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Bulgarian banger ‘Bangaranga’ bags country its 1st Eurovision win

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Bulgarian banger ‘Bangaranga’ bags country its 1st Eurovision win

Dara and her song “Bangaranga” skyrocketed Bulgaria to first place at the 70th Eurovision Song Contest

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Bulgaria has won the 70th Eurovision Song Contest — the country’s first-ever win.

The achievement surprised many because Bulgaria wasn’t among the favorites to win in 2026. But with its catchy “Welcome to the riot!” refrain and bouncy vibe, performer Dara’s banging anthem “Bangaranga” bested 24 other nations for the glittery global musical crown at the finals on Saturday in Vienna, Austria.

Israel came in second, as it did last year. Ten competitors were eliminated from the original group of 35 in the semi-finals earlier this week.

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In his appraisal of his 10 favorite Eurovision 2026 songs, NPR critic Glen Weldon called “Bangaranga” an “insanely catchy bop” and praised its “deep, profound, abiding grooviness.”

“Oh my god!” Dara yelled, as she accepted the Crystal Microphone, the event’s glass trophy, from last year’s winner, JJ of Austria.

As with other global cultural events, such as the Venice Biennale currently underway in Italy, the glittery annual songfest is intended as a display of goodwill and togetherness between nations. “In a world often divided, we stand united by music,” said host Michael Ostrowski at the conclusion of this year’s event.

Last year’s contest, held in Basel, Switzerland, saw record viewership, reaching 166 million viewers across 37 markets.

Israel prepared for ‘boos’

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Eurovision has long strived to prioritize artistry over political antagonism. However, as with the Biennale, Eurovision 2026 found itself at the center of protests related to the war in Gaza.

Five countries — Iceland, Ireland, the Netherlands, Slovenia and Spain — pulled out between September and December 2025 in protest over event organizer European Broadcasting Union’s decision to allow Israel to participate amid the ongoing war in Gaza.

In this year’s finals, Israeli singer Noam Bettan performed the romantic breakup song “Michelle” in French, Hebrew and English. Unlike in the semifinal, when the artist sang over chants of “stop the genocide,” Bettan was not booed — at least audibly. The artist told The Times of Israel last month he had been practicing performing in front of hecklers.

There were both anti- and pro-Israel demonstrations in Vienna this week.

Pro-Palestinian protests at the last two contests called for Israel to be disbarred from Eurovision over its role in the conflict, as well as allegations it attempted to manipulate voting to favor its entries. The European Broadcasting Union changed its voting rules in response. Among other requirements, contestants and broadcasters are prohibited from taking part in promotional campaigns by third parties including governments. Countries outside of Europe, such as Israel, participate in Eurovision because eligibility is based on European Broadcasting Union membership, not necessarily geographics.

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A double standard?

Although Israel’s participation is the biggest cause of dissent in 2026, the country avoided being banned from the event.

That was not the case with Russia, which was disbarred indefinitely from participating in the contest soon after launching its full-scale invasion of Ukraine in 2022.

European Broadcasting Union deputy director general Jean Philip De Tender defended his organization’s decision to allow Israel to perform, the European edition of Politico reported ahead of the contest’s final, because Israel’s public broadcaster KAN, the body behind its entry, is independent, whereas Russia’s state broadcaster, VGTRK, is run by the Russian government.

In a social media post on Friday, Spanish Prime Minister Pedro Sánchez decried the European Broadcasting Union for its “double standard.”

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How should we behave online? : It’s Been a Minute

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How should we behave online? : It’s Been a Minute
How do you practice good etiquette online?Your online life shapes your offline life — including how you talk, listen, and interact with the world. But often, good behavior offline doesn’t necessarily translate to good behavior online.  So when we get online, how do we uphold some social norms and common decencies we practice in the real world?  Brittany chats with Senior Writer at Wired, Jason Parham, to discuss what it means to establish boundaries and social etiquette within our online worlds. Want more about good etiquette? Check out these IBAM episodes:Is your neighborhood riddled with dog poop?Who needs to know where you are?Support Public Media. Join NPR Plus.Follow Brittany on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
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Chanel’s Bruno Pavlovsky on Reengineering an Iconic Brand

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Chanel’s Bruno Pavlovsky on Reengineering an Iconic Brand
Chanel’s president of fashion, Bruno Pavlovsky, explains in our latest report ‘Face to Face With Luxury Clients’ how the French megabrand has reignited customer excitement and sales growth since onboarding a new artistic director last year.
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They were world-class tennis rivals. Now friends, they’ve teamed up against cancer

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They were world-class tennis rivals. Now friends, they’ve teamed up against cancer

Once rivals on the tennis court, Martina Navratilova, left, and Chris Evert have become close friends in retirement. They are pictured above at the French Open in 1986.

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Chris Evert and Martina Navratilova were the most successful women’s tennis champions of their generation. Both were 18-time Grand Slam tournament winners — and each other’s greatest rivals.

Evert, a Florida native, became a tennis star in her teens. Navratilova was born in communist Czechoslovakia, and emerged as a player after Evert was established. They first faced off during a match in Akron, Ohio, in 1973, when Evert was 18, and Navratilova was 16. Evert won, but Navratilova left an impression.

“I remember thinking to myself, holy cow, when this young girl gets into better shape, she is going to be a force to be reckoned with,” Evert says. “She had so much talent. Her hands were quick, she had a big first serve, she had a big forehand, and she just was so powerful.”

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Two years later, on the day she lost a semifinals match to Evert at the U.S. Open, Navratilova defected to the U.S. In the years that followed, her tennis game improved. Though she and Evert had initially been friendly, the friendship cooled as their rivalry heated up.

“Playing Chris was difficult because how can you not like Chris? What’s not to admire?” Navratilova says. “She was like the epitome of cool.”

The new Netflix documentary Chris & Martina: The Final Set tells the story of how Evert and Navratilova re-established their friendship and how they both faced cancer in retirement. Evert was diagnosed with ovarian cancer in 2021; Navratilova was diagnosed with throat and breast cancer in 2022.

“I can’t get away from her,” Evert jokes. “We had a 15-year career, and then we got cancer at the same time. It really is freaky, but I always say: If I want someone to be in the trenches with me, it’s Martina because she has been so supportive and so understanding.”

Navratilova agrees: “We have such a level of trust that we know whatever we say to each other, it stays there. We give each other the best advice we know how to. And there is no ulterior motive, no playing games.”

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At the time that this interview was taped, Evert and Navratilova were both in remission from cancer. But late last week, Evert disclosed she’d recently been diagnosed with a recurrence of ovarian cancer.

Chris Evert and Martina Navratilova

“We know whatever we say to each other, it stays there,” Martina Navratilova says of her friendship with Chris Evert.

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Interview highlights

On supporting each other through cancer

Evert: There are a lot of phone calls between us. … I don’t cook, but Martina would bake bread for me, and her wife Julia would cook, make some chicken soup. … I got a lot of food from Martina. She got a necklace from me.

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