Lifestyle
Here are the winners of the 2025 Golden Globes
Zoe Saldaña accepts the award for best supporting actress in a motion picture at the Golden Globes Sunday night for her role in the film Emilia Pérez.
Sonja Flemming/CBS
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Demi Moore, Zoe Saldaña, Kieran Culkin and Adrien Brody all took home awards Sunday night at the 82nd Golden Globes.
Comedian Nikki Glaser hosted the event in Beverly Hills, California.
The queer musical-thriller Emilia Pérez led the night in wins from the film categories, taking home four awards of their ten nominations, including a supporting actress award for Saldaña and the Golden Globe for best motion picture, musical or comedy. The Brutalist ended the night with three awards, including the Golden Globe for best motion picture, drama, and a best actor win for star Adrien Brody. On the television side, FX’s Shōgun took home four awards, winning in every category the show was nominated for, including acting awards for stars Hiroyuki Sanada, Anna Sawai and Tadanobu Asano. Hacks and Baby Reindeer also took home two awards apiece.
This year’s ceremony comes after years of Golden Globes turmoil: In 2021, the Los Angeles Times reported that there were no Black members in the Hollywood Foreign Press Association (HFPA), which founded the awards in 1944. NBC cancelled the 2022 awards telecast and studios and stars boycotted the ceremony in protest. Longtime Globes producer Dick Clark Productions and Eldridge Industries, a holding company, acquired the awards in 2023. (Dick Clark Productions is owned, in part, by Penske Media Corporation, which publishes a number of outlets including Variety, The Hollywood Reporter, and Rolling Stone.) An expanded voting body of 334 entertainment journalists from around the world now vote on the awards.
Below are 2025 Golden Globes nominees, with winners marked in bold.
Best motion picture, drama
Winner: The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Nickel Boys
September 5
Best motion picture, musical or comedy
Winner: Emilia Pérez
Anora
Challengers
A Real Pain
The Substance
Wicked
Best motion picture, animated
Winner: Flow
Inside Out 2
Memoir of a Snail
Moana 2
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Best motion picture, non-English language
Winner: Emilia Pérez
All We Imagine as Light
The Girl With the Needle
I’m Still Here
The Seed of the Sacred Fig
Vermiglio
Best director, motion picture
Winner: Brady Corbet, The Brutalist
Jacques Audiard, Emilia Pérez
Sean Baker, Anora
Edward Berger, Conclave
Coralie Fargeat, The Substance
Payal Kapadia, All We Imagine as Light
Best screenplay, motion picture
Winner: Peter Straughan, Conclave
Jacques Audiard, Emilia Pérez
Sean Baker, Anora
Brady Corbet and Mona Fastvold, The Brutalist
Jesse Eisenberg, A Real Pain
Coralie Fargeat, The Substance
Best actress in a motion picture, drama
Winner: Fernanda Torres, I’m Still Here
Pamela Anderson, The Last Showgirl
Angelina Jolie, Maria
Nicole Kidman, Babygirl
Tilda Swinton, The Room Next Door
Kate Winslet, Lee
Best actor in a motion picture, drama
Winner: Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Daniel Craig, Queer
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Best actress in a motion picture, musical or comedy
Winner: Demi Moore, The Substance
Amy Adams, Nightbitch
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Zendaya, Challengers
Demi Moore accepts the award for best actress in a musical or comedy film for her role as Elisabeth Sparkle in The Substance.
