Entertainment
UCLA faculty protest at Hammer Museum gala, decrying treatment of pro-Palestinian students
About 20 UCLA faculty members protested Saturday night outside the UCLA Hammer Museum’s celebrity-heavy gala, calling for amnesty to be granted to pro-Palestinian students arrested on campus this week and demanding that Chancellor Gene Block resign immediately.
As a well-heeled crowd in cocktail attire filed into the museum for the annual Gala in the Garden, sipping bespoke cocktails and noshing on small bites from passed trays, English Department professor Jonathan Grossman blamed Block for what he and his colleagues said were dual wrongs done to pro-Palestinian student activists. On Wednesday, they said, students received unnecessarily rough treatment from police as their encampment was cleared. The night before, they said, police failed to protect the same students from violent counterprotesters’ attacks.
Elizabeth O’Brien, a professor in the History Department, said she was present Tuesday night and witnessed “a horrifying mob” attacking pro-Palestinian students for four hours.
“Along with a colleague, I begged the police to intervene,” O’Brien said. “A police officer threatened us with a weapon in response to our pleas to protect the students from the mob.”
O’Brien showed what she said was an X-ray of broken bones in one of her student’s hands.
“She was just protesting peacefully, and they shot her with rubber bullets,” O’Brien said, adding, “Chancellor Block failed egregiously to protect the students.”
UCLA’s police chief, John Thomas, failed to deliver a written safety plan and prepare enough forces to keep the peace as directed by campus leadership, sources have said. He denied allegations of security lapses and said he did everything he could to keep students safe. In a statement, Block described the attack on pro-Palestinian protesters as “a dark chapter in our campus’s history” and said the university was reexamining its procedures as a result.
The Hammer’s gala, which usually draws one of the starriest crowds in L.A.’s museum fundraising circuit, had a confirmed guest list that a spokesperson said included Jane Fonda, Ava DuVernay, Keanu Reeves, Will Ferrell, Joel McHale and Owen Wilson. Singer k.d. lang was scheduled to perform.
Jodie Foster was on hand to honor Ann Philbin, the longtime Hammer director who has announced her forthcoming retirement. Before introducing Philbin, Foster acknowledged the Gaza protests at UCLA as well as at other universities around the country. Speaking out, Foster said, is what the arts are all about.
“We’re all so keenly aware of what’s happening in the world and the protests,” Philbin said to the gala crowd, adding that the violence on UCLA’s campus tempered the joy of the evening. “I recognize what a difficult time this is for celebration and I appreciate that you’re all here.”
She added later: “We will defend the sacrosanct right to freedom of expression and the right to protest.”
Times staff writer Teresa Watanabe contributed to this report.
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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