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Conductor Andrew Davis, who headed orchestras on 3 continents, dies at 80

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Conductor Andrew Davis, who headed orchestras on 3 continents, dies at 80

Conductor Andrew Davis, right, raises his arms as he takes a bow, accompanied by Renee Fleming, and Peter Rose, center, during the final dress rehearsal of Richard Strauss’s Capriccio in the Metropolitan Opera at New York’s Lincoln Center, March 25, 2011.

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Conductor Andrew Davis, right, raises his arms as he takes a bow, accompanied by Renee Fleming, and Peter Rose, center, during the final dress rehearsal of Richard Strauss’s Capriccio in the Metropolitan Opera at New York’s Lincoln Center, March 25, 2011.

Richard Drew/AP

Andrew Davis, an acclaimed British conductor who was music director of the Lyric Opera of Chicago and orchestras on three continents, has died. He was 80.

Davis died Saturday at Rusk Institute in Chicago from leukemia, his manager, Jonathan Brill of Opus 3 Artists, said Sunday.

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Davis had been managing the disease for between 1 1/2 and 2 years, but it became acute shortly after his 80th birthday on Feb. 2. He had conducted the Chicago Symphony Orchestra last December in the U.S. premiere of his own orchestration of Handel’s “Messiah.”

“A consummate musician, incredibly versatile and a phenomenal colleague, as well,” soprano Renée Fleming said in an email to The Associated Press. “It takes a special kind of command to be a great conductor, the power to make close to a hundred musicians (each one, at heart, a diva or divo) hang on your tiniest gesture. So it is remarkable that even with that strength, Andrew’s primary quality was his innate happiness. He was gifted with an infectious joy that somehow came through in every bar of music he made.”

As his 80th birthday approached, Davis was invigorated by the challenge of molding an orchestra, especially young players.

“Harnessing all that energy and that enthusiasm and that passion, and galvanizing it into a totally, totally unified conception and not just conception but — what’s the word? — realization,” he said during an interview with the AP last July after rehearsing the National Youth Orchestra of the United States of America in workshops and then at New York’s Carnegie Hall. “I berate them more than I would, but I hope always with a twinkle in my eye.”

Davis was music director of the Toronto Symphony Orchestra from 1975-88 and Britain’s Glyndebourne Festival from 1988-2000; chief conductor of the BBC Symphony Orchestra from 1989-2000 and the Melbourne Symphony Orchestra from 2013-19; then music director of the Lyric Opera from 2000-21.

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Davis made his Lyric Opera debut in 1987 and led about 700 performances of 62 operas by 22 composers.

“He was a true artistic partner to me and a shining light for so many of us,” Lyric Opera general director Anthony Freud said in a statement. “We will miss his incredible artistry, his extraordinary wisdom, his irrepressible humor, his unfettered zest for life and his devotion to the arts and the humanities.”

Davis conducted a dozen Last Night of the Proms concerts, an annual celebration of Britain at London’s Royal Albert Hall. He twice gave the customary speech in the patter of the Major General’s song from Gilbert and Sullivan’s “The Pirates of Penzance.”

Born in Ashridge, in the Hertfordshire county of England, Andrew Frank Davis played organ for his parish choir and joined the choir at the Watford Grammar School for Boys. He studied piano at London’s Royal Academy of Music in London, became an organ student at King’s College Cambridge, and played piano, harpsichord and organ with the Academy of St. Martin in the Fields from 1966-70.

He made his conducting debut with the BBC Symphony in 1970, became an assistant conductor with the BBC Scottish Symphony Orchestra and Philharmonia Orchestra, then in 1971 made his North American debut with the Detroit Symphony Orchestra.

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“One of the finest conductors of his generation,” Carnegie Hall executive and artistic director Clive Gillinson said. “I worked with him on an ongoing basis at the London Symphony Orchestra, and the players and I were always totally engaged by his superb musicianship.”

Davis made his opera-conducting debut in Strauss’ “Capriccio” at the Glyndebourne in 1973 and the following year met his future wife, soprano Gianna Rolandi, when she sang Zerbinetta in performances of Strauss’ “Ariadne auf Naxos” that he led at New York’s Metropolitan Opera. They got married in 1989 and had a son, composer Edward Frazier Davis.

