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The little-known story behind one of Disneyland’s most recognizable ride songs
When Xavier “X” Atencio was plucked by Walt Disney in 1965 to be one of his early theme park designers, he was slotted on a number of projects that placed him out of his comfort zone.
Atencio, for instance, never would have envisioned himself a songwriter.
One of Atencio’s first major projects with Walt Disney Imagineering — WED Enterprises (for Walter Elias Disney), as it was known at the time — was Pirates of the Caribbean. In the mid-’60s when Atencio joined the Pirates team, the attraction was well underway, with the likes of fellow animators-turned-theme park designers Marc Davis and Claude Coats crafting many of its exaggerated characters and enveloping environments. Atencio’s job? Make it all make sense by giving it a cohesive story. While Atencio had once dreamed of being a journalist, his work as an animator had led him astray of a writer’s path.
Atencio would not only figure it out but end up as the draftsman of one of Disneyland’s most recognizable songs, “Yo Ho (A Pirate’s Life for Me).” In the process, he was key in creating the template for the modern theme park dark ride, a term often applied to slow-moving indoor attractions. Such career twists and turns are detailed in a new book about Atencio, who died in 2017. “Xavier ‘X’ Atencio: The Legacy of an Artist, Imagineer, and Disney Legend” (Disney Editions), written by three of his family members, follows Atencio’s unexpected trajectory, starting from his roots in animation (his resume includes “Fantasia,” the Oscar-winning short “Toot, Whistle, Plunk and Boom” and even stop-motion work in “Mary Poppins”).
For Pirates of the Caribbean, Atencio is said to have received little direction from Disney, only that the park’s patriarch was unhappy with previous stabs at a narration and dialogue, finding them leaning a bit stodgy. So he knew, essentially, what not to do. Atencio, according to the book, immersed himself in films like Disney’s own “Treasure Island” and pop-cultural interpretations of pirates, striving for something that felt borderline caricature rather than ripped from the history books.
Xavier “X” Atencio got his start in animation. Here, he is seen drawing dinosaurs for a sequence in “Fantasia.”
(Reprinted from “Xavier ‘X’ Atencio: The Legacy of An Artist, Imagineer, and Disney Legend” / Disney Enterprises Inc. / Disney Editions)
Indeed, Atencio’s words — some of those quoted in the book, such as “Avast there! Ye come seeking adventure and salty old pirates, aye?” — have become shorthand for how to speak like a pirate. The first scene written for the attraction was the mid-point auction sequence, a section of the ride that was changed in 2017 due to its outdated cultural implications. In the original, a proud redheaded woman is the lead prisoner in a bridal auction, but today the “wench” has graduated to pirate status of her own and is helping to auction off stolen goods.
At first, Atencio thought he had over-written the scene, noticing that dialogue overlapped with one another. In a now-famous theme park moment, and one retold in the book, Atencio apologized to Disney, who shrugged off Atencio’s insecurity.
“Hey, X, when you go to a cocktail party, you pick up a little conversation here, another conversation there,” Disney told the animator. “Each time people will go through, they’ll find something new.”
This was the green light that Atencio, Davis and Coats needed to continue developing their attraction as one that would be a tableau of scenes rather than a strict plot.
Tying it all together, Atencio thought, should be a song. Not a songwriter himself, of course, Atencio sketched out a few lyrics and a simple melody. As the authors write, he turned to the thesaurus and made lists of traditional “pirating” words. He presented it to Disney and, to Atencio’s surprise, the company founder promptly gave him the sign off.
“Yo Ho (A Pirate’s Life for Me),” Atencio would relay, was a challenge as the ride doesn’t have a typical beginning and ending, meaning the tune needed to work with whatever pirate vignette we were sailing by. Ultimately, the song, with music by George Bruns, underlines the ride’s humorous feel, allowing the looting, the pillaging and the chasing of women, another scene that has been altered over the years, to be delivered with a playful bent.
