Lifestyle
Jenelle Evans Not In Contact With Son Jace, Happiest He’s Been in Awhile
Jenelle Evans‘ teenage son, Jace, has been keeping his distance from his mom and her husband, David Eason … and we’re told the kid’s happier now than he’s been in a long time.
Sources with direct knowledge tell TMZ … 14-year-old Jace has zero contact with the “Teen Mom” star and David, as he’s been living with Jenelle’s mom, Barbara, while he remains under custody of Child Protective Services. Sources say Barbara also isn’t in contact with Jenelle or David.
TMZ broke the story, David was charged with child abuse in a case involving Jace … allegedly roughing up the teen and causing “marks on the right art and left and right side of the neck,” according to court docs.
The docs also say Jace’s injuries weren’t sustained by accident … and the date of the alleged incident was the same day Jace slipped out his bedroom window and ran away from home.
We’re told Jace is glad to be back living with his grandma … and the place feels like home to him. Jenelle just regained custody of Jace earlier this year, so he’s really spent most of his childhood in Barbara’s care.
He also recently enrolled in a brand new school after being out for the past few months. You’ll recall, he was reported as a runaway after getting in trouble at school back in August.
As for David, he’s set to appear in court at the end of the month for the child abuse misdemeanor charges that were filed against him.
The bar wasn’t set very high for the Golden Globes on Sunday night. After last year’s host, Jo Koy, memorably bombed, the emcee this year, Nikki Glaser, could hardly do worse. But she wasn’t content to merely do better. After workshopping her opening monologue in dozens of club appearances over the holidays, she killed when it counted, cracking up the stars on hand at the Beverly Hilton in Beverly Hills, Calif., and winning over viewers on social media. The rest of the night went more or less smoothly, with a mix of expected and surprise winners. But it wouldn’t be an awards ceremony if there weren’t some truly off-kilter moments. Here are the highs and lows as we saw them.
Best Host: Nikki Glaser
When Glaser began putting together her Golden Globes monologue in early December, she told her writing staff, “Don’t be scared to be weird.”
You saw evidence of this in her stellar monologue on Sunday, which included the kind of hard punchlines she is known for, including a good insult of Paramount+ and a joke about the effect of Sean Combs’s arrest on the after-party. But there was also an impression of Adam Sandler pronouncing Timothée Chalamet’s name that was just pure silliness — Sandler even joined in. Glaser doesn’t usually do impressions, but she committed and it went over really well, adding to the celebratory, fun tone to kick the night off.
If there was a joke that crushed in every test run, it was probably when she mentioned a few nominees: “‘Wicked,’ ‘Queer,’ ‘Nightbitch,’” then added “Not just things Ben Affleck yells after sex.” On Sunday, it killed again. — Jason Zinoman
Glaser’s night started on the red carpet with a billowing strapless gold ball gown. For her first onstage appearance, she changed into a sequined silver sleeveless gown. By 8:30, she was on her third dress of the night. An hour into the ceremony, she was on Dress No. 5 (a sequined pink sleeveless stunner). By the end of the night, she had donned what seemed like 47 more. All that was missing? We’d have loved to see a dupe of Demi Moore’s viral yellow “Substance” coat. — Sarah Bahr
Most Refreshing Development: Unexpected Winners
Thus far, it’s been an excitingly unpredictable awards season, and though the Globes certainly gave a lot of hardware to already-strong contenders like “Emilia Pérez” and “The Brutalist,” it still feels like a wide open field. In the acting races, unexpected wins for the likes of Demi Moore, Fernanda Torres and Sebastian Stan produced some of the most heartfelt speeches of the night and made already competitive Oscar categories even harder to predict. And a total shutout of “Anora,” which went into Sunday flying high, means that little is decided this season, a fun development after several years in which the ultimate Oscar winners seemed a foregone conclusion long before the Globes weighed in. — Kyle Buchanan
Least Refreshing Development: Retro Red-Carpet Looks
Given that Hollywood awards shows celebrate the art of playing a role, perhaps it shouldn’t have been a big surprise that the dominant trend of the 2025 Globes red carpet was … retro role-playing. Ariana Grande did her best Audrey Hepburn impression in 1966 Givenchy couture; Selena Gomez channeled Jackie Kennedy in ice-blue Prada and a stylized bob; and Nicole Kidman and Margaret Qualley sported enormous Catherine Deneuve bouffants — all in a sea of mostly traditional tuxedos.
