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‘Rocky aur Rani’ Box Office Day 1: Alia-Ranveer’s movie rides on good reviews

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‘Rocky aur Rani’ Box Office Day 1: Alia-Ranveer’s movie rides on good reviews

Karan Johar, after a hiatus of nearly seven years, returned to the director’s chair with his latest venture, Rocky aur Rani Kii Prem Kahani. The film, upon releasing in theatres on July 28, has already raked in an impressive 11 crore, according to Sacnilk.com.

The movie, produced by Dharma Productions, received an excellent response on its opening day, earning an estimated 11.50 crore nett in India, as reported by Sacnilk.com. Rocky aur Rani Kii Prem Kahani marks Karan Johar’s directorial comeback since his last film, Ae Dil Hai Mushkil, released in 2016.

Celebrity reactions

Prior to the film’s release, the team organised a grand screening and several celebrities who watched it shared their praise on social media. Abhishek Bachchan expressed his excitement for the film, declaring it a “total and complete family entertainer”. He showered praise on Karan Johar for his return to creating captivating family-oriented cinema and commended the entire cast for their wonderful performances.

Janhvi Kapoor expressed that the film is a special project close to Johar’s heart. The movie received a glowing five-star review from Gauri Khan. Ananya Panday praised the movie, stating that it couldn’t get any bigger or better than Rocky Rani ki Prem Kahani. Sara Ali Khan hailed the film as a ‘total blockbuster’ and praised Ranveer for his effortless performance and Alia for her grace.

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Vicky Kaushal, in an Instagram post, expressed his admiration for the film, describing it as a “hardcore big-screen family entertainer”. He lauded the brilliant performances of actors Alia Bhatt, Ranveer Singh and veteran stars Dharmendra, Jaya Bachchan and Shabana Azmi.

Rocky Aur Rani Kii Prem Kahaani review

According to the Hindustan Times, Alia, portraying an educated and ambitious TV journalist, looks stunning in every frame, particularly in the elegant Manish Malhotra chiffon sarees with backless blouses. Ranveer, on the other hand, effortlessly embodies the flamboyant and boisterous Punjabi character, earning praise for his performance.

Veteran film critic Anupama Chopra commented on Karan Johar, stating that the director skillfully navigates away from sensitive areas, relying on raw emotions as his forte. Throughout his illustrious 25-year career, he has crafted cinema that transcends conventional reality, location or politics, showcasing his unique and distinct style, she added.

India Today’s review hails Ranveer and Alia, likening their brilliance to shining diamonds in Karan Johar’s return to form. Times Now also lauds Johar’s direction, drawing inspiration from the golden era of Bollywood and skillfully using space, pauses and silences to enrich the storytelling experience.

Film critic Taran Adarsh, writing for Bollywood Hungama, emphasises Jaya Bachchan’s electrifying presence, authoritative demeanour and intense gazes, making her performance stand out and leaving an impression on audiences. Additionally, Shabana Azmi’s remarkable portrayal garners acclaim for her controlled and balanced acting without going overboard in any sequence.

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Updated: 29 Jul 2023, 12:16 PM IST

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Movie Reviews

Movie Review – Despicable Me 4

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Movie Review – Despicable Me 4

This is not a Pixar movie that appeals to adults just as much as kids. (BTW, this is a Universal/Illumination production.) It’s pretty much a young kids’ movie, beginning to end. This is one of those movies that mom and dad do rock, paper, scissors to decide who has to sit through the movie with their kid(s).

There were a lot of children in the theater when I saw the movie and they all seemed engaged in the antics. I heard giggles and other reactions throughout. I even heard a young girl say, “This movie was awesome,” to her parent as they walked out of the theater.

——Content continues below——


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The one cool thing I got out of the movie was that Stephen Colbert was the voice of their new neighbor. But at the same time, Will Ferrell was totally wasted as the voice for Maxime. I had no idea that was him. They could have gotten anyone to do that character with a horrible French accent.

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Grade: A (for kids) D (for adults).

About The Peetimes: I have two good Peetimes. There are a few antics in each, but nothing major. I would recommend the 2nd Peetime. It’s one long scene that is easy to summarize.

There are extra scenes during, or after, the end credits of Despicable Me 4.

Rated: (PG) Action and Rude Humor
Genres: Adventure, Animation, Comedy
Starring: Steve Carell, Kristen Wiig, Joey King
Director: Chris Renaud, Patrick Delage
Writer(s): Ken Daurio, Mike White
Language: English
Country: United States

Plot
Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, and the family is forced to go on the run.

Don’t miss your favorite movie moments because you have to pee or need a snack. Use the RunPee app (Androidor iPhone) when you go to the movies. We have Peetimes for all wide release films every week, including A Quiet Place: Day One, Inside Out 2, Bad Boys: Ride or Die and coming soon , Despicable Me 4, Twisters  and many others. We have literally thousands of Peetimes—from classic movies through today’s blockbusters. You can also keep up with movie news and reviews on our blog, or by following us on Twitter @RunPee.
If there’s a new film out there, we’ve got your bladder covered.

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Movie Reviews

Movie Review: 'Despicable Me 4' – Catholic Review

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Movie Review: 'Despicable Me 4' – Catholic Review

NEW YORK (OSV News) – Though it comes across as somewhat unfocused, the animated comedy “Despicable Me 4” (Universal) retains much of the charm that has characterized the whole series of films to which it belongs. It’s an agreeable piece of fun that’s suitable for all but the very youngest.

