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‘Grimcutty’ Review: The Internet meme becomes our professor?

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‘Grimcutty’ Review: The Internet meme becomes our professor?

Hulu’s latest thriller psychs out viewers with their social media monster meme, the eponymous Grimcutty. However this creepy critter is undercut by the film’s incessant want to evangelise.

From author/director John Ross, Grimcutty options an web meme turned boogeyman. Born from the depths of our societal fears, this beast has the flexibility to regulate others’ minds and our bodies, turning youngsters into knife-wielding threats to themselves and their households. The Catch? Grimcutty’s energy depends on the eye and fear-mongering that society is unbelievable at creating. Particularly, parental nervousness is gasoline to the fireplace that’s the monster meme!

The movie has a genuinely thrilling premise surrounding the horrors of social media dependency and exploitative web challenges just like the notorious cinnamon problem and the milk crate problem. Normally depicted on YouTube, TikTok and different media platforms as innocent enjoyable, these challenges could show to be extra harmful than what we might ever think about. The joy of horror, in spite of everything, depends on the worry of the unknown, or the ‘mysteria.’ But, Grimcutty cannot get sufficient of freely giving its meme-monster’s mysteries.

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On the peak of among the most gripping scenes, watchers are met with a curated clarification of how Grimcutty feeds and who probably the most susceptible victims are. As an alternative of permitting viewers to expertise the scare, Grimcutty spells out why try to be scared and when. On the subject of the why, Ross goes too far, spoonfeeding us as an alternative of horrifying us.

Toying with the hazards of social media and web habit, Ross presents excitingly new contributions to influencer and content material creator tradition. As a fanatic for ironic deep cuts, I particularly liked the satire surrounding the chaotic Mommy Blogger with various skeletons in her closet — together with her son, who’s been forcefully confined to his personal padded closet.

Melinda Jaynes (Alona Tal) creates a picture-perfect facade along with her much more excellent son. Nevertheless, it’s later revealed she is a determined, shotgun-toting manipulator, publicly utilizing her son as a model whereas she privately neglects him. The poor, cookie-cutter-perfect blogger can’t appear to calm her worrying, which induces her son’s Grimcutty assaults. Grimcutty foregrounds a superb narrative surrounding, the place the high-valued meanings of web interactions really originate from (spoiler alert: ourselves.)


Credit score: Hulu

The movie’s final message takes a noble middle-ground method in emphasizing the inevitable generational hole that lies in web utilization and social media navigation. Emphasizing society’s lack of ability to shift our consideration away from social media and always struggling for know-how entry, Ross as an alternative presents the choice to focus extra on intrapersonal connections. Grimcutty reveals how eradicating the worth connected to web interactions removes the ability it holds altogether. Ross’ interpretation factors to the morality division between Gen Z and Gen X. However, the inherent horror that exists inside web tradition was dismally wasted on the telegraphic nature of the film’s overarching and ‘preachy’ theme.

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10 of one of the best horror films on Hulu to freak you the hell out

The opening assault scene encompasses a younger child Brandon Jaynes (Kayden Alexander Koshelev) attempting to flee the ominous Grimcutty as his mom Melinda is cooped up in her workplace. Whereas she conducts analysis on the not-yet-known monster, Grimcutty features momentum as she visibly turns into extra anxious and afraid of the horrific info learn. When Brandon emerges with a knife, we would anticipate him to assault the article of his terror, however he as an alternative stabs his mom proper within the intestine.

This twisted opener establishes a really unsettling tone, expertly dropping its viewers into the midst of the battle. Sadly, this introductory scare already solidified itself as one of many extra unpredictable inciting incidents within the movie. Nothing that follows compares to this horror.

The film was loaded with the promise of soar scares that may have delivered on the effervescent anticipation to be scared out of our seats. Stress builds in some methods. The same old leisure related to ASMR audio turns into a goosebump-inducing whisper that audiences gained’t be capable to neglect. Any ounce of hinted terror, nonetheless, was overshadowed by Grimcutty’s loudly projected message for its viewers. You’ll be able to’t escape the social media allegories for some cause!

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Ross, however, begins his premise of the Web meme from hell with fascinating and mental motifs that may fly underneath your radar. From the protagonist, Asha Chaudhry (Sara Wolfkind), a YouTube influencer who focuses on ASMR content material creation, to the Mommy Blogger who must take a critical chill tablet, the film’s characterization shifts the style in a sensible method.

