Entertainment
Paul Thomas Anderson wins Directors Guild Award for ‘One Battle After Another’
In a widely anticipated outcome that felt like a long-overdue coronation, Paul Thomas Anderson won the top honor at Saturday’s Directors Guild of America Awards for his Thomas Pynchon-inspired political thriller “One Battle After Another.” The ceremony was held at the Beverly Hilton Hotel in Beverly Hills.
It was the director’s first DGA win after two prior nominations, in 2008 for “There Will Be Blood” and in 2022 for his San Fernando Valley reminiscence “Licorice Pizza.”
Speaking at the podium after receiving the award from last year’s winner, “Anora” director Sean Baker, a humbled Anderson thanked the guild, mentioning recent EGOT winner Steven Spielberg, sitting in the audience right in front of him. “It reminds me, being in this room, of ‘Close Encounters,’ ” Anderson said. “We’re all brought here for a reason — some cosmic thing brought us to this room. It was that call to the mountain. It’s that feeling that we all love making s— and we need to do it.”
Anderson also devoted much of his speech to remembering his first-assistant director Adam Somner, who died from thyroid cancer in November 2024. “May you be blessed with the relationship I had with him,” the director said, “and if you have one already, hold them close and remind them that you love them.”
True to tradition, the evening was both a celebration of achievements in directing and an occasion for much pro-guild testifying — from nominees, winners and Christopher Nolan, presiding over his first ceremony as DGA president. “We are the best at what we do,” Nolan said, touching on last year’s 40% dip in DGA member employment with a note of solidarity and urgency. “We are the storytellers. We are the people who have to innovate.”
All five nominees for theatrical feature film are invited to give a speech during these annual awards, with the eventual winner speaking twice. Guillermo del Toro, up for his personal take on “Frankenstein,” saluted Nolan: “I love saying ‘President Nolan’ because it’s so good to say ‘President’ with a good word after it,” he cracked to hearty applause. (The joke was echoed by several podium speakers.)
Ryan Coogler, a DGA nominee for “Sinners,” thanked the guild for his health insurance and mentioned his longtime dream — not of filmmaking but of joining a union, like some of the adults in his life growing up.
“Lately I’ve been learning about alchemy, “ said Chloé Zhao, representing “Hamnet,” her domestic drama about the grief-stricken family life of William Shakespeare. “You need fire and you need a chalice. To me, that fire is my creativity. It’s my birthright to create. And that chalice is the community that holds me.”
Indicating the respect the DGA commands among actors, several A-listers attended the ceremony to introduce their directors: Leonardo DiCaprio for Anderson, Jacob Elordi for Del Toro and Timothée Chalamet, the latter celebrating his “Marty Supreme” director Josh Safdie with sincerity and gentle deprecation. “I don’t think Josh will ever be ‘institutional,’ ” Chalamet said. “I think Josh will forever be an insurgent filmmaker and I don’t think the world would be right otherwise.”
An Oscar victory path is now clear for Anderson, previously nominated for the academy’s directing honor three times, for “There Will Be Blood,” “Phantom Thread” and “Licorice Pizza,” but never a winner. Twenty of the last 23 recipients of the DGA’s top prize have gone on to take the Oscar for directing.
Here is a complete list of the night’s nominees, with winners in bold:
Outstanding directorial achievement in theatrical feature film
Paul Thomas Anderson, “One Battle After Another” (Warner Bros. Pictures)
Ryan Coogler, “Sinners” (Warner Bros. Pictures)
Guillermo del Toro, “Frankenstein” (Netflix)
Josh Safdie, “Marty Supreme” (A24)
Chloé Zhao, “Hamnet” (Focus Features)
Michael Apted Award for outstanding directorial achievement in first-time theatrical feature film
Charlie Polinger, “The Plague” (Independent Film Co.)
