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Film Review: 'A Different Man' is Surreal and Weird, Yet Also Strangely Compelling – Awards Radar

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Film Review: 'A Different Man' is Surreal and Weird, Yet Also Strangely Compelling – Awards Radar
A24

How much does what you look like define who you are? If you completely change your appearance, are you the same person? This is just one of many questions that A Different Man is pondering. The film is doing so in a fairly unusual manner, one that could even prove off-putting for some. However, if you can get on the movie’s wavelength, there’s something very compelling here. Some choices worked more for me than others, but throughout I found myself curious what would happen next.

A Different Man is far more surreal and weirder than you might be expecting, which should suggest just how strange this one gets. There’s a David Lynch vibe to things (alongside Woody Allen and especially Charlie Kaufman) that may affect audiences in different ways, but while at times it kept me at arm’s length, I never lost interest. Even when the plot goes a bit off the rails in the third act, I stayed engaged. The acting goes a long way, alongside just needing to see how the story resolves itself.

A24

Edward (Sebastian Stan) is an aspiring actor who, due to neurofibromatosis, has a face that gets a lot of lingering looks on the subway. He’s a sad sack, timid and withdrawn, even when acting in small parts. When a new neighbor, the playwright Ingrid (Renate Reinsve) moves in, she’s clearly flirting with him, but he’s barely able to recognize it, let alone act on it. It’s a very sad life, full of loneliness and surgeries, though when his doctor suggests a medical study with an experimental drug that could cure neurofibromatosis, he opts in. Shortly thereafter, his old face literally starts to peel away, revealing a whole new one. Instead of telling Ingrid or anyone else, he claims Edward has died and adopts a whole new identity.

Now living as Guy, a hot shot real estate agent, he’s become a ladies man. One day, he passes by an audition for Ingrid’s play, which he comes to realize is based on their brief friendship. Auditioning, he eventually gets the part while wearing a mold of his old face. The role is clearly written for him and is the one he was born to play, but in his new life, he’s faking it. It’s a struggle, made all the more complicated when Oswald (Adam Pearson) comes along, with all the confidence Edward lacked, while having the same affliction. A downward spiral for Edward/Guy begins.

A24

Watching Sebastian Stan crumble is very compelling, as it’s clearly the most challenging role of his career. Adam Pearson really breaks through, showing some truly impressive acting chops, while Renate Reinsve shows that The Worst Person in the World is no fluke and she should be a star. The three have very different interactions with each other, but they’re all quite good. Stan doesn’t have his performance suffer under the makeup, while when his actual face is on screen, he seems just as uncomfortable, as the script requires. Pearson and Reinsve are a little less well-rounded, but their talents shine through. The supporting cast includes Miles G. Jackson and Malachi Weir, as well as a wild cameo I won’t spoil.

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Filmmaker Aaron Schimberg certainly doesn’t hold back. He’s jamming a ton of ideas into a slightly under two hour running time. His direction supports the actors, while his screenplay is almost overflowing with thoughts. The first half worked better for me than the second half, with the final section a little too surreal, even for this plot, but it never becomes boring or repetitive. A Different Man has a lot to say and almost demands that you engage with it. Schimberg manages to pull off the act of casting Pearson opposite the role he’d actually have been born to play, which is just another layer of discussion. Like I said, there’s a lot going on here.

A Different Man is hardly perfect, and when it goes off the rails, it does feel like a very different picture, but the concept itself, as well as the acting, keep you from ever losing interest. Sebastian Stan is challenged like never before, Adam Pearson is showcased like never before, and the film itself is something rather new. It all makes for the sort of dramedy that A24 does very well, with this movie another example of that.

SCORE: ★★★

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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