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‘Mack & Rita’ Review: Diane Keaton Can’t Save This Magical Comedy of Wasted Potential

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‘Mack & Rita’ Review: Diane Keaton Can’t Save This Magical Comedy of Wasted Potential

Now and again, there might be part of a film that catches your consideration and leaves you wishing a special facet of the movie had been the main focus. With Mack & Rita, there’s the preliminary potential for a buddy comedy with the duo of Diane Keaton and Taylour Paige getting as much as wacky adventures collectively. It begins with Elizabeth Lail‘s Mackenzie “Mack” Martin, who unexpectedly goes from 30 to 70 within the blink of an eye fixed, after a detour right into a magical tanning sales space on the facet of the highway on a bachelorette journey to Palm Springs ages her 40 years. Mack turns into her future self, “Aunt Rita” (Keaton), and finds her means again to Paige’s Carla—her oldest buddy who’s quickly getting married—and manages to persuade her of what has occurred. It’s a stable begin that looks like it’ll be in regards to the two collaborating in numerous shenanigans that may convey them nearer collectively whereas additionally reflecting on Rita’s new perspective on the world. We will virtually see this narrative door beckoning us by it.

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Alas, that doesn’t come to cross. As a substitute, the movie should be evaluated by itself, a lot much less entertaining, phrases. The principle focus of the story is about how Rita is ready to use her age to develop into a well-known Instagram influencer, succeeding the place her youthful self had failed by getting all of the clout on-line one might ever hope for. You see, Mack was a struggling author who had written a e-book, although by no means in the end discovered a lot success past that. She now spends her days writing advertising and marketing and social media copy for numerous manufacturers. On high of this, she has by no means actually related along with her mates and felt uncomfortable with their extra party-heavy life-style. She continuously expressed a need to only have the ability to do outdated folks issues like go to a diner versus a celebration. This premise feels perplexing, although all of it stems from a extra private relationship Mack had along with her Grammie Martin (Catherine Carlen), who she appeared as much as greater than anybody. Additionally, who’re we kidding, it is also a solution to simply get Keaton into the story. The movie is totally about seeing her roam round doing every part from making an attempt hallucinogenic medicine to collaborating in wine gatherings with different older ladies. This latter facet performs like an try and recreate the hit E book Membership that she starred in just a few years again.


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If all that feels like your cup of tea, then there’s in all probability going to be one thing in Mack & Rita that you simply’ll take pleasure in. Keaton stays an performing legend and does give a sport efficiency, exhibiting she will be able to nonetheless actually hit some sharp comedic notes whilst the fabric she is given is much less as much as the duty. The problems begin to develop into obvious and the humor more and more hole when the jokes come into battle with the central core message that it appears to be going for. From the very first second that we see Rita stumbling round in her new physique, all of it appears like she has been instantly diminished to being an entire klutz. These early makes an attempt at humor fall flat, simply as Keaton does, and solely worsen from there. It creates a clumsy thematic pressure because the story is all about her rising sense of confidence that retains crashing into the movie’s repeated need for her to take a dive. From a bit at a Pilates class that vastly overstays its welcome, to a fiery look at a media occasion, it at all times finds a solution to flip her into the butt of the moderately empty jokes. The movie is making an attempt to inform us that Rita is lastly free to be herself with out being judged, whereas regularly making her stand out as being virtually buffoonish. It needs to have it each methods in fooling around and mawkish solely to finish up attaining neither.


There’s a doubtlessly good film in right here, particularly when Keaton will get to play off of her underutilized co-stars. Sadly, most of them really feel like they’re simply there to fill time earlier than we will get to the subsequent superficial slapstick phase. There already was the aforementioned Paige, who was such an absolute standout within the latest Zola, but she fades into the background till virtually vanishing totally. We all know that Dustin Milligan, who performs a cute man named Jack from Mack’s condominium constructing who Rita begins to type a reference to, may be humorous from his position in Rutherford Falls although he largely is about dressing right here. Equally, all the brand new mates that Rita makes and shares wine with have their moments whereas nonetheless being pushed to the facet. Probably the most underutilized of all of them is a pitch-perfect Patti Harrison as Mack’s snarky supervisor Stephanie. Even when confined to temporary video calls, she makes essentially the most of her scenes and has essentially the most genuinely humorous second within the method wherein she discards her cellphone. All of those appearances, together with just a few others finest left as surprises, hold issues transferring with some chuckles right here and there. Nevertheless, when all of that will get totally misplaced within the shuffle, the movie we’re left with is lower than the sum of its elements.

