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Review: Another Marvel character from the margins approaches campiness in 'Kraven the Hunter'

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Review: Another Marvel character from the margins approaches campiness in 'Kraven the Hunter'

Every December, a hero comes to save us all from prestige awards-season movies. Need to turn off your brain? Never fear, “Kraven the Hunter” is here, a big ol’ side of comic-book beefcake with no contemplation required. For some, it may be just what the doctor ordered for a mid-December mind vacation.

“Kraven the Hunter” is a Marvel movie from Sony, the studio that has been churning out standalones for various obscure Spider-Man characters like Venom and Madame Web. Think slightly goofy and somewhat self-aware about the silliness of the whole endeavor. But if the surprisingly successful “Venom” films are highest on the scale of knowing humor, “Kraven the Hunter” is the lowest — only a few participants have the wink down pat.

The character of Kraven is a foe of Spider-Man from the comic books who has an affinity for animal prints and is so charming, he’s more of an antihero than a supervillain. Aaron Taylor-Johnson and his abdominal muscles slither into Kraven’s leathers for the film, which is an origin story much like Spider-Man’s: A boy has a near-death experience with a deadly animal and, through a mystical, inexplicable transference, receives specific qualities from that animal that comprise his superpowers.

Privileged but sad teen Sergei Kravinoff (Levi Miller) is attacked by a lion on a hunting safari with his Russian gangster father, Nikolai (Russell Crowe). He’s revived by a mysterious potion and then runs away from home, taking to the wilds of eastern Russia, where he lives in a yurt and hunts bad guys for sport, shedding Kravinoff and taking on the name of Kraven, a.k.a. “The Hunter.”

Miller and then Taylor-Johnson approach the part straight-faced, playing someone who loves animals and hunts only those he deems predators, like mob bosses imprisoned in deepest Siberia. Director J.C. Chandor (“A Most Violent Year”), working from a script by Richard Wenk, Art Marcum and Matt Holloway, is also earnest about the film. But many of the character actors in supporting roles came to work ready to go big.

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There’s Russell Crowe and his Russian accent, playing the big, bad bear of a father, against whom Kraven rebels. He claims his dad is an evil drug dealer, even though we never see him do anything but take his kids on hunting trips and shame them about being weak. Not a great parent, fine, but his criminal bona fides are not onscreen. Fred Hechinger co-stars as Sergei’s younger brother, Dmitri, torn between a sibling who abandoned him and a father who criticizes him.

Then there’s Alessandro Nivola, delivering a creepy-camp performance as Aleksei Sytsevich, a.k.a. “The Rhino” (played previously in “The Amazing Spider-Man 2” by Paul Giamatti). Nivola seems the most in on the joke, or the most willing to get weird, and with his strange accent and bizarre mannerisms, he makes the whole thing worth watching (his transformation is especially ridiculous). There’s also the shocking appearance of indie darling Christopher Abbott as “The Foreigner,” a character who can control time by counting “1, 2, 3.” Hopefully he had a good time beating up Taylor-Johnson.

We’re not done: Ariana DeBose plays Calypso, operating in a similar register as Michelle Williams in “Venom,” but more out of her depth, with a wig that’s wearing her and a selection of costumes that seem to be stolen from a 1990s Janet Jackson music video. Poor DeBose is saddled with some clunkers to deliver — her character is constantly pronouncing what’s happening onscreen — but her stilted line readings don’t help matters.

It would have been more fun to watch Kraven hunting, but the action of the film centers around the kidnapping of Dmitri and Kraven’s desperate attempts to rescue his little brother. But the structure and edit is so strange, there seem to be huge chunks of exposition missing, though they weren’t really necessary in the first place. Dodgy CGI, especially for the animals, and obvious green-screen inserts also show the seams on this project.

There’s a certain pleasure to be had in watching Taylor-Johnson (or his stunt double) grapple with a speeding minivan or parkour around “London,” and the star has enough charisma to just barely hold this thing together. You’ll give a hearty chuckle when he finally dons his cropped, fur-collared vest at the end of the film, much in the same way Ms. Web finally revealed her signature specs at the end of her film. But aside from the obviously unintentional humor, the quality of “Kraven the Hunter” is severely lacking. Perhaps that’s all the recommendation you need for some dumb fun at the movies.

