Movie Reviews
The Substance (2024) – Movie Review
The Substance, 2024.
Written and Directed by Coralie Fargeat.
Starring Demi Moore, Margaret Qualley, Dennis Quaid, Gore Abrams, Hugo Diego Garcia, Olivier Raynal, Tiffany Hofstetter, Tom Morton, Jiselle Burkhalter, Axel Baille, Oscar Lesage, Matthew Géczy, Philip Schurer, Daniel Knight, Namory Bakayoko, and Bill Bentley.
SYNOPSIS:
A fading celebrity decides to use a black-market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.
A good while after things have disastrously spiraled out of control between forgotten Hollywood star Elisabeth Sparkle (Demi Moore) and her younger, prettier, popular clone Sue (Margaret Qualley), in which they each take turns living seven days at a time (such are the rules of the titular black-market drug), the former has reached her mental breaking point for a variety of reasons, but chooses to continue the experiment while uttering to that younger self the hauntingly depressing and sad-but-true words (depending on how cynical you are about society) “you’re the only part of me that people love.”
Steering clear of the spoilers that have brought viewers to this point in writer/director Coralie Fargeat’s bonkers body horror The Substance, that line also feels like the moment where this already imaginatively demented cautionary tale grabs hold of all themes played with and stirs them into a sustained explosion of stunningly grotesque imagery and astonishing prosthetics, following the story to its natural conclusion while keeping one simultaneously asking themselves what the hell they are looking at, and what the hell they could be looking at next.
That’s not to say anyone behind or in front of the camera was playing around before that point, but this film gradually builds to a series of events so feverishly insane it transcends the movie into something masterfully unhinged of the highest order. It is nutty, bloody, and howlingly funny with, well, substance, going where few filmmakers and actors would ever dare go.
However, Demi Moore and Margaret Qualley go there with fearlessly. As mentioned, the former is Elisabeth Sparkle, a once-beloved actress with her star on the Hollywood Walk of Fame, a star people were once enthusiastically visiting. After some seamless transitions of seasons and time, it is now cracked, with those who cross it either unaware of who she is or jogging their memories about what she has been in. No, the metaphor is not subtle, and that’s also not the only one. That’s also the point, as anyone can get away with a lack of subtlety so long as the messages are driven home with relentless force and courageous creativity.
Currently, she hosts an exercise show for middle-aged women, wishing she could go back to the days of her youthful beauty and star power. No one will be necessarily surprised to hear that Hollywood doesn’t exactly have the best track record with women over the past several decades, swallowing up women and disposing of them when they have outlived their usefulness to the industry, aka beauty. Dennis Quaid’s talent manager, Harvey, also couldn’t make it any more clear that he wants to revamp the show with sexualized dancing and is looking for someone young and pretty. Speaking of Harvey, he isn’t only depicted as externally gross but disgusting all around as the queasy cinematography lingers on his cruel face and harsh outbursts at tilted angles or sometimes focuses on the inside of his mouth, shredding apart shrimp with his teeth just like the women he uses and discards over time.
Through a bizarre set of circumstances, Elisabeth comes into a potential solution, being made aware of a secretive black-market drug called The Substance, first seen tested on an egg with a duplicate emerging from the side. Imagine that replicated with actual human beings, and you now have a small fragment of how graphic and gory the film’s setup is alone. Out comes Sue (Margaret Qualley), alongside a handful of rules that mainly involve injecting serums into the other unconscious body to maintain stability. Refusals to stick by these rules and the aforementioned 7-day request result in gnarly body horror, everything involving blood to decay to mutation.
In contrast to Elisabeth, mentally hard on her middle-aged body, Sue is confident, repeatedly seen idolizing herself, whether it be fondling her breasts, admiring her buttocks, and almost always wearing crop tops and underwear around the high-rise suite. Unsurprisingly, much of this positivity transitions into self-absorbed vanity, which the likes of Harvey propagate. Elisabeth gets what she wishes for; a way to experience the rise of fame again vicariously, but at the cost of creating a monster she’s unsure if she wants to destroy. Nevertheless, there are consequences on both ends, as the rules state that what happens to one body by neglecting the rules can’t be undone. In other words, it’s beauty as a drug to overdose on.
Also noteworthy is that men suddenly have a drastic change in attitude toward Sue (assuming that someone new has moved into the building), practically foaming at the mouth to get some action with her. Meanwhile, even with her dwindling fame, most people treat Elisabeth like an object in the way of their day. Again, this is also a darkly comedic film and Coralie Fargeat knows exactly the right time to give these men the scare of their lives. Then again, the whole movie could be attributed as one sick and twisted joke about women trying to meet up to the unreasonable beauty standards expected by men in power.
