Lifestyle
Here are some of the NPR stories that had a big impact in 2024
Photos from some of our most impactful stories of 2024.
Ryan Kellman/Gabriella Angotti-Jones/Charles Krupa/AP/NPR
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Ryan Kellman/Gabriella Angotti-Jones/Charles Krupa/AP/NPR
As journalists working to fulfill NPR’s mission of creating a more informed public, the metrics of success for our work can be a bit more amorphous than in other professions.
How do you measure impact when your independent, nonprofit newsroom isn’t pressuring you to meet a quota on sales, clicks or signups?

If you ask the reporters, editors and producers from all over the world involved in creating our award-winning coverage on everything from TikTok’s internal policies to new voting districts in a disenfranchised Alabama community, they’d all have a different answer.
Sometimes it can be one email from a listener sharing how the information they’ve learned has helped them in their own lives.
Impact can be practical, like finally learning what kind of electric car to buy. And impact can be personal, like feeling a little more seen by reporting that covers the expanse of the opioid epidemic in the United States. Other times, impact can translate to real changes in local communities, or even the federal government.

The important thing to remember is that every ripple made by our coverage is tied to NPR’s core belief that we should live in a world challenged and invigorated by a deeper understanding and appreciation of events, ideas and cultures.
Below, you’ll find a list of stories compiled by NPR staffers that we felt prompted some of the strongest changes and reactions from our listeners, and the leaders in their communities too. It’s a good reminder of what our work can do — and how much we have cut out for us in the years to come.
The Education Department fixes its $1.8 billion FAFSA mistake
NPR’s Education Desk covered the problematic rollout of the FAFSA form in December 2023 and early January 2024, and it was our story that broke the news that the Biden administration was finally going to fix the biggest problem behind the rollout — a mistake that would have cost lower-income students dearly.
“For this story, we personified the mistake’s toll by finding a student and his mother who seemed to have been hurt by it (not easy since it was still early days),” reporter Cory Turner says. “Once we had the story ready, we did our due diligence, taking it to the Education Department for comment and to ask, once again, why they hadn’t yet agreed to fix this incredible mistake. It was in this back-and-forth, in this case just hours before the story was set to publish and air, that the Biden administration officially reversed itself and told NPR that it would, at last, fix the problem. … It’s impossible to know precisely what was happening behind the scenes at the Department, but this story — and the further discomfort it would have caused the administration — was certainly softened by the sudden, exclusive commitment to NPR in the opening sentences that a fix was finally on the way.”
Helping victims of crypto scams get their money back
This is a follow-up story to an investigation NPR reporter Bobby Allyn did of a crypto scam that was stealing the life savings of elderly people. After this story, the Massachusetts attorney general sued the obscure company Allyn investigated and got its crypto assets frozen by a judge, and one of the victims in the story got all of his money back — more than $140,000 that had been stolen from him.
“I first stumbled upon this story after meeting an elderly victim of the scam at a police station in LA,” Allyn says. “He was reporting the crime, and I chased him down after overhearing it, and took down his information. And months later, I published an investigation on the company’s tactics and how it managed to defraud him and others out of hundreds of thousands of dollars.”
Helping people learn how to reduce their stress
This year NPR offered our audiences a unique opportunity to learn science-backed stress reduction techniques through a collaboration with researchers at Northwestern University.
NPR Health Correspondent Allison Aubrey has been covering health and well-being for decades. She reported on a study by Judith Moskowitz, which showed that stress reduction techniques can help improve well-being in people who are dealing with significant stress, like caring for a loved one with Alzheimer’s disease or living with a cancer diagnosis.
Aubrey wanted to know if these same techniques would help people cope with everyday stress. Moskowitz agreed to open her stress reduction course to our audiences, and she will be analyzing the data in the new year. Aubrey also talked to many other researchers to bring our audiences the best science has to offer to help people cope with stress.
The response to this series was incredible. But most rewarding were the personal notes we got from people who took part in our series. Here are a few examples:
- “Thank you for creating this for everyone!” wrote Andy C., a high school counselor in Delaware. He has started a “Mid-Week Reset,” for his colleagues. “It helps my staff feel more connected to making the school a better place and allows me time to connect with my colleagues which makes me feel less alone and that I matter.”
- Kris G. is another teacher who loved our series. “I love its suggestions because they are realistic and usable for high school, middle school and elementary school. As a teacher, students always express their ‘stress’ and inability to move forward. These techniques quickly move them beyond the stress and make them re-center their fears as focus.”
