Lifestyle
Art is a sport, sport is an art. Both demand hustle — and make life worth living
This story is part of Image’s May Momentum issue, which looks at art as a sport and sport as an art.
I love reading about artists’ processes and routines. Toni Morrison wrote before dawn, before her children awoke and she had to go to her publishing job. In the evenings, Maya Angelou cleaned and put away all her dishes before she sat with what she had written that morning. Louise Bourgeois only worked in complete silence. These rules and routines are reminders that art takes work — and immense amounts of energy.
I grew up with parents who are also artists and had to find time for their projects between life and daily obligations. My father wrote in the early mornings; my mother painted in the hours after lunch and before we were done with school. It normalized for me the intentional carving out of time needed for writing, reading and creating. This has meant that I’m almost always busy doing something, and sometimes tired, but when I don’t carve that time, I’m guaranteed to be in a bad mood, like the hanger that comes from skipping a meal.
In Viv Chen’s interview with Tory Burch, the designer compares her workdays to being “like an athlete where it’s about discipline and grit and endurance.” It’s a sentiment that sums up much of the spirit of this issue, which looks at art as a sport and sport as an art. Whether you’re playing fútbol, sewing clothes or staging a performance, it’s a physical as well as mental game.
Above all, the artist-athletes in these pages show us the rewards of their commitments. We witness this in the sizzling images of Tory Burch shoes pounding the hot Los Angeles pavement and in the sportswear designs that Otis students worked on for months, the results literally glowing and electric. We witness this in the portraits of Betye Saar, regally dressed in a Gucci kaftan for what will likely be the last exhibition she’s involved in during her lifetime. We witness this in the image of our fútbol queen on the cover, strong, reverent and at peace. These stories are all reminders that dedication to one’s craft is not just life-giving, it’s what makes life worth living.
Elisa Wouk Almino Editor in chief
Jess Aquino de Jesus Design Director
Julissa James Staff Writer
Claire Salinda Staff Writer
Keyla Marquez Fashion Director at Large
Elizabeth Burr Art Director
Jamie Sholberg Art Director, Web
Samantha Lee Editorial Intern
Jennelle Fong Contributing Photographer
Tyler Matthew Oyer
Contributing Photographer
Mere Studios Contributing Producer
Cecilia Alvarez Blackwell
Contributing Producer
Dave Schilling Contributing Writer
Harmony Holiday Contributing Writer
Goth Shakira Contributing Writer
Cover
Fashion Direction Keyla Marquez
Creative Direction Keyla Marquez
Photography Guicho Palma
Styling Julianna Aguirre Martinez
Talent Yusra, Natalie Renelle Muñoz,
Dylan D. Lopez
Hair Jeanette Ponce
Makeup Selena Ruiz
Nails Tatiana Calderon
Production Cecilia Alvarez Blackwell
Styling Assistant Matzi
Videographer Abraham Anzurez Galindo
Gaffer James Armas
Photo Assistants Monica Zulema,
Diego Luciano
Image Flag Bas van Brandwijk
Lifestyle
If you plan to catch up on reading this summer, start with these 3 books
I love reviewing books but sometimes the pace of reading them can feel like that classic I Love Lucy episode at the chocolate factory. The conveyer belt speeds up and the books keep coming along faster than they can be “wrapped” in a review. Summer gives me a chance to catch up with some good books that whizzed by in spring.
James Lasdun’s The Family Man: Blood and Betrayal in the House of Murdaugh came out the first week of May, which is when I read it. This nonfiction book, which grew out of a piece Lasdun wrote for The New Yorker, is about the investigation and conviction of prominent South Carolina lawyer Alex Murdaugh for the 2021 murders of his wife and adult son.
Then came the real-life plot twist: A little over a week after Lasdun’s book was published, Murdaugh’s conviction was overturned because of jury tampering. A retrial is being scheduled. Rather than rendering The Family Man obsolete, this new twist intensifies the miasma of stories that swirl around the Murdaugh case — including suspicious deaths and embezzlement.
Lasdun is a “true crime” writer in the reflective mold of his late New Yorker colleague Janet Malcolm. Although investigating the double murder case drives this narrative, Lasdun is most interested in exploring the ultimate unsolvable mystery: the mystery of evil.
