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Everything you need to know about Disneyland's biggest event of the decade

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Everything you need to know about Disneyland's biggest event of the decade

The Disneyland Resort is turning 70 in July, and it has never missed an opportunity to throw a party — especially one rooted in nostalgia. For the year-long event, a number of fan favorites are making their return, in addition to some new shows and tweaks to favorite attractions.

The festivities officially launch May 16, although not all offerings will be available right away. Some will be rolled out to coincide with Disneyland’s official birthday on July 17. The celebration is planned to last through summer 2026.

Here’s everything you need to know about the Disneyland Resort 70th Celebration — including details on a ticket deal.

Disneyland Park

The return of a fan-favorite parade. Evening parade Paint the Night made its debut in Anaheim during Disneyland’s 60th anniversary a decade ago, and it’s back for the 70th. A sort of spiritual successor to the on-again/off-again Main Street Electrical Parade, Paint the Night has a fast-moving soundtrack, more than 1 million LED lights and glittering, shimmering floats that honor franchises such as “Toy Story,” “Frozen” and “Cars.” Paint the Night is a vibrant, high-energy show that intersperses dance, tech and the requisite amount of evening sparkle.

Anna and Elsa will rejoin the Paint the Night parade on the float inspired by “Frozen.”

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(Paul Hiffmeyer / Disneyland Resort)

A legendary ride gets an update. It’s a Small World is so filled with details — playful dolls, adorable creatures, colorful vignettes, all of it designed in the style of artist Mary Blair — that it’s impossible to see all of it on one ride through. And when the attraction reopens on May 9, it will have even more characters, as Disney is adding Miguel and Dante from the film “Coco” to the ride’s Mexico section. That’s not the only tweak planned for this legendary ride. Coming in July will be an additional verse to its memorable song, this one written by original co-composer Richard Sherman shortly before his death in 2024. Sherman wrote the verse to celebrate the song’s 60th anniversary, as the attraction opened at the New York World’s Fair in 1964 before being installed at Disneyland in 1966.

Dolls in the Mexico section of ride It's a Small World.

Miguel and Dante from the Disney/Pixar film “Coco” will be added to classic It’s a Small World when the ride repoens in May.

(Disney concept art)

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A new projection show comes to It’s a Small World. The work and style of Blair also will be honored via a new projection experience that will unfold on the façade of It’s a Small World. Titled “Tapestry of Happiness,” this nighttime show, described by Disney as an “animated mosaic of Disneyland attractions, moments and memories,” will include many songs associated with the park as well as the new tune “Celebrate Happy.” Expect a projection show that digs into Disneyland history and is high on nostalgia, with no doubt a moment or two designed to bring longtime fans to tears.

An evening performance that celebrates animation. The fireworks show “Wondrous Journeys” will return for Disneyland’s 70th. Introduced for the 100th anniversary of the Walt Disney Co., “Wondrous Journeys” focuses on the history of the company’s animated works. Some fine print: Not every night of “Wondrous Journeys” will feature fireworks, but it remains one of Disney’s better-received evening shows, as it features snippets of more than 60 films as well as nods to many shorts that helped define the studio.

A drawing of an assortment of colorful characters parading down a theme park street.

A new character cavalcade will launch May 16 and continue throughout the year. Characters such as Duffy and ShellieMay, rarely seen in Anaheim, will take part.

(Artist concept / Disneyland Resort)

Say hello to Duffy. First, the bad news: The terrific, contemporary dance-focused parade Magic Happens is currently not slated to run during Disneyland’s 70th anniversary. The consolation prize? Disneyland is introducing a new afternoon character cavalcade that will feature some 70th-anniversary attire and the arrival of rarely seen characters at Disneyland, such as Duffy and ShellieMay. The teddy bear characters are international Disney superstars, and cult favorites among American Disney fans.

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Take a tour that honors Disneyland history. Disneyland will launch a new guided tour for its 70th anniversary, this one focused squarely on the history and development of the park. The two-hour experience, available for an additional charge, will be available for booking beginning April 24. Disney says the tour will place a special emphasis on the park’s opening-day attractions, as well as Walt Disney’s original vision for the park.

Concept art of Walt Disney leaning against a desk in an office.

An audio-animatronics figure of Walt Disney will appear in the show “Walt Disney — A Magical Life,” which will debut in the Main Street Opera House at Disneyland in July.

(Disneyland)

Speaking of Walt … Opening July 17 will be a show in the Main Street Opera House that will celebrate the life and legacy of the park’s patriarch. “Walt Disney — A Magical Life” will for the 70th anniversary displace the show centered on Abraham Lincoln, and will feature the first-ever audio-animatronic of Disney, which the company has teased is its most lifelike figure to date. The figure, images of which the company is currently keeping under wraps, will be brought to life via audio recordings and will be situated in a setting designed to evoke Walt’s office. After the show’s initial run during the 70th, it will play in tandem with “Great Moments With Mr. Lincoln.” The exit hall for the attraction will feature concept art for Disneyland attractions in the works.

