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Jean-Luc Godard and ‘French Girl’ Style

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Jean-Luc Godard and ‘French Girl’ Style

If a single garment has inscribed itself on vogue’s collective reminiscence, it might effectively be Jean Seberg’s jauntily striped Breton sweater, worn for her position as Patricia within the movie “Breathless.” A boyish badge of disaffection, the look was so typically reproduced that, because the designer Scott Sternberg noticed, “it’s turn into its personal cottage business.”

However the affect of that sweater, and of that 1960 artwork home movie by Jean-Luc Godard, a pioneer of the French New Wave, who died this week at 91, extends far past Ms. Seberg’s wardrobe. The Godard aesthetic — low-key, streetwise and modeled on the romanticized, typically unsanitized, world of the Parisian flâneur — has, to some minds, eclipsed the movies themselves, surviving as an affect on three generations of style-besotted followers.

That aesthetic, which was a rebuke to the extra formally structured, ornamental French model of the time, represented for Mr. Sternberg, the essence of Franco-American cool. (Mr. Sternberg’s Band of Outsiders label took its identify and renegade spirit from certainly one of Godard’s best-known works.) Embracing that temper in the present day are up to date manufacturers, together with La Ligne, COS, Everlane and Hole, and understated however trendy labels like A.P.C., which took the Godard aesthetic and infused it into virtually every thing they made.

“Its affect was much less about ‘Oh, I like that sweater’ and extra about this type of perspective,” Mr. Sternberg mentioned of the Godard aesthetic. “It was about not making an attempt in any respect, nearly being your self” — youthful, unstudied, rooted within the second but, someway, timeless.

For Agnès Troublé, the inventive power behind the Parisian label agnès b., and a good friend of the filmmaker, Mr. Godard’s garments have a requisite antifashion attraction. “l love garments, however I hate vogue,” Ms. Troublé mentioned. Her decidedly muted, insouciant strategy has filtered into her collections within the type of lean leather-based jackets, white shirts and denims. She has all the time aimed, she mentioned, to maintain issues “pure and easy.”

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Anna Sui, a religious Godard follower, was launched to French New Wave cinema by associates and spent the summer time of 2012 immersed within the director’s filmography. She was so taken along with his movie “Band of Outsiders” (1964) that she paid rapt homage to it along with her fall/winter 2013 assortment.

Ms. Sui was notably influenced by a dance sequence within the movie, which she replicated in her present. The movie’s central figures collect at a bar and feed a jukebox. The actress Anna Karina, as the punkish schoolgirl Odile, is carrying a kilt, slouchy sweater, knee-high socks and kitten heels. She and her companion, Arthur, performed by Claude Brasseur in a beefy argyle sweater, take a spin on the dance ground.

Ms. Sui isn’t any much less enamored with “One Plus One” (the 1968 movie later re-edited and christened “Sympathy for the Satan”). “The entire look of the present was very mod, however French mod, a extra feminized model of English mod,” she mentioned. Typically much less structured and extra colourful than English mod, the candidly flirty signature accents — kitten heels, demure white collars and headbands — of French mod survive to at the present time.

In contrast, Ms. Seberg in “Breathless” projected a extra sexually fluid attraction. In her Aran sweaters, cigarette pants, loafers and males’s shirts, Patricia, her casually cross-dressing character, “epitomizes modernity,” mentioned Jane Hess, a former vogue author also called Medora on her influential Instagram account. “All of it boils all the way down to the recent stunning face with out make-up, the blond haircut, the T-shirt, the denims and the sun shades.”

Godard’s feminine characters bent vogue to their personal subversive ends. Ms. Karina, the director’s first spouse and muse, made her mark because the protagonist in “A Lady Is a Lady” (1961), her white fur-collared cobalt coat projecting youthful insolence. Her character in “Alphaville” (1965) was waifish however smoldering, all deep bangs and kohl-rimmed eyes, her slinky black sheath incongruously trimmed with a white lace collar.  

