Entertainment
'Sight' highlights the journey and faith of an Asian American medical hero who helped the blind see
When Dr. Ming Wang came to the United States in 1982 at 21 years old, he had nothing but $50 and a Chinese-to-English translation book. He had just survived the violent cultural revolution in China — including the loss of a dear friend — during which the government had shut down most of the universities in the country.
We see this and much more in flashbacks throughout the movie “Sight,” which is based on Dr. Wang’s autobiography “From Darkness to Sight” and opens this weekend. In it, Dr. Wang (played by Terry Chen) ends up earning medical doctorates from Harvard and MIT (graduating magna cum laude from the latter), while also earning a PhD (laser physics, University of Maryland). He discovers a new way to potentially help blind people see — using an amniotic membrane contact lens if you want to get technical — as he and his medical partner Dr. Misha Bartnovsky (played by Greg Kinnear) embark on a mission to help orphans regain their sight.
The National Library of Medicine estimates that over the last 25 years, more than 20 million eyes were treated with laser eye surgery. Dr. Wang’s pioneering medical technique has restored the eyesight of millions around the world. As one of the leading experts in the field, Dr. Wang’s impact and philanthropy have been recognized in his home state of Tennessee, but his story may not be as widely known. As Asian American and Pacific Islander Heritage Month continues, Wang, who also executive-produced the film, wants to contribute to the storytelling tapestry of this country.
“My main motivation? Asian American stories are not told in American mainstream media too often. Authentic representation is a rare occurrence. I wanted to encourage Asian Americans, Chinese Americans and all immigrants to tell our story,” says Wang. “I will say, though, it’s a humbling experience.”
Ming Wang at 14 (Ben Wang) and Lili (Sara Ye) in “Sight.”
(Courtesy of Angel Studios)
Chen, a Canadian actor, was not only struck by Dr. Wang’s medical accomplishments, but also by the general and specific nature of his tale.
“It had nothing to do with kung fu or martial arts. It had nothing to do with being a gang member or any of the other tropes Hollywood has tripped over. And it also spoke to a larger swath of the immigrant story and the larger diaspora that exists outside of Asia,” says Chen.
Directed by Andrew Hyatt, and also starring Ben Wang, Fionnula Flanagan and Natasha Mumba, the film had the benefit of having Dr. Wang on the set. He was there to help consult on the technical jargon and operating room scenes, but many in the crew took advantage of his presence to ask for advice on medical issues. It was a welcome assurance on a 2020 set that was in the midst of working through a pandemic.
“Dr. Wang was a great resource to have,” says Kinnear. “This is the first movie that I did, that many of us did, after COVID. I kind of had a little bit of hesitation about the journey, but I felt like when I read Dr. Wang’s story, it put everything into perspective very quickly.”
The inspirational nature of the story may have even helped the mood on the set as well.
“When you finally go and you meet everybody and they slowly peel down their masks … I have to say that in the case of this film, [the substance of the story] did trickle down. There was an inspiring good feeling on the set,” says Kinnear.
Kajal (Mia Swaminathan), Sister Marie (Fionnula Flanagan) and Dr. Wang (Terry Chen) in “Sight.”
(Courtesy of Angel Studios)
In the film, Dr. Wang tries to restore the sight of a young girl named Kajal (Mia Swaminathan) who is brought to his clinic by a nun ( Flanagan). It is one of the many touches in the film that put faith at the center of Dr. Wang’s struggles and his triumphs. This particular case is one that led to his revelation about using the placenta to create his curative lens, but it was also a case/client that tested his resolve.
“The reason that Kajal was chosen [to be the central case in the film] was because it was a very challenging case. Her injury was so severe that I had to dig deep to find a solution,” says Dr. Wang. “People say there’s no common ground between science and faith. Fortunately, I didn’t give up and as a Christian I kept praying.”
Angel Studios, known for its faith-based films, is distributing “Sight.” But its story of Dr. Wang’s past and his desire to help uplift blind orphans are themes that are just as prominent in the film.
“I think the message of the film is about freedom and faith,” says Dr. Wang. “‘Sight’ is a movie that reminds us how precious freedom is. How much we need to appreciate America. It may just take the story of an immigrant who did not have freedom to remind us how blessed we are.”
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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