis to farmers markets and pop-up events around Los Angeles to sell plants and teach people about their healing powers. After several months of doing that, she purchased a space to do this outside of the Del Amo Fashion Center in Torrance.

A few months later, a representative from the South Bay Galleria asked her if she’d be open to having a storefront for Meet Me in the Dirt inside the mall. Lawson wasn’t interested at first because she loved her mobile nursery, but when she saw the space in person, she knew that she had to have it.

The retail space “fit into my God-sized dream,” she said, adding that she wanted to have a place where she could meet with her grief counseling clients, host events regularly and provide an overall wellness retreat experience. She officially opened the plant shop and wellness center in June 2022.

“Doing sustainable gardening helped me kind of put myself back together,” said Lawson.

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Meet Me in the Dirt sells an array of houseplants and self-care products such as candles, body oils and bath salts that Lawson makes herself.

Lawson said she wants people to feel like they are transported into a healing oasis each time they enter the store. The space, which looks like an enchanted forest, is filled with easy-care houseplants including monsteras, different types of pothos, Zanzibar Gems (a.k.a. ZZ plants), calatheas and aglaonemas. Sparkling chandeliers hang from the ceiling. Floral sculptures appear throughout the store, including one that is garbed in a silk robe. A projector screen displays a peaceful waterfall and meditation music plays on a loop. There’s also a swing near the front of the shop, and a framed photo of Lawson’s mother sits near the cash register.

Once you walk over a turf-grass-covered bridge toward the back of the shop, there are five “Zen” rooms, which people ages 21 and up can rent for $50 to $100 per hour. (The price varies depending on which amenities you select, such as a meal, an art box, a massage with a professional masseuse, etc.). The rooms represent and are named after what people may need in their life at that time. The names include worthy, valued, cherished (this room has a massage chair inside), loved and chosen.

In addition to soil meditation experiences, Lawson hosts birthday parties, private gardening classes, bridal showers, women empowerment workshops and more at the shop. People can rent the store for private events as well.

Brenda Gallow, right, participates in a soil meditation experience at Meet Me in the Dirt.

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Although Brenda Gallow has been to Meet Me in the Dirt several times, she started crying when she walked inside on a recent visit.

“It never fails,” she said. “The aroma. The scent. My soul [feels] like it’s releasing.”

Gallow met Lawson several years ago when she purchased a few Barbara’s Delight products. She also held her 60th birthday party at the Meet Me in the Dirt shop. What keeps her coming back is the feeling she gets when she’s there, Gallow said.

She believes the experience is more than just playing in the dirt. “You literally find yourself,” she said. “You can come and do work here. You can be worked on and blessed all at the same time.”

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Gallow added, “This is a safe haven for no matter what you’re going through.”

For Angela Cooper, Lawson’s recent soil meditation event gave her “permission” to relax and prioritize herself.

“She knows I have a lot going on in my life and [that] I don’t get a lot of self-care in, so she wanted me to come and not worry about anything else. Not worry about the kids [or] my family — just worry about me” said Cooper, who has been friends with Lawson since high school. She’s attended several of Lawson’s workshops, but this was her first time doing the soil meditation.

“It was very refreshing and rewarding, especially when our hands were in that dirt,” she said, adding that it felt good to soothe herself with it. “I’m always blessed when I come here.”

Lawson comforts her friend, Tselane Gardner, a longtime mental health professional, at the end of the workshop.

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In addition to soil meditation experiences, Meet Me in the Dirt hosts birthday parties, gardening classes and more.

Toward the end of the two-hour workshop, Lawson instructed everyone to pick a plant that we felt most called to. I chose a monstera, with its leaves like Swiss cheese, because of its uniqueness. Then Lawson told us to remove our plants from the flimsy plastic pots they came in, so we could repot and place them into larger pots that were more sturdy. (All of the materials, including the plants and pots, were provided by Lawson as part of the $75 workshop.)

It was easy to pull out my monstera plant from its original pot, but I watched as others struggled to remove theirs because the roots had grown so thick and tight. Some women even had to stand up in order to remove their plants.

