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As summer starts, Taylor Swift, Post Malone and Morgan Wallen maintain chart reigns

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As summer starts, Taylor Swift, Post Malone and Morgan Wallen maintain chart reigns

Post Malone (left) and Morgan Wallen on the red carpet at the 57th Annual CMA Awards on November 8, 2023 in Nashville, Tenn.

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We’re trying out something a little new here: Each week, we’ll be taking a quick look at the newest Billboard charts to see, in the immortal words of Shakespeare, “who loses and who wins; who’s in, who’s out.” (Thankfully, the stakes are far lower here than in King Lear, despite the potential for high drama.) Even in this impossibly fickle era, when the days of a homogenized pop music culture are long gone, the weekly charts published by Billboard still give some indication of what listeners are turning to, what social media trends are running the game and who’s currently riding high. What we’re hoping to do is to provide some context that helps us ground and understand the current data — and maybe even help us divine larger narratives about what we’re listening to. So here we go.

TOP SONGS

As NPR Music’s critic Ann Powers observed over the holiday weekend on All Things Considered, the summer of 2024 seems to be leaning toward country — or at least country-flavored bops. The Billboard Hot 100, which ranks the top singles (via a combination of data from streaming, digital and physical sales and radio airplay) is dominated this week by the uptempo country breakup tune “I Had Some Help” by Post Malone featuring Morgan Wallen.

Post Malone made his name as a hip-hop/pop guy, but in recent months, he’s collaborated with both Beyoncé and Taylor Swift. In his current bid for song of the summer, he’s teamed up with Morgan Wallen — who remains perhaps the biggest star in Nashville, despite (or maybe in part because of) a string of controversies. This is the second week at the top spot for “I Had Some Help.”

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At No. 2 is one of Kendrick Lamar’s many recent Drake diss tracks, “Not Like Us,” followed by Tommy Richman’s “Million Dollar Baby” at No. 3. Richman, a largely unknown singer and rapper before last month, teased his vaguely funk-tinged song on TikTok, where it found huge viral success and racked up millions of views even before he released the full single.

Two of Ann’s other predictions for summer hits round out the Top 5 singles for the week of June 1: Shaboozey’s hybridic country/hip-hop/rock anthem “A Bar Song (Tipsy)” at No. 4 and, debuting at No. 5, Billie Eilish’s woozy, seductive “Lunch.” As Eilish recently said to Morning Edition about “Lunch”: “It’s so fun and it’s silly and it’s … I don’t know. Life is so unserious. It’s important to remember to have a little fun with it.” If ever there was a time for such a thing, wouldn’t it be summer?

TOP ALBUMS

Speaking of Eilish: She and her record labels, Darkroom and Interscope, pitched a fierce battle to knock chart queen Taylor Swift out of the top spot of the Billboard 200, the weekly albums chart. Swift’s album The Tortured Poets Department had already spent its first four weeks perched at No. 1. Eilish’s new album, Hit Me Hard and Soft, did not do quite well enough to push royalty off the throne, but according to Luminate, the company that puts together the data for the Billboard charts, Eilish earned 339,000 “equivalent album units” — her biggest week ever. (Stay with us for a moment. An “equivalent album unit” is industry-speak for an enigmatic formula: the combination of tracks streamed or downloaded, plus physical or digital album sales, expressed as an approximation of what decades ago would have been a simple transaction — one album sold.)

Nevertheless, Swift won a fifth week at No. 1, with a total of 378,000 album units. How did she prevail? In short, by knowing exactly how to fire up her fanbase on the marketing front. Team Swift launched a marketing counteroffensive that included six new digital versions of Tortured Poets and a new CD version — all of which were sold exclusively on Swift’s website. She also released a remix of her song “Fortnight” — the biggest single from Tortured Poets, and the one that happens to feature a fellow named Post Malone.