You can call it a return to classicism, or a retreat to the past, or the legacy of Joan Rivers, who instilled the fear of mockery in celebrities everywhere. But by the time Elle Fanning and Monica Barbaro had arrived in their newfangled Balmain and Dior versions of oldfangled 1950s ball gowns, it was hard not to wish that the stylists and designers working behind the scenes would start facing forward rather than back, and convince their clients to take a few more (unscripted) risks. — Vanessa Friedman
Read more about the red carpet looks.
Most Rousing Speech: Demi Moore
While the Globes have no direct bearing on Oscar nominations, academy members are surely paying attention, and Demi Moore, who won for “The Substance,” may have landed herself a spot in the best actress category with her rousing speech. Both poignant and relatable, Moore spoke movingly about her career struggles over more than 30 years, including being told she was a “popcorn actress.” She added that she had received the “bonkers” script for “The Substance” when she was at a low point in her career, thinking she was done.
But at 62, Moore has had a reversal of fortune and the stars in the room cheered her on, some even giving her a standing ovation. Thinking of “those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or successful enough, or basically just not enough,” Moore said, a woman told her, “Just put down the measuring stick.” — Nicole Sperling
Most Sincere Speech: Tadanobu Asano
Many Golden Globe nominees have been to the Beverly Hilton before. And although the Globes are now a more serious operation than they once were, actors still treat wins with varying levels of reverence. That made Tadanobu Asano’s acceptance speech for “Shogun” stand out. It was his first win, on his first nomination, and it showed. “Maybe you don’t know me,” he began. “I’m an actor from Japan. My name is Tadanobu Asano. Wow!” His peers stood and cheered him on. And as he grinned and clutched his award, he added: “This is a very big present for me!” He sure seemed like he meant it. — Matt Stevens
Weirdest Honor: Box Office Achievement
The award for “cinematic and box office achievement” debuted in 2024, and this year it was, unsurprisingly, given to “Wicked.” The official criteria is that it is the “most acclaimed, highest-earning and/or most viewed” feature, which basically describes every nominated film. But it also must have made $150 million worldwide, with at least $100 million domestically, which is pretty much the dictionary definition of a blockbuster. (“Wicked” finished 2024 with well over $680 million worldwide.)
This is a weird award to give out, and its presenter Vin Diesel made it even weirder by contrasting, in his preamble, his own “Fast and Furious” series and the work of Steven Spielberg (who invented the summer blockbuster with “Jaws” in 1975). But it’s also just a tad participation trophy-ish to hand out a golden statue to celebrate a movie making bank at the box office, no matter how fun the movie is. To quote Don Draper: “That’s what the money’s for.” — Alissa Wilkinson
Biggest Lesson Not Learned
Amid an onslaught of commercials for weight loss injections and various pharmaceutical creams, pills, drops and supplements, Nikki Glaser took some of the usual potshots at Hollywood’s penchant for plastic surgery. “I love where you put your cheekbones!” she riffed to the audience in her opening monologue.
But unlike other hosts, she acknowledged that she had been getting her tweaks on, too. Claiming, with air quotes, that she had started healthy habits like “drinking more water,” she said: “I love how meditating removes your eyelids” — aka the common tuck known as an upper bleph. “I learned nothing from ‘The Substance,’” she added.