The auction scene of Pirates of the Caribbean in its current incarnation as seen at Walt Disney World Resort’s Magic Kingdom.
(Charles Sykes / Invision / Associated Press)
The song “altered the trajectory” of Atencio’s career. While Atencio was not considered a musical person — “No, not at all,” says his daughter Tori Atencio McCullough, one of the book’s co-authors — the biography reveals how music became a signature aspect of his work. The short “Toot, Whistle, Plunk and Boom,” for instance, is a humorous tale about the discovery of music. And elsewhere in Atencio’s career he worked on the band-focused opening animations for “Mickey Mouse Club.”
“That one has a pretty cool kind of modern instrument medley in the middle,” Kelsey McCullough, Atencio’s granddaughter and another one of the book’s authors, says of “Mickey Mouse Club.” “It was interesting, because when we lined everything up, it was like, ‘Of course he felt like the ride needed a song.’ Everything he had been doing up to that point had a song in it. Once we looked it at from that perspective, it was sort of unsurprising to us. He was doing a lot around music.”
Xavier “X” Atencio contributed concepts to Disneyland’s Haunted Mansion, including its famous one-eyed cat.
(Reprinted from “Xavier ‘X’ Atencio: The Legacy of An Artist, Imagineer, and Disney Legend” / Disney Enterprises Inc. / Disney Editions)
Atencio would go on to write lyrics for the Country Bear Jamboree and the Haunted Mansion. While the Haunted Mansion vacillates between spooky and lighthearted imagery, it’s Atencio’s “Grim Grinning Ghosts” that telegraphs the ride’s tone and makes it clear it’s a celebratory attraction, one in which many of those in the afterlife prefer to live it up rather than haunt.
Despite his newfound music career, Atencio never gave up drawing and contributing concepts to Disney theme park attractions. Two of my favorites are captured in the book — his abstract flights through molecular lights for the defunct Adventure Thru Inner Space and his one-eyed black cat for the Haunted Mansion. The latter has become a fabled Mansion character over the years. Atencio’s fiendish feline would have followed guests throughout the ride, a creature said to despise living humans and with predatory, possessive instincts.
In Atencio’s concept art, the cat featured elongated, vampire-like fangs and a piercing red eye. In a nod to Edgar Allan Poe’s story “The Black Cat,” it had just one eyeball, which sat in its socket with all the subtlety of a fire alarm. Discarded eventually — a raven essentially fills a similar role — the cat today has been resurrected for the Mansion, most notably in a revised attic scene where the kitty is spotted near a mournful bride.
Xavier “X” Atencio retired from Disney in 1984 after four-plus decades with the company. He drew his own retirement announcement.
(Reprinted from “Xavier ‘X’ Atencio: The Legacy of An Artist, Imagineer, and Disney Legend” / Disney Enterprises Inc. / Disney Editions)
Co-author Bobbie Lucas, a relative of Atencio’s colloquially referred to by the family as his “grandchild-in-law,” was asked what ties all of Atencio’s work together.
“No matter the different style or no matter the era, there’s such a sense of life and humanity,” Lucas says. “There’s a sense of play.”
Play is a fitting way to describe Atencio’s contributions to two of Disneyland’s most beloved attractions, where pirates and ghosts are captured at their most frivolous and jovial.
“I like that,” Lucas adds. “I like someone who will put their heart on their sleeve and show you that in their art.”
In her long-awaited memoir, Phases, entertainment icon Brandy is opening up about her storied journey from singing in church in rural Mississippi to building a decades-long career in Hollywood as a music artist, songwriter, producer and actress.
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It was in the late summer of 1993 when Brandy first captured viewers nationwide with the premiere season of the sitcom Thea. Playing the vibrant and savvy Danesha Turrell, Brandy stepped into a role that, though short-lived, would become the prelude to her now decades-long entertainment career.