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That is all unlucky, because it was good to see that director Katie Aselton was again behind the digicam. It had been practically a decade since her final function, the 2013 survival horror Black Rock, that she made her personal, despite the fact that the story was not fairly as much as snuff. Whereas Mack & Rita is about as totally different in tone and elegance as doable from that prior work, the unsure writing feels all too acquainted. All of it simply bounces round from one factor to the subsequent, throwing every part on the wall just for not a lot to truly stick. One hopes that Aselton can get to tackle materials that’s extra sturdy sooner or later. Regardless of how good of a director you might be, a scene the place characters inexplicably spend time at a California Pizza Kitchen of all locations and focus on the menu intimately will at all times really feel like extra of a industrial than a really comedic scene. Whereas this second takes on such a weird high quality that it practically wraps round again to being virtually humorous in a surreal sense, it stays indicative of the movie’s prevailing issues which in the end lets down the remainder of these concerned. By the point all of it ultimately wraps up with some lackluster classes conveyed by way of a painfully sappy last scene, you’ll want the movie had taken the possibility to go on a journey with Keaton and Paige as a substitute of no matter this all was.


Ranking: C-

Mack & Rita involves theaters on August 12.

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Movie Reviews

KCR Movie Review

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KCR Movie Review

KCR, a political drama set against a Telangana backdrop, features comedian-turned-actor Rakesh in the lead role. Known for his appearances in the popular TV show Jabardasth, Rakesh not only stars as the protagonist but also produces the film under his home banner. Directed by Garudavega Anji, the movie released in theaters on November 22 and is now streaming on Aha. Despite its ambitious concept, KCR struggles to deliver a gripping experience.

Plot
The story begins in Rangabai Tanda, a village in Kesavaravupally, Warangal district. The protagonist, Keshavachandra Ramavath (Rakesh), is a middle-class youth who idolizes Telangana Chief Minister K. Chandrashekar Rao (KCR). His unwavering admiration earns him the nickname “Chota KCR.” Keshava is romantically pursued by Manju (Ananya Krishnan), a girl from the same village, who dreams of marrying him.

However, Keshava’s joy over his village’s agricultural prosperity is short-lived when he learns that their land is marked for acquisition to construct a ring road. Shocked and determined to protect his community, Keshava refuses his arranged marriage with Manju and instead declares that he will marry a city girl. During a heated family discussion, he challenges his elders, vowing to bring KCR himself to his wedding or cancel it altogether.

The second half chronicles Keshava’s journey to Hyderabad to fulfill this promise. What happens next? Does Keshava succeed in inviting KCR to his wedding? The answers form the crux of the narrative.

Analysis
The story unfolds during two key periods: the time leading up to the formation of Telangana and its aftermath. It highlights the struggles of K. Chandrashekar Rao (KCR) in achieving statehood and his subsequent governance. The first half focuses on the protagonist’s deep admiration for KCR, while the second half revolves around his determination to invite the leader to his wedding, setting the stage for his journey to the city.

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The director ensures that equal importance is given to the roles of both the hero and heroine, as well as their families. The integration of the village as a significant element in the story is commendable. However, the characterization falters as the hero, initially portrayed as a proud and content village youth, suddenly declares his preference for a city girl and urban life, creating inconsistencies in his arc.

The comedy scenes involving the hero and his friends fail to land effectively, feeling forced and uninspired. While the film attempts to convey emotional depth, many sequences come across as overacted, especially those featuring Rakesh. Furthermore, the minor characters, portraying villagers, lack impactful performances, leaving the narrative underwhelming.

Although Rakesh’s intent in crafting the content is evident, the lack of thorough preparation and rushed execution diminishes the film’s overall potential.

Performances
Rakesh: As both actor and producer, Rakesh demonstrates sincerity, but his comedic strengths don’t translate well into this film. Emotional scenes feel overacted, detracting from the film’s impact.
Ananya Krishnan: Delivers a decent performance as Manju but is limited by her character’s development.
Supporting Cast: Notable names like Thanikella Bharani and Thagubothu Ramesh make brief appearances but fail to elevate the narrative.

Technical Aspects
Direction: Garudavega Anji captures the rural essence of Telangana through impressive visuals but struggles to weave a compelling story.
Music: Charan Arjun’s compositions and background score are average, lacking memorable tunes.
Cinematography: Rural settings are beautifully depicted, thanks to Anji’s expertise behind the camera.
Editing: Madhu ensures a decent pace, but the screenplay limits the overall experience.

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Verdict
KCR aims to tell a heartfelt story about a village youth’s passion for his community and hero-worship for KCR. While the intent is commendable, the execution falls short in connecting with audiences. The narrative lacks the emotional depth and comedic charm necessary to make it engaging. With better writing and stronger characterization, this film could have been more impactful.

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Movie Reviews

Movie Review: A Tale Trapped at “The Crossroads,” Never Going Anywhere

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Movie Review: A Tale Trapped at “The Crossroads,” Never Going Anywhere

“The Crossroads” is the sort of movie you get when you park two attractive but bland young actors on a modestly scenic piece of real estate and take romance pretty much off the table.