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“Sometimes you’re going to have to take really drastic moves [and] apply force to remove yourself from a place,” Lawson said in a tender, motherly tone. Like plants, we can get comfortable in a space even though we’ve outgrown it, she said.

That was the moment when Lawson’s message clicked for many of the women, including me, and tears began to fall.

Once we finished repotting our plants, one of Lawson’s assistants passed out plastic monarch butterflies for us to place in our pots. The butterflies were meant to serve as a visual reminder of how far we’d come and what we had to shed along the way in order to enter a new season.

“This is still a caterpillar,” Lawson said as she held up the plastic butterfly. “It’s just a fuller version of itself.”

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‘Wait Wait’ for May 16. 2026: With Not My Job guest Ken Jennings

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‘Wait Wait’ for May 16. 2026: With Not My Job guest Ken Jennings

Ken Jennings attends Kennections during the 2026 TCM Classic Film Festival on April 30, 2026 in Hollywood, California. (Photo by Araya Doheny/Getty Images for TCM)

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This week’s show was recorded in Chicago with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Ken Jennings and panelists Tom Bodett, Joyelle Nicole Johnson, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

ou Cruise, You Lose; Renovations on the Mall; A New Game Show For Word Nerds

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Panel Questions

No Justice For Plumbers

Bluff The Listener

Our panelists tell three stories about an unusual situation on the beach, only one of which is true.

Not My Job: Jeopardy‘s Ken Jennings lives down his demons and answers our three questions about H&R Block

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Peter talks to Jeopardy legend and host Ken Jennings. Ken plays our game called, “What is H&R Block?” Three questions about H&R Block, the subject of the Jeopardy question Ken got wrong and it ended his 74 game win streak.

Panel Questions

Open Your Heart and Lock Up Your Assets; Restaurants Get Clingy

Limericks

Bill Kurtis reads three news-related limericks: Uranus Overshadowed; Running From Romance; Double Date Danger

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, what will be the next show made out something we do to kill time?

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Dressing well is an exercise. These activewear, beauty and fashion items will get you there this May

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Dressing well is an exercise. These activewear, beauty and fashion items will get you there this May

This story is part of Image’s May Momentum issue, which looks at art as a sport and sport as an art.

If you buy a product linked on our site, The Times may earn a commission. See all our Coveted lists of mandatory items here.

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F.C.Real Bristol x Carhartt WIP, Game shorts, $188

Carhartt WIP and Tokyo-based F.C.Real Bristol have collaborated on a real capsule collection … for a fictional soccer club. The pieces, like these breathable nylon satin Game shorts, are designed for style and function both on and off the pitch, whether you’re wearing them to a real scrimmage or just one you’re dreaming of. Available at carhartt-wip.com.

Prada Re-Nylon for Sea Beyond, backpack, $1,990

Prada Re-Nylon for Sea Beyond backpack - blue

For the third year in a row, 1% of the proceeds from the Prada Re-Nylon for Sea Beyond collection support ocean preservation and sustainability in partnership with the Intergovernmental Oceanographic Commission (IOC) of UNESCO. This year’s five-piece capsule collection includes Prada’s iconic backpack, available in the brand’s core black but also a vibrant tropical palette. Made from recycled nylon material, the entire collection is also 100% recyclable if you decide to skip the archive. Available at select Prada boutiques and prada.com.

Snow Goose by Canada Goose, Celestia jacket, $1,275

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Haider Ackermann’s spring/summer 2026 collection for Snow Goose by Canada Goose captures the lightness of spring in both design and feeling. Case in point: the featherweight quilted Celestia jacket with a highly reflective shell that, according to the designer, “comes alive with motion.” Available at canadagoose.com.

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Byredo, “sister dreamer” perfume, $350

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If you bottled the hundreds of aromatic native plants, fruit trees and wildflowers in artist Lauren Halsey’s architectural park, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” — not to mention its energy and radical joy — you’d get “sister dreamer,” the limited edition perfume in collaboration with Byredo. Even better: that bottle features a sleeve and label designed by Halsey herself, who declares the scent to be an ode to “smelling good n feeling good.” Available at byredo.com.