The slow unravelling snowballs into something extreme: an audiovisual annihilation of the senses that appropriately distorts sound and hypnotic camera movements. For an hour, Coralie Fargeat wears her influences on her sleeves and keeps one-upping herself in outrageous body horror and a twisted sense of humor. The phenomenal performances from Demi Moore and Margaret Qualley also ground The Substance in inevitable tragedy and internalized pain, proving that this is more than shock and thrills. It is diabolically exceptional, in a highwire freakout class of its own, and unforgettable, searing every nasty image into the mind. It is rare to be this mortified and laugh this much in awe while simultaneously feeling something human.
Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ ★
Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com
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Movie Reviews
‘Better Man’ movie review: Robbie Williams is a chimp. (Just go with it.)
Robbie Williams talks Golden Globe-nominated film ‘Better Man’
Robbie Williams and wife Ayda Field tell USA TODAY’s Ralphie Aversa what it feels like to be at the Golden Globes.
Music biopics are too often predictable, formulaic and, let’s face it, dull. One way to liven them up, however, is to venture way outside the box and make the central subject an anthropomorphic animal. And while an alligator Freddie Mercury in “Bohemian Rhapsody” or a sloth Bob Dylan in “A Complete Unknown” might have been bridges too far, a chimpanzee Robbie Williams defies logic and somehow works in “Better Man.”
Director Michael Gracey’s admirably eccentric biopic/jukebox musical (★★★ out of four; rated R; in select theaters now, nationwide Friday) still boasts the signature tropes of its ilk and the career-tanking vices of many a “Behind the Music” episode. Yet the fact that the ultra-cheeky Williams is inexplicably presented as a bawdy CG ape man (given cool moves and voice via performance capture by Jonno Davies) matches the fantastical nature of the British pop star’s bananas rise-and-fall-and-rise-again tale.
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The movie also has a lot in common with Gracey’s most famous effort, “The Greatest Showman,” featuring well-crafted, effervescent musical numbers doing what they can to make up for oversentimentality and an unfocused narrative.
Narrated by Williams himself, “Better Man” chronicles his life starting as a little simian dude playing soccer in the streets with his mates – and failing to impress his peers. Like his father Peter (Steve Pemberton), Robbie wants to be somebody and slowly he begins to embrace a charismatic, wild-child personality that wins him a spot in the boy band Take That. His brazen and outrageous personality wins over some like pop-star girlfriend Nicole Appleton (Raechelle Banno) – and his many fans – but irks many others, from his bandmates and manager (Damon Herriman) to members of Oasis.
The middle of the movie is where “Better Man” finds its groove. Robbie sings “Rock DJ” and his group pogo-sticks through London’s busy Regent Street in the film’s most spectacular sequence. And as the insecure Robbie goes down a bad path, he’s forced to literally fight the conflicting parts of his pop-star persona. Drugs and being a selfish jerk threaten everything, of course, and seeing a chimp go through the out-of-control partying instead of a normal dude is a bit different. The family drama peppered through the film leans too earnest, leading to an ending that pours on the schmaltz way too hard. Brash simian Robbie is a lot more fun to watch than soppy simian Robbie.
No one’s ever going to play a primate like the brilliant Andy Serkis in his “Planet of the Apes” films. Davies does a good job at moving in such a way that’s human but also a little bit wild, which adds to the hyperrealism of a proudly oddball movie. It doesn’t completely explain why exactly Williams is a chimp in the biopic – he’s said he feels “less evolved” than others, and Nicole calls Robbie an “animal” during a fight – but it makes that bizarre choice a little less head-scratching.
Interestingly, the best part of “Better Man” is Williams. He sings the songs throughout the movie – including nifty new tune “Forbidden Road” – and his fabulous narration hilariously slings jabs and adds an emotional gravitas to his screen counterpart’s struggles. When the film goes most over the top, Williams’ commentary keeps it grounded.
“Better Man” isn’t perfect – as a straightforward effort, it doesn’t hold a candle to, say, “A Complete Unknown.” But it’s never boring, either. And the film is easily the most idiosyncratic of its kind, at least until that inevitable Barry Manilow biopic featuring a yeti.
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Movie Reviews
The Forge Movie Review (with Spoilers)
If you are looking for a good movie to watch during these cold winter days, I suggest The Forge.
Before providing an explanation for my recommendation I must warn that this review does contain spoilers. Therefore, do not read the rest of this article if you intend to watch the film.
The Forge
A Brief Summary
Under the direction of Alex Kendrick, The Forge is a faith-based movie emphasizing the importance of discipleship. Actors such as Priscilla Shirer, Cameron Arnett, and Aspen Kennedy bring this theme to life with a passion for God that exudes beyond a typical acting role.