This is a game that Eilish knows too: For the race up the chart, she released nine colored vinyl editions and her own digital version of Hit Me Hard and Soft that included isolated vocal tracks for each song, as well as a new remix of her song “L’Amour De Ma Vie.” The complete album was also promotionally priced as an iTunes download at $4.99. It’s a move that recalled industry marketing campaigns of the pre-streaming era — that is, back when Eilish was just a tween herself. (Given how easy and cheap it is for listeners to inhale whole albums these days, it’s not that surprising that all 10 tracks from Hit Me Hard and Soft have individually hit the Hot 100.)

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All of these fevered machinations took place under the umbrella of a single corporate behemoth: Universal Music Group, which distributes both Swift’s and Eilish’s music. Cynics might note that no matter which individual artist made it to No. 1, Universal was guaranteed to clinch the top spot.

WORTH NOTING

The fourth studio album from Zayn Malik, Room Under the Stairs, finds the former One Direction star taking a turn toward Americana and country, aided by Nashville producer Dave Cobb. (Clearly, this is the sound of 2024, even for a fellow born and raised in Bradford, England.)

The album — Malik’s first in three years — hasn’t quite resonated with a large public: It enters the Billboard 200 chart this week at No. 15. But it’s also given Malik an intriguing career first: an entry on the Americana/Folk Albums chart, positioned at No. 5.

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Video: Stephen Colbert Closes Out “Late Show”

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Video: Stephen Colbert Closes Out “Late Show”

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Stephen Colbert Closes Out “Late Show”

Stephen Colbert signed off for the last time from “The Late Show” on Thursday. His final guest was Paul McCartney and together they performed the Beatles’ “Hello, Goodbye.”

“Tonight is our final broadcast from the Ed Sullivan Theater.”

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Stephen Colbert signed off for the last time from “The Late Show” on Thursday. His final guest was Paul McCartney and together they performed the Beatles’ “Hello, Goodbye.”

By Julie Yoon

May 22, 2026

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L.A. Affairs: I married at 51 after decades of being single. My dog turned out to be the better companion

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L.A. Affairs: I married at 51 after decades of being single. My dog turned out to be the better companion

In the past two years, I’ve changed my pronouns twice. But I’m not talking about my gender identity. I’ve always been a cis she/her/hers woman. I’ve also, for most of my life, been single, an I in a sea of coupled we’s.

The world prefers a we to an I, especially if you’re a woman. If someone casually asks what you did this weekend, responding “I bought a Christmas tree” is a sad, lonely statement to most listeners. Responding “We bought a Christmas tree” is a happy, cozy statement, reflecting that you will not be spending Christmas alone, or, one can infer, most likely dying alone too.

I, like many women, was raised on the myth of marriage. Growing up in the San Fernando Valley in the ’70s and ’80s, it was a foregone conclusion I’d get married one day and have a family. My mom often would say, “Just wait until you have kids of your own,” when she thought I was being difficult. She continued to say this into my 40s, at which point I’d respond, with sadness and self-pity, that, at my age, I was probably never going to have kids or get married.

Finally, well into middle age, I stopped caring about getting married and focused on how good my life as a single woman was. I lived in an ocean-view apartment in Santa Monica. I’d built a successful small business. I had great friends. I’d adopted a dog, Fofo, the best decision of my life.

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Then I met the love of my life. Vagner was tall, unbearably handsome and disarmingly charming.

We found each other on an app and met up for the first time at my community garden plot on Main Street, then got ramen at Jinya. From that moment on, we were together. Vagner loved the Santa Monica Pier, which he’d seen in a video game he’d played with his teenage son in Rio. The pier was a short stroll from my apartment, and when we walked Fofo at sunset, Vagner always wanted to climb the wooden stairs and take in the glorious view from the pier. He was like a kid experiencing something from a movie in real life, and seeing the city through his eyes gave it a new sense of wonder.

When I broke my shoulder six weeks into our romance and needed surgery, he stayed with me in the hospital and moved in to care for me. Only an amazing guy would do that. One evening Vagner got down on one knee and proposed. We were in love. He was in the U.S. on a six-month tourist visa, and to stay together, we had to get married before his visa expired. Vagner was the most loving, caring man I’d ever known, so I said yes.

