Entertainment
Review: From Iceland, ‘The Love That Remains’ shows a fractured family tied to the landscape
The gorgeous, quirky and melancholy “The Love That Remains,” from Icelandic filmmaker Hylnur Pálmason (“Godland”), opens with an exhilarating shot from inside a long, empty seaside building, from where we can see the roof suddenly wrenched off by some exterior force. As it hovers in the air above, we get to consider the two parts of this one-time whole and how the light changes inside this deconstructed space.
In one respect, that’s the whole of the movie encapsulated, as we encounter a family of five living in the wake of a separation. Visual artist Anna (Saga Garðarsdóttir) looks to assert herself while still living in the rural home she shared with her teenage sweetheart. The increasing alienation leaves fisherman Magnús (Sverrir Guðnason) living offshore on a big trawler as his hold on domestic security slips. Their kids, meanwhile — teenage Ída and twin boys Grímur and Þorgils (the trio played by director Pálmason’s own children) — exhibit a healthy absorption of the circumstances, meeting moments of togetherness with plenty of humor and spirit.
What we glean of the past comes from the fragmented present, as if we’re leafing through a stranger’s exquisitely curated album (there’s only Harry Hunt’s piano score for sad commentary). Elsewhere we see that home-cooked meals, chores and foraging excursions occasionally bring this fractured family back together. But when Magnus pushes to stay for a while, Anna firmly claims her independence.
While apart, their working lives — his at sea, hers on land — speak to a confluence of the elemental and the man-made. Pálmason, who serves as his own cinematographer (and a great one with the 4:3 framing), revels in the sweep and heft of deep-sea fishing, a seasonal trade that gives purpose to Magnus’ days and nights but also fosters an increasingly unwanted solitude. Anna, meanwhile, devotes herself to earth art, turning machine-lasered iron cutouts laid on white sheets in the open air into large-scale, rust-patterned pieces. Getting her work appreciated, however, is another matter. In one painfully funny sequence, a visiting gallerist (and gasbag) barely seems to care about her art, showing more interest in a goose’s nest that has materialized in an enclosure.
Is love another natural element susceptible to age and wear? Across a running time tied to the shifting seasons, pocked by images of breathtaking beauty, Pálmason is after a feeling that only patient observance yields: a lasting reality about the passing of relationships. One of the director’s frequent visual cutaways is to a knight-outfitted dummy the children build on a picturesque spot, lashed to a stake. It’s an indelibly amusing and heartbreaking totem, suggesting play and suffering, and eventually manifesting wounds both real and internalized. (The director’s 2022 short “Nest,” which captures the building of a tree house over a year, is a precursor to his temporal approach to this feature.)
On the heels of Pálmason’s masterful “Godland,” a 19th century colonizer epic of faith and conquest that couldn’t be more different, “The Love That Remains” nevertheless positions this filmmaker as a gifted craftsman of adult storybooks, no matter the era or scope. This is a delicate, confidently imagined fiction made with the eyes of a naturalist, the heart of a believer in family, and a sensibility with room for both the Pythonesque and the Lynchian.
‘The Love That Remains’
In Icelandic and English, with subtitles
Not rated
Running time: 1 hour, 49 minutes
Playing: Opens Friday, Feb. 6 at Laemmle Royal and Laemmle Glendale
Movie Reviews
‘Leader’ Twitter review: Netizens call Legend Saravanan starrer a watchable commercial entertainer | Tamil Movie News – The Times of India
The action film ‘Leader,’ starring Legend Saravanan, released in theatres worldwide today (April 3). Directed by Durai Senthilkumar, the film features an ensemble cast including Andrea Jeremiah, Lal, Shaam, and Payal Rajput. The film opened in more than 300 theatres across Tamil Nadu and is already trending on social media with audience reactions. After facing heavy trolling for his debut film ‘The Legend,’ Saravanan returned with ‘Leader,’ hoping to prove himself as a commercial action hero. Fans quickly took to social media to share their reviews of the film.