Davis became a Commander of the British Empire in 1992 and a Knight Bachelor in 1999. The family moved to Chicago when he was hired by the Lyric Opera.

During the pandemic, Davis translated Virgil’s “Aeneid” from Latin into English verse.

“I took an entrance exam in classics in New College, Oxford,” he told NPR, “but then a couple of weeks later I took the organ scholarship trials at King’s College, Cambridge, which much to my surprise I won, so that was the end of classics for me.”

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His wife died in 2021. In addition to his son, he is survived by a sister, Jill Atkins, and brothers Martin Davis and Tim Davis. Funeral services will be private.

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How should we behave online? : It’s Been a Minute

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How should we behave online? : It’s Been a Minute
How do you practice good etiquette online?Your online life shapes your offline life — including how you talk, listen, and interact with the world. But often, good behavior offline doesn’t necessarily translate to good behavior online.  So when we get online, how do we uphold some social norms and common decencies we practice in the real world?  Brittany chats with Senior Writer at Wired, Jason Parham, to discuss what it means to establish boundaries and social etiquette within our online worlds. Want more about good etiquette? Check out these IBAM episodes:Is your neighborhood riddled with dog poop?Who needs to know where you are?Support Public Media. Join NPR Plus.Follow Brittany on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
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Chanel’s Bruno Pavlovsky on Reengineering an Iconic Brand

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Chanel’s Bruno Pavlovsky on Reengineering an Iconic Brand
Chanel’s president of fashion, Bruno Pavlovsky, explains in our latest report ‘Face to Face With Luxury Clients’ how the French megabrand has reignited customer excitement and sales growth since onboarding a new artistic director last year.
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They were world-class tennis rivals. Now friends, they’ve teamed up against cancer

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They were world-class tennis rivals. Now friends, they’ve teamed up against cancer

Once rivals on the tennis court, Martina Navratilova, left, and Chris Evert have become close friends in retirement. They are pictured above at the French Open in 1986.

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Chris Evert and Martina Navratilova were the most successful women’s tennis champions of their generation. Both were 18-time Grand Slam tournament winners — and each other’s greatest rivals.

Evert, a Florida native, became a tennis star in her teens. Navratilova was born in communist Czechoslovakia, and emerged as a player after Evert was established. They first faced off during a match in Akron, Ohio, in 1973, when Evert was 18, and Navratilova was 16. Evert won, but Navratilova left an impression.

“I remember thinking to myself, holy cow, when this young girl gets into better shape, she is going to be a force to be reckoned with,” Evert says. “She had so much talent. Her hands were quick, she had a big first serve, she had a big forehand, and she just was so powerful.”

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Two years later, on the day she lost a semifinals match to Evert at the U.S. Open, Navratilova defected to the U.S. In the years that followed, her tennis game improved. Though she and Evert had initially been friendly, the friendship cooled as their rivalry heated up.

“Playing Chris was difficult because how can you not like Chris? What’s not to admire?” Navratilova says. “She was like the epitome of cool.”

The new Netflix documentary Chris & Martina: The Final Set tells the story of how Evert and Navratilova re-established their friendship and how they both faced cancer in retirement. Evert was diagnosed with ovarian cancer in 2021; Navratilova was diagnosed with throat and breast cancer in 2022.

“I can’t get away from her,” Evert jokes. “We had a 15-year career, and then we got cancer at the same time. It really is freaky, but I always say: If I want someone to be in the trenches with me, it’s Martina because she has been so supportive and so understanding.”

Navratilova agrees: “We have such a level of trust that we know whatever we say to each other, it stays there. We give each other the best advice we know how to. And there is no ulterior motive, no playing games.”

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At the time that this interview was taped, Evert and Navratilova were both in remission from cancer. But late last week, Evert disclosed she’d recently been diagnosed with a recurrence of ovarian cancer.

Chris Evert and Martina Navratilova

“We know whatever we say to each other, it stays there,” Martina Navratilova says of her friendship with Chris Evert.

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Interview highlights

On supporting each other through cancer

Evert: There are a lot of phone calls between us. … I don’t cook, but Martina would bake bread for me, and her wife Julia would cook, make some chicken soup. … I got a lot of food from Martina. She got a necklace from me.

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