Hasan Hadi, “The President’s Cake” (Sony Pictures Classics)
Harry Lighton, “Pillion” (A24)
Alex Russell, “Lurker” (Mubi)
Eva Victor, “Sorry, Baby” (A24)
Outstanding directorial achievement in documentary
Mstyslav Chernov, “2000 Meters to Andriivka” (PBS)
Geeta Gandbhir, “The Perfect Neighbor” (Netflix)
Sara Khaki and Mohammadreza Eyni, “Cutting Through Rocks” (Assembly Releasing)
Elizabeth Lo, “Mistress Dispeller” (Oscilloscope Laboratories)
Laura Poitras and Mark Obenhaus, “Cover-Up” (Netflix)
Outstanding directorial achievement in dramatic series
Amanda Marsalis, “The Pitt,” “6:00 P.M.” (HBO Max)
Liza Johnson, “The Diplomat,” “Amagansett” (Netflix)
Janus Metz, “Andor,” “Who Are You?” (Disney+)
Ben Stiller, “Severance,” “Cold Harbor” (Apple TV+)
John Wells, “The Pitt,” “7:00 A.M.” (HBO Max)
Outstanding directorial achievement in comedy series
Seth Rogen and Evan Goldberg, “The Studio,” “The Oner” (Apple TV+)
Lucia Aniello, “Hacks,” “A Slippery Slope” (HBO Max)
Janicza Bravo, “The Bear,” “Worms” (FX on Hulu)
Christopher Storer, “The Bear,” “Bears” (FX on Hulu)
Mike White, “The White Lotus,” “Denials” (HBO Max)
Outstanding directorial achievement in limited and anthology series
Shannon Murphy, “Dying for Sex,” “It’s Not That Serious” (FX on Hulu)
Jason Bateman, “Black Rabbit,” “The Black Rabbits” (Netflix)
Antonio Campos, “The Beast in Me,” “Sick Puppy” (Netflix)
Lesli Linka Glatter, “Zero Day,” “Episode 6” (Netflix)
Ally Pankiw, “Black Mirror,” “Common People” (Netflix)
Outstanding directorial achievement in movies for television
Stephen Chbosky, “Nonnas” (Netflix)
Jesse Armstrong, “Mountainhead” (HBO Max)
Scott Derrickson, “The Gorge” (Apple TV+)
Michael Morris, “Bridget Jones: Mad About the Boy” (Peacock)
Kyle Newacheck, “Happy Gilmore 2” (Netflix)
Outstanding directorial achievement in variety
Liz Patrick, “SNL50: The Anniversary Special” (NBC)
Yvonne De Mare, “The Late Show With Stephen Colbert,” “Julia Roberts; Sam Smith” (CBS)
Andy Fisher, “Jimmy Kimmel Live!,” “Stephen Colbert; Kumail Nanjiani; Reneé Rapp” (ABC)
Beth McCarthy-Miller, “SNL50: The Homecoming Concert” (Peacock)
Paul Pennolino, “Last Week Tonight With John Oliver,” “Public Media” (HBO Max)
Outstanding directorial achievement in sports
Matthew Gangl, 2025 World Series – Game 7 – Los Angeles Dodgers vs. Toronto Blue Jays (Fox Sports)
Steve Milton, 2025 Masters Tournament – Augusta National Golf Club (CBS Sports)
Rich Russo, Super Bowl LIX – Philadelphia Eagles vs. Kansas City Chiefs (Fox Sports)
Outstanding directorial achievement in reality / quiz & game
Mike Sweeney, “Conan O’Brien Must Go,” “Austria” (HBO Max)
Lucinda M. Margolis, “Jeopardy!,” “Ep. 9341” (Syndicated)
Adam Sandler, “The Price Is Right,” “10,000th Episode” (CBS)
Outstanding directorial achievement in documentary series / news
Rebecca Miller, “Mr. Scorsese,” “All This Filming Isn’t Healthy” (Apple TV+)
Marshall Curry, “SNL50: Beyond Saturday Night,” “Written By: A Week Inside the SNL Writers Room” (Peacock)
Susan Lacy and Jessica Levin, “Billy Joel: And So It Goes,” “Part Two” (HBO Max)
Alexandra Stapleton, “Sean Combs: The Reckoning,” “Official Girl” (Netflix)
Matt Wolf, “Pee-Wee as Himself,” “Part 1” (HBO Max)
Outstanding directorial achievement in commercials
Kim Gehrig (Somesuch), “You Can’t Win. So Win.” – Nike | Wieden+Kennedy
Miles Jay (Smuggler)
Spike Jonze (MJZ)
Andreas Nilsson (Biscuit Filmworks)
Steve Rogers (Biscuit Filmworks)
Entertainment
Jack Black joins ‘SNL’ Five-Timers Club with help from Jonah Hill and Melissa McCarthy
Almost a year ago to the day, Jack Black hosted “Saturday Night Live” for the first time in 20 years, fresh off the success of “A Minecraft Movie.” Now, the star of another freshly minted videogame-to-movie hit, “The Super Mario Galaxy Movie,” has returned after crushing it last time with a high-energy performance.