A stunningly dull chat-a-thon of silences, evasive question-and-answer conversations, abrupt, contrived arguments, literary name dropping and cliched third act “diagnoses” explaining much of what’s come before, it’s as good an argument as any against “keeping things simple,” tuning out the outside world and such.

You’d die of boredom.

Emily Coupe arrives at the titular filling station/convenience store/diner on the border between Arizona and New Mexico, jumps out of a car with her backpack, guitar, torn tight jeans and pink hair extensions, only to be “rescued” by “a cowboy” played by Nick Ballard.

“Star” is her name. She wants to be a singer-songwriter. But she’s fled LA, heading for “Dubuque.” Not that she gives this away any time soon.

Logan isn’t especially friendly, but he offers her a lift in his ancient Ford pickup, talks about “weather comin’” (We can see the skies. Nope.) and takes her to his remote farmhouse.

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Don’t get your hopes up. This isn’t a horror movie.

Star is closed-off, working out some things. Logan is shut-down, dealing with his own issues. The script has them spend 95 minutes doling out even the tiniest hint of information about their names, their backgrounds, the time setting we’re dealing with and the problems they’re struggling to overcome.

Director Douglas A. Raine and screenwriter Ginia Desmond break that fundamental convenant they’re honor bound to take with the audience. Tell us what your movie is about, tell us who the characters are and don’t bore us to death waiting around for something — ANYthing — to happen.

Only somebody who thinks leaving LA for Dubuque is a fun idea could conjure up a leading lady dense enough to say “A clothesline? I’ve never used one.” Even if you haven’t, honey, there’s no danged sense admitting it.

Only a “cowboy” who hides his rodeo trophies in haystacks, who actually farms “hemp” now (not that we see “work” of any sort) when he isn’t reading “The Invisible Man” (H.G. Wells, 1897), with the Quran and select works of Carl Jung on his DIY bookshelves, could offer up this as a comeback.

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“You’ll have to figure it out.”

Rating: profanity, adult subject matter

Cast: Nick Ballard, Emily Coupe

Credits: Directed by Douglas A. Raine, scripted by Ginia Desmond. A Desktop Entertainment release on FreeVee, Amazon Prime, etc.

Running time: 1:35

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

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Movie Reviews

Mura Movie Review

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Mura Movie Review

Mura is a Malayalam action thriller directed by Muhammad Musthafa and produced by Rhea Shibu under the HR Pictures banner. Featuring Hridu Haroon, Anujith, Yedu Krishna, and Jobin Das in lead roles, the film released in theaters on November 8, garnering a positive response. It became available for streaming on Amazon Prime from December 25, 2024. Let’s dive into the plot and analysis of this gripping thriller.

Plot Summary:
The story revolves around four close friends – Anand (Hridu Haroon), Shaji (Jobin Das), Manu (Yedu Krishna), and Manav (Anujith). Anand comes from a middle-class family, while the rest hail from lower-middle-class backgrounds. Struggling with studies and responsibilities, the group often resorts to reckless escapades. To meet their financial needs, they ally with local gangsters.

Their association leads them to Ane (Suraj Venjaramoodu), a trusted henchman of gangster Ramadevi (Mala Parvathi). Impressed by their fearlessness, Ane assigns them a high-stakes mission to retrieve hidden black money from Madurai. What happens during this mission and how it changes their lives forms the crux of the story.

Analysis:
Mura captures the essence of youthful recklessness and camaraderie. Suresh Babu’s story brings to life the struggles of four young men navigating life’s challenges with misplaced priorities. The screenplay keeps the narrative tight, seamlessly blending action and emotion without overdramatizing.

The first half establishes the boys’ bonding and their initial forays into the gangster world, while the second half delves into their confrontation with larger forces. The transitions feel organic, and the film maintains a naturalistic tone throughout, drawing audiences into the emotional journey of its protagonists.

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Performances:
The four lead actors excel in portraying their characters, embodying the mannerisms and attitudes of rebellious youth with authenticity. Their performances feel spontaneous and genuine, enhancing the film’s realism.

Suraj Venjaramoodu and Mala Parvathi deliver solid performances, effortlessly adding gravitas to their roles as seasoned criminals.

Technical Aspects:
Cinematography: Fazil Nazar’s visuals stand out, particularly in action and chase sequences, elevating the overall tension.
Music and Background Score: Christy Joby’s background score is a significant strength, with the theme music being a notable highlight.
Editing: Chaman Chacko’s crisp editing ensures there’s no room for unnecessary scenes, maintaining a steady pace throughout.

Final Verdict:
Mura is an engaging action thriller that combines raw emotion with edge-of-the-seat moments. It successfully delivers a message about the importance of making the right choices in life and the consequences of veering off the moral path. Despite minor flaws, the film’s grounded approach and impactful storytelling make it a worthwhile watch.

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