Prompting a multimillion-dollar hospital donation from a tech billionaire after investigating his real estate investments
Dara Kerr reported this scoop about billionaire Marc Benioff buying up hundreds of acres of land in a small rural Hawaii town. Discussion in Hawaii among locals and the ensuing attention and questions the story generated galvanized Benioff himself to donate $150 million to hospitals in Hawaii within days of the story publishing.
The story generated a lot of buzz, with many big names in journalism “writing about it in their own columns or newsletters, focusing on the consequences of how billionaires choose to spend their money,” said chief business editor Pallavi Gogoi.
Prompting the VA to reassess an error in its mortgage program
In a yearlong series of stories, NPR held the Department of Veterans Affairs accountable for an error in its mortgage program that put tens of thousands of veterans at risk of losing their homes. Chris Arnold and Quil Lawrence won several awards for the early stories, but the impact was steady all year.
First the VA froze all foreclosures for six months. After more NPR stories, the VA extended that freeze at least until the end of this year. Further investigation revealed thousands of vets forced into terrible modified mortgages by the same VA screwup.
Natalie Donaldson is currently dealing with Veteran Affairs forbearance policy changes that resulted in her monthly payments jumping 50%.
Michael Noble Jr. for NPR/For NPR
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Michael Noble Jr. for NPR/For NPR
Eventually reporters were able to discover that at least 1,300 vets had been forced into loan modifications that raised their payments by 50%.
“Natalie Donaldson is one, and getting her help felt great, since she’d survived a traumatic time in the military. Keeping her home seemed key to her hard-won peace of mind,” Lawrence said.
Inspiring legislation to ban the practice of octopus farming in the U.S.
In February, NPR published a story looking at a Spanish seafood company’s bid to build what would be the world’s first massive octopus-farming facility, in the Canary Islands.
Sen. Sheldon Whitehouse, D-Rhode Island, noticed NPR’s story — and a few months later, he introduced a bill in Congress to ban any similar projects in the U.S.

“It was a neat surprise to get a note from the senator’s office saying he had noticed the story and was about to introduce a bill banning octopus farming. The bill hasn’t passed — but in August, 100 experts published a letter in Science magazine supporting the bill,” reporter Bill Chappell explained.
Shining a spotlight on what community care can look like worldwide
This is a bilingual visual story about Colombia’s caregivers that shows hard-working families, men, women and children taking care of themselves and their community. It was a finalist at the National Association of Hispanic Journalist awards this year in the digital story category, in Spanish and in English, and was also a finalist in photography.
“It’s about a unique solutions story from a part of the world which we don’t hear many solutions stories from. Their community center is funded by a local government assistance project; the images show them in everyday activities at home and in their community. The story brings to life a community we don’t hear much about. The world needs to know there are efforts afoot to make this world a better place,” wrote NPR’s Laura Soto-Barra, who contributed to the story.
Amplifying the growing worldwide struggle for families to be able to feed their children
This story spotlighted a “silent” issue — the struggle of working families to afford three healthy meals a day for their kids — to the fore. Reader response was strong, expressing a desire to help. One of the families will be featured on the Dr. Phil talk show next year, and one of the photographers said he brought food and other gifts to the family he’d profiled.
JUL 21, 2024. Snacks are an important part of Tomás’ nutritional diet. So his parents have followed a diet outside of junk food on most occasions. Here Tomás eats puffed rice cereal while his parents cook.
Alejandra Leyva for NPR
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Alejandra Leyva for NPR
“A U.N. report this year highlighted the growing issue of malnutrition among kids under age 5 as families struggle to afford food that is often more expensive due to climate-related growing issues. We wanted to know who those families are and worked with The Everyday Project, a global consortium of photojournalists, to identify and profile 9 families around the world, from Mississippi to Mexico to Malaysia,” wrote Marc Silver, one of the story’s editors.
Connecting listeners with a community land trust in Lahaina
After this story aired on the uncertainty of property rights in Lahaina after the fire disaster there, the folks in the story received a surge in donations, as well as support and offers to help from around the country. At first, they were confused why people so far from the Maui community were getting in touch. Then they realized their story had been on NPR.
Lauren Sommer was one of the first reporters in Lahaina after the extreme wildfire destroyed homes and took lives.