This latest chapter in the adventures of Gru (voice of Steve Carell), the would-be supervillain whose heart of gold long ago turned him into a loving dad and a crimefighter, opens with him assisting in the arrest and imprisonment of French criminal Maxime Le Mal (voice of Will Ferrell). Le Mal vows vengeance on Gru’s family and manages to escape in short order.

With Le Mal on the loose, Gru and the clan — Kristen Wiig voices his sensible wife, Lucy — have to go into hiding and assume false identities. But Poppy (voice of Joey King), the daughter of their preppy, country club patronizing new neighbors, the Prescotts (voices of Stephen Colbert and Chloe Fineman), discovers their secret and uses it to blackmail Gru.

While the comic chaos wrought by Gru’s trademark Twinkie-shaped minions continues to evoke laughs, director Chris Renaud’s addition to a franchise he helped to establish goes down too many plot paths at once. Some of the details of the story — Le Mal’s goal is to kidnap infant Gru Jr., for instance — also seem a bit challenging for kids.

Genuinely objectionable ingredients are kept out of the mix. And there’s a morally interesting, though underdeveloped, subplot about the refusal of one of Gru’s adopted daughters to use the pseudonym she’s been given on the grounds that it would constitute lying.

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Yet scenes of danger, a touch of potty humor and a minion mooning may give the parents of the littlest moviegoers pause.

The film contains characters in peril, a flash of nonhuman rear nudity and a scatological sight gag. The OSV News classification is A-I — general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

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Ti West – 'MaXXXine' movie review

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Ti West – 'MaXXXine' movie review

Mia Goth has reprised her widely beloved role of Maxine Minx in MaXXXine, the third instalment of Ti West‘s X film series, previously comprised of 2022’s X and its prequel Pearl. Modern scream queen Goth is joined by an impressive cast, including Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Halsey, Lily Collins, Giancarlo Esposito, and Kevin Bacon.

Such a roster of actors and musicians proves the kind of reputation West has earned in recent years and shows the increasing calibre of entertainment figures wanting to work with him. The real question, though, is whether the films themselves stand up to those performing in them. Three movies into his 2020s era, West has largely been revealed as a director who knows how to make a horror films look fun and flashy even if they lack originality.

MaXXXine takes place six years after the events of X as Goth’s character has left behind the “Texas porn star massacre” of the first movie to find her fame and fortune in Hollywood. Initially making her way as an adult entertainment actor, Maxine eventually finds herself making a ‘proper’ film; well, at least a dodgy horror B-movie by the name of ‘The Puritan II’, directed by Elizabeth Debicki’s domineering filmmaker, Elizabeth Bender.

At the same time, 1985 Los Angeles is suffering the crimes of notorious serial killer Richard Ramirez, dubbed in the media the ‘Night Stalker’, who appears to be targeting Maxine’s stripper and porn star buddies as his victims. MaXXXine’s Hollywood is generously doused in all the nostalgic expectations of the most excessive decade of the 20th century with neon lights on every corner, shitty horror movie rental stores (including one owned by Moses Sumney’s Leon) and a groovy soundtrack comprised of ZZ Top and, of course, Kim Carnes’ ‘Bette Davis Eyes’.

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Narratively and aesthetically somewhat typical, then, but where MaXXXine excels the most is in its many moments of self-aware homage. At one point, our hero Maxine is chased to the Bates Motel (from Alfred Hitchcock’s Psycho) on the Universal studio lot by Kevin Bacon’s seedy private eye John Labat, while a later moment sees Lily Collins’ dodgy-accented Molly Bennett have her mouth splattered with blood by Bender in a scene likely paying respect to Andrzej Zulawski’s horror classic Possession and its iconic Isabelle Adjani performance.

In addition, West seems to have fun positing the notion that horror movies in the latter part of the 1980s were deemed B at best, toying with the idea that they could never be taken seriously. Judging from the popularity of his X series, though, such a belief has been proven wrong ten times over. Still, there are a handful of issues with MaXXXine, as well as with the films that preceded it, that prevent admittance to the canon of horror greatness.

One of the film’s most engaging and genuinely exciting moments is when Maxine’s past finally catches up with her, and a motive for the entire series, which had been starkly missing (whether supernatural, religious or just downright maniacal), is finally revealed. However, by the time this antagonism finally arrives, one can’t help but feel that it’s somewhat too late and that West has only managed to deliver a pastiche of the horror world’s past with a 1980s gloss rather than provide an effort of originality or even one that genuinely feels scary.

Sure, there are some brilliantly gory set pieces, including the splattering of a man in a car crusher and the decimation of an even more unfortunate gentleman’s genitals (let’s not forget that the X series is undoubtedly feminist in tone). Still, such standout moments do not guarantee a good horror movie and West’s most recent entry seems to suffer from a lack of an overall haunting spectre or suchlike. MaXXXine is exciting, flashy, funny, sassy, self-aware and incredibly sexy, but it fails to be anything more than the sum of its parts: a neon-lit homage to the horrible history of Hollywood horror rather than a fear-inducing glimpse into the genre’s future.

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