In a scene displaying one in every of Asha’s ASMR movies, dolls are crushed underneath shifting tires. This foreshadows her household’s eventual succumbing to the pressures and anxieties surrounding social media and web tradition. Using the mother and father of Asha, Amir (Usman Ally) and Leah Chaudhry (Shannyn Sossamon), Ross shifts these surveilling-obsessed entities into the precise antagonists of the movie. In an try to guard their kids from the meme that grows quicker than they’ll sustain with, the victims flip to villains as their nervousness and voyeurism grow to be the genesis of Grimcutty’s energy over their kids.

Alas, Grimcutty’s scares are overshadowed by over-explanation, preaching as an alternative of inviting us to place the items of this curious creature collectively. With out a lot “on the nostril” exposition, I might need left the movie feeling extra in awe, moderately than feeling as if I had left a category lecture.

For each satirical facet, scream set off, and foreshadowing trope that gave option to the redeeming qualities that existed prior, they have been rapidly overridden by the abrupt ending. In a concluding monologue that seeks to wrap up the unfastened ends, Asha explicitly states her recommendation, encouraging youngsters to be trustworthy with their mother and father about their on-line exercise whereas relieving mother and father that fall in need of maintaining with each final web development. To adolescents and adults that wrestle to teeter the tightrope of respectable parental snooping and ornery teenage conduct, she shares an openhearted portrayal of the imperfections of humanity that we won’t desert.

The Grimcutty decision was an expertise much like adolescent suppers when our mother and father pressured us to complete our greens earlier than we might depart the eating room desk. (Cue flashbacks to the notorious cauliflowers that terrorized my childhood existence.) If the film trusted its viewers extra in amassing the thematic items, there could possibly be area to find even deeper horrors inside the depths of on-line tradition. As an alternative, the spoon-feeding method kills the thrills and the enjoyable.

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Grimcutty involves Hulu Oct.10.(opens in a brand new tab)

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Movie Reviews

Game Changer Movie Review: Ram Charan and Shankar deliver a grand political drama

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Game Changer Movie Review: Ram Charan and Shankar deliver a grand political drama
Game Changer Story: Ram Nandan (Ram Charan), an upright IAS officer, is committed to eradicating corruption and ensuring fair elections. The film juxtaposes his modern-day battles with the historical struggles of his father, Appanna, highlighting a generational fight against systemic injustice.

Game Changer Review: The highly anticipated film Game Changer, directed by Shankar and featuring Ram Charan, Kiara Advani, and Anjali alongside SJ Suryah and Srikanth in pivotal roles, is a political action drama that delves into the murky waters of corruption within the Indian political system. Shankar, renowned for his grand storytelling, makes his Telugu directorial debut with Game Changer. His signature style is evident in the film’s lavish production and narrative structure. The story, penned by Karthik Subbaraj, weaves together action, drama, and social commentary, though it occasionally leans heavily on familiar tropes.

Ram Charan delivers a compelling performance in dual roles, seamlessly transitioning between the principled Ram Nandan and the rustic Appanna. As the central figure of the story, he carries the narrative with remarkable ease. While his portrayal of Ram Nandan is high on style and swag, it is his heartfelt performance as Appanna that truly resonates with the audience.

Kiara Advani, as Deepika, plays Ram Nandan’s love interest. Her character moderates Ram’s anger and inspires him to take up the IAS. While Ram and Kiara light up the screen, their love track feels somewhat clichéd. Anjali, as Parvathy, gets a meaty role as Appanna’s wife, championing his principles and cause. The emotional depth she brings to the story bolsters the film’s core.

Srikanth, as Bobbili Satyamurthy, surprises with his antagonist role. His dynamic interactions with Appanna add layers to the narrative. SJ Suryah, known for his distinct style and mannerisms, delivers yet another solid performance as Bobbili Mopidevi.

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The film opens with Ram transitioning from an IPS officer to an IAS officer, featuring a stylish action sequence where he settles old scores. The first half chronicles his journey from a fiery college student to a committed civil servant. Although it employs some usual tropes and forced humour, the first half ends with an interval twist, setting the stage for an engaging second half. The latter part of the film takes a different trajectory, transitioning into a politically driven narrative rooted in the soil. The screenplay, treatment, and even the colour palette shift to complement this transformation.

Thaman’s musical score elevates the film, with a soundtrack that complements its themes. Tirru’s cinematography captures both the grandeur and grit of the story, employing dynamic visuals that enhance the viewing experience. Editing by Shameer Muhammed and Ruben ensures a cohesive narrative flow. The production values reflect Shankar’s commitment to high-quality filmmaking, with grandiose visuals in the song sequences. “Jaragandi” stands out as the highlight track, while the popular “Naanaa Hyraanaa” is yet to make its way into the final cut. The team has announced its inclusion starting January 14.