Explore Disney tech at a historical art exhibit. Guests likely will want to arrive early for “Walt Disney — A Magical Life” once the show launches, as the gallery in the Opera House will be filled with a new exhibit developed by the company’s archives department in collaboration with San Francisco’s Walt Disney Family Museum as well as Walt Disney Imagineering, the secretive arm of the company devoted to theme park experiences. First, explore a selection of photographs and artifacts from before and during the Walt era that helps tell the Disneyland development story. Many items, including never-before-shown artifacts from Disney’s private Disneyland apartment, are on loan from the Walt Disney Family Museum. A final section will be dedicated to the development of audio-animatronic figures, looking at Walt’s passion for the creations and how they have evolved over the decades.

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Disney California Adventure

A brand-new “World of Color” show that you can vote on. “World of Color Happiness!” is a new lagoon-based show for the 70th anniversary, this one inspired by Walt Disney’s original dedication for the park. “To all who come to this happy place, welcome,” Disney said in July 1955. “Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America.” Although here’s betting the World of Color show — sure to feature impressive fountains, projections and pyrotechnics — doesn’t delve too heavily into any “hard facts.”

A host of Disney characters, led by those from "Inside Out."

The new “World of Color Happiness!” will debut in Disney California Adventure in May to celebrate Disneyland’s 70th anniversary.

(Artist concept / Disneyland Resort)

Some of the animated works featured in the performance include “Turning Red,” “A Goofy Movie,” “Tangled” and “The Lion King,” and it will be hosted by the blue-haired character of Joy from the “Inside Out” films. Arrive early and vote via the Disneyland app to see various “Inside Out” characters — Sadness, Anger, Disgust or Envy — given greater prominence during the show. A new song from Fitz of Fitz and the Tantrums fame will be featured in the production, and Boyz II Men have recorded a rendition of “Rainbow Connection” for it.

Carthay Circle will spring to life each night. The façade of the park’s upscale restaurant, Carthay Circle, will morph into a performance space. While Disney hasn’t detailed too heavily what audiences may expect to see on the building, expect a projection-based show with inventive lighting and music. The projections and lighting will be set to the 70th-anniversary theme song, “Celebrate Happy,” which is to be recorded by the Jonas Brothers.

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Concept art of a ride vehicle with passengers firing a toy blaster at a screen.

Toy Story Midway Mania! will be updated with animations that nod to the 70th anniversary.

(Artist concept / Disneyland Resort)

New surprises adorn Toy Story Midway Mania! While not the first video game-inspired ride, Toy Story Midway Mania! was quite possibly the first successful implementation of one. The ride works well with what is now known as Pixar Pier, a land full of carnival rides and games. It still holds up thanks to its simplicity. Of course, a unique ride vehicle — a carnival car with a spring-action launcher — doesn’t hurt. Now, the 2008 attraction will receive an ever-so-slight makeover for the 70th. Look for new animations that nod to the festivities peppered throughout the ride’s digital games.

A Pixar-focused daytime parade makes a comeback. Last year California Adventure unveiled a new daytime parade, “Better Together: A Pixar Pals Celebration,” and it’s returning for the 70th. Colorful floats that nod to recent films like “Luca” and “Turning Red,” the latter complete with a larger-than-life red panda Mei, are contrasted with smaller, more playful units that touch on “Toy Story” and “Monsters, Inc.” Throughout, there’s an underlying theme of friendship.

Dining, merchandise and more

A barbecue buffet, with a side of duck. Duck isn’t on the menu, but a certain waterfowl is the star of this dinner at the Grand Californian’s Storytellers Cafe. Donald’s Tales of Adventure Dinner Buffet launches May 16 and features what’s described a a campfire-style barbecue. Expect spareribs, fried chicken, prime rib and more, and look for the likes of Donald, Daisy, Clarabelle, Goofy and Pluto in new adventure-inspired outfits. Reservations are recommended and the meal starts at $62 for adults and $36 for children.

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Donald and Daisy Duck, with friends such as Clarabelle and Goofy, in a restaurant.

Storytellers Cafe at Disney’s Grand Californian will host a new Donald Duck-led character dinner buffet.

(David Nguyen / Disneyland Resort)

Specialty merchandise abounds. Disneyland is launching multiple merchandising lines for its 70th anniversary, some of which have already started to infiltrate the parks. The so-called “celebration collection” features brash colors and new collaborations with Loungefly and Dooney & Bourke. The “castle collection” is just that, featuring regal wear and jewelry inspired by Sleeping Beauty Castle, while the “vault collection” is where all those seeking Disneyland nostalgia will want to head. The vault collection will be released in waves throughout the year, the first rendition looking at Disneyland maps. The “Disneyland Resort 70th Anniversary Walt Disney Nostalgia Collection” is said to boast vintage-style accessories and attire outfitted in some of Walt’s famous quotes. There’s plenty more, including pocket watches and charms, and a giant interactive key that will light up and play music as guests explore the park.

