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Review: In 'Young Woman and the Sea,' a true story of perseverance gets the epic treatment

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Review: In 'Young Woman and the Sea,' a true story of perseverance gets the epic treatment

After distance swimmer Trudy Ederle swam the English Channel in 1926, she had the biggest parade for an athlete in New York City — ever. As the first woman to swim the channel, she effectively paved the way for the future of women’s sports. So why isn’t she more of a household name? The new biopic “Young Woman and the Sea” seeks to change that, re-establishing Ederle as a world-changing icon.

This rousing sports biopic is a throwback to the kinds of inspiring underdog stories we love, like “Rudy” but with a girl-power feminist bent and a woman-against-nature theme. Daisy Ridley plays the sunnily determined Trudy, and the film is filled with a supporting cast of charming characters who offer pops of humor and heart. Produced by Jerry Bruckheimer, it’s a triumphant, emotional sports movie akin to his “Remember the Titans” and “Glory Road.”

Norwegian director Joachim Rønning tackles Trudy’s life story with a script by Jeff Nathanson, adapted from the 2009 account “Young Woman and the Sea: How Trudy Ederle Conquered the English Channel and Inspired the World” by Glenn Stout. (Rønning and co-director Espen Sandberg also made the oceanic adventure film “Kon-Tiki,” which could have been titled “Young Men and the Sea.”) These filmmakers clearly have a knack for capturing nautical adventure and the delusional yet undeniably human desire to conquer the seas.

But plunge below the surface, and there’s so much more to this story than just that of a strong young woman who completed an incredibly dangerous and challenging feat of athleticism and mental fortitude against all odds. While she’s stroking across the channel, there’s an ingenious subplot that speaks to larger ideas and movements that are animated by Trudy’s story. Boats filled with reporters chase after her, tossing back bottles filled with their missives written on slips of paper, which are fished out of the water and attached to messenger pigeons that deliver them to a French hotel in Cap Gris-Nez and read aloud, then reported via telegram to radio stations around the world, who broadcast the news all the way back to Trudy’s anxious family in New York City. This isn’t just the story of a young woman doing the seemingly impossible — it’s a mass media story taking place in a newly globalized world that’s collectively listening with bated breath.

From left, Jeanette Hain, Daisy Ridley and Kim Bodnia in the movie “Young Woman and the Sea.”

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(Vladisav Lepoev / Disney)

That representational burden is a continually simmering undercurrent in “Young Woman and the Sea.” Trudy knows it’s her visibility that will change the world, not just the simple act of swimming the channel. Her coach, Jabez Wolffe (Christopher Eccleston), pushed upon her by her sponsor, James Sullivan (Glenn Fleshler), forces her to diet, concerned with how she’ll look in photographs; her two-piece swimsuit, redesigned for comfort, causes a sensation among the French press. But it’s her stardom that makes her a hero to the young girls who ask for her autograph among the crowds of journalists, and has the potential to change the trajectory of women’s sports.

Trudy’s swim inspires the whole world, including her hometown of New York City, the tenement buildings filled with immigrants listening to her journey on the radio. It’s a reminder of how we are compelled by narratives of human striving and triumph. From Sunday football to the Olympic Games, collectively watching and sharing these stories knits us together. The Paris Olympics this summer are, in fact, the centennial anniversary of the Games in which Trudy competed in 1924.

The broad storytelling calls back to a kind of retro filmmaking based on pure sensation and emotion, in which we cheer for the heroes and jeer for the villains. There isn’t a whole lot of nuance in some of the characterizations. Eccleston and Fleshler essentially play dastardly mustache-twirling Snidely Whiplash types, their characters’ nakedly evil motivations for sabotaging Trudy unexplored. But not all men who are threatened by her endeavor. She wins over other swimmers with her moxie, including iconic channel swimmer Bill Burgess (a standout Stephen Graham), who eventually coaches her.

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Among the terrific supporting characters are Trudy’s German immigrant parents, with Danish actor Kim Bodnia playing Trudy’s father, a gruff, protective but ultimately supportive butcher, and German actor Jeanette Hain, who nearly steals the whole movie as Trudy’s steely, ethereal mother Gertrud. She insists that her girls, Trudy and her sister, Meg (Tilda Cobham-Hervey), learn to swim in the wake of a steamboat tragedy in which hundreds of women died, saying that her daughters will never “stand on a burning ship.” But Gertrud also discovers that empowering them leads to glories — and dangers — she never imagined.

There is an old-fashioned yet modern beauty and grandeur to Rønning’s style here, which is meticulously produced and costume-designed, and shot with sweeping, epic camera movements by Oscar Faura, yet edited with a swift narrative efficiency by Úna Ní Dhonghaíle. Set to a triumphal score by Amelia Warner, there’s a hint of Bruckheimer’s “Pirates of the Caribbean”-style jauntiness to the powerful orchestration that adds to the sense of melodrama at play.

Ultimately, this is a tale of one young woman and the sea, and it’s Trudy’s experience that Ridley capably inhabits. Take away all the reporters, the doubters, the concerned family members, the coaches, her beloved sister and everyone watching around the world. In the dark of night it’s just Trudy, alone in the ocean, and that story of determination is worth celebrating and remembering.

‘Young Woman and the Sea’

Rating: PG, for thematic elements, some language and partial nudity

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Running time: 2 hours, 9 minutes

Playing: In wide release

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Movie Reviews

Michael Jackson documentary set to release after massive re-write

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Michael Jackson documentary set to release after massive re-write
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‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”