While Game Changer impresses with its grand visuals and socially relevant themes, it falters in areas that detract from its overall impact. The narrative occasionally veers into predictability, relying on familiar tropes of love, political corruption, and systemic injustice. The screenplay’s didactic tone, though impactful at times, can feel heavy-handed, leaving little room for subtlety.

Overall, Game Changer is a well-executed commercial film. Shankar’s grand scale and Ram Charan’s brilliant performance, combined with strong supporting roles and technical excellence, make it a compelling watch for enthusiasts of the genre.

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‘Better Man’ movie review: Robbie Williams is a chimp. (Just go with it.)

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‘Better Man’ movie review: Robbie Williams is a chimp. (Just go with it.)
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Music biopics are too often predictable, formulaic and, let’s face it, dull. One way to liven them up, however, is to venture way outside the box and make the central subject an anthropomorphic animal. And while an alligator Freddie Mercury in “Bohemian Rhapsody” or a sloth Bob Dylan in “A Complete Unknown” might have been bridges too far, a chimpanzee Robbie Williams defies logic and somehow works in “Better Man.”

Director Michael Gracey’s admirably eccentric biopic/jukebox musical (★★★ out of four; rated R; in select theaters now, nationwide Friday) still boasts the signature tropes of its ilk and the career-tanking vices of many a “Behind the Music” episode. Yet the fact that the ultra-cheeky Williams is inexplicably presented as a bawdy CG ape man (given cool moves and voice via performance capture by Jonno Davies) matches the fantastical nature of the British pop star’s bananas rise-and-fall-and-rise-again tale.

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The movie also has a lot in common with Gracey’s most famous effort, “The Greatest Showman,” featuring well-crafted, effervescent musical numbers doing what they can to make up for oversentimentality and an unfocused narrative.

Narrated by Williams himself, “Better Man” chronicles his life starting as a little simian dude playing soccer in the streets with his mates – and failing to impress his peers. Like his father Peter (Steve Pemberton), Robbie wants to be somebody and slowly he begins to embrace a charismatic, wild-child personality that wins him a spot in the boy band Take That. His brazen and outrageous personality wins over some like pop-star girlfriend Nicole Appleton (Raechelle Banno) – and his many fans – but irks many others, from his bandmates and manager (Damon Herriman) to members of Oasis.

The middle of the movie is where “Better Man” finds its groove. Robbie sings “Rock DJ” and his group pogo-sticks through London’s busy Regent Street in the film’s most spectacular sequence. And as the insecure Robbie goes down a bad path, he’s forced to literally fight the conflicting parts of his pop-star persona. Drugs and being a selfish jerk threaten everything, of course, and seeing a chimp go through the out-of-control partying instead of a normal dude is a bit different. The family drama peppered through the film leans too earnest, leading to an ending that pours on the schmaltz way too hard. Brash simian Robbie is a lot more fun to watch than soppy simian Robbie.

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No one’s ever going to play a primate like the brilliant Andy Serkis in his “Planet of the Apes” films. Davies does a good job at moving in such a way that’s human but also a little bit wild, which adds to the hyperrealism of a proudly oddball movie. It doesn’t completely explain why exactly Williams is a chimp in the biopic – he’s said he feels “less evolved” than others, and Nicole calls Robbie an “animal” during a fight – but it makes that bizarre choice a little less head-scratching.

Interestingly, the best part of “Better Man” is Williams. He sings the songs throughout the movie – including nifty new tune “Forbidden Road” – and his fabulous narration hilariously slings jabs and adds an emotional gravitas to his screen counterpart’s struggles. When the film goes most over the top, Williams’ commentary keeps it grounded.

“Better Man” isn’t perfect – as a straightforward effort, it doesn’t hold a candle to, say, “A Complete Unknown.” But it’s never boring, either. And the film is easily the most idiosyncratic of its kind, at least until that inevitable Barry Manilow biopic featuring a yeti.

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Research: How Top Reviewers Skew Online Ratings

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Research: How Top Reviewers Skew Online Ratings
Online platforms from Amazon to Goodreads to IMDb tap into the so-called “wisdom of the crowd” to rate products and experiences. But recent research suggests that more experienced buyers tend to select better products and therefore expect higher quality, which leads them to rate more stringently. This means that higher-quality products could paradoxically receive lower average ratings than their less-sophisticated competitors. Researchers used data from IMDb, a leading movie platform, to document this bias, and propose an easy-to-implement algorithm to adjust ratings to better align with external proxies of quality.
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