That that movie, a feminist body horror tale, won Demi Moore her first Globe for playing an aging star who finds a grotesque way to youthify herself, only added to the evening’s hall of mirrors. — Melena Ryzik
Best and Worst Innovation: Telecast Fun Facts
Hey, did you know that Mindy Kaling was named after the TV show “Mork & Mindy?” Or that Zoe Saldaña’s go-to karaoke song is “Piece of My Heart”? The Golden Globes went all “Pop-Up Video” during the telecast, sharing these “facts” about winners and presenters via onscreen text. At first, the addition seemed semi-clever, but it all became too much when the announcer shared more facts on top of the ones we had to read. Even if you’re celebrity-obsessed, this turned out to be T.M.I. — Mekado Murphy
I found the trivia at the Golden Globes to be refreshingly weird. Awards season fun-facts can feel so canned: who spent time with who to prepare for a role, when was the last big win for a nominee. T.M.I. or not, my night was greatly improved by learning that Demi Moore is an avid doll collector with a separate residence to house her more than 2,000 vintage dolls. — Annie Aguiar
Wisest Advice: ‘Hacks’
The Globes are a notoriously boozy affair, but after “Hacks” won for best television comedy, Paul W. Downs, a co-creator of the series, warned against giving his star a celebratory drink. The show is currently in production on its fourth season, and a 6 a.m. call time awaited the cast and crew the next morning.
“So if Jean Smart asks you for a shot, please do not give it to her, OK?” Downs said. “Kate Winslet, I’m looking at you, wherever you are. Give her water.” The camera cut to Winslet, who shook a finger at Downs. Downs relinquished, “Just a little shot. Maybe one.” — Esther Zuckerman
Most Supportive Presenter: Elton John
Elton John reacted like a proud parent when he announced that Trent Reznor and Atticus Ross had won best original score for “Challengers,” yelping with utter, seemingly genuine delight. He was a good stand-in for those of us in the audience who were thrilled to see a win for that thumping, propulsive music. When Reznor and Ross took the stage, John could be seen grinning eagerly behind them, as if he had just won himself. — Kellina Moore
Strangest Camera Work
For an ostensibly glamorous ceremony, the show itself looked terrible onscreen. Presenters were filmed awfully close up, giving everything a harsh and casual vibe. The swirling camera work during some of the acceptance speeches felt like the red carpet slo-mo booth had broken out of its enclosure. And presenters did not face the entire theater, but rather turned directly to a camera off to one side. Seth Rogen called it out, saying “It’s inelegant. It’s strange. This whole half of the room can see my bald spot. I would have filled that in. I said no, but I regret that now.” — Margaret Lyons
On a Sunday afternoon in Los Angeles, a group of longtime friends recorded a conversation on the side of the road at Grand Avenue and 3rd Street after a long day of skating around the city with legendary photographer Atiba Jefferson, who was heading home after shooting the crew. Lee Spielman, a California native and co-founder of Babylon L.A., a locally based skate and streetwear brand, has known this group for years. He sat down to talk with pro skater Na-Kel Smith, who’s now been skating for more than 20 years; 13-year-old Junior Gutierrez, who started skating at age 3; and filmmaker Davonte Jolly, another longtime skater. All three were born and raised in L.A. — the “mecca of skateboarding,” as Smith put it. “If you’re gonna get a clip here, it’s gotta be beast, because everything’s been skated.”
Lee Spielman: Na-Kel and Jolly, how did you guys meet each other?
Davonte Jolly: We first met in 2015 casually, and then we started skating together a little after that.
LS: When did you start creatively working on longer-form video projects together?
DJ: The beginning of our relationship was literally just us hanging out at spots, like we wouldn’t even necessarily get clips, until that barrier was broken on the switch hard flip I filmed for the Adidas — Away Days video Nak was working on.
LS: I don’t think people who watch skate videos always understand what goes into it. You press play and watch this crazy montage of people going off, but there’s a lot more that goes into it, both physically and emotionally, between the skater and the filmer. Is there a way to explain the trust involved in that? You’re about to try something that is absolutely insane, obviously unsafe, you have to be —
DJ: A support system.
