Movie Reviews
IT'S WHAT'S INSIDE Review
Overall, IT’S WHAT’S INSIDE is a high-quality production with an intriguing plot, excellent performances from the main cast, and a fun visual style. However, the movie features Pagan elements where characters switch bodies through the use of magic. It contains a very negative worldview, with countless instances of foul language, a brief sex scene, mentions of one character’s Buddhist beliefs, and numerous instances of the characters lying, manipulating, and being cruel to each other in service of their interests. Movieguide® advises extreme caution
Dominant Worldview and Other Worldview Content/Elements:
A pagan worldview where characters switch bodies through the use of magic. Negative worldview, as all characters lie, manipulate, cheat, steal, and threaten each other to get what they want. There are also brief mentions of one character’s Buddhist beliefs;
Foul Language:
over 100 obscenities and profanities, with 80 to 90 “f” words and 10 to 20 uses of Jesus and OMG.;
Violence:
A scene shows two dead bodies impaled on an outdoor sculpture;
Sex:
One brief sex scene, but couple remains fully clothed;
Nudity:
One scene shows a female character in her underwear and bra;
Alcohol Use:
Characters drink throughout the movie;
Smoking and/or Drug Use and Abuse:
Characters are shown smoking marijuana multiple times; and,
Miscellaneous Immorality:
Characters frequently lie to each other to serve their own interests, characters are unfaithful, Beatrice wanted revenge against Dennis and Nikki, Dennis admits he and Reuben lied about Forbes’ role in the college fight so as to get him expelled, Shelby was envious of Nikki’s lifestyle and appearance, Beatrice steals Dennis’ money while in Dennis’ body, and Nikki is revealed to be a hypocrite (lying about humanitarian acts)
IT’S WHAT’S INSIDE is a twisty sci-fi thriller streaming on Netflix and is a movie for anyone who’s ever wondered what it would be like to be someone else. It tells the story of a group of college friends meeting up before one of them gets married. An estranged friend arrives unexpectedly with an intriguing game, and things get messy as each person discovers the truth about their friends—and themselves.
IT’S WHAT’S INSIDE introduces Cyrus and Shelby, a longtime couple who can’t seem to keep the spark going in their relationship. They head off to their college friend Reuben’s wedding. They gather the rest of their friend group — Dennis, Nikki, Brooke, and Maya — at his mother’s house the night before the wedding to catch up.
Everything goes as expected until Forbes, an estranged friend no one knows Reuben reaches out to, arrives. They hadn’t seen him since a college party led to Forbes’ expulsion, as he’d brought his high school-age sister Beatrice to the party. Forbes has a large suitcase with him, which he tells the group contains a special game.
Forbes has been developing the game with a team at work. It allows users to switch bodies with others. Forbes tells the group he and his co-workers play a game with the machine—they switch bodies and have to figure out who is in whose body.
During the first round, the friends have fun, but Cyrus starts to feel uneasy when Forbes, in Dennis’ body, tells the group he’s Cyrus. In Reuben’s body, he plays along, encounters Maya in Nikki’s body, and the pair kiss.
When everyone is back in their bodies, they prepare for round two, but Cyrus says he doesn’t want to play. Shelby’s enthusiasm for the game changes his mind, and the group switches bodies once more. They continue to have a good time playing the game, but Cyrus is still uncomfortable.
Elsewhere, Reuben, in Dennis’ body, and Brooke, in Maya’s body, go up to a second-floor balcony and have sex. As the rest of the group gathers in the house, the balcony gives way, and the pair fall to their deaths. Chaos ensues as the group argues over what to do — Forbes tells them they can’t call the police, as the machine is too precious to be given to them. In contrast, Dennis and Cyrus argue over whether they should switch bodies back, forcing Dennis to live forever in Reuben’s body. During the fight, Dennis, in Cyrus’ body, calls the police and claims to have killed the others. In the commotion, Forbes attempts to run away with the machine, but in Brooke’s body, Nikki knocks him out. Shelby, who Forbes explained how to work the machine to, refuses to switch them back, as she is in Nikki’s body, a famous influencer.
Cyrus attempts to convince Shelby to switch everyone’s bodies back, but after Maya, in Shelby’s body, reveals Cyrus, previously in Reuben’s body, kissed her, previously in Nikki’s body, in Round One. Nikki is adamant that she return to her original body. As the police get closer to the house and with time running short, they argue and try to convince others to side with them on who should go into what body. Multiple characters mess with the machine to set who switches bodies with whom. The police arrive right as the machine is set off.
IT’S WHAT’S INSIDE is a sci-fi twist on the classic “whodunit?” The plot constantly keeps viewers guessing, and the movie uniquely incorporates social media. The main cast is excellent as they change their mannerisms when playing each other.
However, IT’S WHAT’S INSIDE has a very negative worldview, as all the characters are shown to be selfish, petty, and cruel. They lie to manipulate one another and threaten and blackmail each other. The movie contains countless instances of extremely strong language, a short sex scene, repeated drug use, and a brief violent scene. MOVIEGUIDE® advises extreme caution.
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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
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As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
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‘I Swear’ Review – Heart Sans Sap, Cursing Aplenty
The sixth outing in the director’s chair for filmmaker Kirk Jones, I Swear dramatizes the real-life story of touretter John Davidson (played by Robert Aramayo). Tourette’s Syndrome, for those unfamiliar with the condition, is a nervous system disorder that causes various tics, the most prolific being erratic and explicit language. However, as I Swear expertly showcases, the syndrome is far more than ill-timed outbursts of curse words. Davidson’s story is one of societal frustration, finding your people (both with and without the condition), and using your voice to help others rise. The subject and subject matter are handled with absolute care and understanding under Kirk’s measured vision and Robert Aramayo’s BAFTA-winning performance.
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From there, the viewer and Davidson find refuge in a host of characters. Maxine Peake plays Dottie, the mother of a childhood friend and a retired mental health nurse. Screen vet Peter Mullan plays maintenance man Tommy Trotter. Together, they help Davidson build a life and an understanding of himself that carries the film forward into its second half. After that, the film is primarily a 3-actor show as director Kirk fills the screen with these tour-de-force performances. Peake and Mullan are great vessels to get the film’s main message across: patience, love, and a shared responsibility between the diagnosed and those who understand their struggle can help change the path for people quickly left behind by a normative world. Together, they are the soul of the movie, with the filmmakers clearly hoping the audience will follow their lead after they exit the theater (in my case, the beautiful Oriental Theater for the Milwaukee Film Festival). Both performances are perfectly warm and reflective and shouldn’t be left out in discussions of I Swear.
I say this because the movie is anchored by The Rings of Power actor Robert Aramayo, who leaves Elrond’s elf ears behind to bring an acute naturalism to his performance of main character John Davidson. Aramayo’s physicality and timing of the fitful Tourettes Syndrome never feel out of place or overplayed. In fact, the movie as a whole does an amazing job of never veering into sentimentality. While many moviegoers left with tissues dabbing their eyes, the filmmaking never felt like it was forcing that reaction out of audiences. It straddles the line between feel-good and reality with every story beat and lands squarely on the side of letting the real inform our feelings. Anyone with an ounce of empathy will grasp the film’s message and hopefully take it with them into life.
I Swear continues at the Milwaukee Film Festival on Tuesday, April 21st, and releases nationwide April 24th, 2026, courtesy of Sony Pictures Classics.
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