A young man and woman model Disneyland clothes at the park.

Disneyland is launching multiple new merch lines for the 70th anniversary, including one that features quotes from Walt Disney.

(Disneyland Resort)

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And you can see it all for a (slight) discount. Disneyland fans willing to commit to more than a day in the park can take part in a limited-time ticket offer. An anniversary ticket is on sale now, good for visits from May 16 to Aug. 14. It’s a three-day, one-park-per-day ticket that sells for $360, which works out to $120 per day. That’s a slight savings, as peak spring and summer tickets typically can’t be found for less than $142 per day and can run as high as $206. Those who opt in for a four-day $400 ticket will be able to access the parks for $100 per day. The tickets do not have to be used on consecutive days.

Mickey, Minnie and a host of Disney characters in Fantasyland.

Throughout the event, look for popular characters in new celebratory attire.

(Christian Thompson / Disneyland Resort)

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Bowen Yang leaves ‘SNL’ midway through his 8th season

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Bowen Yang leaves ‘SNL’ midway through his 8th season

Bowen Yang is leaving Saturday Night Live midway through his 8th season with the long-running, late-night comedy sketch series.

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Comedian Bowen Yang is leaving Saturday Night Live midway through the season, his eighth with the long-running NBC late-night sketch comedy series. The performer is scheduled to participate in his final show Saturday, which will be hosted by Wicked star Ariana Grande. Cher is the musical guest.

Yang has not publicly shared the reason for his abrupt departure from SNL. In a social media post on Saturday, the comedian thanked the team and expressed gratitude for “every minute” of his time with the show.

“I loved working at SNL, and most of all I loved the people,” Yang wrote. “I was there at a time when many things in the world started to seem futile, but working at 30 Rock taught me the value in showing up anyway when people make it worthwhile.”

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Yang, 35, was one of SNL‘s most prominent recent cast members.

His most famous work on the show includes “The Iceberg That Sank the Titanic,” a “Weekend Update” segment where Yang personifies the infamous iceberg; a commercial spoof co-starring Travis Kelce — “Straight Male Friend” — advertising the benefits of low-stakes friendships; and his recurring impression of expelled congressman George Santos. At one point, Yang also performed a sketch in which he played an intern on NPR’s Tiny Desk concert series.

Yang has been nominated for five Emmy Awards for his work on the series. Beyond SNL, the performer’s credits include the 2022 romantic comedy Fire Island, the musical Wicked (2024) as well as its sequel, Wicked: For Good (2025), and the remake of The Wedding Banquet (2025). He also co-hosts the Las Culturistas podcast with actor and comedian Matt Rogers.

Yang, the show’s first Chinese American cast member, rose through SNL‘s ranks after joining the show as a staff writer in 2018. A year later, he was promoted to on-air talent and eventually became a series regular.

Yang talked about the natural turnover at SNL and hinted at life beyond the show in an interview with People earlier this year. “It’s this growing, living thing where new people come in and you do have to sort of make way for them and to grow and to keep elevating themselves,” he said. “And that inevitably requires me to sort of hang it up at some point — but I don’t know what the vision is yet.”

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He joins other cast members who have recently left the show. Heidi Gardner, Ego Nwodim and Devon Walker are among those who departed ahead of the 51st season, which launched in October.

Yang’s reps did not immediately respond to NPR’s request for comment. The series’ network, NBCUniversal, referenced Yang’s social media post, but provided no further comment.

Though uncommon, there have been a few other mid-season SNL departures in the past, including Cecily Strong, Dana Carvey and Eddie Murphy.

Fellow entertainers have commented on Yang’s departure on social media. “Iconic. (Understatement)” wrote actor Evan Ross Katz on Instagram in response to Yang’s post. “Congrats!” wrote comedian Amber Ruffin. “Please make more The Wedding Banquets.”

NPR critic-at-large Eric Deggans called Yang’s departure, even if inevitable, a setback for the show.

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“SNL thrives when it has a large crop of utility players who can pull comedic gold from the dodgiest sketch ideas,” Deggans said, counting Yang among the most talented in recent seasons of the show’s cast to fill that role.

“No matter what he was asked to do, from playing the iceberg that sunk the Titanic to playing North Korean leader Kim Jong-un, he was able to wring maximum laughs and patch up SNL’s historic lack of representation regarding Asian performers,” he added.

But Yang, Deggans noted, may have reached an apex of what he could achieve on the show, “and it might be time for him to leave, while his star is still ascending and there are opportunities beyond the program available to him which might not be around for long.”