Na-Kel Smith: You’ve got to build up the chemistry. You’ve got to be able to sit around somebody for hours. I skate with a lot of different filmers, but I have a different trust when it comes to Jolly because I know my clips are always gonna look good. I know that I can communicate with Jolly if I need to use it for something for one of my sponsors. He’s not gonna go missing on me. He is organized. He helps me keep track of my list of tricks while I’m working on parts. It’s really just all-around communication.
LS: And being able to see creatively eye to eye?
NS: That’s where the trust comes in. I’m not necessarily too pressed on, “Yo, get this angle, do this.” Because I trust your angle, and that’s why I skate with you, so I don’t have to worry about that.
LS: What do you look for in a videographer?
NS: Off top, communication. And somebody that’s fun. If you’re not fun to be around, it ain’t no point …
Na-Kel Smith wears Louis Vuitton by Tyler, the Creator backpack, Hardies Hardware jacket, Levis pants, Adidas Superstars shoes, King Skateboards board.
LS: Jolly, we’ve traveled the world together — from Europe to Japan and in between. I’ve seen it before, when you pull out the camera on a session, people try to get filmed by you. I bet your inbox is flooded with people asking to go skate. There are a ton of skaters out there, but you’ve chosen to focus on a select few. What’s always been cool about your videos, to me, is that it feels like a collective. What is it that you look for in a skater when you’re working on videos?
DJ: I think early on in my filming career, I did choose who I filmed more so on a trick basis, but through that process, I learned you have to be selective about who you choose to not only attach your work to but just work with in general. From that, a tree kind of formed. I’ll use Na-Kel as an example. We’ll go out, he’ll bring someone that he loves to film with, and then I’ll meet and build a genuine relationship with someone, like Ishod [Wair], and from that, chemistry is formed. I’m not necessarily on a scout for the next top skater to film. Every skater that I film, it organically happens from another person that I already film with.
LS: Atiba shot all the photos that are in this magazine. I think there’s something to touch upon with him sort of being the glue that holds all this together, right? It’s like we have the filmer, the skater, and then we need that photo. The photo for the mag. Let’s talk a bit about Atiba’s place in that — where does he come in for you guys?
NS: I think Atiba specifically is like our ancestral guide to this whole thing. Atiba’s been around so many eras of skating, shot so many people in general, not even just in the skate world but, like, Quincy Jones for example, who just passed away. He’s got a photo of Kobe, a photo of LeBron, like everybody. He’s really the guy. He really knows how to, I’m not gonna say pressure you, but he knows how to nudge you to keep going and try your trick. If you’re getting close to getting something that’s worth it, and Atiba says you should keep going, you know to keep going because it’s actually something there. He knows what a good photo looks like.
LS: Skate photos before video, that’s all there was. I still trip to this day. You’ll hop on the internet and there will be some throwback — Kareem Campbell, Guy Mariano, whoever it is — and it’s shot by Atiba. It’ll be shot medium format with a fish-eye lens all perfect — that alone is a craft in itself. That’s not necessarily around as much anymore.
[Junior skates up.]
LS: Junior, who you are and where are you from?
Junior Gutierrez: I’m Junior. I’m from L.A.
LS: When did you start skating?
JG: I was 3.
LS: How old are now?
JG: 13.
Junior Gutierrez wears Babylon LA shirt, Fuccuuwant undershirt, Guess Originals shorts, Air Jordan 5 Retro “Top 3” shoes, King Skateboards board.
LS: Coming up in skating, being out with a high-caliber photographer like Atiba and a notable filmer like Jolly, what does that make you want to do at the session?
JG: When I’m with Atiba and Jolly, I don’t feel pressured but I do feel that I gotta do better because legends are filming me, taking photos of me. It’s just more intense, because I have some of the best of both worlds taking photos and videos of me. It makes me want to push myself a little harder.