Miista, Andie socks, $160

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Hear us out: socks with sandals. More specifically, the Andie socks from Miista’s spring/summer 2026 collection with their Samia sandals. Miista’s Andie make this usually verboten combination not only doable but downright sensual, with their silky cupro fabric, knee-high cut and thong toe. Available at miista.com.

Dries Van Noten, Hand and Body liquid soap, $90

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The introduction of Dries Van Noten’s Hand and Body line offers a new way to wear the brand. The liquid soap arrives with the unexpected scent combinations of Basil and Hinoki, Pepper and Rose and Soie and Amber that echo the emblematic Crazy Basil, Raving Rose and Soie Malaquais Eau de Parfums from the house. You can layer the soap with its corresponding perfume, body lotion and hand cream to build intensity, or, like the other Dries items in your collection, let it stand alone in its sublimity. Available at driesvannoten.com.

ERL "Made in California" cargos (blue)

ERL’s new Made in California collection embodies the brand’s ethos to capture the contradictions that make California what it is. To that end, these cargos are as intentional and well-lived as a perfectly executed skate trick: they’re hand-dyed, but also arrive bearing natural bleach, oil and scuff marks. Available at erl.com.

Patagonia, Long-Sleeved RØ Surf Top in blue sage, $65

Patagonia rashguard (green)

No more lost keys, annoying top riding up on your pop up or rubbed-raw belly with the Long-Sleeved RØ Surf Top from Patagonia’s spring/summer 2026 collection. This rashguard is made for the surf with its connector at the front hem to link it to board shorts and a clutch pocket with key loop. And if those last two sentences sound like surf bro speak, the top’s UPF 40+ sun protection is equally functional for a volleyball game — or elicit paper bag beverage, if that’s your definition of beach sports — on the sand. Available at Patagonia stores and patagonia.com.

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Niko Rubio Is a Woman on the Verge of a Nervy Breakthrough

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Niko Rubio Is a Woman on the Verge of a Nervy Breakthrough

Niko Rubio’s recent record release party for her new EP, “Sunday Girl,” which came out in late April, felt more festive than a typical industry event. Perhaps this was because the singer-songwriter, who was wearing a slinky leopard-print dress and drinking margaritas, was also celebrating her 25th birthday.

Before her set, Rubio, who is of Mexican and El Salvadoran descent, was holding court at a back table in the Rockwell Lounge in the West Adams neighborhood of Los Angeles, jumping up to greet fans and friends, introducing each to the rest of the crew at her table.

Her guests were dressed up. Two young women in bodysuits, concha belts and sky-high heels touched up their lip liner and adjusted each other’s cleavage before making their entrance, while a few of the singer’s fans from across the border — late-middle-aged women in tasteful heels and false eyelashes, pocketbooks hanging demurely on their wrists — waited for Rubio to take the stage.

Rubio possesses a hyper-femme dazzle that recalls 1990s Gwen Stefani, with whom she co-wrote the 2024 country-pop duet “Purple Irises,” as well as Stefani’s 2023 single “True Babe.” And for the last decade, the singer has been focusing on achieving old-school, household-name-style pop fame. As a teenager, Rubio, who is managed by her aunt Ana Maldonado, was writing songs and recording with local producers and beat makers she connected with on Instagram. Five years ago, she graduated to what she calls “the real music industry,” both as a songwriter and an artist, releasing three EPs since 2021 — “Sunday Girl” will be her fourth — and opening for artists like Omar Apollo and Chase Atlantic.

But the whole enterprise reflects her pursuit of a coherent creative identity: Her EPs vary in genre and sound, from indie rock to more hip-hop coded — and two are sung almost entirely in Spanish. “With other artists it’s like, ‘This is what I like and it’s very clear,’” said Rubio. “But for me, I wanted it all. I love Erykah Badu just as much as I love mariachi music just as much as I love, you know, Incubus.”

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“Niko’s vibe is really reflective of the times,” said Stefani. “I feel like people growing up in these times have so much access to information and different kinds of music that they don’t have the same kind of borders that we had growing up. They just try everything, and I see that in her in how she dips into so many different styles.”