Sonja Flemming/CBS
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Best actress in a supporting role in any motion picture
Winner: Zoe Saldaña, Emilia Pérez
Ariana Grande, Wicked
Selena Gomez, Emilia Pérez
Felicity Jones, The Brutalist
Margaret Qualley, The Substance
Isabella Rossellini, Conclave
Best actor in a supporting role in any motion picture
Winner: Kieran Culkin, A Real Pain
Yura Borisov, Anora
Guy Pearce, The Brutalist
Edward Norton, A Complete Unknown
Jeremy Strong, The Apprentice
Denzel Washington, Gladiator II
Best actor in a motion picture, musical or comedy
Winner: Sebastian Stan, A Different Man
Jesse Eisenberg, A Real Pain
Hugh Grant, Heretic
Gabriel LaBelle, Saturday Night
Jesse Plemons, Kinds of Kindness
Glen Powell, Hit Man
Best original score, motion picture
Winner: Challengers
The Brutalist
Conclave
Dune: Part Two
Emilia Pérez
The Wild Robot
Best original song, motion picture
Winner: Emilia Pérez – “El Mal”
The Last Showgirl – “Beautiful That Way”
Challengers – “Compress/Repress”
Better Man – “Forbidden Road”
The Wild Robot — “Kiss the Sky”
Emilia Pérez – “Mi Camino”
Cinematic and box office achievement
Winner: Wicked
Alien: Romulus
Beetlejuice Beetlejuice
Deadpool & Wolverine
Gladiator 2
Inside Out 2
Twisters
The Wild Robot
Wicked director Jon M. Chu accepts the Golden Globe award for Cinematic and Box Office Achievement.
Sonja Flemming/CBS
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On the TV side
Best television series, drama
Winner: Shōgun
The Day of the Jackal
The Diplomat
Mr. and Mrs. Smith
Slow Horses
Squid Game
Best television series, musical or comedy
Winner: Hacks
Abbott Elementary
Only Murders in the Building
Nobody Wants This
The Bear
The Gentlemen
Best limited series, anthology series or motion picture made for television
Winner: Baby Reindeer
Disclaimer
Monsters: The Lyle and Erik Menendez Story
The Penguin
Ripley
True Detective: Night Country
Best actor in a television series, drama
Winner: Hiroyuki Sanada, Shōgun
Donald Glover, Mr. and Mrs. Smith
Jake Gyllenhaal, Presumed Innocent
Gary Oldman, Slow Horses
Eddie Redmayne, The Day of the Jackal
Billy Bob Thornton, Landman
Best actress in a television series, drama
Winner: Anna Sawai, Shōgun
Kathy Bates, Matlock
Emma D’Arcy, House of the Dragon
Maya Erskine, Mr. and Mrs. Smith
Keira Knightley, Black Doves
Keri Russell, The Diplomat
Best actor in a limited series, anthology series or motion picture made for television
Winner: Colin Farrell, The Penguin
Richard Gadd, Baby Reindeer
Kevin Kline, Disclaimer
Cooper Koch, Monsters: The Lyle and Erik Menendez Story
Ewan McGregor, A Gentleman in Moscow
Andrew Scott, Ripley
Best actress in a limited series, anthology series or motion picture made for television
Winner: Jodie Foster, True Detective: Night Country
Cate Blanchett, Disclaimer
Cristin Milioti, The Penguin
Sofía Vergara, Griselda
Naomi Watts, Feud: Capote vs. the Swans
Kate Winslet, The Regime
Best actress in a television series, musical or comedy
Winner: Jean Smart, Hacks
Kristen Bell, Nobody Wants This
Quinta Brunson, Abbott Elementary
Ayo Edebiri, The Bear
Selena Gomez, Only Murders in the Building
Kathryn Hahn, Agatha All Along
Best actor in a television series, musical or comedy
Winner: Jeremy Allen White, The Bear
Adam Brody, Nobody Wants This
Ted Danson, A Man on the Inside
Steve Martin, Only Murders in the Building
Jason Segel, Shrinking
Martin Short, Only Murders in the Building
Best actress in a supporting role in a TV series
Winner: Jessica Gunning, Baby Reindeer
Liza Colón-Zayas, The Bear
Hannah Einbinder, Hacks
Dakota Fanning, Ripley
Allison Janney, The Diplomat
Kali Reis, True Detective: Night Country
Best actor in a supporting role in a TV series
Winner: Tadanobu Asano, Shōgun
Javier Bardem, Monsters: The Lyle and Erik Menendez Story
Harrison Ford, Shrinking
Jack Lowden, Slow Horses
Diego Luna, La Máquina
Ebon Moss-Bachrach, The Bear
Best performance in stand-up comedy on television
Winner: Ali Wong, Single Lady
Jamie Foxx, What Had Happened Was
Nikki Glaser, Someday You’ll Die
Seth Meyers, Dad Man Walking
Adam Sandler, Love You
Ramy Youssef, More Feelings
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
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When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
Kirsty Wigglesworth/AP
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.
But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.
Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.
Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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