Having reached the Five-Timers Club, as addressed in an obligatory monologue sketch featuring Jonah Hill, Tina Fey, Candice Bergen and others, Black was a returning hero. He’s frequently cited as one of the favorite hosts among the cast. And while this time may not have reached the frenetic highs of last year’s manic and musical outing, it had some memorable moments.
Most notable was a video for a country-style song about gaining wisdom and then completely forgetting what that wisdom was. Black sang in that sketch along with musical guest Jack White. Black also appeared as a frustrated office worker trying to get a coworker (Ashley Padilla) to stop talking to him and others annoyed by the woman.
Black paired up with Marcello Hernández to play martial arts instructors who teach unorthodox self-defense methods. It played to Black’s physical comedy chops, but something felt off about the execution, especially because of the hard-to-understand dialogue. Black played the last Spartan to be considered for inclusion in the group of 300 Greek fighters against Persia (spoiler: he doesn’t make it in). He played an intrusive Airbnb host with Melissa McCarthy, who was also on board for the Five-Timers sketch.
And, finally, he played one of a set of awkward husbands who come to life singing “Carry On Wayward Son” together.
While the monologue was a blast of fresh chaos (or at least the sense of chaos) with Black jamming out with White, the rest of the show didn’t have the same kind of verve, falling back on familiar sketch formulas. That said, Black committed throughout and sang well when he had the opportunity.
Musical guest Jack White appeared in a few sketches and performed “Derecho Demonico” and “G.O.D. And The Broken Ribs.”
Breaking a streak of cold opens featuring President Trump and/or members of his cabinet, this week’s opening sketch featured instead a March Madness NCAA post-game roundup featuring Ernie Johnson (James Austin Johnson), Kenny Smith (Kam Patterson), Charles Barkley (Kenan Thompson) and coach Bruce Pearl (Jeremy Culhane). The joke here was that Barkley, already known for being outspoken, has been getting kudos for speaking out in favor of immigrants on a CBS broadcast. On the show, he jokes that it’s “the first time I went viral without a prescription for Valtrex.” Emboldened, this version of Barkley keeps saying he’s going to be careful with his words, before weighing in on the Iran war, the Artemis II space mission (“A waste of money. They just flying around the moon.”) and the firing of former U.S. Atty. Gen. Pam Bondi. Bondi (Padilla) appeared to refute the comments, referring to “The final four… years of this country.” Barkley said he was going to choose his words carefully one more time before delivering, “Live from New York… It’s Saturday Night!”
For his induction to the Five-Timers Club, Black was joined by a jacket-clad Hill who revealed that there’s something wrong with the lounge where the Five Timers hang out. The room, indeed, appeared spooky and abandoned with cobwebs and Fey wearing a robe made out of Paddington, which she said she got after hosting “SNL UK” last month. Fey revealed the lounge has fallen apart after literally being run into the ground by too many Five-Timers Club sketches. The suave Hernández character Domingo appeared briefly but was conked on the noggin by White, who also achieved Five-Timers status, but as a musical guest. He left early to move his hearse: apparently musical Five Timers only get their parking validated for 15 minutes. Black chose to rock out to revive the lounge, launching into a version of White’s “Seven Nation Army” with the guitarist accompanying him. After a brief musical rockening, Black told the audience, “Stick around, we’ll be White Black!”