“I stayed in touch with a few sources, including a few that were very concerned their friends and neighbors wouldn’t be able to afford to rebuild, allowing developers to buy properties in a tourism hotspot. They started the community land trust from scratch, learning as they went, and I was able to go back to Maui to cover it and a few other stories. At a time when they felt the national media had forgotten about Lahaina’s disaster, they were very grateful that NPR returned,” Sommer wrote.
Giving listeners tools to stay healthy while scrolling
In 2024, season two of Body Electric featured host Manoush Zomorodi diving further into the impact of technology on our health, including how scrolling affects our breathing and what earbuds are doing to our hearing. The BE team also started a new type of podcast episode: 5-minute walk-and-talk breaks with Zomorodi.
As part of this series, the team worked with researchers at Columbia University Medical Center to understand how we can offset the detrimental effects of this screen-filled lifestyle. Last year, the team at Columbia published a study that found regular movement breaks — five minutes out of every thirty — counteracted the harmful effects of sitting all day.
“In 2023, over 23,000 people joined a Body Electric challenge to move for five minutes every half-hour, every hour or every two hours for two weeks and report back to researchers,” said host Manoush Zomorodi on NPR’s Morning Edition.
Spurring the DOJ to investigate how targeted violence was handled in some Virginia schools
“This was way off my usual beat — I’m a business reporter — but I’d previously done a story on growing Latino populations in the area and how that fueled the growth of different businesses,” said WHRO reporter Ryan Murphy.
One of the contacts from that story called him months later to say she’d heard from families about this targeted violence in the schools, and the dismissiveness of school officials, and didn’t know where else to turn for relief, Murphy said.
Teresa Rodriguez (left) and Leo Medina (center right) worry about sending their sons to school after the boys were attacked in December by a large group outside Norview High.
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Ryan Murphy/WHRO
“This source connected me with families and translated during interviews to help me tell a story about a community that, because of language barriers, often goes overlooked — a story I couldn’t have brought to light by myself,” he said.
Now, the Department of Justice has launched an (still ongoing) investigation into how this violence was handled.
Helping consumers across the Gulf South navigate outlandish utility bills
This series from the Gulf States Newsroom highlighted a utility billing issue — and its possible solution — each month from around the Gulf South.
The work of reporters Stephan Bisaha and Drew Hawkins produced a variety of impacts, including engaging the community through callout sourcing. Many people featured in the stories reported back that their experiences prompted utility companies to look into their issues — some for the first time, despite many previous calls, and some reported that their stories prompted utility companies to move their issue up the priority list.
“The thing is, though, these complaints tend to act like the problems are unique to each city. In reality, they’re endemic across the region. It took a few years of hearing stories of missing water bills in Birmingham, inexplicable power expenses in New Orleans and the 2022 water crisis in Jackson for me to realize how this is really a shared tradition,” wrote Bisaha, who also won a Murrow award for his reporting on this piece.
Providing resources to voters in a historically disenfranchised and newly formed voting district in Alabama
Maya Miller and Nellie Beckett spent months leading up to the November election covering the issues facing Alabama’s newly created District 2, and the effort there to get out the vote and represent this historically marginalized area. With support from WFYI’s America Amplified initiative, they produced stories and social content that highlighted the intersecting challenges and concerns of central Alabama.
Gulf States Newsroom community engagement reporter Maya Miller hears from Alabama State University student leader and District 2 voter Tyrin Moorer outside of the Dunn-Oliver Acadome in Montgomery, Alabama, on Nov. 5, 2024.
Nellie Beckett/Gulf States Newsroom
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Nellie Beckett/Gulf States Newsroom
The impact included local political strategists sharing out the FAQ voter guide, and 527 downloads of the Gulf States Gumbo podcast unpacking the project to cover District 2.
The team pursued this coverage to tell the story of a historically marginalized area in Alabama, newly recognized with redistricting as a focus of Black voting power and a region with assets to frame as well as challenges to tackle. Tackling stories of issues and voting power led Maya and Nellie down the path of community engagement reporting.
This story received contributions from Arielle Retting, Manuela López Restrepo, and Amy Morgan.
Lifestyle
It Started with a Midnight Swim and a Kiss Under the Stars
When Marian Sherry Lurio and Jonathan Buffington Nguyen met at a mutual friend’s wedding at Higgins Lake, Mich., in July 2022, both felt an immediate chemistry. As the evening progressed, they sat on the shore of the lake in Adirondack chairs under the stars, where they had their first kiss before joining others for a midnight plunge.