Farrar, Straus and Giroux
Harriet Clark’s debut novel, The Hill, which came out in May, has been getting tons of deserved praise. The novel draws explicitly from Clark’s own background: Born in 1980, Clark was 11 months old when her mother, a member of the radical Weather Underground, was arrested and sentenced for her involvement in a Brinks armored truck robbery that resulted in the deaths of three men. Clark’s maternal grandparents got custody and she visited her mother in prison for almost 40 years, before she was paroled in 2019.
Clark’s main character, Suzanna, is 8 when the story begins and living with her grandparents, former members of the American Communist Party. The plot here is a marvel of sustained claustrophobic stasis. Every week, Suzanna is taken — first by her grandfather, then by a nun, then on her own — to visit her mother at the Children’s Center in Hillcrest prison. Suzanna’s voice charges this novel with intelligence:
Each week … my mother fixed and re-fixed my hair. I slept and didn’t sleep, . … Around us women counted down to release, but my mother and I had been released from countdowns. No reason to look forward, no interest in looking back, we were, as I saw it, free of the past and free of the future. Carnival Day, Friendship Day, Birthday Day — the holidays in the Center followed their own lilting rhythms, and eventually we submitted again to the lull and pleasures of our timeless life.
All the while I was reading The Hill, I kept thinking of E.L. Doctorow’s The Book of Daniel, inspired by the Rosenberg case. The two novels differ in scope, but like Doctorow, Clark interrogates the cost of parents’ radical commitment to their children, as well as how the world itself shifts radically, from generation to generation.
Sometimes I put aside a good book for a bad reason. Mary Costello’s slim novel, A Beautiful Loan, touted as a devastating story about relationships, came out in March. “No,” I thought back then, “not another ersatz Sally Rooney in time for St. Patrick’s Day.”
But, one empty afternoon, I picked it up and kept reading, mostly because the present-tense narration of the main character, Anna, struck me as so weird in tone. Her deadened voice was at odds with her emotional turbulence. Here’s 19-year-old Anna summarizing how Paul, an elusive older man she’ll eventually marry, keeps her in thrall to what she calls “this oscillating life”:
In the middle of the night, … he rises on one elbow in the bed beside me and, in an urgent, desperate voice, says, I love you. In the morning, he makes no reference to this, and I think he must have spoken in his sleep. Never again in our lives together will he say those three words.
A Beautiful Loan spans 25 years and Anna’s obsessive devotion to two men, one dog, the writings of Camus and Jung, and the practice of Islam. Like the other two books I’ve caught up with here, it may not be the ideal “beach read,” but it would be perfect for a wash-out of a summer weekend.
Lifestyle
Your people-pleasing is making you lonely. Here’s how to build a village
“I hear all the time — I’m 35, 45, 55, 65, 75 — and I have no idea who I am. I don’t know what I want, I don’t know what I need, I’ve only lived in a role. Good girl, good daughter, good wife, good employee, good grandma … who am I?” Beatriz Victoria Albina says of the thousands of women she’s specialized in serving for the last decade. “From there, we struggle to make decisions. We take on a therapist role in relationships, always listening, always supporting, always problem-solving, but we don’t get that support in return for so many reasons.”
Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life.
A certified somatic life coach, breathworker and former nurse practitioner, who resides in Brooklyn, Albina is the author of “End Emotional Outsourcing: How to Overcome Your Codependent, Perfectionist, People-Pleasing Habits” (out in paperback this September), which educates readers on these phenomena and shows them how to live a more fulfilling life. Her book guides readers through techniques such as body-based somatic practices and thought work, building to the capacity for utilizing healthy boundaries and direct communication.
Albina is also the host of the popular podcast “Feminist Wellness.” In the podcast, she serves as a loving alternative auntie figure and often addresses her audience with quirky pet names such as “my tender ravioli.” A queer Latina who immigrated from Argentina at 3 years old with her family when they fled the dictatorship of the 1980s, she has grown a following for her sage advice, warm sense of humor and loving voice, as well as for contextualizing how ending emotional outsourcing actively confronts the external systems of oppression that govern our world.
“We learned, often when we were preverbal or very young, that our authentic self is not OK, is not appreciated, is not welcome, is not the right way to be. Whether that’s in our family of origin, in our extended family or in institutions,” Albina says.
With her background in healthcare, Albina also leans into the science behind what she teaches, educating her readers — “my nerds,” as she calls them — on science-backed, trauma-informed techniques to connect with themselves and transform their relationships from codependence to interdependence. Her aim is to reroute individuals from relying on the approval of the people and systems outside to instead deepening our relationships with ourselves and our community in ways that are more fulfilling.