Best sketch of the night: If only we could remember why this song was so good
Beyond his spot-on Trump impression, Johnson has proven to be adept at musical impressions, and here he does a nice job launching into a country song, “Words to Live By,” about a man who hears his father’s dying words … and then forgets what the wisdom was that was imparted. Black takes over as a man who climbed a mountain in Tibet and spent 20 hours with a guru, only to forget what he learned while walking down the mountain and getting a text from his wife. That would have been plenty, but a third section features Andrew Dismukes as an annoyed father refusing to listen to his 6-year-old son’s words. “You don’t even know how to wipe your own butt,” he sings, “you maybe only know the names of like 30 weird Pokemon guys.” The three singers at least remember the name of the “Men in Black” device that erases your memory: The Neuralyzer.
Also good: There’ll be peace when you are done (watching this sketch)
What looked at first to be a repeat of a recent sketch about wine-drinking wives chatting in the kitchen and playing truth or dare instead pivoted to a scene about husbands stuck together in a den with nothing to talk about. That might have been premise enough for a piece about men having trouble making friends, but instead, a mumbled lyric for the Kansas song “Carry On Wayward Son” turned into a full-blown sing-along that peaks when the men jam out with ribbon sticks and strip their outerwear to reveal colorful jumpsuits. When you have a guest who can sing as well as Black, you’ve got to lean into that talent.
‘Weekend Update’ winner: A scandal that keeps ballooning
Patterson had some funny moments as the new Black version of Professor Snape slated to appear in the new “Harry Potter” series, but Sarah Sherman was tough to ignore as Kristi Noem’s husband Bryon, currently embroiled in a scandal over online chats. Sherman as Bryon Noem wore two giant balloons under a shirt, challenging “Update” co-host Michael Che and others to make fun of his kink. “I dare you to find one thing that’s funny about this whole situation,” Bryon said. The segment got more and more absurd as Bryon challenged the cue-card master Wally Ferensten, Lorne Michaels (shown having already left, leaving a spinning desk chair), Kristi Noem (Padilla) and even the dog she shot, shown in heaven with a halo. It was as distasteful a segment as you’d expect from “Update,” yet also somehow straddled the line between wallowing in the scandal and mining some genuine laughs out of it.
Movie Reviews
Movie Review – Modern Whore (2025)
Modern Whore, 2025.
Directed by Nicole Bazuin.
Starring Andrea Werhun.
SYNOPSIS:
Modern Whore follows Andrea Werhun as she portrays her past roles as escort Mary Ann, stripper Sophia, and her OnlyFans presence – all part of her Toronto sex work journey.
Writer/director Nicole Bazuin makes her feature debut with Modern Whore, a hybrid documentary detailing the experiences of Andrea Werhun based on her memoir of the same name. Bazuin and Werhun make an insightful and funny adaptation of Werhun’s life as a former sex worker in Toronto, examining the hows and whys of the industry and her participation in it.
Modern Whore takes an interesting approach to the way it tells Werhun’s story as half of it is a documentary of Werhun relaying her experiences and speaking with family, friends and colleagues while the other half is scripted with Werhun and others acting out the stories. It is unconventional, but its uniqueness makes Werhun’s story entertaining with a tight and witty script by her and Bazuin.
The scripted portions display Werhun’s fun personality with the cast and material – after all, literally telling and acting in her own story makes for a great performance as she opens herself up to some of her most vulnerable moments knowing the stigma against sex workers whether they are/were escorts or OnlyFans creators. There’s plenty of light self-awareness along with quirky fourth-wall breaking humour as she recounts her stories or that of her clients skewed perspectives of their interactions. It is also not afraid to shy away from the more difficult subject matter of being a sex worker like meeting with really sketchy clients or some taking it too far, looking at the impact it has and the little support system in place.