In an interview with Morning Edition ahead of the release of her new memoir, Phases, Brandy recounted that these early achievements affirmed the childhood dreams she held so close growing up in McComb, Mississippi, and Carson, California. While working to reach her visions for herself, Brandy honed her singing and acting skills with the support of her singer and musican father, William “Willie” Norwood Sr., her mother and eventual manager, Sonja Norwood, and her younger brother, Ray J, whose full name is William Norwood Jr.
“All I wanted to do was be a singer, touch people with my voice and meet Whitney Houston. That was my dream. But God had other plans for me. I was able to expand into acting and all sorts of things that I never saw myself doing,” Brandy told NPR’s A Martinez.
Brandy at the ninth annual Soul Train Music Awards in 1995, where she won the award for R&B new artist following the release of her self-titled debut album, which went platinum and featured her chart-topping singles “I Wanna Be Down” and “Baby.”
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Brandy’s debut acting role came the same year that she secured her first record deal — with her signing to Atlantic Records. Just one year later in 1994, several months after Thea filmed its final episode, Brandy dropped her self-titled debut album. The platinum-selling album stormed the charts, producing two No. 1 singles on the Hot R&B/Hip-Hop Songs chart, three top 10 hits on the Billboard Hot 100 chart and securing Brandy’s title as an artist to watch.
“I just remember being fearless at 14, excited for everything, ready for all of the things that I saw myself doing. I just was so full of spirit,” said Brandy, whose full name is Brandy Norwood, though she’s gone by the mononym Brandy throughout her career.
From a rising star to a pop culture force
Less than a year after releasing her first album, Brandy had already accomplished one of her most coveted goals — meeting her idol Whitney Houston. The pair crossed paths at the Nickelodeon Kids’ Choice Awards in 1995, where Brandy was performing and Houston was hosting the show. Brandy said that encounter was the beginning of a “beautiful friendship” between her and Houston.
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Brandy and Houston soon worked together again when Houston asked Brandy to be on the soundtrack for Houston’s 1995 film Waiting to Exhale, a music project that Houston curated to feature a roster of all-women music artists and housed Brandy’s No. 1 single “Sittin’ Up in My Room.”
The following year, Brandy took on a new role on the UPN series Moesha, where she starred as the show’s title character, Moesha Mitchell. The show aired for six seasons until its end in 2001, a series run Brandy said she “couldn’t predict” would have lasted so long.
Brandy celebrates the 100th episode of Moesha with her castmates William Allen Young, Yvette Wilson, Shar Jackson, Marcus T. Paulk, Lamont Bentley, Sheryl Lee Ralph and Brandy’s real-life brother, Ray J.
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“It was nothing like Moesha on television. It wasn’t a young Black girl with braids on television, just tackling so many topics about life and what teenagers go through. It was different. It was family oriented. It just seemed really grounded,” Brandy said.
“I loved that it was set in Leimert Park. It was just the culture there. It was just so beautiful,” Brandy added, referencing the real-life historic Black neighborhood in Los Angeles where Moesha and her family lived on the show. “I was so happy that we tapped into it. It was such a fun time.”
Brandy and her real-life brother, Ray J, both appeared in the the television series Moesha. Brandy played the series’ title charachter, Moesha Mitchell. While Ray J memorably played several charachters on the show, with his best-known rolebeing Dorian Long.
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But it was in 1997 that Brandy played one of her most treasured roles — Cinderella in the Disney television film adaption of the musical Rodgers & Hammerstein’s Cinderella. Brandy was cast in the lead role by her own fairy godmother Houston — with Brandy making history as the first Black actress to play a Disney princess on screen.
While working on the film, Brandy says that Whitney centered her with “encouraging energy” and urged Brandy to be herself.
“She just made me feel safe to be myself and I just wanted to impress her,” Brandy said. “Anything I could think of to impress her, I would do it … to make her laugh, to do a run or something to just make her smile. Just because I loved her so much. And I still love her.”
Brandy and Monica arrive at the 41st annual Grammy Awards in February 1999 in Los Angeles, California. That night they won the Grammy Award for best pop duo/group peformance for their chart-topping single “The Boy Is Mine.”