Albina spoke with us over Zoom from New York. This interview has been edited for length and clarity.
“End Emotional Outsourcing” author Beatriz Victoria Albina.
(Photo courtesy of author.)
You coined the term “emotional outsourcing” — why? Do you hope that people will adopt it rather than using the other terms that make up the subtitle of your book?
I really wanted to delineate that these aren’t who you are. They’re verbs. They’re what you’re doing. They’re survival habits, so they are brilliant and laudable ways that you learned to secure safety, belonging, and worth outside of yourself when that felt like the only option. So we really need a sea change where we move away from, “It’s who I am.” Instead, let’s really talk about, “It’s what I was doing, and sometimes it’s what I still do out of habit, but it’s not inherent to who I am as a mammal.”
Are these three subtitle terms — codependent, perfectionist, people–pleasing — interchangeable or interlinked? What differentiates them from one another?
They each inform each other. Codependent habits are really about managing other people, and then people-pleasing is one way we can do that. Perfectionism is when we bring it home to ourselves — ‘I’ve got to control who I am and, thus, how I’m being seen so that I’m not rejected.’ It all really comes down to attachment wounding in a really deep way, and the ways that we seek to feel not-so-freaked-out when that wounding gets activated.
How can readers identify if this book is for them?
Downplaying our needs, stuffing down our feelings. Not knowing what we want, because we’ve spent so long prioritizing others. If you believe that if you don’t take care of someone, that they’ll leave or stop loving you. If you accept less than optimal treatment because you don’t want to be left. If you avoid advocating for yourself because it feels selfish or scary or bad. Overexplaining, over-apologizing, over-justifying. Not resting. Feeling guilty when you take a break or set a boundary. I could go on.
In your book, you guide readers toward becoming interdependent, rather than codependent or independent. How does one make this distinction in their relationships? What implications does this transition have on day-to-day life?
The way you know the difference is felt in the body. In a codependent pattern, in a codependent survival habit, we are doing things, saying things, being things to attempt to get someone else, to have an emotion, to try to manage or control the way someone else thinks about or relates to us. The choice that we’re making is not centered in self. Reciprocity within capitalism and white supremacy is tit for tat. In codependency, it’s also tit for tat.
Meanwhile, interdependence is when we are two autonomous humans, relating from mutuality and reciprocity that is flowing like water. We’re not manipulating or pushing ourselves, we’re not manipulating or controlling them. In interdependence, we’re giving from our emotional overflow, and the love and care we receive in that reciprocity, for caring for the people in our lives, balances out. But we’re not putting ourselves out to the point where we’re living in resentment, because we’re not making it mean anything about ourselves, or them, or our relationship.
We hear often about the epidemic of loneliness that we are living in. In your book, at the end, you talk about how through ending emotional outsourcing, you’ve cultivated a fulfilling chosen family, and that you make a practice of showing up for community care. What advice might you have for folks who recognize that they’re craving something different from how they’re presently experiencing their day-to-day realities but can’t see how to change it?
All right, listen, community care, babies. You’ve got to do the day-to-day banal stuff with your friends. You know, if you want a village, you’ve got to be a villager. Villages aren’t made in one coffee date and a lunch date, and drinks at a loud bar where you can’t hear anything anyway.
So, like, my friend and I go to the supermarket together on Mondays, and I go with her to pick up her kid because I want to spend time with her and that’s what she’s got to do. Go with your friend to the community garden, help them weed their tomatoes. Your body needs a new coat? Go thrifting together. Do the daily dumb stuff. Help your friends, you know? Not to brag, but I’m very good at laundry. The life I want is in doing the things of life. It’s having a soup club where we take turns dropping off soup at each other’s houses. That’s what community building is about.
Could you talk about the connection between the thought work and the body-based somatics that you teach?
When we’re daydreaming and ruminating and self-reflecting and mentally time-traveling or imagining other people’s thoughts, we’re not present. Somatic and nervous system support helps us to step into presence. When we are actually present in the moment, we’re in conscious awareness and we’re present in our bodies. It’s not any more complicated than that. That allows us to step into choiceful-ness. I can pick the meaning-making here. And I can listen to my body, and I can make a choice that is supportive of the collective, but it’s not self-abandoning. It respects the people around me without disrespecting myself. We drop into the present moment, and we write a new story in real time, hopefully with the whole body on board. And that’s how, very slowly, through somatic (body-based) practices, we start to create a lot more room to actually be a real person in our lives.