NK: You’re crashin’ out when Atiba’s there! It’s time to go crazy!
LS: What is it that makes a good video to you?
JG: You gotta have a good relationship with your filmer, because if it’s not like that, it’s not gonna work out, because you have to deal with them 24/7 when you’re filming a video part. You just need the connection with a filmer.
NS: What I want to see out of a skate video is personality and character. I want to see style. I want to see who somebody is as a person, I want to be able to really get to know somebody through their video part, to see if I would actually like them as a person, somebody that you could aspire to be like. Just people with character and personality. It don’t even really be about the tricks.
LS: I think skate videos give a lot of taste and character to the streets, they help kids find themselves. Jolly, what makes a good skate video for you? And also, the music — I feel like that influences kids and what they get into. Do you use specific music for that reason?
DJ: A lot of my music tastes came from skate videos growing up. So I consciously wanted to use a Black soundtrack for my video “Godspeed,” because I wanted to shed light on artists that wouldn’t get that shine in skate videos normally, and change some other kids’ music taste because they watched this video, and now they’re into Brent Faiyaz, or Baby Keem or whatever other artists I use in my videos. And what makes a good skate video to me is a lot of the points Na-Kel said: It’s seeing personality and character, and it’s also just about the care from the filmer and from the skater. When both sides care about what they’re creating together, it shows in the end product, and when they don’t, it also shows in the end product.
Davonte Jolly wears Necessary Evil hat, Goodfellow & Co button-up, Race Service slacks, Air Jordan 4 Retro ‘Red Cement’ shoes.
LS: Junior, earlier we were talking about all the tricks you’ve done since you first started. I can search on my phone and type in “Hollywood High” and see you as a little 9-year-old skating an iconic spot. How do you feel when you look back at footage like that?
JG: It’s cool to be able to have these memorable moments on video so I can always look back and remember what I went through to film that specific part — or just how happy I was after I finally got the trick.
LS: For you, Nak, when you look back at footage, is it a snapshot for you? Like damn, I remember that moment in Atlanta, or that trip to Paris was crazy. Or my life was in whatever place at that time, you know?
NS: Really, that’s the whole point in documenting all this s—. It’s really a timestamp. When we first started skating it felt like I needed to go get footage so I can get sponsored or just to showcase what I do, but now that I’m getting older, when you look at it, we were just so young back then, just trying to get to a certain level. And then you actually reach that level because you worked hard to get there and you’re like, damn, now I’m what I looked up to as a kid. I look at my skate videos the same way how I used to look at Bryan Herman’s skate videos, or Antwuan Dixon’s skate videos. Like, I’ll go look, and I’ll sit there and honestly get inspired and be like, “Dang, this is always what I wanted to do as a little kid.” I really always wanted to be a pro skater. And now I really am that in every aspect of it. I’m just so happy that it’s all been captured for reals.
LS: Jolly, you’ve filmed some of these people’s greatest times in their lives. How does that feel for you when you look back at those moments, whether it’s iconic tricks or trips? How does it feel for you to be in the driver’s seat of how those moments are presented to the world?
DJ: It’s one of the things that brings me joy in the world. The same way I would look at an old photo is the same feeling I get when I pull up an old video and I have the reference point of when it was filmed, but also what it even took to get the clip, or why we even made the video in the first place. So even today, when I was showing Junior old videos that I’ve made, it’s a quick reminder of not only how far you’ve come but, to Nak’s point, of where you wanted to go and being present in that feeling of, “Oh s—.” We are way further than I could have imagined when we were just making little YouTube videos.
Davonte Jolly, “ghettobird,” 2024, featuring Na-Kel Smith, Junior Gutierrez, and Atiba Jefferson. Track: “Celine” by Na-kel Smith.
LS: If you had to describe your filming style to someone who has no idea what skating is, how would you describe it?
DJ: I want whoever’s watching my footage to feel like they are there. That’s how I document skateboarding specifically.