The two learned that the following weekend Ms. Lurio planned to attend a wedding in Philadelphia, where Mr. Nguyen lives, and before they had even exchanged numbers, they already had a first date on the books.
“I have a vivid memory of after we first met,” Mr. Nguyen said, “just feeling like I really better not screw this up.”
Before long, they were commuting between Philadelphia and New York City, where Ms. Lurio lives, spending weekends and the odd remote work days in one another’s apartments in Philadelphia and Manhattan. Within the first six months of dating, Mr. Nguyen joined Ms. Lurio’s family for Thanksgiving in Villanova, Pa., and, the following month, she met his family in Beavercreek, Ohio, at a surprise birthday party for Mr. Nguyen’s mother.
Ms. Lurio, 32, who grew up in Merion Station outside Philadelphia, works in investor relations administration at Flexpoint Ford, a private equity firm. She graduated from Dartmouth College with a bachelor’s degree in history and psychology.
Mr. Nguyen, also 32, was born in Knoxville, Tenn., and raised in Beavercreek, Ohio, from the age of 7. He graduated from Haverford College with a bachelor’s degree in political science and is now a director at Doyle Real Estate Advisors in Philadelphia.
Their long-distance relationship continued for the next few years. There were dates in Manhattan, vacations and beach trips to the Jersey Shore. They attended sporting events and discovered their shared appreciation of the 2003 film, “Love Actually.”
One evening, Mr. Nguyen recalled looking around Ms. Lurio’s small New York studio — strewed with clothes and the takeout meal they had ordered — and feeling “so comfortable and safe.” “I knew that this was something different than just sort of a fling,” he said.
It was an open question when they would move in together. In 2024, Ms. Lurio began the process of moving into Mr. Nguyen’s home in Philadelphia — even bringing her cat, Scott — but her plans changed midway when an opportunity arose to expand her role with her current employer.
Mr. Nguyen was on board with her decision. “It almost feels like stolen valor to call it ‘long distance,’ because it’s so easy from Philadelphia to New York,” Mr. Nguyen said. “The joke is, it’s easier to get to Philly from New York than to get to some parts of Brooklyn from Manhattan, right?”
In January 2025, Mr. Nguyen visited Ms. Lurio in New York with more up his sleeve than spending the weekend. Together they had discussed marriage and bespoke rings, but when Mr. Nguyen left Ms. Lurio and an unfinished cheese plate at the bar of the Chelsea Hotel that Friday evening, she had no idea what was coming next.
“I remember texting Jonathan,” Ms. Lurio said, bewildered: “‘You didn’t go toward the bathroom!’” When a Lobby Bar server came and asked her to come outside, Ms. Lurio still didn’t realize what was happening until she was standing in the hallway, where Mr. Nguyen stood recreating a key moment from the film “Love Actually,” in which one character silently professes his love for another in writing by flashing a series of cue cards. There, in the storied Chelsea Hotel hallway still festooned with Christmas decorations, Mr. Nguyen shared his last card that said, “Will you marry me?”
They wed on April 11 in front of 200 guests at the Pump House, a covered space on the banks of Philadelphia’s Schuylkill River. Mr. Nguyen’s sister, the Rev. Elizabeth Nguyen, who is ordained through the Unitarian Universalist Association, officiated.
Although formal attire was suggested, Ms. Lurio said that the ceremony was “pretty casual.” She and Jonathan got ready together, and their families served as their wedding parties.
“I said I wanted a five-minute wedding,” Ms. Lurio recalled, though the ceremony ended up lasting a little longer than that. During the ceremony, Ms. Nguyen read a homily and jokingly added that guests should not ask the bride and groom about their living arrangements, which will remain separate for the foreseeable future.
While watching Ms. Lurio walk down the aisle, flanked by her parents, Mr. Nguyen said he remembered feeling at once grounded in the moment and also a sense of dazed joy: “Like, is this real? I felt very lucky in that moment — and also just excited for the party to start!”
Lifestyle
L.A. Affairs: I loved someone who felt he couldn’t be fully seen with me
He always texted when he was outside. No call, no knock. It was just a message and then the soft sound of my door opening. He moved like someone practiced in disappearing.
His name meant “complete” in Arabic, which is what I felt when we were together.