Fans praise the action moments and the second half
Several viewers called ‘Leader’ a watchable commercial entertainer. According to fans, the movie takes time to pick up but becomes interesting as it progresses. Several social media users said the second half is enjoyable after the first half. Several reviewers also noted that the film becomes more entertaining in the second half. The interval block and some action sequences are considered the best parts. The train fight in the climax also caught the attention of online fans, who described the sequence as a brilliant ride that adds to the movie’s overall excitement.
Mixed reactions from viewers on performances and story
While some viewers focused on the amazing action sequences, many considered it a typical mainstream commercial film. Viewers further complained that the first half of the film took too long, and some plot points were too predictable. Nonetheless, many fans agreed that Legend Saravanan’s acting in this film is much better than in his last project. The works of Andrea Jeremiah, Shaam, and Lal have also earned applause from fans. Music director Ghibran has been praised for his background score, which many fans mention added life to several scenes.
‘Leader’ – Plot and cast
‘Leader’ is set in the Thoothukudi port city; the lead character is a car mechanic who works in a large gangster dock. It presents the lead hero’s views on polar opposites and features thrilling battles with the villain. A recent flashback details the hero’s difficult past and differences, offering insight into his main reason for being at the dock. Legend Saravanan, along with Andrea Jeremiah, Shaam, Lal, and Payal Rajput, are in the lead cast. It is an action-packed mass film for commercial movie lovers.
Entertainment
Gucci Mane was kidnapped, robbed by rappers Pooh Shiesty and Big30, prosecutors say
Rapper Pooh Shiesty kidnapped and robbed fellow rapper and mentor Gucci Mane in a music studio ambush, federal prosecutors say.
The Department of Justice announced on Thursday that Memphis rappers Pooh Shiesty and Big30 planned and executed the “coordinated armed takeover” at a Dallas music studio in January.
According to prosecutors, eight of nine suspects in the incident, including Pooh Shiesty, born Lontrell Williams. Jr., and his father, Lontrell Williams Sr., who’s known around the Memphis music scene as “Mob Boss,” were arrested Wednesday in Nashville and Memphis, Tenn., and Dallas.
Williams Jr. allegedly arranged a “business meeting” with Gucci Mane to discuss the terms of his recording contract. Things took a turn and, according to the Justice Department, Williams Jr. brandished an AK-style pistol and forced one of the victims to sign a release from the recording contract at gunpoint.
Big30, born Rodney Wright Jr., allegedly barricaded the studio door with his body to prevent Gucci Mane and the other victims from escaping.
The other men involved in the ambush also pulled out firearms and robbed the other victims of Rolex watches, jewelry, cash and other high-value items, according to a federal complaint, which also states that one victim was choked nearly to unconsciousness.
In 2020, Gucci Mane, born Radric Davis, signed newcomer Williams Jr. to his record label 1017 Records. Davis came across the “Breaking News” rapper after several of his singles started to gain traction on social media. The rapper’s 2021 breakout hit, “Back in Blood,” climbed the Billboard charts, and Williams Jr. went multiplatinum.
The same year, the rapper received a five-year prison sentence on firearms conspiracy charges out of the Southern District of Florida. In October, Williams Jr. was released early after serving three years on the condition that he would serve home detention.
The “Federal Contraband” hitmaker was still on house arrest in January when the alleged music studio takeover took place. According to the complaint, evidence used to charge the men included electronic monitoring data that placed Williams Jr. at the Dallas studio, which also violates the terms of his home detention conditions.
Other evidence included phone records, records confirming that Williams Sr. rented a car used by the men, surveillance video from the studio, fingerprints recovered from the crime scene matching those of two defendants, records placing some of the men at a nearby hotel after the robbery, and social media posts that pictured some of the charged men with what appeared to be stolen watches and jewelry, prosecutors said.