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On the glass heels of the Cinderella film’s international success, Brandy released her 1998 sophomore album Never Say Never. The album included the track “The Boy Is Mine,” her record-breaking duet with her fellow teen sensation Monica. Brandy then closed out the decade with a Grammy win for “The Boy Is Mine,” her becoming the first Black singer to land a CoverGirl contract, Mattel’s release of a Brandy Barbie doll, and her recognition as a beauty and style muse — who’d become known for her trademark braided hairstyles and her fashion on and off the screen.
Balancing the dream
The bustle following Brandy’s debut album in 1994 had surged to a thundering confirmation by the end of the 1990s, with the multiphenate amassing a pop culture significance unrivaled by most of her teen-star contemporaries. But Brandy says navigating her preteen and teenage years as a public figure came with a crushing cost — the mounting expectations of perfection she often felt placed upon her professional and personal life.
Brandy performs during the 50th annual Primetime Emmy Awards on September 13, 1998.
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“You’re a teenager. That’s when you’re making mistakes, and falling down and trying to get back up — all of these things. And I wasn’t able to do that because I was an example. I was put in a position to be like a role model,” Brandy said.
“The pressures of staying on point and not making mistakes — it was hard to live up to for a long period of time,” Brandy continued. “Because life kicks in. And you do start to learn about yourself. And you do start to make mistakes. And you learn from those mistakes. But when you’re a child star, everything is on blast.”
An expansion of career and honoring of self
Brandy entered the new millennium with artistic fervor, exclaiming her coming of age as a young adult with her 2002 third studio album Full Moon and its acclaimed title track. Her Full Moon era also included the birth of her now 23-year-old daughter Sy’rai Smith, who Brandy says has pulled her own creative inspiration from the beloved project.
“[Sy’rai]’s an artist. She loves music. She can sing her little tail off. So I’m supporting her on her journey, becoming and blossoming into a beautiful artist,” Brandy said, adding that “Full Moon” is Sy’rai’s favorite song out of her mom’s catalog. “Her and her crew, every time that song comes on, they want me to know that they know every lyric. They know every word.”
Brandy visits BET’s 106 & Park and chats with the shows co-host Free in 2002 while promoting her third studio album Full Moon.
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In the decades following Full Moon, Brandy expanded her career through a melding of film, TV, theater and music projects.
As an actress, she’s taken on feature films like The Perfect Match, her lead role in the sitcom Zoe Ever After, her televsion movie with Sy’rai Christmas Everyday and starring on Broadway as Roxie Hart in the musical Chicago. She’s also continued to foster her musical evolution through studio albums that have found her exploring a range of sonic spaces — including her critically lauded Afrodisiac in 2004, her pop and R&B fusion Human in 2008, Two Eleven in 2012 and her musing experimental album B7 in 2020, which she co-wrote and co-produced.
Brandy’s daughter, Sy’rai Smith, pictured above on the left, is building her own career as a singer and actress. Sy’rai released her debut single “On My Own” in 2023, has been featured on several songs on her mother’s albums and Sy’rai appeared alongside Brandy in the Lifetime holiday movie Christmas Everyday, which premiered in November 2025.
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Paras Griffin
Despite her exhaustive list of creative pursuits, the past three decades have seen Brandy employ moments of dormancy from the spotlight — with her often going inactive on social media and generally retreating from the public eye between projects. It was during one such break that Brandy says she was able to fully address the emotional complexities of her life as a child star.
“Once I was able to step away from the limelight and really work on myself, and work on my self-worth, and heal, I was able to grow and become an amazing person, and mom and a role model for my daughter in the best way possible,” Brandy said. “So I’m grateful for what I’ve been through because I wouldn’t be the person that I am today.”
A timeless icon reinspired
Now putting shape to her fourth decade in the entertainment industry, Brandy says she’s building on the artistic energy she rediscovered during her record-setting joint tour with Monica last fall — which was named after their hit song “The Boy Is Mine.” The 32-date The Boy Is Mine Tour sold out arenas around the nation and dominated social media feeds with performance clips, photos and behind-the-scenes footage.