I met him the way you meet most things that matter in Los Angeles — without intending to. In our senior year at a college in eastern L.A. County, we were introduced through mutual friends, then thrown together by the particular gravity of people who recognized something in each other. He was a Muslim medical student, conservative and careful and funny in the dry, precise way of someone who has always had to choose his words. I was loud where he was quiet, messy where he was disciplined. I was out. He was not.
I understood, or thought I did. I thought that I couldn’t get hurt if I was completely conscious throughout the endeavor. Los Angeles has a way of making you feel like the whole world shares your freedoms — until you realize the city is enormous, and not all of it belongs to you in the same way.
For months, our world was confined to my apartment. He would slip in after dark, and we’d stay up late talking about his family in Iran, classical music and the particular pressure of being the son someone sacrificed everything to bring here. He told me things he said he’d never told anyone, and I believed him.
The orange glow from my Nesso lamp lit his face while the indigo sky pressed against the window behind him. In our small little world, we were safe. Outside was another matter.
On our first real date, I took him to the L.A. Phil’s “An Evening of Film & Music: From Mexico to Hollywood” program. I told him they were cheap seats even though they were the first row on the terrace. He was thrilled in the way only someone who doesn’t expect to be delighted actually gets delighted — fully, without guarding it. I put my arm around his shoulders. At some point, I shifted and moved it, and he nudged it back. He was OK with PDA here.
I remember thinking that wealth is a great barrier to harm and then feeling silly for extrapolating my own experience once again. Inside Walt Disney Concert Hall, we were just two people in love with the same music.
Outside was still another matter.
In February, on Valentine’s Day, he took me to a Yemeni restaurant in Anaheim. We hovered over saffron tea surrounded by other young Southern Californians, and we looked like friends. Before we went in, we sat in the parking lot of the strip mall — signs in Arabic advertising bread, coffee, halal meats, the Little Arabia District — hand in hand. I leaned over to kiss him.
“Not here,” he said. His eyes shifted furtively. “Someone might see.”
I understood, or told myself I did, but I was saddened. Later, after the kind of reflection that only arrives in the wreckage, I would understand something harder: I had been unconsciously asking him to choose, over and over, between the people he loved and the person he loved. I had a long pattern of choosing unavailable men, telling myself it was because I could handle the complexity. The truth was more embarrassing. I thought that if someone like him chose me anyway — chose me over the weight of societal expectations — it would mean I was worth choosing. It took me a long time to see how unfair that was to him and to me.
We went to the Norton Simon Museum together in November, on the kind of gray Pasadena day when the 210 Freeway roars in the background like white noise. He studied for the MCAT while I wrote a paper on Persian rugs. In between practice problems, he translated ancient Arabic scripts for me. I thought, “We make a good team.” Afterward, we walked through the galleries and he didn’t let go of my arm.
That was the version of us I kept returning to — when the ending came during Ramadan. It arrived as a spiritual reflection of my own. I texted: “Does this end at graduation — whatever we are doing?”
He thought I meant Ramadan. I did not mean Ramadan.
“I care about you,” he wrote, “but I don’t want you to think this could work out to anything more than just dating. I mean, of course, I’ve fantasized about marrying you. If I could live my life the way I wanted, of course I would continue. I’m just sad it’s not in this lifetime.”
I was in Mexico City when these texts were exchanged. That night I flew to Oaxaca to clear my head and then, after less than 24 hours, flew back to L.A. No amount of vacation would allow me to process what had just happened, so I threw myself back into work.
My therapist told me to use the conjunction “and” instead of “but.” It happened, and I am changed. The harm I caused and the love I felt. The beauty of what we made and the impossibility of where it could go. She gave me a knowing smile when I asked if it would stay with me forever. She didn’t answer, which was the answer.
I think about the freeways now, the way Joan Didion called them our only secular communion. When you’re on the ground in Los Angeles, the world narrows to the few blocks around you. Get on the freeway and you understand the whole body of the city at once: the arteries, the pulse, the scale of the thing.
You understand that you are a single cell in something enormous and moving. It is all out of your control. I am in a lane. The lane shaped how I drive. He was simply in a different lane, and his lane shaped him, and those two facts can coexist without either of us being the villain of the sad story.
He came like a secret in the night, and he left the same way. What we made in between was real and complicated and mine to hold forever, hoping we find each other in the next life.
The author lives in Los Angeles.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
The Nerve Center of This Art Fair Isn’t Painting. It’s Couture.