With the launch of a solo tour in the United States Rubio is finally zeroing in on her own voice. “‘Sunday Girl’ is really for me,” she said. Rubio imagines the song’s titular character as a nun leading a double life: By day, she fulfills her duties at the convent; by night, she performs as a sultry lounge singer. “Sometimes as a Latina woman I feel like I live as a nun and I cover myself up. I don’t talk about my sexuality. I don’t fully express myself,” said Rubio. “This is the first time I feel like I’m doing that. This is my rebellion album.”

Growing up, Rubio felt deeply connected to her heritage, but guilty about the sacrifices her family made to give her opportunities they didn’t have: She was the first in her family who was able to pursue her passion. “You can’t play with a baby at 19,” Rubio said, referring to the fact that her mother gave birth to her as a teenager. “My mom was dealt a difficult card and she’s so thankful that she chose to have me, but I also have to deal with that subconscious horrible guilt. The Catholic guilt is so real.”

Though she hails from Redondo Beach, Rubio attended high school on the Palos Verdes Peninsula, a ritzy area nearby where her grandparents lived “above their means” to allow her access to an elite education.

But as “the only brown girl” in the predominantly white, Catholic community, Rubio stood out. As far back as elementary school, she was reaching for songs, mostly by women, that not only helped her articulate her feelings, but shaped her worldview.

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“Anytime I go through a breakup, No Doubt’s ‘Ex-Boyfriend’ gets turned on for hours,” said Rubio. The generations between Stefani and Shakira, and Lana Del Rey didn’t register with her when she first was listening to them on the music streaming platform Pandora. “I go on TikTok now and there’s girls that are like, my whole identity was created by Pandora,” Rubio said

Del Rey, whom she regards as her guiding light, anchored Rubio’s musical aesthetic. “Born To Die,” Del Rey’s blockbuster debut, came out in 2012, when Ms. Rubio was in fifth grade. “Mexicans love her,” said Rubio, who said some Latin people refer to Lana Del Rey as “Lanita.”

“We feel so represented by her,” said Rubio. “I think for Latin women, we are attracted to the unadulterated essence of longing and yearning and being bad. It goes against the Catholicism, it goes against patriarchy. She’s so strong but she’s also like, ‘I’m also a slut for a guy, and we want all of that, you know what I mean?”

Although Rubio began writing songs as a teenager, it wasn’t until she was a sophomore in high school that she got serious about it. She told Maldonado that she needed to become “an artist, to go on tour and to make music for people and to represent Southern California and Mexican Salvadoran women and be a pop star.”

Maldonado, who radiates a mix of optimism with grit, agreed to work with her. Her aunt enrolled in the UCLA music business extension program to study music management. Rubio sneaked into her aunt’s classes, and the two became obsessed with breaking into the music world.

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“We would go to literally any session, whoever DMs you,” said Rubio. “We would go to some random dude’s house in Redondo Beach, like, knock on their door. That’s where it can get scary. You have to pray to God that you’re gonna be OK, and luckily I was. I had Ana.”

Rubio was 16 when she and Maldonado went to Coachella for their first time. “When you’re born and raised here, it’s Mecca,” she said. She remembered turning to her aunt and announcing that one day she would play the festival, but last year she didn’t even attend as a fan. “I just didn’t deserve to go, girl,” she said. “Put in the work. You know what I mean? Like, you’re turning 25! Where are you going with this? What are you trying to say?” Instead, she kept her nose to the grindstone. In a single year, 20,000 followers turned into over 120,000.

“You have to do that,” she said. “You can’t sit there and be like, ‘My fans will find me.’ They don’t find you, you have to go out and seek them. You have to let go of the part of your brain that’s telling you you’re not good enough, you have to let go of your part of the brain that is telling you you’re not pretty enough, you have to let go of the part of your brain that’s telling you you’re not talented enough.”

Has she done that?

“Almost,” said Rubio, smiling. “I’m almost ready.”

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Camera operating by Michael Tyrone Delaney

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