Movie Reviews
Movie Review: ‘Death of a Unicorn’ is Aggressively Plain | InSession Film
Director: Alex Scharfman
Writer: Alex Scharfman
Stars: Jenna Ortega, Paul Rudd, Anthony Carrigan
Synopsis: Father-Daughter duo Elliott and Ridley hit a unicorn with their car and bring it to the wilderness retreat of a mega-wealthy pharmaceutical CEO.
As a distributor, A24 has developed a reputation for weirdness. Yes, their slate of films year over year has diversified, but they stick closely to that weird vibe. It’s a vibe they cultivate well, but it’s also a vibe that is getting very tired. Unfortunately, Death of a Unicorn is part of that tired wave and is a weird film that’s somehow aggressively plain.
Like most horror comedies of the past few years, Death of a Unicorn is actually about capitalism. Studios and producers latch onto the latest thing and twist it like a damp cloth, wringing it and wringing it until there’s nothing left. This particular metaphor they’re wringing too hard, at this point. Even though many of these producers and studios are aligned, at least monetarily, with the antagonist elites portrayed in the films they produce, the strangeness of their greenlighting these projects comes into focus. By seeing these films we are enriching the people we have come to cheer against. Thus, we are doing exactly as these filmmakers are attempting to warn us not to do. All anti-capitalist coded films not self-produced, then, are inherently capitalist ventures.
That is what you think about as you watch Death of a Unicorn. You think about this because what’s in front of you, in spite of the shiny new trappings, is what we’ve been seeing in these types of horror comedies the last few years. In fact, you might have seen some of the broad strokes of this plot earlier this month in the anti-capitalist sci-fi comedy Mickey 17. There’s no new take on this metaphor, barely new dialogue spoken, and the characters are, all too annoyingly familiar archetypes. The film is so predictable you’ll sigh in your theater seat as you mutter, “unicorn horn puncture in 3…2…1…”
In spite of the overall lackluster script, there are some intriguing pieces of filmmaking that make this film watchable Larry Fong is an excellent cinematographer. He can make CGI integration feel seamless, like the actors were really interacting with creatures. It is all in the angles he chooses to shoot.
Ron Dulin’s editing is also excellent. He creates some of the best “getting ready to leave” montages here. Whether it’s getting from the airport to a secluded compound or packing the essentials for escape from the same compound now overrun with unicorns, these quick time lapses are delightful. His best work is unable to be described in full because it would be a spoiler, but suffice it to say he creates a terrific set up whose payoff is one of the least predictable parts of the film.
There were some standouts among the cast as well. Will Poulter as the heir to the pharmaceutical business, Shepherd, is zany and off beat. He steals every scene he’s in and while his jokes don’t always land quite right, you can’t help but chuckle at his timing or a look he shoots at his scene partners. Though, the best character is weary and put upon Griff, played by Anthony Carrigan. Carrigan’s timing, physicality, and expressive face make him the best person to watch in the background. The way he sighs with both exhaustion and disdain is absolutely perfect.
It’s hard to seem even-handed, but, even though it’s predictable, not scary, and the jokes are overcooked, Death of a Unicorn isn’t a bad watch. It’s a film that has good qualities in a banal package. Which, again, banal isn’t the word you want when your characters are fighting over and running from unicorns. Your mileage may vary with this one.
Grade: C
Movie Reviews
Sisu: Road to Revenge
The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.
Movie Reviews
Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

I am an audience of one at a late afternoon “preview” matinee of “Sisu 2,” aka “Sisu: Road to Revenge,” the sequel to the savage sleeper hit by Finnish carnage Jalmari Helander.
Do the locals know something I don’t? Or are the good folks in “The Last Capital of the Confederacy” showing their red ball cap displeasure at a movie about mowing down Russians by staying home?
I’m guessing it’s the fact that Screen Gems’ marketing didn’t spend enough to move the needle even a centimeter that dampened enthusiasm, as nobody knows about it.
That’s no big deal, because this sequel is inferior in pretty much every way to the original “Sisu,” which came out of nowhere back in 2023 and which takes its title from a Finnish word that more of less means unfettered rage. It’s not on a par with Helander’s “Rare Exports” Santa-horror splatter film either. He’s due for a misstep. Here it is.
“Road to Revenge” brings back our non-speaking, unstoppable and unkillable Finnish commando Korpi (Jorma Tommila), this time out to haul the pieces to his house across the Russian border after the end of World War II.
When your anti-hero is “unstoppable” and “unkillable,” that lowers the stakes. A lot.
Throw in feeble pacing and thus no urgency to its story of driving, shooting, stabbing and missle-launching his way through legions of belligerant Russians, fresh from their triumph in “The Great Patriotic War,” and you’ve got a thriller whose only creative bits are random moments of Russian-mutilating and murdering.
Remember, the vodka/borscht-folk and their dictator sided with the Nazis at the beginning of WWII, only to F-around and find out you can never trust a Nazi. And the Russians further earned their history’s bad-guys status by invading Finland at the start of the war, and paying dearly for their miscalculation, at least for a time.
The Soviet Russians annexed Finnish territory at war’s end, and that’s where Korpi lived. So he’s got his passport and his battered, oversized military truck and he’s aiming to move the logs of his old homestead, where his family was slaughtered, to a new location across the new border.