The art industry is increasingly shaped by artists’ and art businesses’ shared realization that they are locked in a fierce struggle for sustained attention — against each other, and against the rest of the overstimulated, always-online world. A major New York art fair aims to win this competition next month by knocking down the increasingly shaky walls between contemporary art and fashion.
When visitors enter the Independent art fair on May 14, they will almost immediately encounter its open-plan centerpiece: an installation of recent couture looks from Comme des Garçons. It will be the first New York solo presentation of works by Rei Kawakubo, the brand’s founder and mastermind, since a lauded 2017 survey exhibition at the Metropolitan Museum of Art’s Costume Institute.
Art fairs have often been front and center in the industry’s 21st-century quest to capture mindshare. But too many displays have pierced the zeitgeist with six-figure spectacles, like Maurizio Cattelan’s duct-taped banana and Beeple’s robot dogs. Curating Independent around Comme des Garçons comes from the conviction that a different kind of iconoclasm can rise to the top of New York’s spring art scrum.
Elizabeth Dee, the founder and creative director of Independent, said that making Kawakubo’s work the “nerve center” of this year’s edition was a “statement of purpose” for the fair’s evolution. After several years at the compact Spring Studios in TriBeCa, Independent will more than double its square footage by moving to Pier 36 at South Street, on the East River. Dee has narrowed the fair’s exhibitor list, to 76, from 83 dealers in 2025, and reduced booth fees to encourage a focus on single artists making bold propositions.
“Rei’s work has been pivotal to thinking about how my work as a curator, gallerist and art fair can push boundaries, especially during this extraordinary move toward corporatization and monoculture in the art world in the last 20 years,” Dee said.
Kawakubo’s designs have been challenging norms since her brand’s first Paris runway show in 1981, but her work over the last 13 years on what she calls “objects for the body” has blurred borders between high fashion and wearable sculpture.
The Comme des Garçons presentation at Independent will feature 20 looks from autumn-winter 2020 to spring-summer 2025. Forgoing the runway, Kawakubo is installing her non-clothing inside structures made from rebar and colored plastic joinery.
Adrian Joffe, the president of both Comme des Garçons International and the curated retailer Dover Street Market International (and who is also Kawakubo’s husband), said in an interview that Kawakubo’s intention was to create a sculptural installation divorced from chronology and fashion — “a thing made new again.”
Every look at Independent was made in an edition of three or fewer, but only one of each will be for sale on-site. Prices will be about $9,000 to $30,000. Comme des Garçons will retain 100 percent of the sales.
Asked why she was interested in exhibiting at Independent, the famously elusive Kawakubo said via email, “The body of work has never been shown together, and this is the first presentation in New York in almost 10 years.” Joffe added a broader philosophical motivation. “We’ve never done it before; it was new,” he said. Also essential was the fair’s willingness to embrace Kawakubo’s vision for the installation rather than a standard fair booth.
Kawakubo began consistently engaging with fine art decades before such crossovers became commonplace. Since 1989, she has invited a steady stream of contemporary artists to create installations in Comme des Garçons’s Tokyo flagship store. The ’90s brought collaborations with the artist Cindy Sherman and performance pioneer Merce Cunningham, among others.
More cross-disciplinary projects followed, including limited-release direct mailers for Comme des Garçons. Kawakubo designs each from documentation of works provided by an artist or art collective.
The display at Independent reopens the debate about Kawakubo’s proper place on the continuum between artist and designer. But the issue is already settled for celebrated artists who have collaborated with her.
“I totally think of Rei as an artist in the truest sense,” Sherman said by email. “Her work questions what everyone else takes for granted as being flattering to a body, questions what female bodies are expected to look like and who they’re catering to.”
Ai Weiwei, the subject of a 2010 Comme des Garçons direct mailer, agreed that Kawakubo “is, in essence, an artist.” Unlike designers who “pursue a sense of form,” he added, “her design and creation are oriented toward attitude” — specifically, an attitude of “rebellion.”
Also taking this position is “Costume Art,” the spring exhibition at the Costume Institute. Opening May 10, the show pairs individual works from multiple designers — including Comme des Garçons — with artworks from the Met’s holdings to advance the argument made by the dress code for this year’s Met gala: “Fashion is art.”
True to form, Kawakubo sometimes opts for a third way.
“Rei has often said she’s not a designer, she’s not an artist,” Joffe said. “She is a storyteller.”
Now to find out whether an art fair sparks the drama, dialogue and attention its authors want.
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