Brandy attends her Hollywood Walk of Fame induction ceremony on March 30, 2026, in Hollywood, California.
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“When I was creating [The Boy Is Mine] with Rodney Jerkins and LaShawn Daniels, I was watching a lot of [the Jerry Springer Show]. And I saw this [episode] where the show was called pretty much ‘The Boy Is Mine.’ And I was like we should do a song with another artist like Monica,” Brandy said. “I thought my idea for it was amazing. When I heard the song, I just had this idea of our voices going back and forth, and us going back and forth in the song, and producing it like that and. And nobody could see it but me. And I was right.”
“[‘The Boy Is Mine’] is the biggest song of our careers. It won us a Grammy. It put us back on tour 27 years later in 2025 in front of these amazing fans — and reinspired me and reignited me to do more performing and entertainment now. I’m so inspired because of ‘The Boy Is Mine’ and the tour,” Brandy said.
Brandy performs the national anthem ahead of the NFC Championship Game between the Los Angeles Rams and the San Francisco 49ers at SoFi Stadium on January 30, 2022 in Inglewood, California. Brandy’s white tracksuit paid homage to the white windsuit her idol Whitney Houston wore during her iconic performance of the national anthem at the Super Bowl in 1991.
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As Brandy waxes into a new phase of galvanized creativity and self-discovery, she’s reassured that she won’t be overshadowed by weighty expectations and misconceptions. Instead, this era of her life will be fully illuminated by the personal truths she assuredly proclaims in her long-awaited memoir, which she penned in collaboration with journalist Gerrick Kennedy.
“For so long my story was told for me. So given the opportunity to have a chance to speak myself and tell my own story, I just felt like it was divine,” Brandy said. “I wanted to give my younger self a voice and heal my inner child. Some of the things that I went through was super difficult, and I wanted to speak about that and inspire others.”
“[Gerrick Kennedy] helped me to recall some of the things that I didn’t remember and was able to put together a beautiful, compelling story to help other people feel like they can survive whatever they’re going through,” Brandy added.
To his millions of YouTube, Instagram and TikTok followers, 30-year-old designer and content creator Drew Michael Scott (a.k.a Lone Fox) is best known for his easy-to-follow DIY transformations, from updating his 1929 Spanish duplex and offering rental tips to surprising his mom with a living room makeover.
Now, Scott has taken on a new project that isn’t online. This week, he opened Lone Fox Los Angeles, a 7,000-square-foot bricks-and-mortar home store on La Brea Avenue in Mid-City that will have about 2,500 square feet of retail space across two floors.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
“I source every single item,” Scott said, as he gave a tour of the elegant showroom filled with vintage furniture and modern accessories including glassware, pillows, lighting and small gifts.
Scott started selling vintage furniture online about 2½ years ago after his viewers kept asking him about the pieces he used. “I would always use thrifted finds and flea market things in my makeovers, and people would always ask me, ‘Can you sell what you’re using?’” he said.
Fans can now get a taste of his impeccable style in person. Curious about where he finds his vintage pieces? On a typical Sunday in L.A., Scott visits one or two flea markets. Want to know which ones? Keep reading.
This interview has been lightly edited and condensed for length and clarity.
8 a.m.: Avoid anxiety by posting content
I am a workaholic. But I do that to myself. In the past, I was an anxious person, and that stemmed from having too much free time. So I like filling my day. I have been doing social media for 15 years, and Sundays are my primary day for posting content. I wake up around 8 or 9 a.m. and am excited to post my content, which I always have ready to go. Over time, I noticed it felt like a nice day for people to look at social media because they had more free time, and I found that my views did better on Sunday.