LS: Na-Kel, you’re from Los Angeles. You grew up street skating in Los Angeles. What makes L.A. so unique as a city for skateboarding for you?
NS: The skateboarding roots are so deep in Los Angeles that it just always had a skate vibe to the whole city for real. When I was growing up, it was never too foreign to see people skating as it was in other places. Skating is how you learned transportation. It’s how you learned your city. When I was young, I went through way more of the city by myself and with my friends than a lot of my other friends who didn’t skate because we were really trekking around. We were on buses, trains, skating miles just to go to different spots and really just to go explore different areas. It’s just an adventure. It’s the home of skateboarding. The mecca of skateboarding.
LS: Nak, do you have any advice for a kid who wants to be a pro skater? And Jolly, what’s your bit of creative advice for any kids out there who are currently making videos with their friends and trying to showcase their community?
NS: My advice to any kid trying to be a pro skater, No. 1, is: Maintain the love in skating. It’s supposed to be fun. You’re supposed to want to push yourself. You’re supposed to want to get better, but you’re supposed to enjoy it. That’s the essence of it. My second piece of advice: Get in that field. You can get a little motion in the skate park, but it don’t really matter. Hop in that field and go hard, because it’s millions of people out there who want to be pro skateboarders, and some of them make it, some of them don’t make it at all, but you gotta go hard in that field if you want it. That’s my main piece of advice.
Lee Spielman, second from right, wears Babylon LA hat and hoodie, BoTT vest, Guess Jeans pants, Nike Air Jordan 4 Retro “Lightning” shoes, Carpet Company board.
DJ: My biggest advice, and I wish someone told me this when I was younger, is just stay curious and follow that curiosity, but also try as much as you can to keep like-minded people around you who also are pursuing those curiosities because the journey is a lot better once you are on it with your people, versus people who cause friction to your journey. Facilitate a group of people you trust and believe in. Understand that it’s going to change and evolve, but be open to that and stay curious.
LS: All right. Quick last words. Na-Kel, favorite skater?
NS: Tyshawn Jones.
LS: Jolly, favorite skate filmer?
DJ: Spike Jonze.
LS: Junior, favorite skater?
JG: Vincent Nava.
Producer Lee Spielman
Music “Celine” by Na-Kel Smith
Lee Spielman co-founder of Babylon L.A. and California punk band Trash Talk, has spent over two decades creating community-driven spaces by blending music, art and alternative culture through global collaborations that inspire creativity, self-expression and cultural connection.
Zoe Saldaña accepts the award for best supporting actress in a motion picture at the Golden Globes Sunday night for her role in the film Emilia Pérez.
Sonja Flemming/CBS
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Demi Moore, Zoe Saldaña, Kieran Culkin and Adrien Brody all took home awards Sunday night at the 82nd Golden Globes.
Comedian Nikki Glaser hosted the event in Beverly Hills, California.
The queer musical-thriller Emilia Pérez led the night in wins from the film categories, taking home four awards of their ten nominations, including a supporting actress award for Saldaña and the Golden Globe for best motion picture, musical or comedy. The Brutalist ended the night with three awards, including the Golden Globe for best motion picture, drama, and a best actor win for star Adrien Brody. On the television side, FX’s Shōgun took home four awards, winning in every category the show was nominated for, including acting awards for stars Hiroyuki Sanada, Anna Sawai and Tadanobu Asano. Hacks and Baby Reindeer also took home two awards apiece.
This year’s ceremony comes after years of Golden Globes turmoil: In 2021, the Los Angeles Times reported that there were no Black members in the Hollywood Foreign Press Association (HFPA), which founded the awards in 1944. NBC cancelled the 2022 awards telecast and studios and stars boycotted the ceremony in protest. Longtime Globes producer Dick Clark Productions and Eldridge Industries, a holding company, acquired the awards in 2023. (Dick Clark Productions is owned, in part, by Penske Media Corporation, which publishes a number of outlets including Variety, The Hollywood Reporter, and Rolling Stone.) An expanded voting body of 334 entertainment journalists from around the world now vote on the awards.
