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The week’s bestselling books, May 11

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The week’s bestselling books, May 11

Hardcover fiction

1. Great Big Beautiful Life by Emily Henry (Berkley: $29) Two writers compete for the chance to tell the larger-than-life story of an heiress.

2. James by Percival Everett (Doubleday: $28) An action-packed reimagining of “The Adventures of Huckleberry Finn.”

3. Audition by Katie Kitamura (Riverhead Books: $28) An accomplished actor grapples with the varied roles she plays in her personal life.

4. Broken Country by Clare Leslie Hall (Simon & Schuster: $29) A love triangle unearths dangerous secrets.

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5. All Fours by Miranda July (Riverhead Books: $29) An L.A. artist pursues creative and sexual freedom after having an extramarital affair during a road trip.

6. Onyx Storm by Rebecca Yarros (Entangled: Red Tower Books: $30) The third installment of the bestselling dragon rider series.

7. The Wedding People by Alison Espach (Henry Holt & Co.: $29) An unexpected wedding guest gets surprise help.

8. Wild Dark Shore by Charlotte McConaghy (Flatiron Books: $29) As sea levels rise, a family on a remote island rescues a mysterious woman.

9. Small Things Like These by Claire Keegan (Grove Press: $20) During the 1985 Christmas season, a coal merchant in an Irish village makes a troubling discovery.

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10. Intermezzo by Sally Rooney (Farrar, Straus & Giroux: $29) Two grieving brothers come to terms with their history.

Hardcover nonfiction

1. Abundance by Ezra Klein and Derek Thompson (Avid Reader Press/Simon & Schuster: $30) A call to renew a politics of plenty and abandon the chosen scarcities that have deformed American life.

2. The Let Them Theory by Mel Robbins (Hay House: $30) How to stop wasting energy on things you can’t control.

3. Notes to John by Joan Didion (Knopf: $32) Diary entries from the famed writer’s journal.

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4. The Creative Act by Rick Rubin (Penguin: $32) The music producer on how to be a creative person.

5. The Book of Alchemy by Suleika Jaouad (Random House: $30) A guide to the art of journaling, with contributions from Jon Batiste, Salman Rushdie, Gloria Steinem and others.

6. The Next Day by Melinda French Gates (Flatiron Books: $26) The former co-chair of the Gates Foundation recounts pivotal moments in her life.

7. Conquering Crisis by Adm. William H. McRaven (Grand Central Publishing: $26) The retired four-star admiral’s personal stories illustrate the principles of effective leadership during times of crisis.

8. Who Is Government? by Michael Lewis, editor (Riverhead Books: $30) A civics lesson from a team of writers and storytellers.

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9. Careless People by Sarah Wynn-Williams (Flatiron Books: $33) An insider’s account of working at Facebook.

10. Matriarch by Tina Knowles (One World: $35) The mother of singer-songwriters Beyoncé and Solange tells her story.

Paperback fiction

1. Remarkably Bright Creatures by Shelby Van Pelt (Ecco: $20)

2. Orbital by Samantha Harvey (Grove Press: $17)

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3. The Paris Novel by Ruth Reichl (Random House Trade Paperbacks: $19)

4. Martyr! by Kaveh Akbar (Vintage: $18)

5. Parable of the Sower by Octavia E. Butler (Grand Central: $20)

6. Table for Two by Amor Towles (Penguin Books: $19)

7. Tom Lake by Ann Patchett (Harper Perennial: $19)

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8. The Handmaid’s Tale by Margaret Atwood (Anchor: $18)

9. Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin (Vintage: $19)

10. The Alchemist by Paulo Coelho (HarperOne: $18)

Paperback nonfiction

1. On Tyranny by Timothy Snyder (Crown: $12)

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2. The Backyard Bird Chronicles by Amy Tan (Knopf: $36)

3. The Wager by David Grann (Vintage: $21)

4. The Art Thief by Michael Finkel (Vintage: $18)

5. All About Love by bell hooks (Morrow: $17)

6. Meditations by Marcus Aurelius (Modern Library: $11)

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7. The White Album by Joan Didion (Farrar, Straus & Giroux: $18)

8. The Artist’s Way by Julia Cameron (TarcherPerigee: $20)

9. All the Beauty in the World by Patrick Bringley (Simon & Schuster: $19)

10. Sociopath by Patric Gagne (Simon & Schuster: $20)

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Movie Reviews

Michael Jackson documentary set to release after massive re-write

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Michael Jackson documentary set to release after massive re-write
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Top Story

‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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Entertainment

‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Movie Reviews

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”