Movie Reviews
‘Doin’ It’ Review: Lilly Singh’s High-School Sex-Ed Comedy Gets an Incomplete
Doin’ It revolves around surely the most literal interpretation imaginable of the old saying “those who can, do; those who can’t, teach.” Lilly Singh stars as Maya, who stumbles almost by accident into a job teaching sex ed, despite still being a virgin. As she schools her kids on everything from consent to gender identity to orgasms, Maya sets out to unlearn the shame that she herself internalized at that age — and maybe even to get laid for the first time.
Good intentions practically drip off the premise, which makes a convincing case for dismantling the fear and ignorance around adolescent sex ed. And Doin’ It puts its money where its mouth is — its jokes eschew pearl-clutching or coyness in favor of in-your-face crassness. But the comedy never quite settles into a comfortable rhythm, and eventually backs itself into a corner so far away from any recognizable reality that it threatens to undermine the very message it wants to send.
Doin’ It
The Bottom Line Good intentions, uneven execution.
Venue: SXSW Film Festival (Narrative Spotlight)
Cast: Lilly Singh, Ana Gasteyer, Sabrina Jalees, Trevor Salter, Sonia Dhillon Tully, Stephanie Beatriz, Mary Holland, Utkarsh Ambudkar
Director: Sarah Zandieh
Screenwriters: Lilly Singh, Sara Zandieh, Neel Patel
1 hour 30 minutes
Doin’ It‘s NSFW sensibility is front and center from the very first scene, in which a 15-year-old Maya has semen squirted in her face twice in five minutes by a friend who cannot control his excitement at getting to see her boobs. Her curiosity turns to humiliation, however, when a mishap involving a stage curtain reveals the moment to an entire auditorium of students and parents. Horrified, Maya’s mother (Sonia Dhillon Tully’s Veena) sends her packing to India, where her urges are further disciplined out of her: When she’s caught playing MASH in class, she’s made to stand outside in the heat “until all your dirty thoughts melt away.” By the time Maya returns to the States as a 30something software engineer shilling for a teen-oriented app, she’s hardly more experienced than she was as a teen. But in an effort to research her target demo, she picks up the teaching job and simultaneously tries to catch up on all the adolescent experiences she missed way back then.
Doin’ It is at its brightest in Maya’s personal journey of self-liberation, which yields one comically mortifying situation after another. While the actual gags are hit or miss (running bits frequently overstay their welcome, and too many jokes are built on formats so hoary we can see the punchline coming from three miles away), the frankness with which they’re presented is refreshing: Maya may blush at seeing her first vibrator, but her movie has no qualms about showing us that same vibrator messy with recent use. Its playful attitude toward sex is most fully embodied by Sabrina Jalees as Maya’s BFF Jess, a scene-stealer whether she’s fingerbanging papayas at the grocery store or crowing about how her DJ girlfriend “remixes my pussy like fucking Tiësto.”
Meanwhile, the film extends sincere empathy toward Maya’s struggle to internalize in private the sex-positive values she espouses in public. “I’m confident with everything else but when it comes to this stuff, it’s like I’m broken,” she cries after a date with a cute fellow teacher (Trevor Salter) ends with her cruelly projecting her own fears about being “weak” and “prudish” onto him.
Her arc is neatly complemented by her mother’s. When Veena insists she couldn’t possibly date because she’s not that kind of woman — even while she laps up storylines about middle-aged romance on Never Have I Ever — we see how repression gets handed down the generations. In that light, Maya’s determination to break the cycle with her own students feels all the more noble.
The problem is that Doin’ It‘s idea of Maya’s work is so underbaked, it’s practically raw. “Maybe I have an opportunity here,” she muses when Jess mentions that half the schools in the state don’t even have sex ed, and that’s all it takes for Maya to decide to throw out the abstinence-only curriculum mandated by the district. On her first day, she’s so green she doesn’t know the difference between an IUD and a UTI. Seemingly overnight, she’s playing Betty Dodson videos and breaking down the best woman-on-top sex positions without so much as batting an eye. In doing so, she’s framed as an inspirational teacher in the Dead Poets Society mold, meeting her students at their own level in defiance of the oppressive standards that define the world around them. But the script, by Singh, director Sara Zandieh and Neel Patel, is never very clear about the challenges or the stakes she faces.
The opposition to her teachings is strangely toothless — none of the other parents or teachers even notice how drastically she’s strayed from the lesson plan for weeks, and once they do, the ensuing pushback plays out with more confusion than venom. It’s outside the scope of any one movie, let alone a lighthearted comedy like this one, to fix the state of sex ed in America. But as high-school students in the real world deal with book bans, limited contraception access and parental notification bills, Doin’ It‘s reluctance to touch on those weightier topics has the effect of minimizing the problem. In this fantasy, all you need to transform an entire generation’s relationship with sex is for a single teacher to decide that she wants to do it.
“We need a sexual revolution, and it starts in this place, today,” Maya declares in a dramatic speech, and she’s not wrong — her own storyline in Doin’ It serves as a warning of how the damage wrought by shame can take years or decades or entire lifetimes to move past. But if today’s youth indeed deserve honesty, the film might start by being a bit more candid about what the sex-positivity movement is really up against.
Full credits
Venue: SXSW Film Festival (Narrative Spotlight)
Production companies: Likely Story, Unicorn Island Productions, Camelback Productions
Cast: Lilly Singh, Ana Gasteyer, Sabrina Jalees, Trevor Salter, Sonia Dhillon Tully, Stephanie Beatriz, Mary Holland, Utkarsh Ambudkar
Director: Sara Zandieh
Screenwriters: Lilly Singh, Sara Zandieh, Neel Patel
Producers: Anthony Bregman, Erica Matlin, Polly Auritt, Lilly Singh, Anita Verma-Lallian
Executive producers: Sara Zandieh, Neel Patel, Jawad Ahsan
Cinematographer: Jason Oldak
Production designer: Peter Cosco
Costume designer: Georgia Yarhi
Editor: Jon Philpot
Composer: Tom Westin, Zachary Greer
Casting directors: Jeanne McCarthy, Nicole Abellera Hallman, John Buchan, Jason Knight
Sales: WME
1 hour 30 minutes
Movie Reviews
Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat
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Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.
🔥 Quick Facts
- Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
- Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
- March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
- Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases
Project Hail Mary Dominates with 95% Critical Acclaim
Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.
According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.
Streaming Certified Fresh Titles Light Up March
March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.
Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.
Beyond the Blockbusters: Other Standout Certified Fresh March Releases
| Title | Tomatometer Score | Release Date | Status |
| Hoppers | 94% | March 6, 2026 | Theaters |
| Ready or Not 2 | 73% | March 20, 2026 | Theaters |
| Late Shift | 96% | March 20, 2026 | Theaters |
| Two Prosecutors | 97% | March 20, 2026 | Theaters |
“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”
— IMDb Critics, Film Review Community
What Makes a Film Certified Fresh on Rotten Tomatoes
Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.
This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.
Plan Your March Movie Marathon Now – Which Film Will You Watch First?
Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.
New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?
Sources
- Rotten Tomatoes – Official certification database and critical scoring system
- Variety – Best movies streaming in March 2026 coverage
- The Wrap – Most anticipated films arriving in March analysis
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Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
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A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
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