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Bridget Bardot was the same mash of contradictions. She was saucy in “Contempt” (1963), garbed in huge girlish headbands, striped mariner tops, cardigans and calf-grazing skirts conceived to intensify her sensuality whereas softening her bombshell picture.

In “Two or Three Issues I Know About Her” (1967), a singularly fashion-savvy entry within the Godard oeuvre, Marina Vlady, as a bourgeois spouse turned prostitute, washes dishes in a mod-style shift raucously patterned with teal and purple daisies. In one other second she flips by means of {a magazine}, asking idly, “Ought to I put on trompe l’oeil ankle sock designs on pantyhose designed by Louis Ferraud?” — Mr. Godard’s wink and nod to the vagaries of fashion. The auteur himself clearly dressed to impress, cultivating an air of mysterious eccentricity in his signature checked vest and darkish gloves.

Mr. Godard’s dapper if doubtful male leads had an affect of their very own. As Michel Poiccard,  a petty thief and killer on the run in “Breathless,” Jean-Paul Belmondo customary himself within the picture of Humphrey Bogart, all nonchalance carrying a trilby, high-waisted trousers and a slouchy camel-hair jacket, his look accessorized with a Gallic smirk.

Enjoying the police inspector Lemmy Warning within the 1965 neonoir “Alphaville,” Eddie Constantine, a progenitor of worldwide detective stylish, projected the same swagger in a tan overcoat (a glance reprised on the runway at Vetements). In “Masculine Female,” a 1966 romantic drama, Jean-Pierre Leaud performed Paul with a canny consideration to element, the collar of his polo shirt and lapels of his coat upturned for a raffish impact.

Such uncontrived appears from Mr. Godard’s movies had a big affect on the music of southern Europe within the Sixties, a mode embodied by the yé-yé ladies and, particularly, Françoise Hardy, Sheila and Sylvie Vartan, the latter a tousled blonde in tiny Courrèges frocks or, extra typically, a uniform of flared trousers, shrunken sweaters and ballet flats.

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Colourful and sometimes radical, some Godard model statements have but to search out their manner onto American runways — however one can dream. “I haven’t had the chance but,” Mr. Sternberg mentioned, “however I’ve been making an attempt to make the brilliant yellow terry material gown that Bardot wears in ‘Contempt’ for my complete profession.”

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Should you lend money to your loved ones? NPR listeners weigh in

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Should you lend money to your loved ones? NPR listeners weigh in

Photo illustration by Becky Harlan/NPR


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Photo illustration by Becky Harlan/NPR


Photo illustration by Becky Harlan/NPR

Has a friend or family member ever asked to borrow money from you?

Earlier this month, Life Kit asked our audience this question for an episode we did on the social etiquette of lending money. The act of generosity can unite people in times of hardship. But it can also complicate relationships — especially if the borrower doesn’t pay the loan back.

We received nearly 50 emails on the matter. Many of you reiterated a general rule we discussed in the episode: if a loved one asks for a loan, give the money as a gift if you can afford it.

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But we also heard different perspectives. Some of you told us how lending money destroyed your friendships. Some offered advice on how to get money back from a negligent borrower. And others shared heartening stories about how the funds changed a person’s life.

Here is a selection of listener responses. These have been edited for length and clarity.

Use the loan as a teaching moment

Early in their marriage, my son and daughter-in-law had trouble making their paychecks stretch — and started asking my hubby and me for money.

I said yes with a couple of strings attached. First, it would only be a one-time thing. Second, they had to keep track, in writing, of how the money was being spent so I could see where the money was going. They were not thrilled with the idea, especially because I would see how they spent their money, but I didn’t care.