The switches from the scripted scenes to the talking heads or interviews is well paced with the formats complimenting each other. The interviews are interesting and insightful, digging into why someone chooses to enter sex work and the stigma they feel from family or friends. Werhun digs into the different personas she put on, how some were closer to her real self than others, and the necessity for those identities in her work. Much of the conversations revolve around the taboo of sex work and how the discussions are slowly shifting so it is less shameful, but still plenty of work needed to be done towards that front.
Modern Whore showcases great writing from Werhun and Bazuin with plenty of entertaining sequences, not to mention Werhun’s performance. It is insightful, funny and creative with its hybrid format, making it very memorable in several aspects.
Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★
Ricky Church – Follow me on Bluesky for more movie news and nerd talk.
Entertainment
Driver arrested after reality TV stars filmed Hollywood road rage encounter
The L.A. man who was filmed punching and kicking the Mercedes-Benz of “Gown and Out in Beverly Hills” stars Patrik Simpson and Pol’ Atteu in Hollywood was arrested this week and booked on felony vandalism.
The reality stars shared the dramatic video of the incident on social media with the caption, “Emergency! We need your help! We were just attacked at an intersection.”
“This man just blocked the intersection of our car at Melrose and Vine and then kicked our door in attacking us. Police were called and the license plate is on the video. If you know who this is, call the police immediately and send me a DM. He is dangerous and the police are looking for him!”
In the video, a man wearing a Cheech & Chong tee that reads “Don’t Panic, It’s Organic” blocked the Melrose Avenue and Vine Street intersection Sunday around 9:20 a.m. and hopped out of his Toyota 4Runner.
Contrary to instructions on the man’s shirt, the married co-stars of the Amazon Prime reality series did begin to panic as the man, who has been identified as Los Angeles resident Kevin Antonio Hernandez, approached their vehicle and punched the driver’s side window and kicked the driver’s side door. “Lock the door!” Simpson is heard saying in the video. “Call the police!”
Hernandez continued to yell at the fashionistas as he returned to his vehicle, but it’s unclear what he was saying because the techno music playing on the radio in Simpson and Atteu’s Benz drowned out any outside noise. Hernandez climbed into the driver’s side of his Toyota and pointed at the couple, yelling one last time, before speeding off.
“Go get him!” Simpson is heard yelling as they continue to film, while chasing the Toyota through the streets of Hollywood and calling 911. The reality stars’ exchange with the emergency dispatcher played out in the video, with the dispatcher urging the couple to stop following the car.
According to Simpson and Atteu, Hernandez had a baby in the car during the heated exchange and ran stop signs and ignored traffic lights as he sped away.
“This is it, I’m going to die here,” Atteu told KTLA of his headspace during the ordeal. “I’ve never been faced with that kind of fear in my life on the streets of L.A.”
The Los Angeles Police Department told The Times that Hernandez was arrested Wednesday. He has since been released.
-
South-Carolina7 days agoSouth Carolina vs TCU predictions for Elite Eight game in March Madness
-
Education1 week agoVideo: Transgender Athletes Barred From Women’s Olympic Events
-
Miami, FL1 week agoJannik Sinner’s Girlfriend Laila Hasanovic Stuns in Ab-Revealing Post Amid Miami Open
-
Minneapolis, MN1 week agoBoy who shielded classmate during school shooting receives Medal of Honor
-
Vermont7 days ago
Skier dies after fall at Sugarbush Resort
-
Politics1 week agoTrump’s Ballroom Design Has Barely Been Scrutinized
-
Atlanta, GA7 days agoFetishist ‘No Kings’ protester in mask drags ‘Trump’ and ‘JD Vance’ behind her wheelchair
-
Entertainment3 days agoInside Ye’s first comeback show at SoFi Stadium