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Tekashi 6ix9ine Home Invasion Suspect Arrested

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It was called the Kennedy Center, but 3 different presidents shaped it

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It was called the Kennedy Center, but 3 different presidents shaped it

President John F. Kennedy, left, looks at a model of what was later named the Kennedy Center in Washington, DC., in 1963.

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On Thursday, the Kennedy Center’s name was changed to The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts.

By Friday morning, workers were already changing signs on the building itself, although some lawmakers said Thursday that the name can’t be changed legally without Congressional approval.

Though the arts venue is now closely associated with President Kennedy, it was three American presidents, including Kennedy, who envisioned a national cultural center – and what it would mean to the United States.

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New signage, The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts, is unveiled on the Kennedy Center, Friday, Dec. 19, 2025, in Washington, D.C.

New signage, The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts, is unveiled on Friday in Washington, D.C.

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The Eisenhower Administration

In 1955, President Dwight D. Eisenhower first pursued building what he called an “artistic mecca” in Washington, D.C., and created a commission to create what was then known as the National Cultural Center.

Three years later, Congress passed an act to build the new venue with the stated purpose of presenting classical and contemporary music, opera, drama, dance, and poetry from the United States and across the world. Congress also mandated the center to offer public programs, including educational offerings and programs specifically for children and older adults.

The Kennedy Administration

A November 1962 fundraiser for the center during the Kennedy administration featured stars including conductor Leonard Bernstein, comedian Danny Kaye, poet Robert Frost, singers Marian Anderson and Harry Belafonte, ballerina Maria Tallchief, pianist Van Cliburn – and a 7-year-old cellist named Yo-Yo Ma and his sister, 11-year-old pianist Yeou-Cheng Ma.

In his introduction to their performance, Bernstein specifically celebrated the siblings as new immigrants to the United States, whom he hailed as the latest in a long stream of “foreign artists and scientists and thinkers who have come not only to visit us, but often to join us as Americans, to become citizens of what to some has historically been the land of opportunity and to others, the land of freedom.”

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At that event, Kennedy said this:

“As a great democratic society, we have a special responsibility to the arts — for art is the great democrat, calling forth creative genius from every sector of society, disregarding race or religion or wealth or color. The mere accumulation of wealth and power is available to the dictator and the democrat alike; what freedom alone can bring is the liberation of the human mind and spirit which finds its greatest flowering in the free society.”

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Kennedy and his wife Jacqueline were known for championing the arts at the White House. The president understood the free expression of creativity as an essential soft power, especially during the Cold War, as part of a larger race to excellence that encompassed science, technology, and education – particularly in opposition to what was then the Soviet Union.

The arts mecca envisioned by Eisenhower opened in 1971 and was named as a “living memorial” to Kennedy by Congress after his assassination.

The Johnson Administration

Philip Kennicott, the Pulitzer Prize-winning art and architecture critic for The Washington Post, said the ideas behind the Kennedy Center found their fullest expression under Kennedy’s successor, President Lyndon B. Johnson.

“Johnson in the Great Society basically compares the arts to other fundamental needs,” Kennicott said. “He says something like, ‘It shouldn’t be the case that Americans live so far from the hospital. They can’t get the health care they need. And it should be the same way for the arts.’ Kennedy creates the intellectual fervor and idea of the arts as essential to American culture. Johnson then makes it much more about a kind of popular access and participation at all levels.”

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Ever since, Kennicott said, the space has existed in a certain tension between being a palace of the arts and a publicly accessible, popular venue. It is a grand structure on the banks of the Potomac River, located at a distance from the city’s center, and decked out in red and gold inside.

At the same time, Kennicott observed: “It’s also open. You can go there without a ticket. You can wander in and hear a free concert. And they have always worked very hard at the Kennedy Center to be sure that there’s a reason for people to think of it as belonging to them collectively, even if they’re not an operagoer or a symphony ticket subscriber.”

The Kennedy Center on the Potomac River im Washington, D.C.

The Kennedy Center on the Potomac River in Washington, D.C.

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Kennicott estimated it will only take a few years for the controversies around a new name to fade away, if the Trump Kennedy moniker remains.

He likens it to the controversy that once surrounded another public space in Washington, D.C.: the renaming of Washington National Airport to Ronald Reagan Washington National Airport in 1998.

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“A lot of people said, ‘I will never call it the Reagan National Airport.’ And there are still people who will only call it National Airport. But pretty much now, decades later, it is Reagan Airport,” Kennicott said.

“People don’t remember the argument. They don’t remember the controversy. They don’t remember the things they didn’t like about Reagan, necessarily. . . . All it takes is about a half a generation for a name to become part of our unthinking, unconscious vocabulary of place.

“And then,” he said, “the work is done.”

This story was edited for broadcast and digital by Jennifer Vanasco. The audio was mixed by Marc Rivers.

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