The exercise made them aware of where the money went. It only took a couple of months and they were living within their means. They are now doing well. They purchased a house they could afford when interest rates were low. —Joan Shurtliff

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Saving my friend from high interest rates

My friend had a situation where she was in credit card debt on a card with a high interest rate, so I paid it off for her. It was over $500. I told her to pay me back over time.

It didn’t make sense to me that she should waste money on interest. My parents fronted me money for two months of credit card bills between college and my first post-college job. I paid them back after I had some paychecks under my belt. My friend’s family doesn’t have that luxury, and I don’t think she should be penalized for that. —Yvonne Marcoux

Don’t be afraid to ask for your money back

A college classmate of mine was hard on his luck. He had become unemployed for a spell and was having difficulties making ends meet. He asked if he could borrow money. I lent him $500 with the expectation that when things were better, he would pay me back.

After about two years, I called it in. I felt uncomfortable because I couldn’t tell for sure if he actually had the means to do so, but he was now employed. It took him a couple months, but he paid me back in full. —Mariann Duya

Consider their character

One day, a good friend of mine — a former roommate and tenant — sent an email to me and some friends. He just lost his job and humbly asked all of us if he we could loan him money for one month’s rent.

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It was unusual for him to ask for such a loan. My friend is a hardworking man who is responsible with his money. He was a dependable roommate and tenant who always paid on time.

I consulted with my wife. She suggested that we lend him the full amount and consider it a gift. We were in a financial position where we could afford to do so. My friend was very grateful. From what I understand, we were the only ones in the group email to lend him money.

About a year later, after he found another job and got back on his feet again, he paid us back in full. It was a pleasant but not total surprise considering his character and our friendship. Though we were totally fine with letting the money go as a gift, it was nice to know that friends can keep their word too. —Oscar Fornoles

So far, so good

I often lend money to family, partners, friends and coworkers. I even proactively offer loans. They also lend me money. I can only remember one issue over very little money that I lended to a guy I didn’t know well. Maybe I’m lucky? Maybe it’s my environment? Do I choose my friends well? —Daniel Garzón

Glad I made it a gift

Several years ago I loaned $500 to a longtime friend. She was going through a hard time after a rough divorce. Out of compassion for her situation I wanted to help.

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But before I did that, I asked myself if I was prepared to never see that money again. I’m glad the answer was yes — because she never paid me back or ever mentioned it. —Salvatrice Kemper

Thank you to everyone who responded to our call out. To take part in our next audience-generated story — and get great life advice from experts — sign up for Life Kit’s weekly newsletter.

This story was edited by Meghan Keane. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.

Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter.

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Seth Plummer In 'The Pacifier' 'Memba Him?!

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Seth Plummer In 'The Pacifier' 'Memba Him?!

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As summer starts, Taylor Swift, Post Malone and Morgan Wallen maintain chart reigns

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As summer starts, Taylor Swift, Post Malone and Morgan Wallen maintain chart reigns

Post Malone (left) and Morgan Wallen on the red carpet at the 57th Annual CMA Awards on November 8, 2023 in Nashville, Tenn.

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We’re trying out something a little new here: Each week, we’ll be taking a quick look at the newest Billboard charts to see, in the immortal words of Shakespeare, “who loses and who wins; who’s in, who’s out.” (Thankfully, the stakes are far lower here than in King Lear, despite the potential for high drama.) Even in this impossibly fickle era, when the days of a homogenized pop music culture are long gone, the weekly charts published by Billboard still give some indication of what listeners are turning to, what social media trends are running the game and who’s currently riding high. What we’re hoping to do is to provide some context that helps us ground and understand the current data — and maybe even help us divine larger narratives about what we’re listening to. So here we go.

TOP SONGS

As NPR Music’s critic Ann Powers observed over the holiday weekend on All Things Considered, the summer of 2024 seems to be leaning toward country — or at least country-flavored bops. The Billboard Hot 100, which ranks the top singles (via a combination of data from streaming, digital and physical sales and radio airplay) is dominated this week by the uptempo country breakup tune “I Had Some Help” by Post Malone featuring Morgan Wallen.