Ivan doesn’t want him to get away with it.
The stages of his quest are broken into superfluous “chapters” like “Old Enemies,” “Motor Mayhem:” and “Incoming.” The dialogue, almost all of it by a Russian tormentor (Stephen Lang) who commanded the troops who failed to finish off the Finn in the first film, is every bit as pointless.
“Unleash Hell,” like they haven’t already. “Keep your eyes open,” the most worthless command cliche of them all. And “Look at me,” served up as if he isn’t looking at you.
Duels against armored commandos on motorcycles (!?), airborne fighter bombers and the like ensue. Our hero takes another licking and keeps on ticking. The Russians? Let the body count commence, Comrades!
I laughed at a few of the more audacious butcherings, but that was early on. The narrative settles into a slog in the middle acts and no pull-out-the-stops train ride finale could drag it out of the mud.
Rating: R, graphic violence, pretty much start to finish, profanity
Cast: Jorma Tommila, Richard Brake and Stephen Lang.
Credits: Scripted and directed by Jalmari Helander. A Screen Gems release.
Running time: 1:29
Movie Reviews
Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!
Star Cast: Ariana Grande, Cynthia Erivo, Jeff Goldblum, Jonathan Bailey, and Michelle Yeoh.
Director: Jon M. Chu
What’s Good: Wicked: For Good is definitely a showpiece when it comes to production values, and so, every single frame is beautiful to look at and the ultimate Wizard of Oz experience when it comes to visuals.
What’s Bad: The film is slower than the first, and it feels, especially when the new songs don’t hit like the ones in the previous instalment ,and dialogue feels like a lot of filler.
Loo Break: Anywhere in the first act, as the film moves so slowly that you can probably go and come back and not miss anything.
Watch or Not?: If you loved the first one, then yes, you need to see this and close the cycle.
Language: English (with subtitles).
Available On: Theaters
Runtime: 137 Minutes
User Rating:
Opening:
Wicked: For Good Movie Review: Script Analysis
Wicked: For Good is a solid film, there is no doubt about that, you just have to look at the powerful visuals, and the entire production value, but the script might be the weakest aspect of the film, especially when it comes to structure and dialogue, which affects the pacing, making the first two acts of this musical epic feel like it could do with a couple more drafts to make the story tighter, and the flow a lot more natural.
As it is, the first two acts move a snail’s pace, and the songs simply don’t match the quality and catchiness of the songs in the first two acts of the first film, here, the songs feel like they are there just to make the film longer, and it is hard to remember one that is simply memorable enough to sing along. Fans of the original musical will probably have a lot more fun with this aspect of the film, but as a newcomer, I did feel a drop in quality on the musical side.
The dialogue also does a lot of damage to the film, as it feels like everything is delivered in two or three lines that are too long, when it could have been conveyed in a simpler and more efficient way. It just doesn’t work, and while the actors do their best, the material doesn’t hold up. Nevertheless, some jokes here and there truly land, and the film does tell a compelling, complete story, which is a lot more than many other films do today.
The third act also feels quite rushed, and the connections to the original Wizard of Oz film, and the characters from that story deserved a lot more, because they are so legendary and iconic, that for some reason this movie feels like it should just move away from them as fast as it can, hurting the overall impact of the story, and the character growth.
Wicked: For Good Movie Review: Star Performance
Cynthia Erivo is quite solid in here, and she is plotwise, the main character, but let’s be real, this is the Ariana Grande show, who basically steals the show in every single scenes she is in, not only with her powerful voice but also with her solid acting abilities, she just has it, when it comes to presence, delivery and charisma.
The rest of the cast is quite good. Bailey does some terrifying things in the film and effectively creates all the darkness it needs, while Goldblum’s Oz is just right – nothing to talk about, but definitely his performance, along with the rest from all the other actors, doesn’t hurt the film; it elevates it.
Wicked: For Good Movie Review: Direction, Music
Jon M. Chu started as a relatively standard director. Still, he has definitely graduated to the big leagues with these two films, as the scale of everything just goes out of the window when it comes to the visuals and the camera’s placement, which is always in the perfect spot to show it. Really, the world-building that Chu and his team have created here is outstanding.
The music, as we said before isn’t as good or memorable as the first film which really hurts the experience because this is a musical and I thought the best was being safe for last in the song department, of course, it will be a matter of taste, as it is everything but this is definitely one of the biggest negative points for the film. Nevertheless, the performers are truly going out of their way to create something extraordinary, so there is really nothing to criticize regarding the actors, dancers and singers themselves.
Wicked: For Good Movie Review: The Last Word
Wicked: For Good closes this adventure in a solid manner, although the overall package feels weaker than the first film, which is disappointing. However, Jon. M. Chu, his team, and his cast demonstrate that they truly care about the project, and it shows on the screen as the film finally delivers on being entertaining, grandiose, and visually stunning. It could have been better, but what is there is truly remarkable.
Wicked: For Good Trailer
Wicked: For Good releases on 21 November, 2025.
Share with us your experience of watching Wicked: For Good.
Must Read: Now You See Me: Now You Don’t Movie Review: The Strange Case Of A Sequel That Nobody Wanted & Many Had Already Forgotten!
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