We got married three months after meeting, and Vagner turned into a different person 24 hours after we said, “I do.”

The toothpaste he bought at Costco lasted longer than our marriage.

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But for the 11 months we were married, I experienced the glory of being a we instead of an I. Suddenly I was part of a giant club, the Partnered People. While it wasn’t an exclusive club, it still felt wonderful to finally get in.

I relished speaking in the plural. I loved talking to my married friends about us, our marriage, our life. I was no longer left out.

If I could find love and get married for the first time at 51 — in L.A., a city notoriously difficult for dating, especially for women over 40 — anyone could.

When I began to confide in married girlfriends about our problems, they unfailingly shared their own marital struggles, things they’d never mentioned when I was single. Over sushi and spicy margaritas at Wabi on Rose, a longtime friend advised me about how to give your husband wins, build up his self-esteem and keep from overwhelming him with perceived demands. I was grateful for her advice, and though I tried the strategies she’d suggested, nothing I did made any difference. Vagner was shut down, emotionally absent and prone to walking out every time we had a disagreement.

Still, I clung to my newfound identity as a we, even though there was very little us in the marriage. Even being unhappily married, I was still part of the club.

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“It doesn’t matter if you date for 10 weeks or 10 years, people change after they get married,” I heard from more than one sympathetic soul. I took some comfort in this since I was beginning to blame myself for getting married too quickly.

The truth of the matter was, we had a far bigger problem than adjusting to being married. Believing we were simply two good people who’d rushed to the altar under the influence of euphoric new love and the pressure of an expiring visa was far less painful than the truth.

In our first conversation, he told me he was a lawyer. In reality, he was an ex-military police officer who’d been dismissed for misconduct. But his biggest omission was neglecting to tell me about his second child, a 13-year-old son who bore his full name, whose existence I discovered three months into our marriage when he disclosed it on an immigration form. He claimed the child wasn’t his but the product of his ex-wife’s infidelity.

Also, Vagner rarely wanted to spend time together. The moment he got his employment authorization, he announced a plan to take a job in Florida as a long-haul truck driver. On Christmas Eve. That was the beginning of the end.

The reality, which I only began to absorb bit by bit after I ended it, is that my husband was not only a prolific storyteller but also a master manipulator. I was lucky to get out with only a broken heart, not a broken life.

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As good as it had felt — at least briefly — to finally be a we, there was no denying that I had been far happier as an I. As I walked Fofo by the beach, cuddled with him on the couch and threw his ball at Hotchkiss Park, I realized he was a superior companion to my ex-husband.

Fortunately, I hadn’t changed my name, so the only thing I had to change back were my pronouns. There was not even one tiny part of me that missed being able to refer to myself as we, so immense was the relief of freeing myself of Vagner.

Although I forfeited my membership in the Partnered People club, I became a member of another, equally nonexclusive-but-far-less-touted club, the Happily Divorced Women.

The author is the founder of Inner Genius Prep, a boutique educational and career consulting company. She lives in Santa Monica, holds an MFA in creative writing from Brooklyn College and is working on a memoir about having a mystery illness. She’s on Instagram: @smgardengirl.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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‘Star Wars: The Mandalorian and Grogu’ may not be the way : Pop Culture Happy Hour

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‘Star Wars: The Mandalorian and Grogu’ may not be the way : Pop Culture Happy Hour

Pedro Pascal in The Mandalorian And Grogu.

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The Mandalorian has made the jetpack-assisted leap to the big screen with the new movie Star Wars: The Mandalorian and Grogu. The laconic bounty hunter (Pedro Pascal) and his cute sidekick Grogu are hired by the good guys to do a job for some bad guys. You know what you’re gonna get – creatures, droids, easter eggs, and lots of fights. But, after three seasons on Disney+, will folks go out to the theaters to watch something they’ve gotten to know on their couches? 

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture 

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