Below are 2025 Golden Globes nominees, with winners marked in bold.
Best motion picture, drama
Winner: The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Nickel Boys
September 5
Best motion picture, musical or comedy
Winner: Emilia Pérez
Anora
Challengers
A Real Pain
The Substance
Wicked
Best motion picture, animated
Winner: Flow
Inside Out 2
Memoir of a Snail
Moana 2
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Best motion picture, non-English language
Winner: Emilia Pérez
All We Imagine as Light
The Girl With the Needle
I’m Still Here
The Seed of the Sacred Fig
Vermiglio
Best director, motion picture
Winner: Brady Corbet, The Brutalist
Jacques Audiard, Emilia Pérez
Sean Baker, Anora
Edward Berger, Conclave
Coralie Fargeat, The Substance
Payal Kapadia, All We Imagine as Light
Best screenplay, motion picture
Winner: Peter Straughan, Conclave
Jacques Audiard, Emilia Pérez
Sean Baker, Anora
Brady Corbet and Mona Fastvold, The Brutalist
Jesse Eisenberg, A Real Pain
Coralie Fargeat, The Substance
Best actress in a motion picture, drama
Winner: Fernanda Torres, I’m Still Here
Pamela Anderson, The Last Showgirl
Angelina Jolie, Maria
Nicole Kidman, Babygirl
Tilda Swinton, The Room Next Door
Kate Winslet, Lee
Best actor in a motion picture, drama
Winner: Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Daniel Craig, Queer
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Best actress in a motion picture, musical or comedy
Winner: Demi Moore, The Substance
Amy Adams, Nightbitch
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Zendaya, Challengers
Demi Moore accepts the award for best actress in a musical or comedy film for her role as Elisabeth Sparkle in The Substance.
Sonja Flemming/CBS
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Best actress in a supporting role in any motion picture
Winner: Zoe Saldaña, Emilia Pérez
Ariana Grande, Wicked
Selena Gomez, Emilia Pérez
Felicity Jones, The Brutalist
Margaret Qualley, The Substance
Isabella Rossellini, Conclave
Best actor in a supporting role in any motion picture
Winner: Kieran Culkin, A Real Pain
Yura Borisov, Anora
Guy Pearce, The Brutalist
Edward Norton, A Complete Unknown
Jeremy Strong, The Apprentice
Denzel Washington, Gladiator II
Best actor in a motion picture, musical or comedy
Winner: Sebastian Stan, A Different Man
Jesse Eisenberg, A Real Pain
Hugh Grant, Heretic
Gabriel LaBelle, Saturday Night
Jesse Plemons, Kinds of Kindness
Glen Powell, Hit Man
Best original score, motion picture
Winner: Challengers
The Brutalist
Conclave
Dune: Part Two
Emilia Pérez
The Wild Robot
Best original song, motion picture
Winner: Emilia Pérez – “El Mal”
The Last Showgirl – “Beautiful That Way”
Challengers – “Compress/Repress”
Better Man – “Forbidden Road”
The Wild Robot — “Kiss the Sky”
Emilia Pérez – “Mi Camino”
Cinematic and box office achievement
Winner: Wicked
Alien: Romulus
Beetlejuice Beetlejuice
Deadpool & Wolverine
Gladiator 2
Inside Out 2
Twisters
The Wild Robot
Wicked director Jon M. Chu accepts the Golden Globe award for Cinematic and Box Office Achievement.
