Lifestyle
L.A. Affairs: I'm a divorced woman. Was I ready to be naked with a new guy?
As a newly single woman in my 50s in Los Angeles, I was terrified. I’d been married so long that the last time I’d heard the words “sexy” and “hot” was when I’d ordered sea bass in a spicy shiitake broth. I hadn’t been nipped, tucked, suctioned, filled or augmented. I figured I stood a better chance of being hit by lightning than hit on by a good-looking guy.
Understandably my girlfriends were getting weary of my “I’m going to die alone” attitude so they dragged me out to have some fun, which I assumed meant a glass of wine and a nice cheese plate, not shots of tequila in a trendy nightclub in Westlake. The last time I was in a club I was doing the Hammer Dance in parachute pants! I was in over my head. What if no one checked me out or asked me to dance. My self-esteem was already so low that I considered spending the rest of the year in bed. Maybe I just needed 11 months to reevaluate my Sleep Number and catch up on “The Bachelor.”
As it turned out, guys don’t ask you to dance anymore. They just move in on you. One guy moved in so close, it was less about dancing and more about grinding. I joked that in some countries, we were now officially married.
He didn’t get the joke, and I was not about to stay with a man with no sense of humor. I was starting to enjoy myself when fate reminded me that I was newly separated and supposed to be miserable and made me trip on an unseen step. I fell. Hard. On a concrete floor.
I was mortified. I was sure people were laughing at me, but instead, they just stepped over me on the way to the bar. Alcohol trumps everything. I got up, dusted off my pride and went back on the dance floor. I was in the middle of “raising the roof” when a pocket-sized man approached me and asked if I liked his friend. At first, I thought he was referring to his penis in the most unimaginative way, but then he gestured behind me to his actual friend — a thirtysomething tall, dark and gorgeous man. And me definitely likey!
He introduced himself in broken English as Daniel. He had just moved to Southern California from Italy to be a chef at a local hot spot. I felt like I was stepping into the pages of a Harlequin romance. Pretty soon he’d be shirtless on a horse, and I’d be behind him, holding his abs so I didn’t fall. Like I really needed a reason.
He suggested we go back to his apartment for Prosecco and more dancing, and I did what any mid-50s woman would in my situation: I threw all reason, good sense and safety concerns to the wind and blurted “Yes, God, yes!”
Daniel asked if I had a friend who could join us because the pocket-sized man had ironically big pockets and would pick up our tab and drive us in his fancy SUV. I knew convincing a girlfriend wouldn’t be easy, so I went for the jugular. I used guilt. I’d been miserable for months going on years. Did my friends really want to deny me one night of a superficial, meaningless lust connection?
After a speedy ride where I sat on my one good butt cheek, the four of us arrived at Daniel’s apartment in Agoura Hills. He popped open some bubbly and made a toast that was seductive and unintelligible, but I was suddenly in my head.
What was I doing? I wasn’t ready for sex. I wouldn’t even get naked in front of a mirror! And what about the bump on my butt from the fall that was swelling by the minute? Would it be too conspicuous if I sat on a bag of ice or frozen peas? Before I could get to the freezer, Daniel pulled me and my spiraling in for a slow dance and he started singing to me in Italian. It was corny, off-key and incredibly romantic. My girlfriend, Shauna, seeing where this might go, asked Daniel’s friend to drive her home. (That is a comedy of errors for a whole other essay.)
I didn’t say goodbye. I was too focused on Daniel’s roaming hands that were headed south for warmer regions. I yelped as he touched the bruised cheek then quickly recovered with a flirty laugh. Encouraged by my fake flirty laugh, he started undoing the buttons on my jeans. I stopped him and moved his hands up. He moved them down. I moved them up. I wondered if you could have sex with your clothes on. It had been a minute since I’d had sex with someone new. Maybe things had changed.
He took my hand and led me to the bedroom. I looked at the bed and briefly wondered if the sheets were clean. As a mom, I could get stains out of anything. My domestic reverie was cut short as he took off his shirt. I looked at his ridiculous body and I knew it was my turn. I also knew I wasn’t ready. I got into bed fully clothed, and he crawled in next to me. He pulled me in and kissed me, and I forgot all about the divorce, the heartache and the fear of being alone. I was making out with a hot Italian guy with a hematoma on my butt that was now the size of a ping-pong ball, and it was exactly what I needed. I felt hotter and sexier than any sea bass, but most important, I felt hopeful. Maybe I was going to be OK after all.
The author is a Golden Globe-winning TV comedy writer from England. She lives in Woodland Hills, but her adventures happen everywhere. She’s on Instagram: @mariaannebrown
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.
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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today
From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.
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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.
Scenes from the new installment feel almost too recognizable to many doctors.
The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.
Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.
Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.
So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.
That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.
To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?
I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.
OK, but is every shift really that chaotic?
I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”
As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?
There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.
Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?
I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.
If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.
As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.
Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.
The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.
2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?
I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.
There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.
In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?
The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.
The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.
A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?
Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.
Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.
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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?
Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.
But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”
The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.
Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.
In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.
There are so many more themes explored this season. What else should viewers look forward to?
I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.
I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.
But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.
Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.
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