Their passion manifests through the story of Isaiah Wright, a young adult struggling to find direction in life. He focuses on playing video games, hanging out with friends and not handling his responsibilities.
His mother scolds him for his lackadaisical habits but a transformation does not occur until he meets Joshua Moore. Joshua Moore, the owner of Moore Fitness gym, offers Isaiah a job.
Little does Isaiah know, this opportunity will not only change his financial status but help him draw closer to God. God uses Joshua Moore as a mentor who gives Isaiah professional and personal advice to help him mature.
Over a short period of time, Isaiah decides to stop resisting God and accept Jesus as his Lord and Savior. After hearing the news, Mr. Moore disciples Isaiah and invites him into fellowship with other Christian men.
This maturation helps Isaiah apologize for past mistakes, forgive his father and become a courageous young professional.
The Forge concludes with Mr. Moore issuing a challenge to his forge (and viewers) to make disciples for Jesus Christ.
Relatable to the African American Community
Brokenness & Fatherlessness
Along with a compelling message to go make disciples for Christ, The Forge also highlights themes relatable to the African American Community.
One theme was Isaiah’s brokenness due to the absence of his father. This may seem like a negative depiction of black families because some media platforms associate fatherlessness with African Americans.
However, I see this as a positive since it confronts the realities that many young adults of various ethnic backgrounds face.
Pain Drawing People Closer to God
Another theme Christians in the Black community can relate too is painful situations drawing them closer to God. For Isaiah, pain occurs through fatherlessness and the inability to find direction for his life.
But after surrendering his life to God, Isaiah transforms into a new creation.
For Mr. Moore, tragedy happens through a car accident resulting in his son’s death. Mr. Moore is so distraught, his marriage almost ends. Thankfully, yielding his anger to God helps him become a dynamic mentor for other men.
Ownership & Excellence in Business
One way Mr. Moore serves as a dynamic mentor is by discipling his employee Joshua. Mr. Moore has the freedom to share his faith with Joshua since he owns Moore Fitness Gym.
This same freedom appears as Joshua’s mom prays with her employees and friends at Cynthia’s (her hair salon).
In addition to a gym and hair salon, the film features a black owned coffee shop.
Seeing positive representations of African Americans in business through this film is encouraging for two reasons.
First, this positive representation shows all Christian’s how we can use employment to glorify God regardless of our job title. Second, this film shows there is a strong sense of work ethic, unity, teamwork and business savvy in black families.
Hopefully, this inspires more Christians to start black owned family businesses that will make a lasting impact in their communities.
The Impact of Discipleship
One way to make a lasting impact in any community is by investing in people. Mr. Moore this by establishing the forge and discipling countless men who then disciple others.
Through these personal investments, men not only grow spiritually, but in every aspect of their lives. They also gain a health support system that allows them to function in community the way God intends.
Imagine what our churches, families and society will look like if more men accept the responsibility of discipleship.
3 Things You Might Have Overlooked
The Power of Prayer
The displays of discipleship prevalent in this film could not be possible without prayer. Isaiah’s mom asks her forge to pray for him on a few occasions.
Prayer is also evident during Isaiah’s conversion experience as well as Mr. and Mrs. Moore’s daily affairs. These examples prove we can not draw closer to God or help others in their relationship with the Lord without prayer.
This is why Paul uses scriptures like 1 Timothy 2:8 to illustrate the importance of prayer.
An Excellent Use of Scripture
Along with illustrating the importance of prayer, The Forge does an excellent job of using scripture in its proper context. This is seen as Mr. Moore quotes or references the following scriptures to make key points
- Matthew 28:19.
- Luke 9:23.
- Galatians 5:13-14.
This factor stands out to me because I have seen other films use scripture and biblical principles out of context.
Being contextually accurate with scripture is essential because someone who does not fully understand a scripture may be susceptible to false teachings. God will hold filmmakers who intentionally misuse scripture accountable for making others stumble.
A Reminder About Sin
Thankfully, instead of making me stumble, The Forge offers a helpful reminder about sin. Sin is not just acts like using drugs, embezzling money, or committing adultery which are typical in many films.
Instead, The Forge reminds viewers that holding grudges, selfish ambitions, and not consulting God in every decision are also sins. I appreciate this reminder because it’s easy for believers to think they are in right standing with God if they do not commit sins others find unjustifiable.
However, God also takes offense when we act in ways that suggest he is not the Lord of our lives. We must strive to live by Luke 9:23 daily in order to be sincere disciples for Christ.
How do you feel about The Forge? I’d love to hear your thoughts. Your comments and feedback are greatly appreciated!
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