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On the TV side
Best television series, drama
Winner: Shōgun
The Day of the Jackal
The Diplomat
Mr. and Mrs. Smith
Slow Horses
Squid Game
Best television series, musical or comedy
Winner: Hacks
Abbott Elementary
Only Murders in the Building
Nobody Wants This
The Bear
The Gentlemen
Best limited series, anthology series or motion picture made for television
Winner: Baby Reindeer
Disclaimer
Monsters: The Lyle and Erik Menendez Story
The Penguin
Ripley
True Detective: Night Country
Best actor in a television series, drama
Winner: Hiroyuki Sanada, Shōgun
Donald Glover, Mr. and Mrs. Smith
Jake Gyllenhaal, Presumed Innocent
Gary Oldman, Slow Horses
Eddie Redmayne, The Day of the Jackal
Billy Bob Thornton, Landman
Best actress in a television series, drama
Winner: Anna Sawai, Shōgun
Kathy Bates, Matlock
Emma D’Arcy, House of the Dragon
Maya Erskine, Mr. and Mrs. Smith
Keira Knightley, Black Doves
Keri Russell, The Diplomat
Best actor in a limited series, anthology series or motion picture made for television
Winner: Colin Farrell, The Penguin
Richard Gadd, Baby Reindeer
Kevin Kline, Disclaimer
Cooper Koch, Monsters: The Lyle and Erik Menendez Story
Ewan McGregor, A Gentleman in Moscow
Andrew Scott, Ripley
Best actress in a limited series, anthology series or motion picture made for television
Winner: Jodie Foster, True Detective: Night Country
Cate Blanchett, Disclaimer
Cristin Milioti, The Penguin
Sofía Vergara, Griselda
Naomi Watts, Feud: Capote vs. the Swans
Kate Winslet, The Regime
Best actress in a television series, musical or comedy
Winner: Jean Smart, Hacks
Kristen Bell, Nobody Wants This
Quinta Brunson, Abbott Elementary
Ayo Edebiri, The Bear
Selena Gomez, Only Murders in the Building
Kathryn Hahn, Agatha All Along
Best actor in a television series, musical or comedy
Winner: Jeremy Allen White, The Bear
Adam Brody, Nobody Wants This
Ted Danson, A Man on the Inside
Steve Martin, Only Murders in the Building
Jason Segel, Shrinking
Martin Short, Only Murders in the Building
Best actress in a supporting role in a TV series
Winner: Jessica Gunning, Baby Reindeer
Liza Colón-Zayas, The Bear
Hannah Einbinder, Hacks
Dakota Fanning, Ripley
Allison Janney, The Diplomat
Kali Reis, True Detective: Night Country
Best actor in a supporting role in a TV series
Winner: Tadanobu Asano, Shōgun
Javier Bardem, Monsters: The Lyle and Erik Menendez Story
Harrison Ford, Shrinking
Jack Lowden, Slow Horses
Diego Luna, La Máquina
Ebon Moss-Bachrach, The Bear
Best performance in stand-up comedy on television
Winner: Ali Wong, Single Lady
Jamie Foxx, What Had Happened Was
Nikki Glaser, Someday You’ll Die
Seth Meyers, Dad Man Walking
Adam Sandler, Love You
Ramy Youssef, More Feelings
Golden Globes Stars Avoided Politics
Paxlovid Improved Long Covid Symptoms in Some Patients, Researchers Report
Predicting where the top 15 remaining MLB free agents will sign: Who lands Sasaki?
Anita Desai Has Put Down Roots, but Her Work Ranges Widely
Nikki Glaser’s Monologue and Other Moments From the 2025 Globes
Colorado Rockies game no. 116 thread: Zac Gallen vs José Ureña
Why Marjorie Taylor Greene was ‘kicked out’ of the Freedom Caucus according to Rep. Buck
See it: Tesla crashes into Columbus convention center at 70 mph
Fox News Politics: Georgia the whole day through
Death of missing Oregon girl found in stream ruled homicide
Trump presses GOP to swiftly send 'one powerful Bill' for his signature ASAP
Will 2024 fears become reality in 2025?
How Jan. 6 will be different this year. And, who took home a Golden Globe award
How Jimmy Carter Launched His Career and Cemented His Legacy in Atlanta
Biden takes departing jab at Trump, says he was a 'genuine threat to democracy'
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