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Katie Walsh is a Tribune News Service film critic.

‘Kraven the Hunter’

Rated: R, for strong bloody violence, and language

Running time: 2 hours, 7 minutes

Playing: In wide release Friday, Dec. 13

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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

California helped make them the rich. Now a small proposed tax is spooking them out of the state.

California helped make them among the richest people in the world. Now they’re fleeing because California wants a little something back.

The proposed California Billionaire Tax Act has plutocrats saying they are considering deserting the Golden State for fear they’ll have to pay a one-time, 5% tax, on top of the other taxes they barely pay in comparison to the rest of us. Think of it as the Dust Bowl migration in reverse, with The Monied headed East to grow their fortunes.

The measure would apply to billionaires residing in California as of Jan. 1, 2026, meaning that 2025 was a big moving year month among the 200 wealthiest California households subject to the tax.

The recently departed reportedly include In-n-Out Burger owner and heiress Lynsi Snyder, PayPal co-founder and conservative donor Peter Thiel, Venture Capitalist David Sacks, co-founder of Craft Ventures, and Google co-founder Larry Page, who recently purchased $173 million worth of waterfront property in Miami’s Coconut Grove. Thank goodness he landed on his feet in these tough times.

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The principal sponsor behind the Billionaire Tax Act is the Service Employees International Union-United Healthcare Workers West (SEIU-UHW), which contends that the tax could raise a $100 billion to offset severe federal cutbacks to California’s public education, food assistance and Medicaid programs.

The initiative is designed to offset some of the tax breaks that billionaires received from the One Big Beautiful Bill Act recently passed by the Republican-dominated Congress and signed by President Trump.

According to my colleague Michael Hiltzik, the bill “will funnel as much as $1 trillion in tax benefits to the wealthy over the next decade, while blowing a hole in state and local budgets for healthcare and other needs.”

The drafters of the Billionaire Tax Act still have to gather around 875,000 signatures from registered voters by June 24 for the measure to qualify on November’s ballot. But given the public ire toward the growing wealth of the 1%, and the affordability crisis engulfing much of the rest of the nation, it has a fair chance of making it onto the ballot.

If the tax should be voted into law, what would it mean for those poor tycoons who failed to pack up the Lamborghinis in time? For Thiel, whose net worth is around $27.5 billion, it would be around $1.2 billion, should he choose to stay, and he’d have up to five years to pay it.

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Yes, it’s a lot … if you’re not a billionaire. It’s doubtful any of the potentially affected affluents would feel the pinch, but it could make a world of difference for kids depending on free school lunches, or folks who need medical care but can’t afford it because they’ve been squeezed by a system that places much of the tax burden on them.

According to the California Budget & Policy Center, the bottom fifth of California’s non-elderly families, with an average annual income of $13,900, spend an estimated 10.5% of their incomes on state and local taxes. In comparison, the wealthiest 1% of families, with an average annual income of $2.0 million, spend an estimated 8.7% of their incomes on state and local taxes.

“It’s a matter of values,” Rep. Ro Khanna (D-Fremont) posted on X. “We believe billionaires can pay a modest wealth tax so working-class Californians have Medicaid.”

Many have argued losing all that wealth to other states will hurt California in the long run.

Even Gov. Gavin Newsom has argued against the measure, citing that the wealthy can relocate anywhere else to evade the tax. During the New York Times DealBook Summit last month, Newsom said, “You can’t isolate yourself from the 49 others. We’re in a competitive environment.”

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He has a point, as do others who contend that the proposed tax may hurt California rather then help.

Sacks signaled he was leaving California by posting an image of the Texas flag on Dec. 31 on X and writing: “God bless Texas.” He followed with a post that read, “As a response to socialism, Miami will replace NYC as the finance capital and Austin will replace SF as the tech capital.”

Arguments aside, it’s disturbing to think that some of the richest people in the nation would rather pick up and move than put a small fraction of their vast California-made — or in the case of the burger chain, inherited — fortunes toward helping others who need a financial boost.

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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