You’ve included journaling questions to work with, especially in the thought–work section. What advice do you have for folks who want to do the journaling but are struggling with adding it to perhaps our perfectionist-created to-do list. Any tips?
Yes. The kitten step is community. Text a friend, ‘Do you want to do these stupid journals together?’ And then hopefully she says, ‘Yes.’ And then you meet every other week for an hour on Wednesday, and you friggin’ do it. And you body double, or you read them to each other. You make a plan that involves another person, or a group, because we’re pack animals. We need to co-regulate. When the book first came out, I had a free book club, because we need each other. So, make a book club! Or tell your therapist or your coach you’re going to be doing these questions and then bring them to the session.
Lifestyle
Kennedy Center removes Trump’s name from the building
A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, DC, on June 13, 2026. Workers removed President Donald Trump’s name from the facade of the building.
Alex Wroblewski/AFP via Getty Images
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Alex Wroblewski/AFP via Getty Images
WASHINGTON – Workers have taken down President Donald Trump’s name from the Kennedy Center, hours after a court-ordered Friday deadline to remove it from the building, and less than six months after it was first affixed to the iconic performing arts venue. The removal of the more than a dozen bronze letters followed a judge’s ruling that the Center could not be renamed without Congressional approval.

In a court filing, Kennedy Center Executive Director and Chief Operating Officer Charles Matthew Floca confirmed that President Trump’s name has been removed from the building façade, despite what Floca said were weather-related delays. References to Trump on the center’s website are also gone.
Just a month into his second term, Trump ousted the Kennedy Center’s president, board chair and board members, then replaced them with a group of trustees that soon named Trump as chairman. Soon after, the president’s name was added to the building, so that it became, “The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts.”
The administration had on Friday asked a higher court to stay the ruling as it argued that Trump’s name on the building had helped attract donors and was crucial to raising funds for the Kennedy Center’s renovation.
“Without the name, “Trump” on the Building, our fundraising will not only come to a halt,” the administration wrote in a court filing, “but any and all monies raised or committed would be obligated to be returned, refunded or terminated.”

An appeals court denied that request Friday night. Workers erected scaffolding on Friday around the section of the building where Trump’s name had been added in December 2025. Then, in a pre-dawn operation, the laborers draped the scaffolding in tarpaulin, before removing the giant metallic letters. The Kennedy Center had asked a judge to briefly extend the deadline for this removal —because of Friday night thunderstorms forecast for Washington D.C.
Finally, with the scaffolding up, and tarpaulin covering their efforts, workers began to remove Trump’s name. Hundreds of people braved the rain and thunderstorms overnight to document the take-down. Some heckled those involved for hiding the removal using tarpaulin – with shouts of “Cover up!” and “Cowards!”
Among the onlookers watching proceedings was Krystal Brewer, 40, who works for a social justice advocacy group. She said removing Trump’s name was a way to enforce accountability, maintain government checks and balances, and reclaim a piece of Washington from a president who she said has tried to impose his stamp on the nation’s capital. “It’s about just not being able to do something just because you think you’re the most powerful person and you can defy the courts,” Brewer said.
Protestors wave a U.S. and signs as workers prepare to remove President Donald Trump’s name from the John F. Kennedy Center for the Performing Arts in Washington, Saturday, June 13, 2026.
Cliff Owen/AP
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Cliff Owen/AP
Trump has recently overseen the controversial demolition of the White House’s East Wing in favor of a giant ballroom, and ordered large banners of his face to hang from several federal buildings during his second term. “I wanted to see us get a part of our city back,” said Brewer. “With all the things that he’s trying to destroy and corrupt and taint and alter, it’s nice to see a piece of it being restored.”
Also among those gathered on the Center’s plaza Friday was Rep. Joyce Beatty of Ohio, who initiated the lawsuit to remove Trump’s name from the building. She wrote on social media that she had stood outside to watch, writing “No more stalling. It’s time for Trump to obey the law.”

Watching the tarps go up a little before 2 a.m., Saturday, another onlooker, 60-year-old nurse Mary Foltz, said it was a metaphor for the Trump administration.
“I think there’s a lack of transparency — and that’s just the epitome of it,” Foltz said. “This is a meme.”
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