“These defendants will be transported to the Northern District of Texas to face their crimes,” said D. Michael Dunavant, U.S. attorney for the Western District of Tennessee.
Williams Jr.’s legal representation did not respond to a request for comment on Thursday.
If convicted, each defendant faces a sentence of up to life in prison.
Movie Reviews
Sharwanand Biker Movie Review
39
Movie Name : Biker
Release Date : April 03, 2026
123telugu.com Rating : 3.25/5
Starring : Sharwanand, Dr Rajashekhar, Malvika Nair & Others.
Director : Abhilash Reddy
Producers : Vamsi Krishna Reddy, Pramodh Uppalapati
Music Director : Ghibran Vaibodha
Cinematographer : J Yuvraj
Editor : Anil Pasala
Related Links : Trailer
Sharwanand has now come up with the sports drama Biker. Directed by Abhilash Reddy, the movie stars Rajasekhar in a key role. Let’s see how the film is.
Story:
Vikas Narayan aka Vikky (Sharwanand) is a top-class motocross racer.. Since childhood, he is trained rigorously by his father Sunil Narayan (Rajasekhar). However, Vikky suddenly leaves the sport, putting his father in a tough spot.
Why did Vikky leave racing? How is he connected to Ananya (Malavika Nair)? What is her role in his life? What happened after Vikky left the sport? This forms the crux of the story.
Plus Points:
We have already seen multiple sports dramas in Tollywood, but motocross racing has never been explored before, and that becomes the USP of Biker. Even though a few moments appear familiar, the unexplored territory in Telugu cinema keeps the proceedings engaging, and credit where it’s due.
The sport sequences are superbly shot and choreographed. Some moments truly keep us on the edge of our seats. To make a film on a less popular sport in India by weaving emotional moments around it, the director does a pretty good job in helping the movie connect with the regular audience.
Sharwanand looks in his best shape, and it’s good to see him try his hand at multiple genres. He brings sincerity to his performance as a professional racer and is effective in the emotional segments as well. His scenes with Rajasekhar work well. With Biker, Rajasekhar (Angry Man) reaches a new level, playing his part with utmost dignity and elegance.
When veterans play their age and become an integral part of the story instead of trying to outshine others, it’s a pleasure to watch. From here on, Rajasekhar could become the go-to actor for character roles in Telugu cinema. The second half is comparatively more engaging with decent emotional depth. Malavika Nair is fine in her role.
Minus Points:
Biker plays it safe in key moments with familiar tropes, which prevents it from reaching the next level. The vulnerability of the protagonist should have been explored more during the actual racing portions to make it stand apart from regular sports dramas. Some elements feel too easy for the hero to achieve, which takes away from the realism.
Instead of external factors, if the hero had been troubled by his own internal thought process during the racing, the impact could have been much higher. The episodes involving the hero’s sponsorship needed better execution.
The racing scenes are no doubt solid, but the moments leading up to them could have been still better. The conflict point between the lead pair is meaningful, but it is underutilized. The first half is slow at times, and isn’t upto the mark on the whole.
Technical Aspects:
Ghibran’s background score is solid in the thrilling moments, and the sound design is excellent. Cinematographer Yuvraj does a fabulous job in picturizing the racing sequences. The editing is fine in the latter half, but needed improvement in the first half.
The production values are solid. Director Abhilash Reddy takes up a not-so-popular sport and delivers an engaging film with a fair number of good moments. Had he avoided a few clichés, the movie could have reached a whole new level.
Verdict:
On the whole, Biker is an engaging sports drama with a never-before-explored motocross racing backdrop and good performances. The racing scenes are brilliant, and the film is carried by Sharwanand and Rajasekhar with their impressive performances. The first half is slow, and there are a few convenient moments. The use of certain tropes could have been avoided for better impact. Nonetheless, if you enjoy sports dramas, Biker turns out to be a satisfactory watch.
123telugu.com Rating: 3.25/5
Reviewed by 123telugu Team
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