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'Kishkindha Kaandam': Asif Ali, Vijayaraghavan shine in this gripping thriller with a human touch | Movie Review

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'Kishkindha Kaandam': Asif Ali, Vijayaraghavan shine in this gripping thriller with a human touch | Movie Review

Hidden deep within a house that’s practically swallowed by greenery, an ex-army man lives with his son and daughter-in-law. His strictness hits hard, and there’s a sharp edge to the way he treats his son, yet the man seems to take it in stride. It makes you wonder—what’s the deal? Is there more simmering beneath the surface? To get those answers, you’ll have to check out the Onam release, ‘Kishkindha Kaandam’, starring Asif Ali, Aparna Balamurali, and Vijayaraghavan, under the direction of Dinjith Ayyathan.

Dinjith takes his sweet time, carefully planting clues that the abundant greenery and other small elements are more than just a pretty backdrop. As the story unfolds, your mind will race, crafting theory after theory about these characters, right up until the very end.

Vijayaraghavan and Asif Ali are undoubtedly the pillars holding this movie together. But the real ace up its sleeve is the story. Sure, it’s not entirely airtight, but there’s enough going on to keep you hooked right till the final frame.

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Right from the start, it’s clear that something is off in the lives of Ajayan (Asif Ali) and Appu Pillai (Vijayaraghavan). Suspicion lingers throughout, as you’re left doubting the motives of each character. Vijayaraghavan shines in his portrayal of a 70-year-old man who is curt and fiercely independent. He navigates the role with remarkable finesse.

His performance in the movie is deeply nuanced, featuring a range of simple yet meaningful expressions. While the film is primarily a psychological thriller, it also explores various diseases and their effects on both patients and caregivers. Dinjith’s approach to depicting illness is particularly interesting, offering a balanced perspective that captures both the emotional experience of the person suffering and the impact on those who care for them.

Asif Ali delivers a grounded performance as Ajayan, striking a perfect balance in his acting, neither overdoing it nor holding back. Aparna Balamurali is equally impressive, with the story unfolding through her eyes, giving the audience a front-row seat to the unravelling events. Other actors like Ashokan, Jagadish, and Nishan (who is making a comeback in Malayalam films) also deliver impressive performances. The background score by Mujeeb Majeed is another standout aspect of the film, creating a haunting atmosphere that complements the movie’s overall theme beautifully.

The cinematography also enhances the film, using the beautiful yet eerie scenery of the house and its surroundings to evoke a sense of unease and claustrophobia. The visuals create an atmosphere where something feels subtly amiss.

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Malayalam cinema is no stranger to psychological thrillers, but ‘Kishkindha Kaandam’ distinguishes itself by addressing multiple issues while seamlessly integrating a human element. The film creates a strong connection with its main characters, making them feel like people you’ve encountered or heard about throughout your life. As a result, you find yourself empathising with everyone involved, rather than taking sides.
This is definitely a must-watch film that will appeal to audiences of all ages, as it offers something for everyone.

Movie Reviews

Movie Review: The Cat (1991) – 88 Films Blu-ray – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Cat (1991) – 88 Films Blu-ray – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows
Holy shit… Ngai Choi Lam’s The Cat… Honestly that should (and could) be the entirety of this review, but you need to hear more, believe me… Author/paranormal scholar Wisely (Waise Lee, Bullet in the Head) writes novels based in part on his exploits… exploits that include an absolute hum-fucking-dinger that includes his pal Li Tung […]
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1985 Movie Reviews – Bad Medicine, King Solomon’s Mines, and One Magic Christmas | The Nerdy

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1985 Movie Reviews – Bad Medicine, King Solomon’s Mines, and One Magic Christmas | The Nerdy
by Sean P. Aune | November 22, 2025November 22, 2025 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1985 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1985 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1985 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Nov. 22, 1985, and we’re off to see Bad Medicine, King Solomon’s Mines, and One Magic Christmas.

Bad Medicine

Steve Guttenberg really was having a moment in the 1980s. Sadly, this film was part of that moment.

Jeffrey Marx (Guttenberg), comes from a medical family, but he has been able to get into a medical school due to low scores. His father finally sets up to go to a school in Central America. Once there he makes a few new friends, and eventually discovers not only does he actually like medicine, but he’s good at it.

This film had a few ingredients to be fun, but it lost it’s way with too many sub-plots. We didn’t need the owner of the school (Alan Arkin) lusting after Liz (Julie Hagerty). It added absolutely nothing to the overall story, and only served to slow the pace of the film down in several spots.

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There may have been a decent film hiding in here, just no one knew how to get to the meat of it, apparently.


King Solomon’s Mines

Kids love Indiana Jones, so lets make our own!

Jesse Huston (Sharon Stone) wants to find her father, and hires Allan Quatermain (Richard Chamberlain) to help her. Her father had been looking for the fabled King Solomon’s Mines, so naturally they end up on the path to looking for them as well, running into every obstacle imaginable along the way.

Lets make no mistake, this is not a good movie. It is an out-and-out ripoff of everything that made Indiana Jones cool and successful. But despite it not being good, Chamberlain is so blasted charming as Quatermain that it’s hard not to root for the film a bit.

What kept tearing me out of the film was the stunts. Realistically, you know Indiana Jones should be dead about 20 times a movie, but the stunts were so good that you could believe he survived it. And it’s just not the same here. The scene where Quatermain gets dragged behind the train hitting all of the boards of the track was just too far to even be believable for a moment, and that really pulled me out of the film.

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I give them points for trying, but they just never quite make it over the line.


One Magic Christmas

Hey kids! Christmas is coming! Who’s ready to get depressed?

Christmas angel Gideon (Harry Dean Stanton) gets assigned to help Ginnie Grainger (Mary Steenburgen) find the Christmas spirit… and so what if she watches her husband get killed along the way and she believes at one point both her kids are dead the same day?

Merry Christmas, everyone!

The film is unflinchingly sad for the majority of its runtime, making it difficult to fathom how it was made. In the end, Ginnie does get her Christmas spirit as Santa rewinds time so that her husband never dies. Of course, he doesn’t remove her memory of watching him get shot and him dying in front of her, but, you know, it was the 80s, who cared about trauma?

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Just a bleak film that is baffling how it got made.

1985 Movie Reviews will return on Nov. 29, 2025, with Rocky IV and Santa Claus: The Movie.


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Movie Reviews

Sisu: Road to Revenge

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Sisu: Road to Revenge

The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.

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