9 a.m.: Coffee and croissants at a minimalist coffee shop
I love the coffee shop Laveta Coffee near downtown [L.A.] on Glendale Boulevard, which is only 16 minutes from my house. It’s a chill coffee shop where croissants are made to order. They also have cinnamon-sugar croissant doughnuts that are really good. I always get the Andante, a cold brew with maple syrup, salted sweet cream foam, cacao powder and pink salt. It is the best coffee I’ve ever had in my life. It’s my go-to, and I love that place.
10 a.m.: Flea market shopping in Long Beach or Pasadena
Sundays are for flea markets, and I take advantage of that. I personally source all my vintage pieces, so I try to visit flea markets every week. I bring a wagon to carry all my finds and really enjoy hunting for treasures. I try to go early and can always find art or furniture to rework and give new life. My favorite spot is the Long Beach Flea Market.
Another great option is the Pasadena City College Flea Market. It’s especially nice on hot days because about 70% of it is in a shaded parking garage. Sometimes I’ll find a large piece of furniture. When that happens, I use Lugg, which works like Uber. It’s perfect for things like sideboards and usually costs about $100.
Noon: Hunt for treasures at a sprawling antique mart
I also spend a lot of time at the Mart Collective in Venice, where I have a booth. I love finding new pieces there and checking out the different vendors. The selection is so interesting. It feels more like a museum than a typical antique mall, and I always discover something new. Two booths I really like are West End Vintage, which has unique furniture that looks like it’s from a mountain home, and a French booth near the checkout stand that has amazing French oil paintings.
1:30 p.m.: Stop by Lone Fox Los Angeles
After shopping, I’ll drop off my vintage finds from the flea market and check in at Lone Fox Los Angeles. I don’t plan to be there all the time, but I want to be around the first few weeks it’s open to spot any issues.
2 p.m.: Walk the dog over to Thai lunch
After visiting the shop, I’ll walk my dog over to Her Thai in Mid-City to pick up lunch. I love their pad Thai and Thai iced tea, and I usually get my order to go and bring it home. The Thai tea is especially good. Her Thai is run by the same people who own Met Her at a Bar and Met Him at a Bar, and they are all great.
4 p.m.: Indulge in an afternoon bath
I love taking a bath during the day, even though it feels a bit unusual. I only get the chance on Sundays. I don’t really use bath time to relax, but I do find it sparks my creativity. When I’m in the bath, I come up with ideas for scripts or plan out my work for the week. It might not be the typical way people use their bath time, but it’s something I’ve always enjoyed. My mind is usually focused on work, so that’s where my thoughts go. While I’m in the tub, I like using Cyklar products. Their vitamin C body oils smell great, and adding them to my bath makes me feel productive.
7 p.m.: Enjoy some homemade pasta at a cozy neighborhood cafe
Then I’d have dinner at Met Him at a Bar, my favorite spot. I really like the restaurant’s vibe. They offer both indoor and outdoor seating, and it reminds me of a New York street corner. The restaurant serves Italian food and makes its pasta from scratch. Their Brussels sprout appetizer with balsamic glaze is amazing. The cocktails are great too. Since it’s just a few blocks from my house, I can walk there if I want to have a drink.
10 p.m.: Content planning while watching true crime documentaries
I love watching TV from bed. On Sunday nights, I usually plan content for the week and check what’s trending. I try to relax and come up with new ideas. I’m really into crime documentaries, which are very different from the content I make at home. I like how real they are, even if they aren’t uplifting. I can work on my phone and look up when something interesting happens. I also enjoy YouTube videos about home content, Mr. Kate, how things are made and soothing ASMR reels. It’s my guilty pleasure and helps me unwind.
A note from Wild Card host Rachel Martin: George Saunders is considered one of the master storytellers of our time. He uses humor and empathy to draw readers into characters and situations that stick deeply in the imagination.
He also seems like a guy totally preoccupied with the liminal space between the living and the dead. And I dig this because I am also preoccupied with this in-between-space. It was the setting for his best selling book “Lincoln in the Bardo” and of his newest novel, “Vigil.”
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