Post Malone made his name as a hip-hop/pop guy, but in recent months, he’s collaborated with both Beyoncé and Taylor Swift. In his current bid for song of the summer, he’s teamed up with Morgan Wallen — who remains perhaps the biggest star in Nashville, despite (or maybe in part because of) a string of controversies. This is the second week at the top spot for “I Had Some Help.”

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At No. 2 is one of Kendrick Lamar’s many recent Drake diss tracks, “Not Like Us,” followed by Tommy Richman’s “Million Dollar Baby” at No. 3. Richman, a largely unknown singer and rapper before last month, teased his vaguely funk-tinged song on TikTok, where it found huge viral success and racked up millions of views even before he released the full single.

Two of Ann’s other predictions for summer hits round out the Top 5 singles for the week of June 1: Shaboozey’s hybridic country/hip-hop/rock anthem “A Bar Song (Tipsy)” at No. 4 and, debuting at No. 5, Billie Eilish’s woozy, seductive “Lunch.” As Eilish recently said to Morning Edition about “Lunch”: “It’s so fun and it’s silly and it’s … I don’t know. Life is so unserious. It’s important to remember to have a little fun with it.” If ever there was a time for such a thing, wouldn’t it be summer?

TOP ALBUMS

Speaking of Eilish: She and her record labels, Darkroom and Interscope, pitched a fierce battle to knock chart queen Taylor Swift out of the top spot of the Billboard 200, the weekly albums chart. Swift’s album The Tortured Poets Department had already spent its first four weeks perched at No. 1. Eilish’s new album, Hit Me Hard and Soft, did not do quite well enough to push royalty off the throne, but according to Luminate, the company that puts together the data for the Billboard charts, Eilish earned 339,000 “equivalent album units” — her biggest week ever. (Stay with us for a moment. An “equivalent album unit” is industry-speak for an enigmatic formula: the combination of tracks streamed or downloaded, plus physical or digital album sales, expressed as an approximation of what decades ago would have been a simple transaction — one album sold.)

Nevertheless, Swift won a fifth week at No. 1, with a total of 378,000 album units. How did she prevail? In short, by knowing exactly how to fire up her fanbase on the marketing front. Team Swift launched a marketing counteroffensive that included six new digital versions of Tortured Poets and a new CD version — all of which were sold exclusively on Swift’s website. She also released a remix of her song “Fortnight” — the biggest single from Tortured Poets, and the one that happens to feature a fellow named Post Malone.

This is a game that Eilish knows too: For the race up the chart, she released nine colored vinyl editions and her own digital version of Hit Me Hard and Soft that included isolated vocal tracks for each song, as well as a new remix of her song “L’Amour De Ma Vie.” The complete album was also promotionally priced as an iTunes download at $4.99. It’s a move that recalled industry marketing campaigns of the pre-streaming era — that is, back when Eilish was just a tween herself. (Given how easy and cheap it is for listeners to inhale whole albums these days, it’s not that surprising that all 10 tracks from Hit Me Hard and Soft have individually hit the Hot 100.)

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All of these fevered machinations took place under the umbrella of a single corporate behemoth: Universal Music Group, which distributes both Swift’s and Eilish’s music. Cynics might note that no matter which individual artist made it to No. 1, Universal was guaranteed to clinch the top spot.

WORTH NOTING

The fourth studio album from Zayn Malik, Room Under the Stairs, finds the former One Direction star taking a turn toward Americana and country, aided by Nashville producer Dave Cobb. (Clearly, this is the sound of 2024, even for a fellow born and raised in Bradford, England.)

The album — Malik’s first in three years — hasn’t quite resonated with a large public: It enters the Billboard 200 chart this week at No. 15. But it’s also given Malik an intriguing career first: an entry on the Americana/Folk Albums chart, positioned at No. 5.

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